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Billy Budd

Opera · 1951

On board HMS Indomitable during the French Revolutionary Wars, the cheerful sailor Billy Budd attracts the attention and hostility of Master-at-Arms John Claggart. Claggart arranges a false accusation of mutiny. When Billy is confronted with the charge, his stammer prevents him from answering and he strikes Claggart, killing him. A court-martial sentences Billy to hang. He refuses to support a mutiny in his defense, is executed, and blesses Captain Vere, who later recalls his own failure to save Billy.

Blind Injustice

Opera · 2019

The opera follows six Ohioans who were wrongfully convicted and later exonerated, alongside the lawyers and law students working on their cases through the Ohio Innocence Project. Among them are Clarence Elkins, convicted of rape and murder after a weak identification; Nancy Smith, convicted of child-abuse charges; the East Cleveland Three, who served 20 years after convictions based on tainted evidence and misidentification; and Rickey Jackson, who served 39 years for a murder he did not commit. Their stories trace the alleged crimes, imprisonment, legal advocacy, and eventual release.

Blue

Opera · 2019

In Harlem, the Mother and her friends celebrate her pregnancy but fear the danger her son may face; the Father, a police officer, welcomes the child. Sixteen years later, their son is an artist and activist who clashes with the police and his father. After the Son is fatally shot at a protest, the Father struggles with grief and anger; the family and community gather for the funeral, and an epilogue imagines the Son reconciled with his parents and continuing his studies and peaceful activism.

Bluebeard’s Castle

Opera · 1918

Judith enters Bluebeard’s dark castle with him and insists that he open its seven locked doors. They reveal a torture chamber, an armory, a treasury, a garden, and Bluebeard’s vast kingdom; blood marks each of these. The sixth door reveals a lake of tears. Judith then demands that Bluebeard open the final door, which he says must remain shut. Behind it are his three former wives, alive and wearing crowns and jewels. Bluebeard names Judith his fourth wife, dresses her in their jewelry, and leads her away through the door. The castle fades into darkness, leaving him alone.

Bomarzo

Opera · 1967

The hunchbacked Duke Pier Francesco Orsini drinks a potion his astrologer says will grant him immortality. As the poison takes effect, he recalls episodes from his life: the death of his father and brothers, his troubled courtship and marriage to Julia Farnese, and his suspicion that she is betraying him with his brother Maerbale. He orders his slave Abul to kill Maerbale. The astrologer prepares the potion again as Bomarzo’s nephew Nicolás watches; Nicolás poisons it, and the Duke dies after drinking.

Boris Godunov

Opera · 1874

In the 1872 revised version, crowds are prompted to urge Boris Godunov to take the throne, and he is crowned Tsar. At a monastery, novice Grigoriy learns of Tsarevich Dmitriy’s death and decides to impersonate him. Boris is troubled by guilt over the child’s murder, especially after Shuysky recounts the death and Pimen describes a miracle at Dmitriy’s grave. The Pretender gains support in Poland, where Marina Mniszech and the Jesuit Rangoni maneuver for power; Marina agrees to join the Pretender after he promises to march on Moscow. Boris dies after visions of the murdered child. In the final Kromi scene, rebels denounce Boris, celebrate Dmitriy’s advance and march toward Moscow, while the Holy Fool laments Russia’s fate. The 1869 original version has a different scene structure and omits the Polish act and Kromi scene; it ends with Boris’s death.

Boule-de-Neige

Opera · 1871

After a revolution, the Grand Khan appoints a white bear, Boule-de-Neige, ruler of a rebellious city, hoping to frighten its people into obedience. Bear trainer Olga discovers the animal was stolen from her and calms it; the bear’s decrees are actually written by Olga’s lover Kachmir, disguised in a bearskin. When officials uncover the ruse and conspire against the bear, Olga and Schamyl foil the plot; the bear escapes and causes chaos, and the Khan appoints Olga and Kachmir to rule together.

Brankovics György

Opera · 1874

In the first half of the 15th century, Serbian despot Brankovics is asked by Hunyadi to fight the invading Ottomans. His daughter Mara is secretly meeting the Ottoman grand vizier Murat. Brankovics first agrees to reject Ottoman envoys and fight, then accepts their peace offer, giving his two sons as hostages. Murat, secretly the sultan’s son, signs the treaty. After Hunyadi wins without him, Brankovics’s court urges him to break the pact, but he cannot risk his sons’ lives. Mara asks Murat to return her brothers, offering herself as guarantor; instead, the brothers are blinded. Mara leaves with Murat, and Brankovics vows revenge. He rejoins Hunyadi and attacks the Ottomans. Murat’s father dies, making him sultan, and he goes to battle. The Serbian forces win, but Brankovics is fatally wounded. He entrusts his children to Hunyadi and dies, realizing too late that Mara is present.

Briséïs

Opera · 1897

In ancient Corinth, Hylas pauses at the home of Briséïs and her sick mother, Thanastô, before seeking his fortune in Syria. Hylas and Briséïs swear to love each other beyond death. Thanastô prays for the salvation of the pagans around her, while Briséïs worries about Hylas and her mother. The Catechist promises Thanastô’s salvation if Briséïs follows him; bound by her mother’s vow to remain a bride of God, Briséïs goes with him. In the projected final acts, Hylas returns after a shipwreck, Briséïs kills herself and invites him to die with her, and he follows her into the grave.

Bátori Mária

Opera · 1840

In 12th-century Hungary, Prince István returns from battle. His father, King Kálmán, urges him to remarry, and two royal advisors reveal that he has a lover, Bátori Mária, and two sons with her. István goes to Mária’s estate and marries her. When he and Mária’s brother leave to hunt, the advisors persuade the king that Mária and her sons threaten the royal succession. The king questions her at her estate, but Mária exposes the advisors’ motives and her children plead for her. The king excuses her and leaves. The advisors and executioner then enter her chamber and stab her. István returns in time to say goodbye to her as she dies and vows revenge.

Béatrice et Bénédict

Opera · 1862

In Messina, Béatrice and Bénédict trade insults while Héro awaits the return of her fiancé Claudio. Don Pedro and Léonato trick Bénédict into believing Béatrice loves him, and Héro and Ursule similarly convince Béatrice that Bénédict is in love with her. At a masquerade celebrating Claudio and Héro’s wedding, Béatrice and Bénédict each struggle to hide their growing love. They finally declare their feelings and sign a second marriage contract.

Caritea, regina di Spagna, ossia La morte di Don Alfonso re di Portogallo

Opera · 1826

Portuguese King Alfonso attacks Spain after Queen Caritea refuses to marry him. Diego, a Spaniard who fled ten years earlier after killing a rival suitor, enters the Portuguese camp. Caritea infiltrates the camp in disguise; Diego saves her, but she does not recognize him. She had vowed to marry anyone who brings her Diego’s head. Diego offers to escort her home and proposes marriage, but Caritea repeats her condition. Alfonso challenges Diego to a duel and is killed. Diego returns to Toledo as a hero, reveals his identity, and Caritea forgives him and agrees to marry him.

Castle Agrazant

Opera · 1926

After their newborn daughter dies, Isabeau is left alone while her husband Richard is away on crusade. Count Geoffrey of Lisiac, a former suitor, attacks Castle Agrazant and kidnaps her. Richard returns from Jerusalem, discovers the assault and follows her, disguised as a monk. At Lisiac Hall, he reveals himself to Isabeau and fights Geoffrey; both Isabeau and Geoffrey are wounded, and Richard escapes with her. As they hide, Richard renounces his crusade. Isabeau hallucinates that she is comforting their daughter and dies, while she and Richard sing of a brighter future beyond this life.

Charlotte Corday

Opera · 1989

In Paris on 13 July 1793, Charlotte Corday meets her disillusioned Girondin friend Camille and Marat’s bodyguard Gaston. She sees Marat but misses a chance to kill him. The next day, after Marat frees Camille, Charlotte again considers how to act against him. In act three she visits Marat in his bath with a list of revolutionary enemies. Their argument over power, loneliness, truth and death ends when she stabs him; Marat dies understanding her expression but not learning her name.

Christophorus oder Die Vision einer Oper

Opera · 1978

Composition student Anselm is assigned a string quartet based on St Christopher but decides to write an opera starring himself, his composer friend Christoph, and Christoph’s wife Lisa, whom Anselm loves. A year later, Christoph has left composition for family life, while Lisa is dissatisfied and attracted to Anselm. When Christoph discovers them together, he shoots and kills Lisa; he and Anselm flee. They reach a seedy nightclub, where a séance lets Christoph, under opium, try to contact Lisa. Anselm realizes he is losing control of his opera. In the epilogue, dream and reality blur; unable to finish, Anselm returns to music’s simplest form and begins the string quartet.

Chérubin

Opera · 1905

After receiving his military commission, Chérubin flirts with the Countess and Spanish dancer L’Ensoleillad while his maid Nina loves him. A love letter nearly gets him killed. At an inn, he seduces L’Ensoleillad and serenades her, but the Countess and Baroness each think the song is for her, provoking duels with their husbands. Chérubin clarifies the misunderstanding; when Nina plans to enter a convent, he realizes he truly loves her and persuades her to stay.

Cinq-Mars

Opera · 1877

Cinq-Mars loves Princess Marie de Gonzague, who is promised in marriage to the King of Poland. After hearing of the planned match, he enters a conspiracy of French nobles against Cardinal Richelieu, who refuses to approve his marriage to Marie. Cinq-Mars joins the plot despite De Thou’s warning against involving Spain. He and Marie exchange wedding vows, but a spy reports the conspiracy to Father Joseph. Joseph tells Marie that Cinq-Mars will be executed for treason unless she agrees to the Polish match. She capitulates, but Cinq-Mars is still condemned. In prison, Marie reveals that Joseph deceived her and admits she has always loved Cinq-Mars. De Thou’s escape plan fails when the execution is moved forward, and Cinq-Mars and De Thou pray before being led to the gallows.

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