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The Threepenny Opera

Opera · 1928

In Victorian London, gangster Macheath secretly marries Polly Peachum, angering her father, the city’s beggar boss. Macheath’s friend, police chief Tiger Brown, initially protects him, but Peachum pressures Brown by threatening to disrupt Queen Victoria’s coronation parade with beggars. Macheath is arrested and sentenced to hang; in a deliberately comic reversal, a royal messenger pardons him and grants him a title, castle, and pension.

The Tsar’s Bride

Opera · 1899

In 1572, oprichnik Gryaznoy loves Marfa, who is betrothed to Lykov, and seeks a potion to make her love him. His former mistress Lyubasha obtains another potion from the Tsar’s physician, Bomelius. At a feast, Gryaznoy gives Marfa what he believes is a love potion, but Lyubasha has substituted poison. Ivan the Terrible chooses Marfa as his bride. She becomes gravely ill; Lykov is executed, and Gryaznoy learns that the potion killed Marfa. Lyubasha confesses, and Gryaznoy kills her. In her delirium, Marfa mistakes Gryaznoy for Lykov and dies.

The Violins of Saint-Jacques

Opera · 1966

A present-day Caribbean prologue recalls an island destroyed by a volcano during carnival. The main story takes place there during Mardi Gras in 1902: Sosthène returns from France and loves his cousin Berthe, while his sister Josephine secretly loves Marcel, the governor’s son. As a volcano threatens, Sosthène and Berthe try to stop Josephine and Marcel eloping; Berthe comes to love Sosthène. Marcel is revealed to be married, and Josephine is separated from him. The volcano erupts, leaving Berthe the only survivor to mourn those she loved.

The Visitors

Opera · 1957

During the Black Death, Lauretta, Elissa, Panfilo, and Dioneo shelter in a villa and pass the time by staging plays. A monk arrives and proposes a Biblical play; afterward he opens the door to strangers carrying the plague and dies. Two months later, sick and dying visitors fill the courtyard. Lauretta recovers and realizes she loves Panfilo, who has returned from the city. Elissa, who also loves him, forgives them after Dioneo falls gravely ill. At his request the group resumes the Cupid and Psyche play, ending with Venus’s forgiveness and the lovers’ triumph.

The White Horse Inn

Opera · 1930

At the White Horse Inn in St. Wolfgang, head waiter Leopold loves the resolute landlady Josepha, who hopes that her regular guest, lawyer Dr. Siedler, will propose to her. Siedler instead falls for Ottilie, whose father tries to arrange her marriage to his business rival’s son, Sigismund; Sigismund loves Klärchen. After Leopold quits and Josepha reconsiders his proposal, the couples find their matches, with Leopold becoming co-proprietor and a triple marriage in prospect.

The White-Haired Girl

Opera · 1945

In 1935, landlord Huang Shiren forces Yang Bailao to sell his daughter Xi’er to settle debts. After Huang abuses her, Xi’er escapes to the mountains and gives birth. She lives in the wilderness for three years, and her hair and skin turn white; villagers mistake her for a ghostly fairy maiden. Dachun, her fiancé, returns with the CCP military and rescues her. Huang is subjected to a struggle session, and his property is redistributed to the poor. Xi’er and Dachun reunite with the villagers.

The Yeomen of the Guard

Opera · 1888

At the Tower of London, Colonel Fairfax is sentenced to death and secretly marries Elsie before escaping with help from the Merylls. Fairfax disguises himself as Leonard Meryll and wins Elsie’s love, while the jester Jack Point hopes to marry her. After the real Leonard returns with Fairfax’s reprieve, Fairfax reveals his identity and reunites with Elsie. Phoebe and Dame Carruthers reluctantly agree to marry Wilfred and Sergeant Meryll, while the heartbroken Point collapses as the others celebrate.

Thomyris, Queen of Scythia

Opera · 1707

The plot centers on a love triangle among fictional characters: Persian princess Cleora, Scythian prince Orontes, and Armenian king Tigranes. Cleora is held captive by Orontes but falls in love with him despite being betrothed to Tigranes. In the 1707 version, Queen Thomyris intervenes to prevent the Scythians from sacrificing Cleora after she receives false news that Orontes has died; Tigranes is wounded in battle. The opera’s historical title figure is based on Queen Tomyris, but the love story is fictional.

Thésée

Opera · 1782

Églé loves Thésée, while King Égée loves her and plans to marry Médée to his son, whom he has hidden at Troezen. Médée loves Thésée and grows jealous when he reveals his love for Églé. She threatens them with sorcery and reveals Thésée’s life is in danger; Thésée reveals he is Égée’s son. Médée pretends to bless their betrothal, then persuades Égée to poison Thésée. Recognizing his sword, Égée realizes Thésée is his son and saves him, agreeing to the marriage. Médée flees in a dragon-drawn chariot and threatens the palace, but Minerva intervenes and raises a new palace. The opera ends in rejoicing.

Tigrane, o vero L’egual impegno d’amore e di fede

Opera · 1715

Queen Tomiri has unknowingly raised her kidnapped son Tigrane as an Armenian prince. After defeating the Persian king Ciro, she considers marrying one of her allies while feeling drawn to Tigrane. Ciro’s daughter Meroe arrives in disguise to avenge her father. Tigrane is condemned after preventing Meroe from killing Tomiri, but Meroe reveals the truth before his execution. Tigrane’s parentage is discovered, Tomiri reunites with her son, and Meroe marries Tigrane; Tomiri chooses Policare.

Titon et l’Aurore

Opera · 1753

In the prologue, Prometheus gives life to his statues by stealing fire from heaven, and Love teaches them about love. In the main story, the mortal shepherd Titon and dawn goddess Aurore love one another, provoking the jealousy of Eole, who also desires Aurore, and Palès, who loves Titon. Aurore rejects Eole, preferring to lose her immortality rather than Titon. Palès fails to win Titon and curses him with premature old age. Aurore remains faithful, and Love reverses the spell.

Torvaldo e Dorliska

Opera · 1815

The violent Duke of Ordow desires Dorliska and attacks her husband Torvaldo, leaving him for dead. Unaware that she has reached the Duke’s castle, Dorliska is held prisoner there and comforted by Carlotta and her brother Giorgio. Torvaldo survives and enters the castle in disguise, but Dorliska inadvertently reveals who he is. The Duke sentences him to death. Carlotta, Giorgio and their allies conspire to free the couple; Carlotta steals the prison keys and Dorliska reunites with Torvaldo. The Duke discovers them, but a crowd of rebels storms the castle, captures him and frees the couple.

Totila

Opera · 1677

During the siege of Rome, Clelia considers killing her child and herself rather than letting them fall into enemy hands, while Marzia is captured by Totila after he falls in love with her. Clelia offers herself to Vitige for her freedom, but he spares her. Marzia rejects Totila, who binds her to his ship’s mast; a storm sinks the ship and Lepido rescues her. Clelia disguises herself as a soldier and challenges Vitige, while Belisarius frees Servius and imprisons Vitige. In disguise, Totila plots against Belisarius, but Vitige refuses to kill the magnanimous general. After Publicola wounds Totila by mistake, Belisarius helps him; Clelia and Publicola reunite, and the commanders offer peace if Totila becomes Justinian’s vassal.

Transformations

Opera · 1973

In a mental-hospital setting, Anne Sexton and other patients perform ten poems, beginning with “The Gold Key” and retelling nine Grimm tales, including Snow White, The White Snake, Iron Hans, Rumpelstiltskin, Rapunzel, Godfather Death, The Wonderful Musician, Hansel and Gretel, and Briar Rose. Sexton’s introductions and codas connect the stories to adult experience, marriage, motherhood, sexuality, mental illness and death; a recurring middle-aged witch gradually becomes a vulnerable beauty moving toward nightmare.

Tromb-al-ca-zar, ou Les criminels dramatiques

Opera · 1856

At an isolated inn near Saint-Jean-de-Luz, innkeeper Ignace mistakes actor Beaujolais, dressed as a brigand, for the notorious bandit Tromb-al-ca-zar. The rest of Beaujolais’s theatrical troupe arrives, and Ignace recognizes his cousin Gigolette among them. When the players rehearse their melodramatic roles, Ignace becomes increasingly frightened and tries to flee; they bring him back and enroll him in the troupe.

Trouble in Tahiti

Opera · 1952

Over the course of one day, married couple Sam and Dinah move between suburban routines and private disappointment. They argue over Sam’s priorities, money, and their relationship, then cross paths while separately avoiding a conversation. Sam wins a handball tournament; Dinah watches a romantic film and misses their son’s play. At home, neither can begin the promised discussion. They decide to go together to see a movie about Tahiti, choosing its imagined romance over the difficult work of repairing their marriage.

Troy

Opera · 2018

At the wedding of Thetis and Peleus, Paris falls in love with Helen, wife of Menelaus, and brings her to Troy. Menelaus and Agamemnon prepare a Greek assault; after negotiations fail, Achilles kills Hector, though the Greeks cannot breach Troy’s walls. Later the Greeks are defeated and captured, but Priam releases the prisoners. The Trojans bring a wooden horse inside the city and celebrate their victory. At night Greek soldiers emerge from the horse, open the gates, and sack Troy. Paris kills Achilles with an arrow, while Agamemnon kills Priam; Paris, Helen, and a few nobles escape.

Turandot

Opera · 1917

Kalaf, an exiled prince in disguise, decides to seek Turandot’s hand after finding a portrait left by a suitor who was executed. Turandot’s father, Emperor Altoum, laments her refusal to marry. Kalaf answers Turandot’s three riddles correctly and challenges her to discover his name and parentage; if she succeeds, he will leave. Adelma, Turandot’s confidante, knows Kalaf’s identity and offers to reveal it in exchange for her freedom. Turandot announces Kalaf’s name, and he prepares to depart, but she stops him and confesses that he has awakened her heart. The opera ends with an ensemble declaring that love rules all people.

Turandot

Opera · 1926

In legendary Peking, Princess Turandot requires suitors to solve three riddles or be executed. Prince Calaf accepts the challenge, answers all three, and offers Turandot a chance to avoid marrying him: if she discovers his name before dawn, he will die. She orders the city to find it. Calaf’s companion Liù refuses to reveal his identity and dies under torture. Calaf then tells Turandot his name; at dawn she announces to the Emperor and people that his name is Love.

Un giorno di regno, ossia Il finto Stanislao

Opera · 1840

In 1733, French officer Belfiore impersonates the Polish king Stanislaus at Baron Kelbar’s castle in France. The baron plans to marry his daughter Giulietta to the older treasurer La Rocca, though she loves La Rocca’s nephew Edoardo. The Marchesa del Poggio, who loves Belfiore, is engaged to Count Ivrea. Belfiore arranges Giulietta and Edoardo’s marriage and prevents the Marchesa’s wedding. A letter from the real king releases Belfiore from his impersonation, and he and the Marchesa can marry.

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