Ashmedai
In a story based on the Talmud, a peace-loving country is corrupted by the devil.
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Clear filtersIn a story based on the Talmud, a peace-loving country is corrupted by the devil.
In early Kyiv, orphan Vseslav prepares to marry fisherman’s daughter Nadezhda. The Unknown Man, seeking revenge for the murder of Prince Askold, tells Vseslav that he is Askold’s grandson and urges him to betray Prince Sviatoslav and seize power. Vseslav rejects the scheme; the romantic plot unfolds amid folk songs and dances.
Pregnant Alida and Asle arrive in Bjørgvin seeking shelter and are turned away until Asle takes an old woman’s house by force; Alida gives birth to their son, Sigvald. Later Asle travels to buy wedding rings and is arrested for murder and theft from his former home. Alida learns that Asle has been hanged, receives a bracelet from Asleik, and hears Asle’s voice telling her he will remain with her through the wind, music and their son.
A mugham opera based on motifs from the South Caucasus poem Kerem and Aslı. It celebrates love and spiritual beauty while criticizing feudal relations and nationalist tendencies promoted by clerical circles.
The opera portrays a conflict between the spirit of evil, represented by Asrael, and the spirit of Christian love, represented by Nefta.
A two-act opera with intermezzo, adapted from T. S. Eliot’s play Murder in the Cathedral.
A three-act opera by Giovanni Bononcini to a libretto by Paolo Rolli, after Apostolo Zeno and Pietro Pariati.
Heracles sets out to destroy the cult of Astarte and punish its priestess, Queen Omphale, but falls under her spell. When Omphale refuses to marry him, Iole arrives with Deianira’s magical tunic; its burning curse consumes Heracles and the city, while Omphale returns to Lesbos with her followers.
A three-act tragédie lyrique based on Honoré d’Urfé’s romance L’Astrée.
At the Boar’s Head Inn in Eastcheap, Falstaff recounts a robbery to Prince Hal and Poins, who reveal that they themselves took the stolen money. Hal rehearses his response to the King with Falstaff, then disguises himself with Poins to observe Falstaff and Doll Tearsheet. News of civil war and a summons to court draw Hal away. Pistol and Doll quarrel, and Falstaff and his companions prepare to leave for war; the Hostess sends Doll out to meet Falstaff once more.
Princess Atalanta and King Meleagro, each disguised in the countryside, fall in love without recognizing one another. Meanwhile, the shepherd Aminta and Irene conceal their mutual love behind jealousy and teasing. Their identities and feelings are revealed, and Mercury brings Jove’s blessing on the two couples before a celebratory finale.
A Vivaldi opera using a revised version of Zeno’s libretto, with characters based on historical figures including Theodosius II and Aelia Eudocia. The character list identifies romantic rivalries around Atenaide and Pulcheria.
An Italian opera seria in three acts by Josef Mysliveček, set to Tommaso Stanzani’s Italian adaptation of Philippe Quinault’s Atys libretto, originally composed by Lully.
As a teenager, Alexandra dreams of distant places and leaves home to explore the world with companions. The travelers face ordeals that test their inner resources; one succumbs to a militaristic society while the survivors reach a timeless place of spiritual knowledge. Older and wiser, Alexandra returns to Earth and finds meaning in ordinary life.
A boy Columbus survives a shipwreck, and an Old Man tells him how Hercules destroyed Atlantis. As an adult, Columbus travels to the Pillars of Hercules, dreams of crossing the ocean, receives support from Queen Isabella and discovers the New World.
A choral opera in three parts for a cappella choir and, in later sections, orchestra or playback. Its texts draw on an aphorism by Inayat Khan and quotations from Japanese haiku, Socrates, the Gospel of Thomas and Meister Eckhart; Stockhausen describes the result as a musical meditation rather than a plotted drama.
After Attila destroys Aquileia, Odabella asks for a sword so she can avenge her father, whom Attila killed. Roman general Ezio proposes dividing the empire, while Foresto and survivors arrive in the lagoon and plan a new city. Odabella and Foresto reunite. Attila dreams that Pope Leo warns him not to march on Rome. Foresto later plots to poison Attila, but Odabella intervenes. When the Romans ambush the Huns, Odabella stabs Attila with the sword he gave her, and the conspirators declare their people avenged.
Regolo returns from Carthaginian captivity to urge Rome to reject peace, bound by an oath to return if his mission fails. His daughter Attilia and others try to save him, but he refuses to put family affection above civic duty; when the Senate rejects the offer, he prepares to return to Carthage, though Romans prevent his departure and bid him farewell.
Atys and Sangaride love each other, though she is betrothed to King Celenus. The goddess Cybèle, secretly in love with Atys, appoints him high priest and attempts to keep the couple apart. When Atys cancels Sangaride’s wedding, Cybèle punishes them with a spell: Atys mistakes Sangaride for a monster and kills her. Cybèle reveals the truth; Atys stabs himself, and she transforms him into a pine tree.
Atys and the nymph Sangaride secretly love each other, although she is promised to Atys’s friend, King Célénus. Cybèle also loves Atys; after Morpheus warns him in a dream, Atys hides his feelings and Sangaride thinks he loves the goddess. When the lovers reconcile, jealous Cybèle enchants Atys into madness. He kills Sangaride, mistaking her for a monster, then commits suicide after Cybèle restores his sanity.
The children of an ailing wealthy businessman gather as the family awaits the return of the younger son, to whom their father has decided to transfer his businesses.
Aucassin and Nicolette love each other, but his father Garins opposes their marriage because her parentage is unknown. After Aucassin is imprisoned and Nicolette escapes, they flee to the forest. Bongars makes peace with Garins and reveals that Nicolette is his daughter, clearing the way for the lovers to marry.
A prologue and three-act shadow-puppet opera after the medieval chantefable of the same name; it incorporates references to Breton music.
Queen Zenobia and her lover, Prince Arsace, prepare to defend Palmyra from the Roman army led by Aureliano. After the Persians are defeated, Arsace is captured. Aureliano offers to free him if he abandons Zenobia, but Arsace refuses. When the Romans conquer Palmyra, Aureliano offers Zenobia rule beside him, and she refuses as well. Arsace escapes with help from Oraspe and sets out to free her, but both are captured again. Moved by their devotion, Aureliano releases the couple on condition that they swear allegiance to Rome; they accept and are restored to rule Palmyra.
Subtitled tragedia buffa, the Finnish chamber opera draws on the story of two elderly sisters, daughters of a family that fled the Russian Revolution, who withdrew from Finnish society and died in their home.
Set in Córdoba during the May 1810 independence movement, the opera follows novice Mariano as he joins the patriotic cause and falls in love with Aurora, daughter of a royalist leader.
Opera about the strained relationship between Charlotte, a celebrated pianist, and her daughter Eva, with Eva’s sister Helena and husband Viktor also among the central characters. The source supplies no full plot synopsis.
An unperformed two-act music drama about Avalon, one of the separately titled works in Boughton’s Arthurian cycle.
An opera based on Oliver Sacks’s account of his efforts to help people affected by an encephalitis epidemic.
King Axur abducts Aspasia, wife of his commander Atar, but Atar learns the truth and disguises himself to reach her in the harem. After Axur sentences him to death, the people demand Atar’s release so he can defend the kingdom. Axur sees that he has lost their support, abdicates and commits suicide; Atar is proclaimed king.
Ayiguli, a Kazakh women’s troupe leader, seeks to educate her husband Asihar and struggles against anti-revolutionary elements fighting with the masses.
Somtow Sucharitkul’s opera distills the Ramayana epic into a single evening.
During the Spanish conquest of the Aztecs, Tlascalan prince Xalca and Montezuma’s general Ramatzin compete for Azora’s hand. Xalca prevails, but Montezuma condemns the lovers to death. At dawn, as they gather at the sacrificial stone, Cortés and his priests arrive and set them free.
In the court of an imagined Chinese emperor, princess Fé-an-nich-ton and courtier Ké-ki-ka-ko discover they are French captives. The emperor, Fé-ni-han, reveals that he too is a Frenchman forced to assume the ruler’s role. Their would-be conspirator Ko-ko-ri-ko is also French and offers them a means of escape in exchange for becoming emperor. They prepare to return to France.
Cerha adapts Bertolt Brecht’s play about Baal, an outsider who refuses to accept society’s expectations; this leads to violence, inner emigration and self-destruction.
Tammu, a Jewish exile, falls in love with Inanna, a Babylonian priestess. Amid tensions between Jewish and Babylonian communities, Tammu is chosen for human sacrifice. Inanna enters the underworld and rescues him; their return brings a new covenant. The original and revised versions have different epilogues.
In ancient India, the gods appear in human form to challenge the spread of Buddhism. Ariane follows Bacchus, believing him to be Theseus, the man she loves. She sacrifices herself to save humanity, and Bacchus becomes a god.
Captured Ottoman ruler Bajazet and his daughter Asteria are held by Tamerlane, who loves Asteria; she, in turn, loves Andronicus. As Tamerlane threatens her father, Asteria pretends to accept him but later tries to poison him. Bajazet takes poison and dies, softening Tamerlane’s anger toward Asteria; the opera closes with appeals for mercy and peace.
Aristide de Faublas plans to meet dancer Tangolita at the Savoy's annual ball, hiding his purpose from his wife Madeleine. Madeleine recognizes the deception and seeks revenge by flirting with Célestin; after she claims publicly to have betrayed Aristide, the couple's friends intervene, and Daisy reveals the truth so they can reconcile.
On the US–Mexico border in 1968, police chief Miguel Morales’s lieutenant Jake secretly helps people cross illegally. Jake and labor organizer Kane plant Mona’s bandanna on Cassidy to make Morales believe his wife is unfaithful. At Jake’s wedding, Morales sees Mona dance with Cassidy and later tracks her to a hotel, where he strangles her; he then shoots Jake and himself.
Narrated by Jesuit leader Father Garnet, the opera is based on the Gunpowder Plot of 1605, in which Catholics planned to blow up the Palace of Westminster under James I.
Three-act opera based on Aino Kallas’s novel about events and human life in Tallinn in 1551.
King Bobèche’s daughter Hermia grows up as the shepherdess Fleurette and falls in love with Saphir, who is secretly a prince. Bluebeard chooses Boulotte as his sixth wife, then orders his alchemist Popolani to kill her so he can marry Hermia. Popolani reveals he only gave the wives sleeping potions. Boulotte leads them in a march on the palace, and the supposedly dead lords marry them; Bluebeard stays with Boulotte while Hermia marries Saphir.
In Austria in 1743, tenants Nikola and Mariza marry without Baron Trenck’s permission. The Baron rescues Countess Lydia from a kidnapping attempt, and she flees on horseback with the tenants’ help. At the Empress’s chateau, Lydia is pressured to marry an elderly French ambassador, but the opera ends with her joining the Baron.
English-language adaptation of the 1908 comic opera with additional music. Countess Lydia escapes a forced marriage and joins Baron Trenck after he rescues her from kidnappers.
The shepherdess Bastienne fears that Bastien has lost interest in her and asks the village magician Colas for help. Colas advises her to act aloof; after mutual jealousy and feigned rejection, Bastien and Bastienne reconcile, and all three praise the magician.
This opera is based on the 1629 sinking of the Dutch ship Batavia and the massacre of survivors after the shipwreck.
A Turkish-language opera commissioned by Atatürk as part of his cultural transformation program.
Count Cenci abuses his family and rapes Beatrice. Orsino arranges for assassins to kill Cenci, with Lucrezia’s help. Beatrice and Lucrezia are implicated in the murder, tried, and sentenced to death. Their pleas for papal clemency fail, and they are executed.
In 19th-century Nova Scotia, Beatrice is the multiracial daughter of slave owner Francis Chancy and Mafa, a Guinean enslaved woman whom Francis raped. After Francis forces Beatrice into an incestuous encounter, Beatrice and Mafa conspire to murder him.
Duke Filippo envies the influence his wife Beatrice holds over his subjects and pursues Agnese, who mistakenly believes Orombello loves her. When Beatrice and Orombello are discovered together, they are accused of adultery and tortured; Orombello recants his confession and Beatrice forgives him. Agnese confesses her role in the false accusation, but Filippo signs their death warrants when a rebellion threatens, and Beatrice faces execution with dignity.
Count Francesco Cenci celebrates the death of his sons with a masked ball, while his daughter Beatrix and second wife Lucrecia fear him. Beatrix asks Orsino to deliver a plea to the Pope, but he destroys her letter and falsely says the Pope refused. After the guests leave, Cenci rapes Beatrix. Later, Beatrix and her brother Giacomo arrange for assassins to kill their father, with Lucrecia giving him a sleeping potion. When the body is discovered, Beatrix is arrested, tortured, and executed.
Adamo's one-act English-language opera, commissioned by Dallas Opera, premiered at the Winspear Opera House in 2015. Its cast includes Queen Sophine, Prince Claus, a donkey/messenger, and four elves.
In recession-hit Borja, Cecilia accepts a request to restore the Ecce Homo fresco, despite doubts about her skill. Her botched restoration goes viral, drawing ridicule and tourists. As townspeople debate how to respond, Cecilia accepts responsibility, the mayor and community forgive her, and her son Marcos reconciles with her after repaying her loan. The ghost of the original artist then moves on.
Set in Münster in 1543, this opera focuses on the Anabaptists Jan Matthys and John of Leiden as they attempt to transform the town into a “City of God” in anticipation of the Second Coming. The people of Münster form a central musical protagonist. The German-language premiere was abridged; the complete English version was later broadcast by the BBC.
The opera adapts Ann Patchett's novel Bel Canto. The libretto uses nine languages: Spanish, English, Japanese, Russian, German, French, Latin, Italian, and Quechua.
The demon Belfagor tests whether marriage is hell by marrying Candida in disguise as a wealthy nobleman. Candida escapes with her lover Baldo, but Belfagor sows doubt between them until a plea to the Madonna and miraculous bells restore their trust.
Poul Rovsing Olsen’s four-scene opera is based on Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín.
After Belisario returns victorious to Byzantium, his wife Antonina falsely accuses him of treason, and Emperor Justinian imprisons and blinds him. Belisario’s daughter Irene guides him out of prison. The captive Alamiro, whom Belisario had adopted, is revealed to be his long-lost son. When Alamiro joins an enemy army against Byzantium, Belisario persuades him to withdraw. Belisario leads the Byzantine forces to victory but is mortally wounded; Justinian promises to care for his children.
In eighteenth-century Paris, laundress Belle Lurette accepts a duke’s marriage proposal after fortune-telling predicts a wedding, unaware he plans to abandon her after marriage. She escapes with help from the soldiers. At the laundresses’ carnival, the duke learns she once saved his life and comes to love her; Marceline also reconciles with the man who wronged her and accepts his proposal.
Queen Sténobée, spurned by Bellérophon, asks the magician Amisodar to transform the garden into a barren desert and summon a chimera that terrorizes Lycia. Bellérophon loves Princess Philonoé. The short synopsis states that Apollo appears and resolves the danger, but gives no further plot detail.
The lyric opera is loosely based on the life of composer Benedetto Marcello. The entry does not describe its dramatic action.
In Rome during Carnival, sculptor Benvenuto Cellini plans to elope with Teresa, daughter of the Pope’s treasurer, while his rival Fieramosca makes a competing attempt to abduct her. During a Carnival performance, Cellini fatally stabs Fieramosca’s accomplice Pompeo and escapes arrest in the darkness. The Pope gives Cellini one night to cast a bronze Perseus statue, promising to pardon him and allow his marriage to Teresa if he succeeds. Cellini rallies his workers, melts down metal from his studio, completes the statue, and wins the Pope’s pardon and Teresa’s hand.
Zeppelin captain Ulysses Eisenhardt lands on an island to obtain its fuel reserves, but the enchanting Gladys Thunderbolt ensnares his crew. The comic opera combines material from the Odyssey and Calderón’s El mayor encanto, amor.
Queen Berenice is in love with Demetrio but is pressed to marry the Roman Alessandro. Unknown to her, Demetrio and her sister Selene are in love and plotting against her. When Berenice discovers the betrayal, she orders Demetrio’s execution, then relents after Alessandro demonstrates that he loves her without seeking political advantage. She releases Demetrio to marry Selene and agrees to wed Alessandro.
Aribert Reimann’s German-language opera adapts Federico García Lorca’s play La casa de Bernarda Alba, through Enrique Beck’s German translation. The available text does not provide plot details.
Queen Bertha of Oslo leads her garrison in repelling barbarians, then orders a teacher executed for questioning whether her subjects are themselves barbarians. After peace returns, Bertha declares war on Scotland and dismisses a council member who objects to her wars. She has two young lovers shot for meeting in her garden. As Bertha ages and grows more mad, she gives Norway to the barbarians so she can reconquer it. She regains the throne, collapses, and dies; the people praise her as a great queen.
Daniele believes Betly has accepted his marriage proposal, but she rejects him when she discovers the villagers’ prank. Sergeant Max, Betly’s long-absent brother, disguises himself and arranges for his troops to frighten her; Betly claims Daniele is her husband to save him from a duel. Max reveals himself, signs the marriage contract, and Betly declares her love for Daniele.
Don Jerome plans to marry his daughter Louisa to the wealthy fishmonger Mendoza, though Louisa loves Antonio. The Duenna helps Louisa escape by switching clothes with her, and Louisa borrows her friend Clara’s identity. Meanwhile, Clara has fled home and hopes to enter a convent. Confusions and mistaken identities lead Mendoza and Antonio to pursue the women they love, while Ferdinand searches for Clara. At the monastery the truth is revealed and three marriages are arranged; Don Jerome is surprised by the newlyweds at his feast.
Chamber opera about the relationship between Bettina von Arnim and Karoline von Günderrode, viewed in retrospect after Günderrode’s suicide. A single mezzo-soprano performs both women, accompanied by children’s chorus, tape, and ensemble.
A one-act English-language opera adapted from Carlo Goldoni’s comedy The Mistress of the Inn.
To reconcile a feud between rival Venetian families, Contareno promises his daughter Bianca to Capellio. Bianca loves Falliero, who is believed to have died defending Venice. Falliero returns, and Bianca refuses to sign the marriage certificate. He flees when Contareno threatens him, but is captured and charged with treason after being found in the Spanish Embassy. Bianca pleads for him before the Council of Three, whose members include Contareno, Capellio and Loredano. Capellio is moved by her appeal and agrees that the lovers belong together.
Fernando returns to Agrigento in disguise to avenge his father, Duke Carlo, whom he believes dead and whose throne was seized by Filippo. His sister Bianca, unaware of Filippo’s crimes, is preparing to marry him and at first fails to recognize Fernando. The siblings reunite, expose Filippo, and free Carlo; when Filippo threatens Bianca’s infant son, Fernando’s allies disarm him and the tyrant is overthrown.
A tragédie en musique based on the myth of Byblis as told in Ovid’s Metamorphoses.
Šimon Voseček’s two-act German-language operatic adaptation of Max Frisch’s play, written for eight voices and orchestra.
Doll Bilby, a French orphan raised in a Puritan colony, rejects a marriage proposal because she fears her parents’ fate as accused witches may await her. She marries a man who claims to be a demon, only to learn that he is the opportunistic son of the minister who befriended her. As she dies in childbirth in jail, Doll again believes her husband is supernatural.
On board HMS Indomitable during the French Revolutionary Wars, the cheerful sailor Billy Budd attracts the attention and hostility of Master-at-Arms John Claggart. Claggart arranges a false accusation of mutiny. When Billy is confronted with the charge, his stammer prevents him from answering and he strikes Claggart, killing him. A court-martial sentences Billy to hang. He refuses to support a mutiny in his defense, is executed, and blesses Captain Vere, who later recalls his own failure to save Billy.
On Salamis, the poet Bion welcomes Agénor and Cratès to his home. Agénor and Nysa, whom Bion freed from slavery and raised, fall in love, though Nysa worries that she owes Bion a debt. Bion pretends to leave and says he will marry Nysa on his return. When he interrupts their wedding, he reveals that he knew of their love and staged events to test them. He blesses their marriage.
In a medieval Lithuania threatened by the Teutonic Order, Winrich von Kniprode seeks to marry Birutė by force if needed. A pagan priest declares she must become a priestess, but prophecy foretells she will bear a leader who defeats the Order. Grand Duke Kęstutis arrives, falls in love with her, interrupts her initiation, and proposes; Birutė accepts as the chorus praises the homeland.
At a fair, singers Birzhan and Sara fall in love, while Altynay loves Birzhan and the local chief's brother wants Sara as his fourth wife. The chief abducts Sara, and Birzhan is arrested when he tries to stop her wedding. Sara frees him, but she is sentenced to death. Villagers free the couple; Altynay stabs Sara, who dies as Birzhan grieves beside her. Some versions instead have Birzhan die.
Raquel, a young widow unable to have a child, believes motherhood will give her immortality. She forces her lover Juan to marry Berta so that they can have a child for her to take. After Juan gives her the baby, he kills himself. Berta becomes insane, and Raquel triumphantly cares for both Berta and the child.
The penniless young couple Blaise and Blaisine face the advances of their landlady and her husband. The landlady tries to buy Blaise’s favors while her husband pursues Blaisine, setting up a farce.
According to the Swedish legend, Blenda gathers an army of women who defeat the Danes while their men are away. In a later battle, she sacrifices herself by placing herself between Danish leader Nils Dotta and her betrothed Harald.
On Blennerhassett Island, Stephen plans to join Aaron Burr’s forces. His fiancée Madeleine inadvertently reveals the plan to General Wilkinson; Stephen is mortally wounded in the resulting fight and dies in Madeleine’s arms.
The opera follows six Ohioans who were wrongfully convicted and later exonerated, alongside the lawyers and law students working on their cases through the Ohio Innocence Project. Among them are Clarence Elkins, convicted of rape and murder after a weak identification; Nancy Smith, convicted of child-abuse charges; the East Cleveland Three, who served 20 years after convictions based on tainted evidence and misidentification; and Rickey Jackson, who served 39 years for a murder he did not commit. Their stories trace the alleged crimes, imprisonment, legal advocacy, and eventual release.
Set in Brisbane in the early 1980s and based on Peter Carey’s novel Bliss.
In fourteenth-century Wales, Blodwen and Hywel fall in love as English forces threaten their community. After the Welsh defeat, Hywel is captured and awaits execution; Blodwen’s father, long thought dead, arrives with news that the king’s death has freed the prisoners.
Berthe tells Walther about her childhood with an old woman, a gem-laying bird and a dog, and how she stole the gems and fled. Eckbert becomes alarmed when Walther knows the dog’s name and later kills him. After the old woman reveals that she was also Walther and Hugo, and that Berthe was Eckbert’s half-sister, Eckbert goes insane and dies.
In Harlem, the Mother and her friends celebrate her pregnancy but fear the danger her son may face; the Father, a police officer, welcomes the child. Sixteen years later, their son is an artist and activist who clashes with the police and his father. After the Son is fatally shot at a protest, the Father struggles with grief and anger; the family and community gather for the funeral, and an epilogue imagines the Son reconciled with his parents and continuing his studies and peaceful activism.
At a Harlem café, gambler Joe hides from his sweetheart Vi that he plans to travel South to visit his mother. Tom tells Vi that Joe’s telegram is from another woman. When Joe opens it, Vi shoots him. She discovers the telegram was from Joe’s sister and that their mother died years earlier. Joe forgives Vi as he dies.
In a mythical swamp, Blue Steel from Birmingham and Neola of a voodoo cult struggle between black magic and materialism. Blue shoots Neola’s father, the high priest, after he tries to prevent their elopement. As the couple flee, the chants and drums affect Blue, who leaps to his death in the river’s quicksand.
Judith enters Bluebeard’s dark castle with him and insists that he open its seven locked doors. They reveal a torture chamber, an armory, a treasury, a garden, and Bluebeard’s vast kingdom; blood marks each of these. The sixth door reveals a lake of tears. Judith then demands that Bluebeard open the final door, which he says must remain shut. Behind it are his three former wives, alive and wearing crowns and jewels. Bluebeard names Judith his fourth wife, dresses her in their jewelry, and leads her away through the door. The castle fades into darkness, leaving him alone.
A two-act German-language lyrical tragedy based on Federico García Lorca's play Bodas de sangre.
An opera adapting Thomas Mann’s seven-scene short story Die Betrogene, also translated as The Black Swan. The entry does not describe the opera’s plot.
In Florence in 1331, the erotic stories of poet Boccaccio provoke the city’s husbands, who plot to drive him out and have him imprisoned. Boccaccio has his own plans: he courts Fiammetta, the Duke’s daughter, and ultimately wins the Duke’s favor and her hand.
The hunchbacked Duke Pier Francesco Orsini drinks a potion his astrologer says will grant him immortality. As the poison takes effect, he recalls episodes from his life: the death of his father and brothers, his troubled courtship and marriage to Julia Farnese, and his suspicion that she is betraying him with his brother Maerbale. He orders his slave Abul to kill Maerbale. The astrologer prepares the potion again as Bomarzo’s nephew Nicolás watches; Nicolás poisons it, and the Duke dies after drinking.
King Artaxaminous wants to marry Distaffina, who is betrothed to General Bombastes. Artaxaminous offers her half a crown to leave the general, and she accepts. Bombastes goes mad and hangs his boots from a tree, challenging anyone to remove them. Artaxaminous cuts them down and is killed by Bombastes; Fusbos then kills Bombastes. At the end, both men rise and promise to die again tomorrow if the audience wishes.
In the 1872 revised version, crowds are prompted to urge Boris Godunov to take the throne, and he is crowned Tsar. At a monastery, novice Grigoriy learns of Tsarevich Dmitriy’s death and decides to impersonate him. Boris is troubled by guilt over the child’s murder, especially after Shuysky recounts the death and Pimen describes a miracle at Dmitriy’s grave. The Pretender gains support in Poland, where Marina Mniszech and the Jesuit Rangoni maneuver for power; Marina agrees to join the Pretender after he promises to march on Moscow. Boris dies after visions of the murdered child. In the final Kromi scene, rebels denounce Boris, celebrate Dmitriy’s advance and march toward Moscow, while the Holy Fool laments Russia’s fate. The 1869 original version has a different scene structure and omits the Polish act and Kromi scene; it ends with Boris’s death.
A political opera about intrigues among Tsars Feodor I and Boris Godunov and Tsarina Irina Godunova, involving Russian, Danish, and Swedish nobles.
After a revolution, the Grand Khan appoints a white bear, Boule-de-Neige, ruler of a rebellious city, hoping to frighten its people into obedience. Bear trainer Olga discovers the animal was stolen from her and calms it; the bear’s decrees are actually written by Olga’s lover Kachmir, disguised in a bearskin. When officials uncover the ruse and conspire against the bear, Olga and Schamyl foil the plot; the bear escapes and causes chaos, and the Khan appoints Olga and Kachmir to rule together.
Student Armand falls in love with Manon and runs away with her to Paris. Their relationship is strained by poverty, infidelity, and drug addiction. Manon returns to Armand, but when she shoots an older man during a confrontation, she is arrested as Armand escapes.
A three-act Czech-language opera based on William Shakespeare’s play The Tempest.
Shchedrin's choral opera portrays the historical Boyarina Feodosiya Morozova, an aristocratic widow and Old Believer, drawing on Archbishop Avvakum's account and inspired by Vasily Surikov's painting Boyarina Morozova.
A tragédie en musique based on Ludovico Ariosto’s epic poem Orlando Furioso.
In the first half of the 15th century, Serbian despot Brankovics is asked by Hunyadi to fight the invading Ottomans. His daughter Mara is secretly meeting the Ottoman grand vizier Murat. Brankovics first agrees to reject Ottoman envoys and fight, then accepts their peace offer, giving his two sons as hostages. Murat, secretly the sultan’s son, signs the treaty. After Hunyadi wins without him, Brankovics’s court urges him to break the pact, but he cannot risk his sons’ lives. Mara asks Murat to return her brothers, offering herself as guarantor; instead, the brothers are blinded. Mara leaves with Murat, and Brankovics vows revenge. He rejoins Hunyadi and attacks the Ottomans. Murat’s father dies, making him sultan, and he goes to battle. The Serbian forces win, but Brankovics is fatally wounded. He entrusts his children to Hunyadi and dies, realizing too late that Mara is present.
English adaptation of Offenbach’s one-act Breton legend operetta. Reinette seeks help for Pierre, who needs money to avoid conscription; Père Mathieu’s violin reveals that he owns a castle, enabling the young couple to marry while he chooses to remain a fiddler.
In the Scottish Highlands, religious young woman Bess loves her husband Jan, an oil rig worker. After an offshore accident leaves him paralyzed, Jan urges her to seek other lovers and tell him about them, believing the stories will sustain him. Bess’s selflessness leads to a fatal outcome.
An opera adaptation of Noël Coward’s Still Life and his screenplay for the 1945 film Brief Encounter.
In ancient Corinth, Hylas pauses at the home of Briséïs and her sick mother, Thanastô, before seeking his fortune in Syria. Hylas and Briséïs swear to love each other beyond death. Thanastô prays for the salvation of the pagans around her, while Briséïs worries about Hylas and her mother. The Catechist promises Thanastô’s salvation if Briséïs follows him; bound by her mother’s vow to remain a bride of God, Briséïs goes with him. In the projected final acts, Hylas returns after a shipwreck, Briséïs kills herself and invites him to die with her, and he follows her into the grave.
Ranch hands Ennis del Mar and Jack Twist meet in 1963 and begin a love that they cannot openly live. Across two decades, marriage, social pressure, separation, and repeated reunions shape their relationship and its tragic aftermath.
Edmund Eysler’s three-act operetta centers on Bruder Straubinger, a cheerful, carefree traveling craftsman. The available text does not provide a plot summary.
After losing money at the Derby, Beau Brummell retreats to the countryside, where his childhood friend Jim and former love Peggy re-enter his life. The Prince of Wales challenges Brummell to win Peggy as a lover; when Brummell loses the wager, Peggy offers to protect his reputation, but he instead supports her marriage to Jim.
Siblings Aninka and Pepíček need milk for their sick mother, but they have no money. They try to earn it by singing in the marketplace, where the organ grinder Brundibár drives them away. With help from a sparrow, a cat, a dog, and the children of the town, they overcome Brundibár and sing together in the square.
A two-act opera about football coach Bum Phillips adapts his memoir Bum Phillips: Coach, Cowboy, Christian.
Knight Buovo returns from exile to reclaim his estates and beloved Drusiana from the usurper Maccabruno. Drusiana wavers between her former lover and Maccabruno, while miller’s daughter Menichina also loves Buovo. Buovo ultimately regains his estates and marries Menichina.
While King Endre is away, Bánk’s wife Melinda is pursued by Queen Gertrude’s brother Otto. Bánk initially refuses to join the nobles’ conspiracy, but agrees after learning of Otto’s advances. Otto drugs and rapes Melinda; Bánk confronts Gertrude and kills her in a struggle. Melinda later drowns herself and their son in the Tisza. When Endre returns, Bánk admits killing the queen and collapses beside the bodies of his wife and child.
In 12th-century Hungary, Prince István returns from battle. His father, King Kálmán, urges him to remarry, and two royal advisors reveal that he has a lover, Bátori Mária, and two sons with her. István goes to Mária’s estate and marries her. When he and Mária’s brother leave to hunt, the advisors persuade the king that Mária and her sons threaten the royal succession. The king questions her at her estate, but Mária exposes the advisors’ motives and her children plead for her. The king excuses her and leaves. The advisors and executioner then enter her chamber and stab her. István returns in time to say goodbye to her as she dies and vows revenge.
Young nun Béatrice leaves her convent with Lorenzo, but he is unfaithful and abandons her. Disguised as a dancer, she believes she has caused a man’s death and returns in remorse; the Virgin, who took her place in the convent, forgives her and restores her to the sisterhood.
In Messina, Béatrice and Bénédict trade insults while Héro awaits the return of her fiancé Claudio. Don Pedro and Léonato trick Bénédict into believing Béatrice loves him, and Héro and Ursule similarly convince Béatrice that Bénédict is in love with her. At a masquerade celebrating Claudio and Héro’s wedding, Béatrice and Bénédict each struggle to hide their growing love. They finally declare their feelings and sign a second marriage contract.
After Titus becomes emperor, he must choose between his love for Judean queen Bérénice and loyalty to Rome, whose people oppose her. Warned against meeting her, he nevertheless comes to her boat before she cuts her hair and quietly departs for Ostia.
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