1634 shows

Clear filters

The Last Five Years

Musical · 2001

Cathy is sitting alone lamenting the end of her marriage ("Still Hurting"). Five years earlier, Jamie has just met Cathy. He is overjoyed that, for the first time in his life, he is in a romantic relationship with a non-Jewish woman. ("Shiksa Goddess"). Cathy and Jamie are in Ohio but not together. It is her birthday, and he has come to visit her as she works in a show there ("See I'm Smiling"). She is anxious to fix any problems in their marriage but she becomes angry when Jamie tells her he has to go back early to New York. During breaks in the music, we see a younger Jamie, talking to a literary agent about his book. Jamie is moving in with Cathy. He comments on how lucky he is that everything is going right for him; his book is being published and his life with Cathy seems too good to be true ("Moving Too Fast"). Meanwhile, an older Cathy is making a call to her agent; it seems her career is not going the way she planned it. Cathy is attending Jamie's book party. She sings about how he ignores her for his writing but she will always be in love with him ("I'm a Part of That"). Jamie and Cathy celebrate their second Christmas. He tells her a new story he has written about an old tailor named Schmuel and he gives her a Christmas present: a watch, promising to support her as she follows her dreams of acting. ("The Schmuel Song"). Cathy is in Ohio and writing to Jamie. She describes to Jamie her disappointing life in Ohio among her eccentric colleagues ("A Summer in Ohio"). Jamie is sitting with Cathy in Central Park. Jamie proposes to her and, for the first time in the musical, they sing together ("The Next Ten Minutes"). They get married, exchanging vows to stay together forever. Jamie is facing temptation from other women, especially now that his career as a writer has escalated ("A Miracle Would Happen"). Cathy, meanwhile, is auditioning for a role ("When You Come Home to Me"). She is feeling depressed because of the rejection she is facing in her acting career, and she complains to Jamie about it ("Climbing Uphill"). Jamie speaks to Cathy on the phone, trying to convince her that there is nothing going on with him and his editor, Elise. He wants to celebrate a book review, but Cathy refuses to go out. Jamie is fighting with Cathy, trying to get her to listen to him. He accuses her of being unsupportive of his career just because hers is failing. Though his words are harsh, he promises her that he believes in her ("If I Didn't Believe in You"). A younger Cathy is in the car with Jamie, who is going to meet her parents. She tells him about her past relationships and hopes not to end up in a small town life like her friend from high school ("I Can Do Better Than That"). She asks Jamie to move in with her. Near the end of the relationship, Jamie wakes up beside another woman ("Nobody Needs to Know"). He tries to defend his actions and blames Cathy for destroying his privacy and their relationship. Jamie promises not to lie to this woman and tells her that "I could be in love with someone like you," just as he said to Cathy in "Shiksa Goddess". Cathy is ecstatic after her first date with Jamie. She sings goodbye ("Goodbye Until Tomorrow"). She proclaims that she has been waiting for Jamie her whole life. Simultaneously but five years forward, Jamie sits in their shared apartment writing laments over the relationship ("I Could Never Rescue You"). As Cathy waves Jamie "goodbye until tomorrow", Jamie wishes Cathy simply "goodbye".

The Liar

Musical · 1950

Title character Lelio can't stop lying and can't stop chasing the ladies, including the two daughters of Doctor Balanzoni who are respectively and romantically involved with Florindo and Octavio. Moreover, Lelio's servant Arlecchino becomes interested in Columbina, although she too is involved with another. But the romantic misadventures are resolved when it is revealed that Lelio is already married to Cleonice. So Lelio, Cleonice, and Arlecchino head for home, and the various Venetian couples pairing up without interference from Lelio and Arlecchino.

The Life

Musical · 1990

The Life depicts the pulsating life on the Times Square streets in the 1980s, where everything had a price, especially sex—the garish topless bars, the transvestite joints, the hookers who worked the side walks at the bidding of their pimps ("Check It Out!"). Jojo, an opportunistic, conniving white hustler in the thick of the action, has a bare knuckled plan for feeding his ambition ("Use What You Got"). But among these unsavoury characters there are appealing people who have been caught in the web of these sordid surroundings. Sonja, a veteran hooker who has seen better days, befriends Queen who is on the street because her man, Fleetwood, a displaced Vietnam veteran, needs her support. She has saved her money and on this day plans to get away with Fleetwood and leave the life for good, enjoying, with Sonja ("A Lovely Day to Be Out of Jail"). Returning to her hotel room, Queen discovers that Fleetwood has spent half of her savings to pay off his drug debts and feed his habit. Fleetwood has an unrealistic dream of attaining power and money ("A Piece of the Action"). Jojo tells him he'll never amount to anything as a pimp as long as he's romantically involved with the woman he's selling. Jojo takes him to the Port Authority where they find Mary, just off the bus from Minnesota, a girl with the mien of an angel but, as we eventually find out, she's no angel. Jojo grabs at her suitcase so that Fleetwood can rescue it and become her hero. The demi-monde hangs out at a bar owned by Lacy, who has seen it all but has certain affection for his clientele. In the company of her sister whores, Sonja bemoans the wear and tear of her life ("The Oldest Profession"). When Fleetwood and Mary arrive, Memphis, the "biggest businessman on the block" comments on the professionalism of his trade and soon zeroes in on the newcomer ("Don't Take Much"). Reluctantly, Queen takes Mary to the room she shares with Fleetwood and tries to persuade her to go home ("Go Home"). Later, as prostitutes eye potential customers, a gospel group parades by ("You Can't Get to Heaven"). The girls defiantly stand up for themselves ("My Body"), while the pimps complain about the harassment of the police ("Why Don't They Leave Us Alone?"). Jojo cajoles Mary into taking a turn as a go-go dancer. A smashing success, she celebrates her good fortune with Fleetwood and Jojo, who has her in mind for his "mentor" Lou, a gaudy Los Angeles producer of "motion pictures" of the triple X genre, who's looking for fresh corn-fed talent ("Easy Money"). Once again in jail, Queen reflects on her attachment to Fleetwood ("He's No Good"); while, enticed by Mary, Jojo and Fleetwood spend the night with her in a threesome. As Fleetwood turns his attentions toward Mary, Memphis makes his move to put "Queen in his deck". Queen discovers what's been going on between Fleetwood and Mary, and decides she's finally had enough ("I'm Leaving You"). As everyone parties at The Hookers' Ball, Lou makes off with Mary, while Queen, shunning Fleetwood, attaches herself to Memphis ("The Hooker's Ball"). Over a game of Three-card Monte ("Step Right Up"), Jojo and the pimps discuss their "silent partner", Mr. Greed ("Mr. Greed"). In Memphis' spacious apartment, Queen thanks him for getting her out of jail and for the beautiful dress he gave her to wear to the Hookers' Ball; but Memphis makes it very clear that the dress was a $6,000 loan that she must repay with her earnings ("My Way or the Highway"). He warns Queen that she better not leave town "cause you'll be coming back real soon for a funeral – Fleetwood's; followed shortly by your own". Queen tells Sonja that she must find Fleetwood and warn him about Memphis' threat. She asks Jojo to tell Fleetwood to meet her the next morning at Lacy's. Meanwhile, Mary, with Lou, toasts her acceptance of his offer of a movie career ("People Magazine"). The next morning Jojo double crosses Queen and comes to Lacy's with Memphis, who brutally flogs the terrified woman. When Fleetwood arrives, Queen reminds him of what they once had together ("We Had a Dream"). When Fleetwood returns to his hotel, he finds Mary leaving for Los Angeles. Near the Lincoln Tunnel, Memphis' henchman, Snickers, pushes Queen to get "plenty of action tonight. Memphis is dependin' on it" ("Use What You Got" (Reprise)). She, Sonja and other girls share their hopes for the future ("'Someday' is for Suckers"). Later, near the Hudson River in a spot once special to Queen and Fleetwood, Sonja hands Queen a bus ticket and a suitcase in a desperate attempt to get her away from Memphis. Fleetwood unexpectedly appears and tries to talk Queen into making a new start ("We Gotta Go"), but Queen bitterly rejects him. Jojo guides Memphis onto the scene. Fleetwood pulls a gun on Memphis, but Jojo knocks the gun loose as Memphis mortally stabs Fleetwood; Queen seizes the fallen gun and shoots Memphis. Sonja decides to take the rap for killing Memphis, claiming self-defence; she and Queen say goodbye ("My Friend"), then Queen departs for the bus, which will carry her to freedom, as Sonja surrenders to the police. ("Check It Out!" (Reprise))

The Light in the Piazza

Musical · 2003

The Light in the Piazza is a musical with music and lyrics by Adam Guettel, and a book by Craig Lucas. Based on the 1960 novella by Elizabeth Spencer, the show is set in the 1950s and tells the story of Margaret Johnson, a wealthy woman from the American South, and Clara, her daughter, who is developmentally disabled due to a childhood accident. The two spend a summer together in Florence, Italy. When Clara falls in love with a young Italian man, Fabrizio, Margaret is forced to reconsider not only Clara's future, but her own deep-seated hopes and regrets as well. The score breaks from the 21st century tradition of pop music on Broadway by moving into the territory of Neoromantic classical music and opera, with unexpected harmonic shifts and extended melodic structures, and is more heavily orchestrated than most Broadway scores. Many of the lyrics are in Italian or broken English, as many of the characters are fluent only in Italian.

The Little Big Things

Musical · 2023

The show opens with Henry Fraser introducing a story about an accident he experienced at the age of 17. The narrative moves to the summer of 2009, where a younger version of Henry is asked to travel to Portugal with his older brothers, Tom and Will (‘NEVER COMING HOME’). The story introduces the Fraser family, including Henry's younger brother Dom and his parents, Fran and Andrew, who permit Henry to go on the trip if he wins the Schools’ Cup Rugby Final. Henry speaks to Katie, a classmate from art class, and promises to go on a date with her upon his return. After winning the final and resolving an issue with an expired passport, Henry arrives on a Portuguese beach with his brothers (‘FEEL LIKE THIS’). Suddenly, Fran and Andrew arrive at a Portuguese hospital, frazzled and scared, and they are told that Henry hit his head on a bank of sand whilst diving into the sea, damaging the fourth vertebra in his neck. Henry is paralysed from the top of his shoulders down. In the shock of the news, Fran dissociates and disappears into her memories (‘ONE TO SEVENTEEN’). Man Henry can't remember the accident itself, and though Boy Henry does, he doesn't want to revisit that trauma. They imagine Katie on Henry's date – in a gallery with a perfect boyfriend – staring at a black canvas, ‘a tragic life devoid of colour’. But what does it mean? Henrys wake up in Stoke Mandeville Hospital, meeting the tireless staff, fronted by the no-nonsense Dr Graham (‘WORK OF HEART’). The Fraser family are struggling to cope with their shared trauma, with Dom unable to touch his brother, Andrew wondering if it was all his fault, and Fran nearly rejecting Katie's stacks of cards from his schoolmates – so terrified is she of what Henry's life will be like now. Luckily for her, Henry's ‘brutal but brilliant’ physio, Agnes, is there to help Fran begin to see that there is life after a life-changing accident and that the key lies in accepting change (‘PART OF THE PLAN’). Henry admits to struggling with acceptance, particularly at night time when he thinks he can hear the sea, so his younger self tries to distract him with joyous memories of their last night on holiday (‘UMA VIDA’). The next day, Henry is told he can go outside for the first time in six weeks, and feels his first ‘little big thing’ in the incredible warmth and colour of the yellow sunlight. But as Andrew pushes his wheelchair back inside, Henry sees his reflection in the hospital doors – the first time he has seen himself since Portugal – and he completely breaks down (‘WHY?’). His younger self tells him to pull it together for the sake of his family, who are also trying to put on brave faces (‘DON’T WANNA HAVE TO’). But Henry is in denial, and doesn't even want to consider Agnes's physiotherapy. Agnes tells him that acceptance and adaptation has to come from his family as much as it does him, and reveals that she can see Boy Henry. She suggests reading Katie's card, which she signed with a bright pink heart. The Henrys read all the messages of support from their loved ones (‘THE WORLD IS WAITING’), helping them find the strength to make their way out of hospital eleven months early. Agnes teaches the Fraser family how to ‘adapt for Henry, not the other way around’, and they set about making their home accessible for his return (‘WHAT I NEED’). Henry returns home with a new appreciation: ‘Was the grass always that green?’. However, he finds a different house than the one he left, with his bed in the living room, and even Dom having to take the role as carer. Henry has done so much work, but still hasn't faced the trauma of his accident, and begs Boy Henry to revisit the day on the beach, which he does, painfully (‘SILENCE OF THE SEA’). For the first time, Dom sleeps beside Henry and holds his hand: ‘I felt a warmth I never had before. It’s like the whole room glowed bright orange’. Trying to find a way forward, Agnes takes Fran and the Henrys on an emancipating night out clubbing (‘THINGS WE SHOULDN’T DO’), which is great fun until they get home, and find a worried Andrew, Tom and Will. The family get into a huge row, and some terrible things are said, leading to Andrew and Fran storming out, and the Fraser brothers fighting it out between them (‘SYMPATHY’). Man Henry breaks it up by telling them they can never go back to how it was and that all of them need to forget Boy. Andrew returns, apologising about the fight, and shows Henry his new invention: an adapted stylus using his ‘purple protector’ gum shield, so that he can make art on his tablet, using his mouth. Henry is grateful but doesn't know what to create, and asks his dad what he would paint. Andrew daydreams about good times with the entire Fraser family on his big red boat (‘MILES AND MILES’), and feels some relief in ‘letting go’ of Boy. Henry finds freedom and joy in painting, and doesn't stop – creating more and more art using his mouth - so many paintings in fact that Fran has secretly arranged a gallery showing, via Agnes, for all his pieces. Henry goes about inviting all the people from his life to his gallery, including Katie, who he finally gets to take on a date. But before the exhibition itself, he wants the entire Fraser family to go to the beach, and finally look at the bright blue sea. Andrew admits that he sold his boat because they're a team, and him and Fran find some healing in his sacrifice. Henry tells his brothers that they need to let go of the trauma of the accident, and remember Boy how he'd like: nearly as happy as he is now. Agnes drops by to tell the Henrys that the gallery want a big centre-piece for the showing, something ‘personal’, and Henry finally builds up the courage to ask her how he can stop seeing the Boy. She tells him that they never leave, but when you find peace and acceptance, they ‘take a step back’. Henry asks his younger self to help him paint the big centrepiece, where they celebrate their story together and use the pain of their past, to find joy in the present (‘GUIDE YOU’). Boy tells Henry that he would go on the holiday all over again, and that he can't wait to be him, before Henry can finally let him go. The day of the gallery arrives, and Fran and Andrew take a sneak peek of the centre-piece, which is revealed to be a painting of Andrew's boat. In that moment, Andrew sees a new future for Henry, and is so proud of his son. Henry braces himself to face his audience – mirroring the opening of the show – where he tells us about his story – a story about his life- changing accident at the age of seventeen, and how he wouldn't be who he is without it (‘THE LITTLE BIG THINGS’).

The Little Blue Devil

Musical · 1919

The show opens at the office of the fictional New York Inter-County Railroad. Augustus Rollett hires a local dancer, "Little Blue Devil", to pretend she is his wife and flirt with his boss. He then uses their flirtation to urge he get a raise. His actual wife finds out and uses the dancer to patch up her own marriage. The second act takes place in the apartment of "Little Blue Devil". The third act takes place in the home of Augustus Rollett.

The Little Mermaid

Musical · 2007

Prince Eric, his nautical expert Pilot, and his advisor, Grimsby, and sailors are aboard a ship at sea, discussing the "mythical" merfolk that supposedly live under the sea. Grimsby wants Eric to return to court to fulfill his birthright as king. However, Eric hears a beautiful voice and commands it to be followed ("Fathoms Below"). Deep on the ocean floor in the merfolk kingdom, a concert in honor of a thwarted coup d'état by the sea witch Ursula is underway, being performed by the daughters of King Triton, the ruler of the sea. King Triton's court composer, Sebastian the crab, has composed a song for the girls to perform ("Daughters of Triton"). However, the youngest daughter, Ariel, is not there for her solo, bringing the concert to a halt. Ariel has forgotten about the concert and is swimming around the surface, admiring a new item for her collection, a fork. She reveals that she is fascinated with the human world ("The World Above"). Together with her best friend Flounder, Ariel visits Scuttle and his fellow seagulls to ask about the human things she's collected, and he explains them somewhat erroneously ("Human Stuff"). Elsewhere, Ursula is seeking revenge against her brother, King Triton. She was banished from the palace for using black magic, and tells her minions Flotsam and Jetsam to keep an eye on Ariel, whom she thinks will be the key to getting the crown and trident ("I Want the Good Times Back"). When Ariel returns home, King Triton is angered to learn that she has been on the surface and reprimands her: King Triton is xenophobic towards humans, believing them to be nothing but savage fish-eaters. Ariel rushes off distraught, and King Triton assigns Sebastian to watch over Ariel to make sure she doesn't get into trouble. Ariel sits alone in her grotto, which contains her collection of human things, and imagines living in the human world ("Part of Your World"). Ariel and Flounder meet Scuttle at the surface to see Prince Eric's ship up close. On board, Grimsby tells Eric that he must find a bride and take his place as king. A storm suddenly hits, and Eric is tossed overboard. Ariel saves him from drowning and drags him to shore. She realizes that she is falling in love with him, and vows to find a way to be with him ("Part of Your World (Reprise)"). After Ariel returns home, her behavior makes her sisters and Flounder suspect that she has fallen in love ("She's in Love"). On land, Eric is determined to find the woman who saved his life, but the only clue he has is ("Her Voice"). Sebastian reveals to King Triton that Ariel has saved a human. Triton angrily confronts her about it ("The World Above (Reprise)"), uncovers her grotto and uses his trident to destroy Ariel's human collection. After the king leaves, Sebastian tries to comfort Ariel by pointing out the wonders of the undersea world ("Under the Sea"), but she is disappointed with him for reporting to her father and sneaks off with Flounder during the song. Once she is away, she is stopped by Flotsam and Jetsam, who sweet talk her into seeking help from Ursula ("Sweet Child"). Ariel goes to meet Ursula, who presents a deal: Ariel will be turned into a human for three days, during which she has to win the kiss of true love from Eric. If she does, she will be human permanently; if not, her soul will belong to Ursula. In exchange, Ariel must give up her voice, which will stay in Ursula's magic nautilus shell ("Poor Unfortunate Souls"). Ariel signs the agreement and sings into the shell, after which she is transformed into a human and swims up to the surface. Sebastian and Flounder bring Ariel, newly human, to shore. Scuttle and the seagulls give her a pep talk to raise her spirits and help her get used to her new legs ("Positoovity"). Eric arrives, but when Ariel tries to talk to him, she cannot speak. Eric brings Ariel back to his palace, where Carlotta, the head mistress, and the maids bathe and dress Ariel. Ariel is fascinated by the human world, while the maids wonder why Eric has brought such a girl to the palace ("Beyond My Wildest Dreams"). That night Chef Louis cooks dinner for Ariel, Grimsby, and Eric, and almost cooks Sebastian for the grand finale ("Les Poissons"/"Les Poissons (Reprise)"). Eric and Ariel spend time together, during which Eric teaches her to dance ("One Step Closer"). Meanwhile, Ursula is anxiously waiting for the three days to end and sends Flotsam and Jetsam to hurry things along ("I Want the Good Times Back (Reprise)"). After a tour of the kingdom, Eric takes Ariel on a quiet boat ride through a lagoon. Sebastian and Scuttle watch anxiously and try to create a romantic atmosphere for Eric to kiss Ariel ("Kiss the Girl"). As they are about to kiss, Flotsam and Jetsam give the boat an "electric shock", scare the animals away, and swim away gloating ("Sweet Child (Reprise)"). As the second day ends, Ariel wishes she had more time and could tell Eric everything, Triton worries about where his daughter has gone and vows to change if she were to return, Sebastian is concerned that Ariel's time as a human is almost up, and Eric still dreams of finding the girl who saved him even though he does not want to lose Ariel ("If Only (Quartet)"). Sebastian returns to the sea and tells an angry King Triton about Ariel's deal with Ursula. On Ariel's last day as a human, Grimsby has arranged a contest for all foreign princesses to sing for Eric, so he may choose one for his bride ("The Contest"). Eric isn't interested in any of them, and Ariel asks to participate, dancing for him. Eric picks her, but before they can embrace, Ursula appears, declaring that the sun has set and Ariel now belongs to her. Flotsam and Jetsam grab Ariel to take her back to the sea. King Triton arrives to confront his sister, agreeing to take Ariel's place. Ursula claims the trident and declares herself queen ("Poor Unfortunate Souls (Reprise)"). She banishes Triton with a wave of the trident. During a battle with Eric's ship, Ariel grabs Ursula's nautilus shell and regains her voice (which causes a horrified Flotsam and Jetsam to swim away). Ursula begs Ariel to return the shell to her, as her power is contained within it, and even tries to sweet-talk her into doing so, saying she can turn her human again and reunite her with her prince. Ariel is torn, but ultimately destroys the shell just in time, which destroys Ursula and restores King Triton to his throne and daughter. Eric and Ariel are reunited on the beach, and Eric asks King Triton for his blessing to marry Ariel. King Triton says that it is Ariel's place to answer, and she accepts Eric's proposal. King Triton then says goodbye to his daughter ("If Only (Reprise)"). In honor of his daughter, Triton declares peace between the humans and merfolk. Ariel and Eric are married and sail away on a ship ("Finale").

The Little Prince

Musical · 2019

The Little Prince is a theatrical production based on Antoine de Saint-Exupéry’s 1943 story The Little Prince that features dance, circus arts, video production and acrobatics. Tournié and Mouron began adapting the show for the stage in 2018. The show is directed and choreographed by Anne Tournié and ran in Paris, Dubai and Sydney before arriving on Broadway in spring 2022. The Sydney engagement marked the city's first major international production since the COVID-19 lockdown. Cast included Lionel Zalachas as the Little Prince, co-director Chris Mouron as The Narrator, Aurélien Bednarek as The Aviator together with a large ensemble cast. The Broadway production was slated to run from March through August at the Broadway Theatre but on April 26, it announced it would close on May 8 after receiving poor reviews.

The Lord of the Rings

Musical · 2006

The half-Elven maiden Arwen sings the prologue, urging those to whom she sings to trust their instincts ("Prologue" ('Lasto i lamath')). In the region of Middle-earth known as the Shire, Bilbo Baggins, an eccentric and wealthy Hobbit, celebrates his eleventyfirst birthday by vanishing from his birthday party, leaving his greatest treasure, a mysterious magic Ring, to his young relative Frodo Baggins ("Springle Ring"). The Ring is greatly desired by the Dark Lord Sauron, who could use it to conquer the world, and must be destroyed in the fires of Mount Doom in Mordor. Frodo and his friends Samwise Gamgee, Merry Brandybuck and Pippin Took set out along the road that leads out of the Shire, where they meet a group of Elves led by Elránien, an original female character who fills the role of Gildor Inglorion from the source material ("The Road Goes On"). Meanwhile, the corrupt wizard Saruman also desires the Ring ("Saruman"). At the Inn of the Prancing Pony in the village of Bree, Frodo and his friends sing and dance for their fellow guests ("The Cat and the Moon"). With the assistance of the Ranger Strider, the four Hobbits escape pursuit by the Black Riders, servants of Sauron, and safely reach the Ford of Bruinen ("Flight to the Ford"). Awaiting them at the Elven settlement of Rivendell is Arwen, the beloved of Strider, whose true name is Aragorn, heir to the throne of Gondor ("The Song of Hope"). Arwen's father, Lord Elrond, calls a Council of Elves, Men and Dwarves at which it is decided that Frodo will carry the Ring to Mordor. The Fellowship of the Ring sets out from Rivendell: Frodo and his three fellow Hobbits, Aragorn, the warrior Boromir, the Elf Legolas, the Dwarf Gimli, and the wizard Gandalf. Arwen and the people of Rivendell invoke the power of the star Eärendil to protect and guide the Fellowship on its journey ("Star of Eärendil"). In the ancient, ruined Dwarf-mines of Moria, Gandalf confronts a Balrog, a monstrous creature of evil, and falls into the darkness. The Fellowship takes refuge in Lothlórien, the mystical realm of Galadriel, an Elven lady of great power and wisdom ("The Golden Wood", "Lothlórien"). As their journey south continues, Boromir attempts to take the Ring from Frodo; Frodo and Sam flee from the rest of the Fellowship, and Boromir falls in battle. Gandalf returns in time to intervene at the Siege of the City of Kings, where the Lands of Men are under attack by the forces of Saruman and the Orcs of Mordor ("The Siege of the City of Kings"). Meanwhile, Frodo and Sam are joined on their journey by Gollum, a wretched creature who possessed the Ring for centuries and desires to have it for his own again. As they approach Mordor, Frodo and Sam sing to each other about the power of stories ("Now and for Always"). Gollum is moved by their song, but the evil side of his personality asserts itself and he plans to betray the Hobbits ("Gollum/Sméagol"). If Aragorn can defeat the forces of evil and reclaim the kingship of Men, he will receive Arwen's hand in marriage ("The Song of Hope (Duet)"). Meanwhile, Gollum leads Sam and Frodo to the lair of an enormous spider named Shelob so he can take the Ring from Frodo when he is dead, but the hobbits manage to survive and make their way to Mount Doom. Galadriel casts spells to protect the forces of good in the final battle ("Wonder", "The Final Battle"). Frodo and Sam finally reach the Cracks of Doom to destroy the Ring once and for all, but Frodo is consumed by the Ring's power and claims it for himself. Suddenly, Gollum reappears and takes the Ring from Frodo, but he loses his balance and falls into the fire with it. With the Ring's destruction, Sauron is defeated and the dominion of Men begins. Aragorn becomes King and marries Arwen ("City of Kings"), but Frodo, wearied by his quest, decides to leave Middle-earth forever and sail with Bilbo, Gandalf and the Great Elves to the lands of the West ("Epilogue (Farewells)"). After bidding farewell to their friend, Sam, Merry and Pippin return to the Shire ("Finale").

The Lost Boys

Musical · 2026

Act I The musical opens in the supposedly abandoned Steelworks Factory of Santa Carla in 1987 where a lone Security Guard investigates a report on strange noises, finding a broadcast of then President Ronald Reagan speaking about the need for traditional family values, only to get captured and eaten by a flying figure, David. Meanwhile, the recently divorced Lucy Emerson and her sons, Michael and Sam, move from Phoenix Arizona to Lucy's childhood home, the California seaside town of Santa Carla for a fresh start ("No More Monsters"). As they unpack their car into Lucy's recently deceased father's house, it becomes clear that there's a rift between the three concerning the topic of the boys father and Lucy's ex-husband resulting in Michael to leave the house after an argument with his brother. Michael explores the boardwalk looking for cheap thrills as a way to escape the responsibilities he's been pushed into following the divorce ("Lose Yourself"), and ends up witnessing the performance of a local rock band called "The Lost Boys" (performing "Have to Have You") with Michael becoming infatuated with one of the band's singers, a young woman named Star. Down the boardwalk, the movie rental store owner Max offers Lucy a job that she needs to support her boys, momentarily running into the wife of the missing Security Guard who is looking for her husband. At the same time in the nearby comic book store, Sam meets the Frog Brothers, Edgar and Alan, where they warn him about dangers lurking in Santa Carla causing him to run from the shop terrified ("Murder Capital of the World"). Michael meanwhile meets Star and the two hit it off with her offering to pierce his ears prompting him to scrounge for the items Star needs, while David momentarily freezes time to warn Star that she needs to feed ("Hurt a Little"). Faced with Michael's blood after piercing his ear, Star runs off causing David to reveal himself and finishes the piercing before introducing Michael to the other band members: drummer Paul, guitarist Marko, and bassist Dwayne. David offers Michael a guitar lesson as a distraction showing off his hypnotism skills to make Michael hit the correct cords as the band crowds in around him, preparing to eat him ("Time to Kill"). Michael evades harm when Sam, Lucy, Max and one of Max's employees arrive, and Max escorts the Emersons back home. After they leave, the Lost Boys feast on Max's employee revealing their fangs and exposing them as vampires to the audience. At home, the rift between Michael and Sam get worse concerning their father favoring Sam over Michael. This puts more pressure on Lucy who begins work at Video Max where she hopes she can find happiness in Santa Carla after her failed marriage ("The Good Part"). That evening, Michael and Star admit their mutual attraction ("Now, Forever") and almost kiss before The Lost Boys interrupt, with David challenging Michael into a motorcycle race to Coronado Bluff ("Lost Boy") where Michael almost drives over the edge of the cliff. In anger, Michael hits David across the face challenging him to a fight, which simply amuses David who invites Michael to come to their hangout spot. Despite Star pleading with Michael to go home, he accepts David's invitation to the band's home in the steelworks factory. In the factory, David ends up getting Michael to take off his shirt where a deep bruise is revealed that came from Michael and Sam's father, revealing him to have been abusive, which David manipulates to get Michael closer to him and the others. After David adds his blood to a goblet of wine, Michael accepts the offer to drink and join their "family", Michael initially hesitating before Star tells him to do it ("Take My Heart with You"). The Lost Boys then take Michael to a bridge where they each drop from the railing as a train approaches. Instead of falling, Michael finds himself flying alongside the Lost Boys, finally feeling part of a family ("Belong to Someone"). While Michael assumes the previous night was a strange dream, waking up in bed the next morning with a slight sensitivity to the morning light. While Max takes Lucy on a tour of Santa Carla, the Frog Brothers sneak into the Emerson house at night and offer Sam a comic book called "Kill All Vampires" that supposedly acts as a vampire survival guide. As Sam reads the symptoms of a fledgling vampire, Michael starts exhibiting the strange symptoms including an unquenchable thirst, aversion to running water, and has a hallucination of his abusive father, nearly attacking Sam with a baseball bat as he tries to fight off the vision causing the younger boy to run upstairs and lock his door ("Secret Comes Out"). Michael begins to fly again, loses control, and crashes through Sam's window. Act II Sam tells the Frog Brothers about Michael's strange behavior. They confirm he's becoming a vampire and offer to kill Michael, which Sam immediately shuts down ("My Brother Is A..."). Max takes Lucy to the now-abandoned Neverland playground, once a fond part of her youth, and they romp around the old park ("Wild"). Michael confronts the Lost Boys at their concert, and David reassures him they are on this path together ("Belong to Someone" reprise). Watching in horror as the Lost Boys feed on a group of surfers, Michael runs away tormented by a vision of his father ("You Belong to Me"). Star refuses to feed despite her waning strength vowing to never become like the monsters that turned her ("War"). Sam and the Frog Brothers attempt to uncover the head vampire, putting Max through a series of tests during dinner at the Emerson house that result in Max advising Lucy to be more firm with her boys ("Your Mom's Boyfriend Is A..."). Michael and Star resolve to help each other no matter what ("Lose Yourself" reprise). Lucy laments that she can't seem to help her troubled son and blames herself for what happened with her husband and her boys ("Michael"). Motivated by the Frog Brothers and his comic books, Sam realizes how to tap into his inner strength and embrace his identity, openly calling himself queer ("Superpower"). Sam and the Frog Brothers raid the vampire hideout, killing Marko, and escaping with the help of Michael and Star as David, Dwayne, and Paul promise to avenge their brother ("Time to Kill" reprise). The Emersons and their allies gather courage for the looming conflict as Michael and Sam begin to heal their relationship and move on from their father's abuse ("No More Monsters" reprise). The vampires attack, and the ensuing battle kills Paul, who is melted in the bathroom thanks to a Holy Water trap from the Frogs, Dwayne, who is impaled to the stereo by a crossbow bolt from Sam, and David, who gets into a fight with Michael and is ran onto Star's stake. Lucy and Max come to the house after their date, and Max exposes himself as the head vampire, revealing his scheme to make Lucy the mother of his vampire clan. Lucy's protective instincts ultimately triumph and she stabs Max through the heart with her father's cross ("The Reckoning"). Fortunate to defeat the vampires, the survivors envision a better future together as a new found family is formed ("If We Make it Through the Night"). Sometime later, in the Steelworks Factory, the wife of the Security Guard finds her husband's cap and the bottle of vampire blood and drinks from the chalice.

The Love Racket

Musical · 1943

The Love Racket is a musical comedy by Stanley Lupino with music by Noel Gay and lyrics by Frank Eyton, Barbara Gordon and Basil Thomas, and Leslie Gibbs, with additional dialogue by Arty Ash and additional numbers by Hubert Gregg and Freddie Bretherton. The original production was as a star vehicle for Arthur Askey and also featured Roy Royston and Carol Raye. After a season at the Opera House Manchester, it opened in the West End at the Victoria Palace Theatre in October 1943. It moved to the Princes Theatre in April 1944 before closing in July 1944.

The Madwoman of Central Park West

Musical · 1978

The Madwoman of Central Park West is a semi-autobiographical one-woman musical with a book by Arthur Laurents and Phyllis Newman and songs by various composers and lyricists. It focuses on the difficulties faced by an older actress who tries to balance her career with her life as a wife and mother. Among those whose songs are included in the production are Peter Allen, Leonard Bernstein, Jerry Bock, Martin Charnin, Betty Comden, Fred Ebb, Adolph Green, Sheldon Harnick, John Kander, Ed Kleban, Barry Manilow, Joe Raposo, Mary Rodgers, Carole Bayer Sager, and Stephen Sondheim.

The Magic Flute

Musical · 2007

The Magic Flute (Impempe Yomlingo) is a musical theatre work adapted from the Wolfgang Amadeus Mozart opera of the same title by Mark Dornford-May, with words and music by Mandisi Dyantyis, Mbali Kgosidintsi, Pauline Malefane and Nolufefe Mtshabe. Mozart's score is transposed for an orchestra of marimbas, drums and township percussion. The musical, set in contemporary South Africa, re-interprets the story from a South African perspective, telling of Prince Tamino's quest to rescue Pamina (both of them are Xhosa-speaking teenagers), daughter of the Queen of the Night, from the Priest of the Sun. The musical premiered in 2007 at the Baxter Theatre in Cape Town, South Africa, before beginning a tour to the United Kingdom. The production opened at the Young Vic Theatre in London over the festive season, 2007. The cast performed The Magic Flute and an adaptation of Charles Dickens' A Christmas Carol on alternate days for a nine-week run. The production won the Whatsonstage Theatregoers' Choice Award for Best Off-West End Production. Its success led to a transfer to the Duke of York's Theatre for a further run until 19 April, 2008. The musical won the Laurence Olivier Award for Best Musical Revival that year. Following its West End theatre season, the production toured to the Dublin Theatre Festival, the Chichester Festival Theatre and the Canterbury Festival. In November 2008, it returned to South Africa for a season at the Market Theatre in Johannesburg. It then played in Tokyo and elsewhere, concluding its tour at the Singapore Arts Festival in June 2009. The production, directed by Dornford-May and choreographed by Lungelo Ngamlana, starred Dornford-May's wife, Pauline Malefane in the role of the Queen of the Night. It featured performers from the township of Khayelitsha in the Western Cape of South Africa. The Irish Times said that the work "gets right to the heart of the opera's humanist message".

The Magic Show

Musical · 1973

The setting for the show is a seedy nightclub, the Top Hat, where an aging alcoholic magician, "Feldman the Magnificent," chews the scenery in his overly grand performance. Manny, the Top Hat owner, wants to replace him and brings in Doug. Doug is very unconventional and has an assistant named Cal. Cal is in love with Doug, but he does not notice her and is focused on advancing his career. Donna and Dina are the rock act in the club. One of them dates the nephew of a big agent named Goldfarb. Goldfarb is coming to the club to check out Donna and Dina's act, and everyone is excited. Meanwhile, Doug pays little attention to Cal and decides that he needs a "beautiful assistant". Cal is hurt, as Doug conjures up the beautiful Charmin. Donna and Dina get jealous, and along with Feldman, plot to expose the secrets to Doug's tricks during the show. Doug finally realizes he loves Cal, and gets to her before she leaves. Charmin is sent back to wherever she came from, and all ends up well.

The Man from Cook's

Musical · 1912

The Man from Cook's is a musical with music by Raymond Hubbell and a book and lyrics by Henry Blossom. Based on a story by Maurice Ordonneau, it is set in the cities of Paris and Naples. The original cast included Walter Percival as Prince Victor de Champagnax, Eleanor Pendleton as Estelle Dubois, Flavia Arcaro as Madame Leontine, Fred Walton as Toto Soulard, Leslie Kenyon as Lord Fitz-Bertie Baffingfone, John Daly Murphy as Zachary Benton, Stella Hoban as Marjorie Benton, Marion Murray as Mrs. Benton, William Pinkham as both Leonard de Biron and Pietro, John J. Dempsey as T. Laurence O'Donnell, Frances Rubens as Mariette, Bessie Durant as Louise, Josephine Harriman as Paula, Daisy Rudd as Marie, Rene Thornton as Floria, J.T. Chaillee as Chauffeur Giacommetti, W. Hobart as Wilhelm, Adele Kornau as Jeanne, and Fred A. Bishop as Johnson.

The Man in the Moon

Musical · 1899

The Man in the Moon is a musical in three acts with music by composers Ludwig Engländer, Gustav Kerker and Reginald De Koven, and both book and lyrics by Louis Harrison and Stanislaus Stange. The work premiered on Broadway at the New York Theatre on April 24, 1899. The production closed after 192 performances on November 4, 1899. Produced and directed by George W. Lederer, the show used choreography by Carl Marwig, costumes by Caroline Siedle, and sets created by D. Frank Dodge, Henry E. Hoyt, St. John Lewis and Ernest Albert. The cast included Sam Bernard as Conan Doyle, Marie Dressler as Viola Alum, and Christie MacDonald as Diana.

The Mandarin (operetta)

Musical · 1896

The Mandarin is an operetta or comic opera in three acts with music by Reginald De Koven and a libretto by Harry B. Smith. Commissioned by Charles D. Evans and W. D. Mann, it is reminiscent in tone and style to Gilbert and Sullivan's The Mikado. It premiered at the Star Theatre in Buffalo, New York on October 12, 1896. It transferred to Broadway where it opened at the Herald Square Theatre on November 2, 1896; running there for a total of 36 performances. The cast included Henry Norman as the Emperor of China, George Honey as Mandarin of Foo-Chow, Bertha Waltzinger as Jesso, George B. Boniface Jr. as Fan-Tan, Adele Ritchie as Ting-Ling, Joseph Sheehan as Hop-Sing, Alice Barnett as Sing-Lo, Helen Redmond as Ping-Tee, Claudia Carlstedt as Kwei-Tso, Mildred Meade as Jasmine, Louise Harlowe as Lotos Lily, Florence Pemberton as Turnkey, and Samuel Marion as Wun-Wing.

The Marvelous Wonderettes

Musical · 1999

The story takes place at Springfield High School. It's prom night and the gym is filled with homemade decorations. The show begins when the school's principal, Principal Varney, welcomes the class of 1958 to their Super Senior Prom and introduces the night's entertainment, The Marvelous Wonderettes. As the lights come up on the girls they sing "Mr. Sandman". Each are in their respective colors: Missy – tangerine, Suzy – blue, Cindy Lou – pink, and Betty Jean – green. During the song it becomes apparent that Suzy is dating the guy running the lights for the prom, Ritchie Stevens. After introducing themselves, the girls begin their second song of the evening, "Lollipop", which transitions into "Sugartime". After the song, the girls show off the cheer that won them third place at the State Song Leaders' competition and thank the teacher who leads their team, Mr. Lee. When Betty Jean runs off to put their trophy in the school trophy case, Cindy Lou seizes her opportunity to steal Betty Jean's song, "Allegheny Moon". Hilarity ensues when Betty Jean returns to find that she's been duped. She tries her hardest to ruin Cindy Lou's performance, but Cindy Lou finds a way to recover. After the song, Suzy and Missy explain to the promgoers (audience members) the events which led to them providing the entertainment that evening. It turns out that the boys from the glee club were supposed to perform, but the lead singer, Billy Ray Patton, was suspended from school for smoking ("Tobacco can kill, and make you ill."), so Mr. Lee called on The Marvelous Wonderettes to take their place. The girls announce that the theme of the prom is "Marvelous Dreams" and segue nicely into a medley of "All I Have to Do Is Dream" and "Dream Lover". Missy then announces the nominees for that year's Prom Queen, who will get to choose her King after winning the vote. All four of the Marvelous Wonderettes are nominated along with Judy Carter, a girl with whom they have homeroom. Then it's time for the dreamcatcher, which will determine the order in which the girls will sing their solos. Suzy is selected to go first. In her giggly excitement, Suzy announces that her song is for her prom date, Ritchie, and then begins to sing "Stupid Cupid". Next up is Betty Jean, who sings "Lipstick on Your Collar", during which the audience discovers that her boyfriend, Johnny, has been cheating on her with Cindy Lou. A confrontation between the two girls is broken up by Suzy, who urges Betty Jean to calm down and continue with the performance. Cindy Lou is up next and sings "Lucky Lips". Betty Jean stands in the background mocking her performance, attempting to thwart Cindy Lou, but once again, Cindy Lou recovers gracefully. The only one left to sing is Missy, who sings "Secret Love". After her song, she announces that her secret love is Mr. Lee, the girl's Songleader Leader. Mr. Lee (who was chosen from the audience at the top of the show), is brought on stage and the girls serenade him with the songs "Mr. Lee", "Born Too Late", and "Teacher's Pet". After returning Mr. Lee to his seat, an announcement is made over the loudspeaker that it's time for the talent portion of the Prom Queen competition. Missy explains that to keep things moving along, the rules committee has decided that all the girls will perform their talents simultaneously and only have 30 seconds in which to perform. Judy Carter has been excused from the talent portion because of a doctor's appointment. The girls scramble to set up their talents. Cindy Lou shows off a myriad of poses, Missy sings her best note over and over again, Suzy uses a lemon twist while blowing giant bubbles with her gum, and Betty Jean rushes to set up her fire baton routine, but the buzzer goes off before she has time to even light the baton. Now it is time for everyone to vote for Prom Queen. The audience take out their ballots (included in the playbill) and circle their choice for queen as the girls wander through the theatre collecting the completed ballots. When the ballots are collected they are given to the girls' French teacher, Miss McPhereson, who is supposed to count them. As the ballots are being tallied, the girls sing a medley of "Sincerely" and "Goodnight Sweetheart, Goodnight". At the end of the song, it is announced that Suzy has been voted Prom Queen. Cindy Lou, who expected to win, is distraught, Betty Jean couldn't be happier that Cindy Lou lost, and Suzy is so surprised she chokes on her gum. Missy announces that it's time for Suzy to pick her Prom King. The girls ask her three questions, and through Suzy's answers discover that she has, to no one's surprise, chosen her prom date, Ritchie Stevens. Since she won, Suzy gets to sing a spotlight song, "Hold Me, Thrill Me, Kiss Me", which swells at the end when the other girls join in. The girls gather around and congratulate Suzy, except for Cindy Lou, who reaches out to touch the crown as the lights fade and intermission begins. Act two begins with Principal Varney welcoming everyone back to Springfield High School and their ten-year reunion. The Marvelous Wonderettes are back to entertain everyone for the night. "Heatwave" begins to play and Cindy Lou, Betty Jean, and Missy appear to sing it. Noticeably missing is Suzy. When she finally enters, the audience discovers that she is pregnant. After the song, a brief reintroduction is made and the girls sing "Mr. Sandman" in tribute to their prom performance. Ritchie, who is now Suzy's husband, is back running the lights, but it becomes apparent that they have run into some tough times in their relationship. To cheer her up, Missy decides to take out the dreamcatcher that they used at their senior prom. Despite her insistence that she put it in her purse that morning, Missy can't find it, so she decides they'll just ask each other the three questions that Suzy answered after winning Prom Queen. She says she'll go first, and the girls ask the questions: "Are you in love?" to which Missy answers, "yes"; "Is he someone we know?", another "yes"; "Is he here tonight", one more "yes", and Missy spills the beans. She has been dating Mr. Lee for the past five years. Now she has some questions for him, which she asks in her songs, "It's In His Kiss" and "Wedding Bell Blues". Cindy Lou doesn't like what she sees; she thinks Missy shouldn't have to beg Mr. Lee for a marriage proposal, and helps her reclaim her confidence with the song "You Don't Own Me". After the song ends, Betty Jean discovers that Mr. Lee has had the dreamcatcher the whole time. She returns it to Missy, who discovers that Mr. Lee has attached an engagement ring to it! Overjoyed with the proposal, Missy breaks into song again, singing "With This Ring". Mr. Lee is brought back up on stage and the girls join Missy in singing as the happy couple celebrate. Now that the dreamcatcher has been returned, the girls use it to select the next performer, Betty Jean. Missy says that it is Betty Jean's birthday as she takes the stage to relate what she's been up to since high school; she has been working at the neighborhood hardware store with her husband, the boy who used to cheat on her with Cindy Lou. It turns out things between her and her husband are just as bumpy now as they used to be. Lamenting, Betty Jean sings "I Only Want to Be With You". At the conclusion of her song she notices her husband spending time with Judy Carter. She sings "That's When The Tears Start" followed by "It's My Party". Cindy Lou attempts to comfort her, but Betty Jean is still angry with her about the events which took place in high school. It's Cindy Lou's turn to perform next and she apologizes to Betty Jean as best she can before talking about her lack of luck in Hollywood, which resulted in her moving back to Springfield and falling in love with Billy Ray Patton, the rebel whose suspension from school 10 years earlier had led to the girls' performing. She sings "Son of A Preacher Man" and "Leader of the Pack" followed by "Maybe". After her song, Betty Jean opens her arms to Cindy Lou again and the two are reconciled. Now it's Suzy's turn to take the stage. She is self-conscious of her pregnant body and still an emotional wreck about her personal life. She sings through tears "Maybe I Know". Missy tries to cheer her up, singing "Needle in a Haystack". Suzy, slowly gaining confidence, begins to sing "Rescue Me", but doesn't find her strength until her friends step up and support her in singing "RESPECT". At the end of the song, Ritchie blinks the lights to let Suzy know that he still loves her. In the end all is well again; Cindy Lou and Betty Jean are friends, Missy and Mr. Lee are getting married, and Suzy has reconnected with her husband. The girls sing "Thank You and Goodnight" to close out the show. As they exit they announce, "See you in 1978!".

The Matchgirls

Musical · 1966

The central character of the musical is Kate, a tenement girl and factory worker, who writes to Annie Besant to ask for help in seeking reform at the Bryant and May factory. The story follows Kate and Annie's attempts to rally the girls, leading Kate to become a reckless strike-leader and a key player in the creation and recognition of the union. With much of the action set in the incongruously named, but fictional, 'Hope Court', the musical portrays Bryant and May as callous and uncaring employers, with factory foreman 'Mr Mynel' representing the threatening and imposing regime in which the girls were forced to work. There is also a sub plot in which Kate's involvement in the strike puts strain on her relationship with docker Joe. Despite the subject matter of the musical, a strong emphasis is placed on the positive mentality and natural ebullience of the so-called 'cockney sparrows', this leading to a number of cheerful and entertaining vocal numbers and dance routines.

The Me Nobody Knows

Musical · 1970

There is no plot, but the theme is children in low-income neighborhoods of New York City, who are "complex, introspective characters. Each 'I' is an authentic voice saying attention must be paid." The children are self-assertive in the face of difficult lives. Various stories are told through song by the cast of 8 black and 4 white children. One story is about a 13-year-old boy taking heroin for the first time. Another involves a child shocked to hear a white boy order "milk and a nigger". Another boy watches as a drunk black man is taken away in an ambulance after an accident. In the musical number "If I Had a Million Dollars", the ghetto children ponder what they would do with the money and express "tightwad selfishness to outrageous spending sprees."

The Merveilleuses

Musical · 1906

The story is set in Revolutionary France in the closing years of the 18th century, during the period when the Directoire, led by Barras, held power. Fashionable Parisian society is led by the Incroyables, or dandies, and their feminine equivalents, the Merveilleuses. The latter have adopted classical robes as their form of dress and the succouring of distressed conspirators as their mission. Act I — The Tent of the Café du Caveau in the Palais Royal Gardens Illyrine, who had been led to believe that Dorlis had deserted her and had divorced him in consequence, has just been married to a second husband, St. Amour, the rich but low-bred secretary to Barras. Dorlis intrudes on the wedding party at the Café du Caveau and demands that Illyrine return to him. She explains what had happened and tells him that she still loves him. Act II — The Stock Market; St. Amour's Town House After a visit to the stock market on the Perron at the Palais Royal, Dorlis, accompanied by his friend Lagorille, one of the Incroyables, goes to the wedding reception at St. Amour's Town House determined to kill St. Amour. However, the latter is warned by police agents, who have learned of the plot. Illyrine hides Dorlis in her private apartment, but St. Amour forces him to reveal his whereabouts by giving a false alarm of "Fire!", whereupon Dorlis and Lagorille are arrested. Act III — Tricolour Fête at the Palais of the Luxembourg At a fete given by Barras, Illyrine manages to persuade Barras to pardon Dorlis, with whom, after divorcing St. Amour, she is re-united. Meanwhile, the Merveilleuses, led by Lodoiska, succeed in freeing Lagorille, only to see him carried off by Pervenche.

The Most Happy Fella

Musical · 1956

Act 1 In the Golden Gate Restaurant in San Francisco in 1927, tired and harassed young waitress Cleo commiserates with her friend. Cleo's feet hurt ("Ooh My Feet") and her friend has had to fend off the cashier's advances ("I Know How It Is"). As they clean up ("Seven Million Crumbs"), Cleo's friend finds a jeweled tie pin and a note addressed to the friend as "Rosabella", written in odd broken English ("I Don't Know (The Letter)"). She decides to answer, thinking of the possibilities ("Somebody, Somewhere"). In Napa, the mailman has a letter for Tony Esposito, who has been enjoying a "mail order love affair" for the past four months. Tony, a large and hearty older Italian immigrant and a successful grape farmer, happily shows the crowd the picture of his "girlfriend" ("The Most Happy Fella"). Meek farmhand Herman expresses admiration of his boss's initiative in pursuing Rosabella ("Standing on the Corner"). But as Tony prepares to send his own picture in return, his sister Marie points out that he is too old and unattractive for a beautiful young woman like Rosabella, and he accepts that she is probably right. At that moment Joe, the young, handsome and nomadic farm foreman, arrives to tell Tony that he plans to leave town and travel somewhere else ("Joey, Joey, Joey"). Tony sees his opportunity and asks Joe for a photograph as a memento, then sends it as his own to his beloved ("Rosabella"). Several weeks later, Rosabella has agreed to come to Napa and marry Tony ("Abbondanza"), but as he prepares to leave for the bus station to collect her, imagining their future together ("Plenty Bambini"), he discovers to his horror that Joe has remained in town longer than planned to attend the wedding ("Spozalizio"). Rosabella arrives at the farm with the postman ("Special Delivery," "Benvenuta") and meets Joe ("Aren't You Glad?"), only to discover that he is not Tony. Upset at the subterfuge, she starts to leave. However, Tony has been injured in a truck accident en route to the bus station, and he pleads with Rosabella to stay and marry him immediately in case he does not live. She relents ("No Home, No Job") and they marry. Joe, who now must stay to run the ranch during Tony's convalescence, is upset but tries to comfort her ("Don't Cry"), and in a moment of mutual weakness they embrace. Act 2 A week later ("Fresno Beauties"), Joe and Rosabella regret their indiscretion ("Cold and Dead"), and at the encouragement of Tony's doctor ("Love and Kindness"), the newlywed couple makes a fresh start ("Happy to Make Your Acquaintance"). Cleo arrives in Napa, revealing that Tony has sent for her and offered her a job to keep Rosabella company, and she immediately takes a dislike to Marie ("I Don't Like This Dame") but hits it off with fellow Texan Herman ("Big D"). As time passes, Tony and Rosabella grow closer, Marie feels increasingly lonely, and Joe longs to travel again ("How Beautiful the Days"). Marie tries to convince Tony that the age difference between him and Rosabella is too great ("Young People"), and he believes her even though Rosabella herself indicates otherwise ("Warm All Over"). Cleo and Herman also grow closer, though she is frustrated by his passive, compliant nature ("I Like Everybody"). She urges Rosabella to tell Tony of her feelings, as Tony is treating her like a child rather than a wife ("I Love Him/I Know How it Is"). Tony, overjoyed by Rosabella's expression of love ("Like a Woman Loves a Man"), discards his cane ("My Heart Is So Full of You"). Later Rosabella collapses at a party ("Hoedown"), and the doctor tells her she is pregnant (with Joe's child). She is upset by this news, and Cleo rushes her away before she can tell the still-overjoyed Tony ("Mamma, Mamma"). Act 3 In Tony's barn a short time later, Cleo hints to Herman that she may be leaving ("Goodbye, Darlin'") but he remains unbelievingly cheerful, to her frustration. As the preparations for the wedding party are taking place, the doctor asks the community to leave the couple alone for a little while ("Song of a Summer Night"). Rosabella tells Tony she is pregnant ("Please Let Me Tell You"). Tony rejects her in a rage when she reveals that Joe is the father. She and Cleo leave to return to San Francisco, but when Tony learns that Joe is leaving as well, he concludes that they are leaving together and rushes to the bus station with a gun to confront them. When he discovers that Joe has already left ("Tell Tony and Rosabella Goodbye for Me"), however, he resolves to forgive her ("She Gonna Come Home Wit' Me"). Marie begs her brother to let her go ("Nobody's Ever Gonna Love You") and snatches away his cane to prevent him from leaving, but Cleo attacks her and grabs it back. Brutish farmhand Pasquale intervenes in the struggle, and Herman finally finds the nerve to stand up for her by striking Pasquale ("I Made a Fist"). Tony convinces Rosabella to return to their home, where they will tell their friends and the townspeople Tony is the father. Reunited with Rosabella and soon to be a father, Tony affirms that he truly is "the most happy fella." ("Finale").

The Music Man

Musical · 1957

In the early summer of 1912, aboard a train leaving Rock Island, Illinois, Charlie Cowell and other traveling salesmen debate whether modern conveniences are making their profession more difficult. "Professor" Harold Hill is discussed as one whose sales skills make him immune from such changes ("Rock Island"). Charlie says that Hill is a con man who promises to form boys' marching bands, then skips town after taking payments for instruments and uniforms. Upon the train's arrival in River City, Iowa, a passenger leaves the train with a suitcase labeled "Professor Harold Hill". After townspeople of River City describe their reserved, "chip-on-the-shoulder attitude" ("Iowa Stubborn"), Harold sees his old friend and shill, Marcellus Washburn, who has "gone legit" and now lives in the town. Marcellus tells Harold that the only person who might expose him is the only trained musician in town, Marian Paroo, the librarian who gives piano lessons. He also informs Hill that a new pool table was just delivered to the town's local billiard parlor so, to launch his scheme, Harold convinces River City parents of the "trouble" that can come from a pool table in the community ("Ya Got Trouble"). Harold follows Marian home, attempting to flirt with her, but she ignores him. Marian gives a piano lesson to a little girl named Amaryllis while arguing with her widowed mother about her high "standards where men are concerned"; she mentions the man who followed her home ("Piano Lesson/If You Don't Mind My Saying So"). Marian's self-conscious 10-year-old brother Winthrop arrives home. Amaryllis, who secretly likes Winthrop but teases him about his lisp, asks Marian to whom she should say goodnight on the evening star, since she doesn't have a sweetheart. Marian tells her to just say goodnight to her "someone" ("Goodnight, My Someone"). The next day, bumbling Mayor Shinn and his overbearing wife Eulalie MacKecknie Shinn lead the festivities for Independence Day at the high school gym ("Columbia, the Gem of the Ocean") but are interrupted by a firecracker set off by troublemaker Tommy Djilas. Harold takes the stage and announces to the townspeople that he will prevent "sin and corruption" from the presence of the pool table by forming a boys' band ("Ya Got Trouble [reprise]/Seventy-Six Trombones"). Mayor Shinn, who owns the billiard parlor, tells the bickering school board to get Harold's credentials, but Harold gets them to sing as a Barbershop Quartet to distract them ("Ice Cream/Sincere"). Harold also sets up Zaneeta, the mayor's eldest daughter, with Tommy, and persuades Tommy to work as his assistant. After another rejection by Marian, Harold is determined to win her ("The Sadder But Wiser Girl"). The town ladies are very excited about the band and the ladies' dance committee that Harold plans to form. He mentions Marian, and they imply (falsely, it turns out) that she had an affair with a now-deceased miser, who willed the library building to the town but left all the books to Marian. They warn Harold that she advocates "dirty books" by "Chaucer, Rabelais and Balzac" ("Pick-a-Little, Talk-a-Little"). The school board arrives to review Harold's credentials, but he leads them in song and slips away ("Goodnight, Ladies"). The next day, Harold walks into the library to woo Marian in earnest ("Marian the Librarian"). For a moment, she forgets her decorum and dances with Harold and the teenagers. Harold kisses her; when she tries to slap him, she accidentally hits Tommy instead. With Tommy's help, Harold signs up all the boys in town to be in his band, including Winthrop. Mrs. Paroo likes Harold and tries to find out why Marian is not interested. Marian describes her ideal man ("My White Knight", rewritten for the film version as "Being in Love"). She sets out to give Mayor Shinn evidence against Harold that she found in the Indiana State Educational Journal, but they are interrupted by the arrival of the Wells Fargo wagon, which delivers the band instruments ("The Wells Fargo Wagon"). When Winthrop is so happy about his new cornet, and totally abandons his shyness and self-consciousness, Marian begins to see Harold in a new light. She tears the incriminating page out of the Journal before giving the book to Mayor Shinn. The ladies rehearse their classical dance in the school gym while the school board practices their quartet ("It's You") for the ice cream social. Marcellus and the town's teenagers interrupt the ladies' practice, taking over the gym as they dance ("Shipoopi"). Harold grabs Marian to dance with her, and all the teenagers join in. At the end of the dance, the Mayor angrily denounces Tommy's relationship with his daughter. Regarding Winthrop's cornet, Marian later questions Harold about his claim that "you don't have to bother with the notes". He explains that this is what he calls "The Think System", and he arranges to call on Marian to discuss it. The town ladies ask Marian to join their dance committee, since she was "so dear dancing the Shipoopi" with Professor Hill ("Pick-a-Little, Talk-a-Little" [Reprise]). They have reversed their opinions about her books, and they eagerly tell her that "the Professor told us to read those books, and we simply adored them all!" That night, the school board tries to collect Harold's credentials again, but he gets them to sing again and slips away ("Lida Rose"). Marian, meanwhile, is sitting on her front porch thinking of Harold ("Will I Ever Tell You?"). Winthrop returns home after spending time with Harold and tells Marian and Mrs. Paroo about Harold's hometown ("Gary, Indiana"). As Marian waits alone for Harold, traveling salesman Charlie Cowell enters with evidence against Harold, hoping to tell Mayor Shinn. He only has a few minutes before his train leaves, but stops to flirt with Marian. She delays him so he won't have time to deliver the evidence, eventually kissing him. As the train whistle blows, she pushes him away. Charlie angrily tells Marian that Harold has a girl in "every county in Illinois, and he's taken it from every one of them – and that's 102 counties!" Harold arrives, and after he reminds her of the untrue rumors he's heard about her, she convinces herself that Charlie invented everything he told her. They agree to meet at the footbridge, where Marian tells him the difference he's made in her life ("Till There Was You"). Marcellus interrupts and tells Harold that the uniforms have arrived. He urges Harold to take the money and run, but Harold refuses to leave, insisting, "I've come up through the ranks... and I'm not resigning without my commission". He returns to Marian, who tells him that she has known that he is a fraud since the third day after he arrived. (Harold earlier claimed to have graduated from the Gary Conservatory in 1905, but Gary, Indiana, was not founded until 1906.) Because she loves him, she gives him the incriminating page out of the Indiana State Educational Journal. She leaves, promising to see him later at the Sociable. With his schemes for the boys' band and Marian proceeding even better than planned, Harold confidently sings "Seventy-Six Trombones". As he overhears Marian singing "Goodnight My Someone", Harold suddenly realizes that he is in love with Marian; he and Marian sing a snatch of each other's songs. Meanwhile, Charlie Cowell, who has missed his train, arrives at the ice cream social and denounces Harold as a fraud. The townspeople begin an agitated search for Harold. Winthrop is heartbroken and tells Harold that he wishes Harold had never come to River City. But Marian tells Winthrop that she believes everything Harold ever said, for it did come true in the way every kid in town talked and acted that summer. She and Winthrop urge Harold to get away. He chooses to stay and tells Marian that he never really fell in love until he met her ("Till There Was You" [Reprise]). The constable then handcuffs Harold and leads him away. Mayor Shinn leads a meeting in the high school gym to decide what to do with Harold, asking, "Where's the band? Where's the band?" Marian defends Harold. Tommy enters as a drum major, followed by the boys in uniform with their instruments. Marian urges Harold to lead the River City Boys' Band in Beethoven's Minuet in G. Despite the boys' limited musical ability, the parents in the audience are nonetheless enraptured by the sight of their children playing music. Even Mayor Shinn is won over, and, as the townspeople cheer, Harold is released into Marian's arms ("Finale").

The Musical of Musicals

Musical · 2003

The Musical of Musicals (The Musical!) is a musical by Joanne Bogart and Eric Rockwell. It has five acts, each of which is a short musical parodying (and paying homage to) the style of an American or British musical theater composer or composer/lyricist team, all dealing with roughly the same classic melodrama plot: "I can't pay the rent!" The musical premiered off-Broadway in 2003 at the York Theatre. It again played off-Broadway in 2005 at the Dodger Stages V with the same cast. It also had a production on London's West End, in Australia (Canberra - 2009 and February 2010) as well as numerous productions in U.S. regional theaters and in Canada.

The Mystery of Edwin Drood

Musical · 1985

The following synopsis represents one particular version of the plot, though licensed variants of the show allow for fewer or more songs and lines, songs in a different order, and fewer or more plot points. Actors of London's Music Hall Royale circulate among, and then introduce themselves to, the audience, led by their Chairman, who acts as narrator ("There You Are"). He introduces the play's setting as the (fictional) town of Cloisterham and its cathedral's choirmaster, John Jasper, whose mundane life is splitting his mind in two ("A Man Could Go Quite Man"). Jasper greets his adoring young nephew Edwin Drood ("Two Kinsmen"), who is engaged to Rosa Bud, Jasper's music pupil and the secret object of Jasper's lustful obsession. At Rosa's next music lesson, Jasper makes her sing a song he has composed with obvious sexual innuendo ("Moonfall"). The cathedral's kindly Reverend Crisparkle arrives to announce that immigrant twins from Ceylon, Helena and Neville Landless, will be living under his care. Neville is immediately attracted to Rosa, which makes him a rival to both Drood and the sinister Jasper. The Chairman brings the audience to the London opium den of the ageing Princess Puffer, who laments her morally corrupt livelihood ("Wages of Sin"). One of Puffer's regular clients is none other than Jasper, who cries out the name 'Rosa Bud' during a hallucination, which Puffer overhears. Back in Cloisterham, Neville and Drood meet, each quickly offending the other. Next, the Chairman is forced to play the town's mayor as the regular actor is too drunk to appear. The Chairman and Jasper sing of their confusing double roles (Jasper, though, referring to his split personality) in a patter song ("Both Sides of the Coin"). Edwin and Rosa, who have been promised to each other since they were children, decide to call off their engagement. As a parting gift, Rosa gives Drood her hair clasp ("Perfect Strangers"). On Christmas Eve, Jasper arranges a dinner for the Landless twins, Crisparkle, Rosa, and Drood. However, Neville and Drood's antagonism only worsens, and Crisparkle reveals he once loved Rosa's now-deceased mother ("No Good Can Come from Bad"). The guests frantically depart into a violent storm. There is a short halt, where the actor playing Bazzard, an employee of the cathedral, soliloquizes about how he never lands a major part in a show ("Never The Luck"). The next day Drood has vanished. Bazzard discovers Edwin's torn coat by the river. Drood was last seen walking there with Neville the night before. Neville is almost lynched by the townsfolk, but Crisparkle and Helena persuade the mayor to release him, since no corpse has yet been discovered. Jasper confesses his deranged love to Rosa. She is horrified, and he pursues her offstage ("The Name Of Love/Moonfall"). Six months later, there is still no sign of Drood. Puffer has been investigating Drood's disappearance but has also noticed a seedy-looking figure doing the same: detective "Dick Datchery", played by the same actor who plays Drood ("Settling Up The Score"). The cast summarizes the situation so far, and the Chairman announces that the audience will now take a series of votes to determine the story's end ("Don't Quit While You're Ahead"). He says that Datchery is an alias for one of the other characters in disguise. When he concludes that Drood is indeed murdered and therefore not Datchery, the actress playing Drood/Datchery storms out of the theatre. Actors then tally votes from the audience for the identity of both Datchery and Drood's murderer. Puffer tells Rosa that she was once her nanny before her reluctant descent into a life of crime ("Garden Path To Hell"). Puffer also reveals the identity of Datchery ("Puffer's Revelation"). The evening's Datchery (either Bazzard, Reverend Crisparkle, Helena, Neville, or Rosa) then explains why they took up a disguise and tracked down the killer; the girls did it mainly to disguise their gender, Neville to prove his innocence, Crisparkle to help both Neville and Helena, and Bazzard to give himself a bigger dramatic role ("Out On A Limerick"). The commonalities of each version are that the character follows Jasper to his house and finds the clasp that Rosa gave Drood, which Jasper could only have taken from Drood. The townspeople then haul Jasper onstage, where he admits that he strangled his nephew under the influence of opium ("Jasper's Confession"). The town's gravedigger, Durdles, however, steps forward with a twist. Depending on the audience's vote, Durdles reveals that Bazzard, Crisparkle, Helena, Neville, Puffer, Rosa, or Durdles himself is the real murderer. The murder confesses ("Murderer's Confession"). The gist of each confession is that the murderer was seeking to kill Jasper for his or her purpose: Puffer to protect Rosa, Rosa to save herself, Helena to avenge Jasper for ruining her twin's reputation, Bazzard for the limelight, Neville because he wanted Rosa for himself, or Crisparkle because he wanted to protect Rosa and Neville from Jasper's evil (or in other versions because he is losing his mind). The murders tend to hinge on the fact that the killer mistook Drood for Jasper since Drood was wearing Jasper's coat, which Drood borrowed during the storm. (Durdles's confession, however, is merely that he drunkenly killed Drood when mistaking him for a ghost.) Still, the Chairman demands a happy ending and asks the audience to select two lovers from among the remaining cast. The chosen members declare their love ("Perfect Strangers - Reprise"). Just then, Edwin Drood emerges from Cloisterham's crypt, explaining that when he was attacked, he was only stunned not killed. Jasper dragged him to the crypt but, when Drood woke, he fled from Cloisterham for six months, only returning when his attacker's identity was finally revealed ("The Writing On The Wall"). John Jasper – Edwin Drood's uncle, John Jasper is madly in love with Drood's fiancée Rosa Bud, so his violent split personality gladly killed Drood. His confession reprises both "A Man Could Go Quite Mad" and "Moonfall". Jasper's confession is performed no matter who is chosen as the murderer, and the audience is discouraged from voting for him since he is the obvious solution. Rosa Bud – Edwin Drood's long-time fiancée, Rosa Bud meant to kill Jasper in revenge for his lustful advances as her possessive and maddening singing tutor, but she killed Drood by accident as Drood was wearing Jasper's coat. Her confession is a reprise of "A Man Could Go Quite Mad" and "No Good Can Come From Bad". Neville Landless – Neville is a visitor from Ceylon who murdered Drood to regain his pride after perceived humiliation and also to have a chance with Rosa Bud. His confession is a reprise of "A Man Could Go Quite Mad" and "No Good Can Come From Bad" in the original Broadway production, later changed to "A British Subject". Helena Landless – Neville's sister, Helena murdered Drood so her hot-blooded brother would not be tempted to seek revenge. Her confession is a reprise of "A Man Could Go Quite Mad" and "No Good Can Come From Bad" in the original Broadway production, later changed to "A British Subject". Princess Puffer – The proprietress of the opium den Jasper attends, the Princess Puffer killed Jasper to protect Rosa from his advances, but accidentally killed Drood because he was wearing Jasper's coat and because she was confused after having smoked opium. Her confession is a reprise of "The Wages of Sin". Reverend Crisparkle – The Reverend Mr Crisparkle is the local vicar madly in love with Rosa's mother, and he sees Rosa as a reincarnation of her. He murdered Drood so that he could marry Rosa. This version of Crisparkle's confession was introduced in the first national tour and has been used in all productions since. His confession is a reprise of "A Man Could Go Quite Mad" and "No Good Can Come From Bad" in the original Broadway production, later changed to "A British Subject". Bazzard – Bazzard is Crisparkle's assistant who, to boost his role in the show, murders Drood. This is the most metatheatrical of the endings, implying that Bazzard's actor is an actual murderer. His confession is a reprise of "A Man Could Go Quite Mad" and "Never the Luck". Durdles – The town drunk and stonemason, Durdles believed the still-alive Drood to be a ghost and so smashed his head in, after laying his unconscious body (injured by Jasper) down into the crypt. (Even Durdles admits the silliness of this motive within his solo, but laments that because he has been chosen, he must have one.) This solo was not used in the original Broadway production and was added for the first national tour. His confession is a reprise of "Off to the Races". If, although not likely, the audience chooses Jasper as the murderer, Durdles does not interrupt and a second confession is not performed. (Some theaters will not count Jasper's votes, to make sure that there is a twist).

The New Aladdin

Musical · 1906

The New Aladdin is an Edwardian musical comedy in two acts by James T. Tanner and W. H. Risque, with music by Ivan Caryll, Lionel Monckton, and additional numbers by Frank E. Tours, and lyrics by Adrian Ross, Percy Greenbank, W. H. Risque, and George Grossmith, Jr. It was produced by George Edwardes at the Gaiety Theatre, opening on 29 September 1906 and running for 203 performances. The London production starred Grossmith, Harry Grattan (who also choreographed), Lily Elsie, Edmund Payne and Gaby Deslys (making her London debut). Gertie Millar, the established star of the Gaiety soon became available and replaced Elsie in the leading role, but shortly thereafter The Merry Widow made Elsie a big star. The Aladdin story had been dramatised extensively in England before and was very popular in pantomime versions, but this was the first book musical on the subject. P. G. Wodehouse wrote a comic dramatisation of the creation of The New Aladdin called "The Cooks and the Gaiety Broth" as part of Plum Punch: The Life of Writers.

The New Moon

Musical · 1927

French aristocrat Robert Misson flees to New Orleans under an assumed name and becomes a bond-servant in the household of planter Monsieur Beaunoir. He falls in love with Beaunoir’s daughter Marianne but keeps his identity secret. Detective Vicomte Ribaud finds Robert and has him sent aboard the ship New Moon to be returned to France. Marianne joins the ship, pretending to love its captain. After a mutiny, Robert and the bond-servants take control and establish a republic on the Isle of Pines. When French ships arrive, Robert renounces his title, and he and Marianne remain together.

The New Yorkers

Musical · 1930

Wealthy New York socialite Alice Wentworth has a romantic interlude with Al Spanish, a nightclub owner and bootlegger. During their time together, they escape from the police and go on many adventures. Jimmy Deegan and his buddies Ronald and Oscar aid in their escapades, invent a new alcoholic drink, murder Feet McGeehan and assist with the gangland wedding of Al and Alice, while offering tributes to money, wood, and "The Hot Patata". Jokes and songs about alcohol, and how far people will go to get it, such as "Drinking Song" and "Say It with Gin", reflect the musical's origin from the Prohibition period.

The News

Musical · 1985

None of the story's characters are named. They are referred to only by generic titles such as 'Girl' and 'Executive Editor'. The stage is divided into three parts, with the newsroom in the center, Girl's bedroom on one side, and Killer's apartment on the other. The action takes place mostly in the newsroom of The Mirror, a fictional tabloid in an unnamed large city. Executive Editor tries to drive readership with sensational reporting and outrageous headlines, such as "Head Red Dead", and "Live Goat Found in Madonna's Stomach". He is an inattentive father to a 15-year-old, Girl, speaking to her only over the phone. Girl makes a connection with a mysterious man, Killer, through a series of personal ads ("Classifieds/Personals"). She makes an off-handed remark to Killer that someone should kill all the unethical figures who work in the media. Killer takes Girl's remark to heart and resolves to go on a killing spree ("Shooting Stars"). The staff at The Mirror are excited to cover the subsequent spate of murders. They hold a contest inviting readers to name the serial killer. In a climax which commentators have described as "confusing", and "unbelievable", Killer and Girl meet in person, with Killer ultimately "blow[ing] himself away".

The Night Boat

Musical · 1920

The Night Boat (1920) is a musical in three acts, based on a farce by Alexandre Bisson, with a book and lyrics by Anne Caldwell and music by Jerome Kern. The story lampoons the notorious New York City-to-Albany night boat, on which clandestine romances were common. After out-of-town tryouts, the musical was produced on Broadway by Charles Dillingham, where it opened on February 2, 1920, at the Liberty Theatre under the direction of Fred G. Latham and Ned Wayburn, with music direction by Victor Baravalle. The Night Boat had a successful initial run of 313 performances, closing on October 30, 1920 and opening for a new run in Boston soon afterwards, followed by successful tours.

The Only Girl

Musical · 1914

The Only Girl is a "musical farce in three acts" with music by Victor Herbert and a book and lyrics by Henry Blossom. The musical is based on the 1912 play Our Wives by Frank Mandel and Helen Kraft. It opened on Broadway at the 39th Street Theatre on November 2, 1914. During its Broadway run it transferred to the Lyric Theatre where it closed on June 5, 1915, after 240 performances. The Broadway production starred Wilda Bennett as the composer Ruth Wilson; Thurston Hall as her librettist Alan Kimbrough; Adele Rowland as the soubrette Patricia La Montrose, a.k.a. "Patsy"; Ernest Torrence as the painter Andrew McMurray, a.k.a. "Bunkie"; Vivian Wessell as Bunkie's wife; and Jed Prouty as the lawyer Fresh; Josephine Whittell as Margaret Ayer, Fresh's wife. The London production opened at the Apollo Theatre in the West End on September 25, 1915, and ran for 107 performances.

The Orchid

Musical · 1903

Setting: Countess of Barwick's Horticultural College and the Square and Opera House at Nice, France Guy Scrymgeour is in love with Josephine Zaccary, but their union is opposed by his uncle, the rich and influential Mr. Chesterton, because she is the daughter of a mere orchid hunter. Meanwhile, a penniless young physician, Ronald Fausset, loves Lady Violet Anstruther. The two couples wed secretly, but the Registrar switches the names on the marriage certificates, so that Guy is joined to Lady Violet, and Ronald to Josephine. Chesterton founds a horticultural college and sends Zaccary (Josephine's father) to Peru to seek a special $2,000 orchid, the orchid of his dreams. Zaccary is supposed to take the flower to Nice, France, for a competitive exhibition. However, Zaccary is unreliable and goes to Paris instead, in search of flowers of the human variety. Fortunately, it is discovered that Meakin, the gardener at the horticultural college, is growing a nearly identical orchid.

The Outsiders: A New Musical

Musical · 2023

Ponyboy Curtis, aged 14, is writing in a notebook, when he begins to introduce the world of the show — Tulsa, Oklahoma in 1967. He introduces his eldest brother Darrel who used to be a football star with "a ticket out," and his middle brother Sodapop, who recently had his heart broken. He introduces the Greasers, the more gritty, grounded counterparts to the upper-class Socs who "live like socialites." He specifically points out his best friend, Greaser Johnny Cade, who was recently jumped by Socs ("Tulsa, '67"). Ponyboy is jumped by the same Socs who attacked Johnny, led by their ringleader Bob. When the Socs attempt to cut Ponyboy's hair to make him look like a Soc, Ponyboy bites Bob, and then gets knocked unconscious. He wakes up to his brothers cleaning him up. The other Greasers — led by Dally, who just got out of county lockup — tell Ponyboy that he has officially become a Greaser, having gotten through this experience and come out the other end. Darrel worries that Ponyboy is making an irresponsible choice in cementing himself as a Greaser, but Dally makes it official anyway ("Grease Got a Hold"). Darrel is at home folding laundry, reflecting on his role as a pseudo-father to his younger brothers after their parents recently died in a car accident, as the rest of the gang make themselves comfortable in the Curtis house ("Runs in the Family"). Ponyboy comes home and asks Darrel if he can go to the drive-in with Johnny, Two-Bit, and Dally. Darrel agrees, as long as Ponyboy stays careful and isn't late for curfew, though he's still wary of Dally. Ponyboy and Sodapop discuss how Darrel's in a hard place right now, and Ponyboy asks his brother if, like himself, he dreams about his parents' accident. Sodapop says no, before asking Ponyboy about the book he's reading. Ponyboy and Sodapop reflect on the similarities they each see in the characters in the book "Great Expectations" by Charles Dickens. After Sodapop goes to sleep, Ponyboy keeps reading and following this train of thought ("Great Expectations"). Meanwhile, Dally finds Johnny outside his house, with sounds of intense arguing from inside. After it becomes clear this has happened before, Johnny tells Dally that he stays at home because he's scared his father will kill his mother. Dally offers to go inside the house himself, but Johnny doesn't let him. Dally gives Johnny a cigarette for warmth, a Hershey Bar, and his switchblade, which he teaches Johnny how to use. The next day, Dally, Johnny, and Ponyboy all go to the drive-in, which is full of Socs. There, they meet Sherri "Cherry" Valance, who is seeing Bob. ("Friday at the Drive-in"). Dally keeps hitting on Cherry, claiming she's "not as innocent" as she may seem. Johnny tries to stop him, angering Dallas. Dally continues provoking Cherry, and she throws her coke on him. After Dally leaves, Cherry and her friend Marcia invite Ponyboy and Johnny to sit with them, before eventually asking Ponyboy to escort her to the concession stand. There, the two begin talking and realize that the other isn't exactly as stereotypes led them to believe — Cherry is dealing with fighting and demanding parents, and Ponyboy likes books and watching the sky change colors as the sun sets ("I Could Talk to You All Night"). Bob storms in, and he tries to tell Cherry not to talk to Greasers, leading to an altercation between the two groups — notably between Bob and Two-Bit. Cherry stops them from fighting but breaks up with Bob in doing so. Bob — who is clearly drunk — threatens Ponyboy. Cherry tells Ponyboy not to take it the wrong way if she doesn't say hello to him at school. Ponyboy and Johnny arrive at the Curtis home, late for curfew. An enraged Darrel begins shouting at his younger brother, and Ponyboy fights back. Sodapop is unable to quell the argument. As tensions escalate, Darrel slaps Ponyboy ("Runs in the Family" (reprise)). Ponyboy and Johnny run away. They sit and contemplate what could be next for them, dreaming of running far away ("Far Away From Tulsa"). Ponyboy and Johnny are stopped by the Socs, led by Bob. A fight breaks out, and it escalates quickly. The Socs attempt to drown Ponyboy in a water fountain, but before they can finish the job, Johnny stabs Bob with the blade Dally gave him, killing the Soc. By the time Ponyboy regains consciousness, the other Socs have fled. Ponyboy and Johnny run to Buck Merril's Bar searching for Dallas, who gives them money and directions to an abandoned church where they can hide for the time being. Ponyboy and Johnny do as they're told ("Run Run Brother"). In Tulsa, the Socs and police are searching for Ponyboy and Johnny, who the Socs told the police were responsible for Bob's death. Darrel and Sodapop are interrogated about what they know or who they know that might know more, with the police singling out Dally as a specific person of interest, though they receive no information from him. At the abandoned church, Ponyboy and Johnny see their photographs in the newspaper and decide that Ponyboy needs to cut and bleach his hair to make him less recognizable. Cherry struggles with the death of her boyfriend while acknowledging that he was not a good person. Paul mourns with Cherry before accusing her of antagonizing Bob into fighting Ponyboy. Paul and the Socs then declare war on the Greasers, beating up Two-Bit as a "message", and plan a fight for next Saturday night at the same park where Bob was killed. ("Justice for Tulsa"). At the church, Ponyboy reflects on how he feels that he brings death and bad luck to others and that Johnny should just leave him at the church and run away on his own. Johnny refuses, saying he will stick by Ponyboy no matter what. ("Death's at My Door"). Meanwhile, at the Curtis house, Dally tells Darrel and Sodapop that no one will find Ponyboy and Johnny, but Darrel blames Dally for being a bad influence on the two boys. Dally counters that he spends more time with Ponyboy than Darrel does. He prepares to strike Darrel, but Sodapop stops the fighting before it can escalate further. Dally backs off but walks away in anger. Darrel worries that he will never be able to help Ponyboy, and contemplates giving up. Sodapop reminds him that they don't give up on family. Ponyboy reflects on this from the church, on his own ("Throwing in the Towel"). Ponyboy recites a poem "Nothing Gold Can Stay" by Robert Frost to Johnny, as they watch the sunrise. Dally arrives at the church, and tells Ponyboy and Johnny that there are kids at the church having a field trip or picnic of some kind. He gives Ponyboy a letter from Sodapop about how the house isn't complete without Ponyboy. Darrel is seen on stage, representing his concern and love for Ponyboy as well. ("Soda's Letter"). Johnny decides he wants to return to Tulsa and turn himself in. Dally is adamant that this is a bad idea, telling the boys that it's always better to run away from trouble like he has. He also reveals that the Socs and Greasers' rivalry has only worsened and that there will soon be a rumble. The winner gets control over the park. During this conversation, Ponyboy throws a cigarette on the ground behind him. Dally tells Ponyboy and Johnny that he is going to drive them to Iowa where someone is going to take them in. But before they can leave, the church catches on fire from the cigarette Ponyboy threw away. Ponyboy and Johnny run into the flames to rescue the kids Dally had mentioned earlier, turning them into local heroes back in Tulsa — where they return ("Hoods Turned Heroes"). Ponyboy ends up not badly injured, but a beam falls on Johnny's back, and he can no longer feel his legs. Dally says he will not be holding back at the rumble. Cherry comes to the hospital room and tells Ponyboy that she cleared him and Johnny of all murder charges by giving a statement to the police. She begs Ponyboy to not fight in the upcoming rumble ("Hopeless War"). Nevertheless, Ponyboy feels he has to fight for Johnny, and joins the Greasers in preparing for the rumble. Darrel shows up, ready to fight, and asks Ponyboy to let him fight on his behalf. Ponyboy still refuses, and all three Curtis brothers prepare to fight in the rumble ("Trouble"). Darrel and Paul — once best friends, now rivals — start fighting one-on-one, before everyone breaks out into an all-out fight. The Greasers and Socs brutally fight one another in the pouring rain, and eventually, the Greasers win. They go visit Johnny in the hospital after the fight. Johnny tells Ponyboy to "stay gold," and then dies. All the Greasers become emotional. Overwhelmed with grief, Dally storms out of the hospital. He runs to the train tracks and lets himself get hit by an oncoming train, killing him ("Little Brother"). Ponyboy is distraught, not speaking, and staring at the television while his brothers try to help him. They reveal he's been like that for two weeks. Darrel acknowledges that although Johnny and Dally are both heroes, they are both gone. A stunned and enraged Ponyboy pins Darrel to the ground, but Sodapop tearfully stops them, fed up with the constant fighting, reminding them that they only have each other and have to look out for each other. Cherry then stops by, revealing she started volunteering at the hospital. She found a pile of Johnny's clothes and thought Ponyboy should have them. She tells Ponyboy that Johnny left a note for him in one of his pockets. The note — which Sodapop reads to Ponyboy, as Ponyboy is too emotional to even open it — reveals that Johnny had time to think before he died, and that he understands the meaning of "Nothing Gold Can Stay" — which neither of them understood when Ponyboy first recited it at the church. He again tells Ponyboy to "stay gold," and asks him to remind Dally of the good in the world ("Stay Gold"). Ponyboy tells Darrel and Sodapop that while he loves being a Greaser, that's not all there is to him, which both of his brothers accept. Ponyboy sits down to eat dinner with the two of them.

The Pajama Game

Musical · 1954

Act I Vernon Hines, the efficiency expert at the Sleep-Tite Pajama Factory in Cedar Rapids, Iowa, breaks the fourth wall to introduce the story ("The Pajama Game Opening"). Inside the factory, workers churn out pajamas at a backbreaking pace ("Racing with the Clock"). In the middle of this, Sid Sorokin has come from out of town to work in the factory as the new superintendent ("A New Town Is a Blue Town"). The union, led by Prez, is seeking a wage raise of seven-and-a-half cents an hour, though the company president, Myron Hasler, refuses to give way. Katherine "Babe" Williams is the leader of the Union Grievance Committee. Sid and Babe are in opposite camps, yet romantic interest is sparked at their first encounter. Despite cajoling from her fellow garment workers, Babe appears to reject Sid ("I'm Not At All in Love"). Meanwhile, Hines is in love with Gladys Hotchkiss, the company president's secretary, but is pushing her away with his jealous behavior. After witnessing a fight between the couple, Sid's secretary, Mabel, tries to help Hines break from his jealous ways ("I'll Never Be Jealous Again"). Meanwhile, Sid, rejected again by Babe, is forced to confide his feelings to a dictaphone ("Hey There"). During the annual company picnic, kicked off with the official Sleep-Tite Company Anthem ("Sleep-Tite"), Hines demonstrates his knife throwing act while intoxicated, almost striking Babe while attempting to knock an apple off her head. Prez chases after Gladys, who rejects his advances ("Her Is"). Babe warms up to Sid, and they turn the entire picnic into a celebratory dance ("Once a Year Day"). As the picnic-goers head home, Prez turns his attentions to Mae, who responds in the positive far more quickly and aggressively than he'd expected ("Her Is (Reprise)"). At Babe's home, Sid's romantic overtures are deflected by Babe, who makes casual conversation on tangential subjects ("Small Talk"). Eventually the walls come down between the two, who admit their love for one another ("There Once Was a Man"), but their estrangement is reinforced when they return to the factory. A slow-down is staged by the union, strongly supported by Babe ("Racing with the Clock (Reprise)"). Sid, as factory superintendent, demands an "honest day's work" and threatens to fire slackers. Babe, however, is still determined to fight for their cause, and intentionally jams the factory line, causing a breakdown, and Sid reluctantly fires her. As she leaves, he begins to wonder again whether a romance with her is a mistake ("Hey There (Reprise)"). Act II At the Union meeting, after a rallying speech by Prez, Gladys (Mae in the 2006 revival) performs for the rest of the union, with "the boys from the cutting room floor" ("Steam Heat"). After the main meeting, the Grievance Committee meets at Babe's house, to discuss further tactics, such as mismatching sizes of pajamas and sewing the fly-buttons onto the bottoms such that they are likely to come off and leave their wearer pants-less. At the meeting, as Prez and Mae's relationship is waning, Sid arrives and tries to smooth things over with Babe. Despite her feelings for Sid, she pushes him away ("Hey There (Reprise)"). Back at the factory, the girls reassure Hines, who is personally offended by the slow down, that he is doing nothing wrong ("Think of the Time I Save"). Hasler has a meeting in his office with Max, one of the company's traveling salesmen, about an incident that occurred in Peoria, Illinois. Hines is called in to try on pajama pants, which fall down in front of everybody just as Gladys walks in. Believing that he is fooling around, she angrily dismisses him. Sid, now convinced that Babe's championship of the union is justified, takes Gladys out for the evening to a night club, Hernando's Hideaway ("Hernando's Hideaway"), where he wheedles the key to the company's books from her. Hines and Babe each discover the pair and assume they are becoming romantically involved. Babe storms out, and Hines believes his jealous imaginings have come true ("I'll Never Be Jealous Again Ballet"). Using Gladys' key, Sid accesses the firm's books and discovers that Hasler has already tacked on the extra seven and one-half cents to the production cost, but has kept all the extra profits for himself. Hines, still jealous out of his mind, has broken into Gladys' office, and flings knives past Sid and Gladys, narrowly missing an increasingly paranoid Mr. Hasler. After detaining Hines, Sid then brings about Hasler's consent to a pay raise and rushes to bring the news to the Union Rally, already in progress ("7½ Cents"). This news brings peace to the factory and to his love life, allowing him to reconnect with Babe ("There Once Was a Man (Reprise)"). Everyone goes out to celebrate at Hernando's Hideaway clothed in company brand pajamas ("The Pajama Game Finale").

The Pink Lady

Musical · 312

Act I The maidens in a European village not far from Paris are frightened, but secretly thrilled, by a mysterious man called Satyr, who kisses and embraces them if they venture into the woods to pick mushrooms. Lucien, an engaged young man arrives, soon followed by his fiancée, Angele, and her idiot-savant cousin, Bebe. Lucien wishes to have one last fling with his mistress, Claudine, before he marries; he has made up a man named Dondidier, like Algernon's Bunbury, so that he may visit him in the country. His bride-to-be has a jealous admirer, Maurice, who persuades her to follow her future husband to witness his philandering. Angele insists on meeting Dondidier, whom Lucien identifies as the Satyr. Angele sees Lucien having lunch with Claudine. Angele vows to marry Bebe, although she is not attracted to him and plans to be a cold and unloving wife. Lucien says that Claudine is Dondidier's wife, but Angele is not fooled... until Claudine appears and backs up this story. Angele demands to know where in Paris Claudine and her husband reside. Claudine smoothly gives her an address, adding that Mr. Dondidier is an antiques dealer. It turns out that Bebe provided Claudine with the necessary facts, so that Angele would go ahead and marry Lucien. Having overheard Lucien claim that Dondidier is the Satyr, everyone wishes to meet him in Paris. Act II In Paris at the home of the curmudgeonly little antique dealer, his wife and the townswomen encourage the mousy man to demonstrate his talents as the famous Satyr. Two Greek statues, one of Aphrodite, the other of a satyr, have mysteriously disappeared from his shop. Act III At the Ball of the Nymphs and Satyrs, the Pink Lady resolves all of the complications, so that Lucien eventually marries Angele, Bebe remains faithful to his Canadian girlfriend, and Dondidier becomes more of a man to his wife.

The Pirate Queen

Musical · 2006

Grace O’Malley, the eighteen-year-old daughter of Dubhdara, Chieftain of the O’Malley clan, and her childhood sweetheart Tiernan sneak aboard the newly christened ship The Pirate Queen ("Prologue"). Grace tells her father she wants to be a sailor, but Dubhdara tells her it is impossible, as it is considered unlucky to have a woman on board a ship. Grace expresses her frustration to Tiernan ("Woman"). Grace disguises herself as a cabin boy and stows away. When one of the ship's spars breaks in a storm, Grace climbs the rigging to cut the mainsail free. The sailors cheer the "boy's" bravery, but are shocked to learn his true identity. Dubhdara is furious, but appreciates Grace's heroism, so he allows her to join the ship's crew. Since her mother's death, Grace has been Dubhdara's only family. Though he loves her deeply, he realises that he barely knows the passionate woman she has become ("My Grace"). Tiernan is overjoyed that the woman he loves will be allowed to stay on the ship. Although their relationship must be kept secret, they swear themselves to each other ("Here on This Night"). During a battle with an English vessel, Dubhdara is wounded and Grace instinctively takes charge. Though outnumbered, they defeat the English soldiers and sink the warship. Seeing what his daughter has done, Dubhdara decides to defy tradition and train her to be a sea captain like himself. Several years pass. In 1558, Henry VIII's successor, Mary Tudor, dies suddenly, and Elizabeth I ascends to the throne ("The Waking of the Queen"). Elizabeth summons her court, and shows her condescending ministers how forceful she intends to be as Queen ("Rah-Rah, Tip-Top"). The Queen names her royal advisor Sir Richard Bingham the Lord Governor of Ireland, with instructions to quell the Irish rebellion and kill Grace O'Malley. The increased aggression from England forces the Irish clans to take drastic measures. Dubhdara summons the chieftain of his clan's ancient rival, the Clan O’Flaherty, to a meeting in which he proposes that they arrange a marriage between Grace, and O’Flaherty's son, Donal. When the marriage produces a son, the clans will be united. Grace is horrified, since she loves Tiernan, yet she knows the necessity for such a political act and agrees ("The Choice Is Mine"). Donal vows that he will tame this Pirate Queen ("Boys’ll Be Boys"). The next day, the two clan leaders preside over "The Wedding". Tiernan watches, devastated, yet senses that Grace will need him one day and he decides to stay near her ("I’ll Be There"). The English set a trap for Grace. They land in the small town of Belclare and the men take up arms, leaving Grace and the women behind. With the town deserted except for "helpless females," Grace mobilizes the women and they kill the invaders. Only Bingham is left alive, with instructions to tell the Queen "he was bested by a woman." Tiernan arrives with news that Dubhdara is dying. Grace races off to Clew Bay, and Clan O’Flaherty goes with her ("A Day Beyond Belclare"). Donal expects that his marriage to Grace will make him the chieftain of both clans, but Dubhdara, however, passes the chieftain's ring and mantle to Grace, making her the first woman ever to become leader of a clan. Dubhdara dies, and the clan gives him a sailor's funeral, in a flaming boat set out to sea ("Sail to the Stars"). Grace, once again captain of The Pirate Queen, gives birth aboard ship ("It's a Boy"). The Pirate Queen is attacked by the English and Grace, despite having just given birth, joins the fight ("Enemy at Port Side"). The Irish prevail, at considerable cost, but Grace can only think of Donal's cowardice. According to Irish law, a marriage becomes permanent only after three years. Grace invokes this law and banishes Donal from her life ("I Dismiss You"). Once again, Grace and Tiernan are free to be together ("If I Said I Loved You"). In England, Elizabeth faces a complex dilemma. As Queen, her most important obligation is to produce an heir ("The Role of the Queen"). When Donal arrives at the christening of his son Eoin ("The Christening/Let a Father Stand By His Son"), Bingham and his English troops burst into the ceremony, killing many of the O’Malley clan and taking Grace prisoner. Donal and Tiernan engage in violent battle, during which Donal is killed. Tiernan takes the child to safety. Grace is imprisoned for seven years, during which time Bingham completes his conquest of Ireland. Tiernan offers himself in exchange for Grace, so that she can return to her child ("Surrender"). To everyone's amazement, Elizabeth accepts Tiernan's offer and releases Grace ("She Who Has All"). Grace returns to find Ireland despoiled by Bingham's marauding English troops. Reunited with her son and seeing the Ireland Eoin will now inherit, Grace sets sail for England to plead the case for Ireland ("The Sea of Life"). Elizabeth is enraged at Grace's return, but Grace appeals to Elizabeth woman to woman, urging the Queen not to ignore her nature but to use it to rule wisely. After a two hour long discussion, Elizabeth restores Grace's lands and ships and releases Tiernan from prison ("Woman to Woman"). Grace and Tiernan return to Ireland where they are reunited with Eoin. At last they marry, and the Irish people celebrate with a plea for Ireland to be once and forever at peace ("Finale").

The Prince of Egypt

Musical · 2017

In Ancient Egypt, more than 3,000 years ago, the Hebrews labor, desperate for deliverance from slavery. Egyptian soldiers, under orders to kill all Hebrew firstborn boys, snatch babies from their mothers' arms. Yocheved sings a last lullaby to her newborn, then places him in a basket and sets it out on the Nile, where it drifts into the Queen's pleasure garden. Queen Tuya is there with her infant son, Ramesses II, but when she finds the new baby in the bulrushes, she decides to adopt him and names him Moses ("Deliver Us"). 18 years later, high-spirited teenagers Moses and Ramses race their chariots, destroying the marketplace and part of a temple, infuriating the high priest, Hotep ("Faster"). Afterwards, their father Pharaoh Seti I berates Ramses for his irresponsibility ("One Weak Link") and tells him he must marry the arrogant and ambitious Princess Nefertari as a political alliance. Moses defends Ramses to his father, but left alone, he wishes he could leave a mark on the world as his brother will one day ("Footprints on the Sand"). Some months later, Seti returns from a desert campaign against the rebellious Midianites ("Seti's Return"). To celebrate his victory, Seti gives Ramses a captured Midianite girl as his slave, Tzipporah ("Dance to the Day"). Later that evening, Tzipporah breaks away from her guards and winds up in Moses' bedchamber, where she defiantly says she will always be free and escapes. Moses pursues Tzipporah into the marketplace, where he runs into Miriam, his real sister, and his brother Aaron. Miriam tells him the truth about his birth, and when he refuses to believe her, she sings him their mother's lullaby, which stirs old memories in Moses. Distraught, he races back to the palace, but cannot escape his memories. He finds artwork of the Hebrew babies being drowned by Seti's men, and the Pharaoh sadly confirms that he had to make the sacrifice for the good of Egypt. Tuya finds him and tells him the truth: he is a Hebrew, but now he must forget that and continue to live as he always has, and Moses agrees ("All I Ever Wanted"). The next day, Moses is with Ramses and Hotep at the temple worksite. He attempts to act as if nothing has changed, but when he sees a guard whipping a Hebrew slave, he attacks the guard and accidentally kills him. Hotep proclaims that Moses must be punished. Moses runs off and Ramses pursues him, saying he will hide the truth of Moses' identity. Moses says that isn't possible and runs into the desert ("Make It Right"). Barely surviving ("Moses in the Desert"), Moses encounters the Midianites, led by their High Priest Jethro, who welcomes him into their tribe and tells him their philosophy ("Through Heaven's Eyes"). As the time passes, Moses and Ramses miss one another ("Faster" reprise), but Moses has become a shepherd and fallen in love with Tzipporah, Jethro's daughter, whom he has re-encountered ("Never in a Million Years"). Then one day, following a stray sheep, Moses encounters a miraculous burning bush and hears the voice of God commanding him to return to Egypt and free his people. Moses sets off with Tzipporah as, back in Egypt, Seti dies and Ramses is crowned Pharaoh ("Act I Finale"). Moses returns to Egypt ("Return to Egypt") and confronts Ramses, now married to Nefertari and the father of a son, Seti II (based on Amun-her-khepeshef). Ramses agrees to free the Hebrews if Moses will come back to court as his adviser ("Always On Your Side"), and the exultant Moses informs the Hebrews they have been freed ("Simcha"), but Hotep then appears, holding a royal decree that doubles the Hebrews' work load. Under the influence of Hotep and Nefertari, Ramses has broken his promise to Moses. The Hebrews angrily drive Moses away ("Deliver Us" reprise). Moses finds Ramses sailing down the Nile on the royal barge, and warns him that if he does not keep his promise, Egypt will suffer. When Ramses refuses, the waters of the Nile are turned to blood, and further plagues of disease, fire and darkness ravage Egypt. Urged by Tuya to make peace with his brother, Moses pleads with Ramses to free the Hebrews, but Ramses will not relent ("The Plagues"). The final plague occurs, the death of the Egyptian first born, including Ramses' and Nefertari's son. Moses is devastated by the death and destruction he has caused ("For the Rest of My Life"). Ramses tells Moses that the Hebrews can go, while Nefertari grieves over the dead body of their son ("Heartless"). Moses tells Miriam the Hebrews are finally free, but he is too distraught to lead them. Miriam and Tzipporah, along with the freed Hebrews, revive his spirits ("When You Believe"). Moses leads the Hebrews to the edge of the Red Sea, where Tzipporah mourns the fact that she will never see her family again ("Never in a Million Years" reprise). Suddenly, the Egyptian army appears in the distance, led by Ramses and Hotep, and the Hebrews appear to be trapped. Needing a miracle to escape, Moses holds out his hand and the Red Sea parts. The Hebrews pass through the Red Sea while Moses remains to offer himself as a ransom to Ramses for the Hebrews' freedom. Hotep urges Ramses to kill Moses, but Ramses refuses, saying there has been too much death, and he will be the weak link, breaking the chain of destruction. Moses and Ramses embrace, brothers once again, and then Moses and Tzipporah follow the Hebrews. Hotep commandeers the Egyptian army and pursues Moses and the Hebrews into the parted Red Sea, but once the Hebrews have reached safety, the waters fall back, drowning Hotep and the soldiers. On opposite sides of the Red Sea, Moses and Ramses face their separate destinies, knowing that they will always have a brother who supports and understands them ("Act II Finale").

The Princess Pat

Musical · 1915

Setting: Long Island, New York It is spring 1915. Princess Patrice de Montaldo (O'Connor), an Irish-American, is married to the Italian Prince Antonio "Toto" di Montaldo. The Prince is unattentive and possessive, now that the couple has married. Pat loves her husband but was unhappy living in Sicily where she was homesick for her Easthampton, Long Island home, and her beloved dogs and horses. The two have moved to her estate, but the Prince is unhappy there. Meanwhile, aging, wealthy, widowed, German womanizer Anthony Schmalz has become engaged to Pat's young friend Grace Holbrook, because Grace's uncle, the befuddled General John Holbrook, has recently lost his fortune. Assisted by New Yorker Bob Darrow, Pat comes up with a plan to make her husband jealous: she pretends to elope with Schmalz. The scheme works well: the Prince's passion is revived. At the same time, Bob's friend, Schmalz's loafing but handsome Yale-educated son Tony, needs a spirited woman to set him straight, and the plot proves to Grace that Schmalz, Sr. is a philanderer; she decides to marry the younger and more suitable Tony Jr. A bumbling sheriff, Si Perkins, pursues Tony and Bob to arrest Bob for speeding.

The Producers

Musical · 2001

In New York in 1959, theatre producer Max Bialystock opens Funny Boy, a musical version of Hamlet. Reviews are overwhelmingly negative, and the show closes after one performance ("Opening Night"). Max, who was once called the King of Broadway, tells a crowd of down-and-outs of his past achievements and vows to return to form ("King of Broadway"). The next day, Leo Bloom, a mousy accountant, comes to Max's office to audit his books. When one of Max's elderly female "investors" arrives, Max tells Leo to wait in the bathroom until she leaves. She plays a sex game with Max, who persuades her to give him a check to be invested in his next play, to be called "Cash". Leo reveals his lifelong dream to be a Broadway producer. After recovering from a panic attack caused by Max touching his blue blanket, Leo tells Max that he has found an accounting error in his books: Max raised $100,000 for Funny Boy, but the play only cost $98,000. Max begs Leo to cook the books to hide the discrepancy; Leo reluctantly agrees. After some calculations, he realizes that, by bilking investors, a producer could profit more from a flop than from a hit. Inspired, Max proposes a scheme to find the worst musical ever written, hire the worst director and actors in New York, raise $2 million of investment from elderly women, produce the work on Broadway, close it after one night, and escape to Rio de Janeiro with the money. However, Leo refuses to help Max with his scheme ("We Can Do It"). Leo's antagonistic boss, Mr. Marks, reprimands him for arriving at work six minutes late and calls him a nobody. While he and his miserable co-workers toil over accounts, Leo daydreams of becoming a Broadway producer ("I Wanna Be a Producer"). He realizes that his job is terrible, quits, and returns to Max ("We Can Do It" (reprise)). The next day, they search for the most offensive play they can find and discover Springtime for Hitler: A Gay Romp with Adolf and Eva at Berchtesgaden, an admiring tribute to Adolf Hitler written by ex-Nazi soldier Franz Liebkind. They go to the playwright's home in Greenwich Village to get the rights to the play, where Franz is on the roof of his tenement with his pigeons reminiscing about life back in Germany ("In Old Bavaria"). The producers get him to sign their contract by joining him in singing Hitler's favorite tune ("Der Guten Tag Hop Clop") and reciting the Siegfried Oath, under penalty of death, promising never to dishonor Hitler's spirit or memory. In doing so, Franz gives Hitler's middle name as "Elizabeth", explaining that his ancestors include "a long line of English queens". At the townhouse of the flamboyant transvestite and failing director Roger De Bris, Roger and his domestic partner Carmen Ghia initially decline the offer to direct because of the serious subject matter. After much persuading and invoking the possibility of a Tony Award, Roger relents and tells the producers that the second act must be rewritten so the Germans win World War II while also insisting that the play be more "gay" ("Keep It Gay"). Max and Leo return to the office to meet Ulla, a beautiful Swedish woman who wants to audition for their next play ("When You've Got It, Flaunt It"). The producers are impressed, mostly by her sex-appeal, and hire her as a clerical worker. Max leaves to raise $2 million to produce Springtime for Hitler by calling on elderly women from all over New York ("Along Came Bialy"), and succeeds at raising the money ("Act I Finale"). Leo and Ulla are left alone in Max's office, which she has "redecorated", and they start to fall in love ("That Face"). Max walks in and sees the tempting form of Ulla's covered behind ("That Face" (reprise)). At the auditions for the role of Hitler, Roger rejects one actor after another in summary fashion. Finally, a frustrated Franz performs his own jazzy rendition of "Haben Sie Gehört Das Deutsche Band?", at the end of which Max approves Franz's audition. Opening night arrives ("Opening Night" (reprise)), and after Leo curses the production by wishing everyone "good luck" rather than the traditional "break a leg" ("You Never Say 'Good Luck' on Opening Night"), Franz literally breaks his leg falling down the stairs. Roger is the only one other than Franz who knows the part of Hitler, and he rushes to the dressing room to get ready. The curtain rises, and Max and Leo watch the opening number ("Springtime for Hitler"), which shocks the audience, before sneaking away. Unfortunately, Roger plays Hitler so flamboyantly that the audience mistakes the show for satire, and it becomes a surprise smash. Back at the office, Max and Leo are horrified that the IRS will learn of their actions as they read positive critical reviews for Springtime ("Where Did We Go Right?"). Roger and Carmen come to congratulate them, only to find them fighting over the accounting books. Franz bursts in, waving a pistol, outraged by Roger's portrayal of Hitler. Fearful for his life, Max suggests that Franz shoot the actors instead of the producers as a way to close the show. The police are summoned by the commotion and arrest Franz, who breaks his other leg while trying to escape. They also arrest Max and take the books. As Leo hides, Ulla finds him and persuades him to take the $2 million and run off to Rio with her. In jail awaiting trial, Max receives a postcard from Leo, now living in Rio and having eloped with Ulla. Feeling betrayed, he recounts the events of the story ("Betrayed"). At his trial, Max is found "incredibly guilty", but Leo and Ulla arrive in the nick of time. Leo turns in the stolen money and tells the judge that Max is a good man who has never hurt anyone despite his swindling, and the only man he has ever called a friend ("'Til Him"). Touched by their friendship, the judge decides not to separate the partners, sending them and Franz to Sing Sing prison together for five years. In prison, they write a new musical entitled "Prisoners of Love", and they are pardoned by the governor of New York for bringing joy into the lives of their inmates by having them act in the play. Soon after taking Prisoners of Love to Broadway, with Roger and Ulla in the main roles, Leo and Max become successful producers and walk off into the sunset ("Leo & Max"). Everyone comes back for one last song, telling the audience to leave ("Goodbye!").

The Prom

Musical · 2016

Eleanor!: The Eleanor Roosevelt Story is celebrating its opening night on Broadway with its lead cast members Dee Dee Allen and Barry Glickman ("Changing Lives"). The musical is bashed by The New York Times because Dee Dee and Barry are self-absorbed narcissists who do not understand their characters, and the show closes the same night. To improve their image, the actors decide to take up "a cause" that will make them appear selfless. They team up with two other washed-up actors — Trent Oliver, a Juilliard School graduate down on his luck who has just been cast in the non-Equity tour of Godspell, and Angie Dickinson, a life-long chorus girl who just quit after 20 years in the musical Chicago. Searching on Twitter, they find Emma, an Indiana teenager whose prom has been cancelled because she wanted to bring her girlfriend as her date. Seizing the opportunity, the actors decide to go to Indiana to help ("Changing Lives (Reprise)"). In Indiana, Emma faces bullying, but she reminds herself that not everyone is this cruel ("Just Breathe"). Mr. Hawkins, the school principal and Emma's ally, informs her that he has spoken to the state attorney general in hopes of reinstating the prom. The school holds a meeting with the homophobic PTA, but just as Emma and Mr. Hawkins begin to make progress, Dee Dee, Barry, Angie, and Trent barge in with protest signs in support of Emma. Dee Dee reminds everyone what a good person she is for doing this while claiming that this isn't about herself, humiliating Emma("It's Not About Me"). After the meeting, it is revealed that the girl Emma wants to take to prom is Alyssa, a popular but closeted student and the daughter of Mrs. Greene, the head of the PTA. The two argue as Alyssa blames Emma for all the publicity around the prom but Emma reassures her that she didn't want this and just wants to be with her ("Dance with You"). The actors attempt to hold a rally to inspire action for Emma but can only book the halftime show at a monster truck rally. They perform alongside the non-Equity tour cast of Godspell ("The Acceptance Song"). Their performance is unsuccessful as the crowd boos them offstage. The attorney general orders the PTA to organize a new prom. Emma thanks the actors, and Mr. Hawkins and Dee Dee go to Applebee's to celebrate, while students begin to "prompose" to each other. Emma invites Alyssa to the prom, and she agrees, promising to come out to be with her ("You Happened"). At Applebee's, Mr. Hawkins, a huge fan of Dee Dee's, tells her how much she inspires him ("We Look to You"). Barry helps Emma get ready for the prom and reveals he didn't have the opportunity to go to prom either after running away from home. Meanwhile, across town, other teens prepare for the prom ("Tonight Belongs to You"). As Emma waits outside the gym, she asks Barry to walk her in because she is nervous. As they enter, they realize that the school gym is empty. Mr. Hawkins, who is inside desperately trying to resolve the issue, reveals that the PTA lied to him and have secretly moved the prom across town. Dee Dee panics that the fake prom will be bad press for her, which angers Mr. Hawkins as he realizes Dee Dee's true intentions. Emma calls Alyssa who tells her she knew nothing about the other prom. Emma asks her to come and be with her, but she refuses to come out. Devastated, Emma runs out of the gym, asking all the actors to just go home. Following the fake prom, the media frenzy around the whole event increases. The actors encourage Emma to step up and become the face of the story, but she is too scared. Angie encourages her with a quick lesson about "zazz", which she complements with a story about Bob Fosse and the original production of Chicago ("Zazz"). Dee Dee returns to talk to Mr. Hawkins, who berates her for being so self-centered. She performs his favorite song to make it up to him and vows to begin thinking of others ("The Lady's Improving"). Trent decides that he may be able to change the minds of the youth of the town due to his small-town upbringing. He confronts a number of the students about how they and their families break the word of the Bible every day and how hypocritical they are being. He encourages them to follow "love thy neighbor" above all ("Love Thy Neighbor"). Alyssa meets with Emma to apologize, telling her about all the pressure her mother puts on her to be perfect and how she blames Alyssa for her father leaving. Emma is unable to accept her apology and they break up ("Alyssa Greene"). The actors book Emma a TV appearance, but she turns it down and tells them that she has her own plan to control the narrative and change minds. Convinced her plan will work and that they will be able to have a prom for everyone, Emma asks Barry to be her date so that he is finally able to fulfill his dream. Barry, overjoyed, agrees as he recounts his experience missing his own prom ("Barry Is Going to Prom"). Emma uploads a video of her singing with her guitar about her struggles and longing for acceptance, but how despite that she is proud of who she is and won't hide anymore. She inspires other members of the LGBTQ+ community in the area and across the country to comment on their support for her and how it has helped them ("Unruly Heart"). The video goes viral, inspiring the actors to plan an inclusive prom for Emma and all the LGBTQ+ kids across the state. However, Mr. Hawkins realizes that the school doesn't have enough money to pay for it. The actors all donate, including Dee Dee, who turns over her American Express Black card ("Changing Lives (Act 2 Reprise)") The PTA attempts to block the new prom but are stopped from doing so when the students voice their support, thanks to Trent's efforts to change their minds. The students suggest Trent stay in Indiana and become their drama teacher. Alyssa comes out to her mother in front of the school, confessing her love for Emma. Mrs. Greene is reluctant to accept Alyssa as she is, but Barry steps in, saying if she doesn't accept Alyssa, she is going to lose her. She is devastated but begins to become more open and agrees to listen to her daughter. The PTA backs down, and quickly makes plans for a new prom, while Dee Dee and Barry question what "success" is. The school puts on this more inclusive prom and LGBTQ+ couples from the area attend, along with the straight couples of James Madison High School. Emma and Alyssa finally get their dance and share a kiss ("It's Time to Dance").

The Recruiting Serjeant

Musical · 1770

A recruiting sergeant visits a village and persuades Joe, a countryman with a wife and mother, to enlist. The women try to stop him. Joe asks the sergeant about battles, whose gruesome description makes him reconsider. Joe then admits his enlistment threat was revenge for his wife nagging him about going to the alehouse the previous night. She promises not to do so again, and they reconcile. The sergeant buys Joe a drink, and they toast King George.

The Red Petticoat

Musical · 1912

The Red Petticoat is a musical comedy in 3 acts with music by Jerome Kern and a book and lyrics by Rida Johnson Young and Paul West. The Western-genre musical starred Helen Lowell as tough lady barber Sophie Brush in a fictional rough silver-mining town in Nevada, who gets her man. Songs included "I Wonder", "My Peaches and Cream", "Oh You Beautiful Spring", "The Ragtime Restaurant", and "Since the Days of Grandmamma". The musical was based on a 1911 farcical melodrama by Young titled Next!. It was Kern's first complete score. After a tryout in Philadelphia, the show opened at Daly's Theatre on November 13, 1912, directed by Joseph W. Herbert, and moved to the Broadway Theatre, closing on January 4, 1913, after 61 performances.

The Rink

Musical · 1984

The Rink is a musical with a book by Terrence McNally, lyrics by Fred Ebb, and music by John Kander, the tenth Kander and Ebb collaboration. The musical focuses on Anna, the owner of a dilapidated roller skating rink on the boardwalk of a decaying seaside resort, who has decided to sell it to developers. Complicating her plans are her prodigal daughter Angel, who returns to town seeking to reconnect with the people and places she long ago left behind. Through a series of flashbacks, revelations, and minimal forward-moving plot development, the two deal with their pasts in their attempt to reconcile and move on with their lives.

The Roar of the Greasepaint – The Smell of the Crowd

Musical · 1964

Resembling a music hall production more than a book musical, the allegorical plot examines the maintenance of the status quo between the upper and lower classes of British society in the 1960s. The two main characters are Sir and Cocky. Since Sir is forever changing the rules of the game of life, downtrodden young Cocky always gets the short end of the stick. Assisting Sir is his eager disciple Kid, anxious to pick up bits of wisdom while helping keep Cocky in his place. Cocky tries to beat Sir at the game, first by getting a job, and then with love, but Sir bests him both times. Cocky is re-inspired when he sees a new character, the Negro, win the game behind his and Sir's backs. By ignoring the rules, Cocky manages to win, but neither he nor Sir can function without the other. The show ends with both of them frozen in a pose arguing which way to go next.

The Rocky Horror Show

Musical · 1973

The Usherette, sometimes referred to as "Trixie", who works in a derelict cinema, introduces tonight's "film" ("Science Fiction/Double Feature"). After attending the wedding of his best friend Ralph Hapschatt to Betty Munroe, Brad Majors confesses his love to Betty's friend Janet Weiss and the two become engaged ("Dammit Janet"). The Narrator explains that Brad and Janet are leaving Denton to visit Dr. Everett Scott, their former science tutor, while driving into a rainstorm. During the trip, their car has a flat tire and they are forced to walk through the rain to an old castle seeking a telephone ("Over at the Frankenstein Place"). The Narrator explains that Brad and Janet are feeling "apprehensive and uneasy". As they arrive rain-soaked, Riff Raff, the hunchbacked handyman and live-in butler, greets them with his sister Magenta, the maid. Riff Raff, Magenta and Columbia (a groupie) mention a delivery boy, Eddie, who fell victim to unfortunate circumstances after he botched a delivery; they then perform a vigorous dance number ("Time Warp"). Brad and Janet, alarmed, try to leave, but are stopped when Dr. Frank-N-Furter, a pansexual, cross-dressing mad scientist, makes an entrance. He introduces himself as "a sweet transvestite from Transsexual, Transylvania" and invites Brad and Janet up to his laboratory ("Sweet Transvestite"). Brad and Janet are stripped to their underwear to dry off. In the laboratory, Frank-N-Furter gives Brad and Janet lab coats to wear. Frank announces that he has discovered the secret to creating life. He unveils his creation, a blond muscle man, Rocky, whom he brings to life. As his bandages are removed, Rocky appears anxious ("The Sword of Damocles"). Frank admires Rocky's physique in a tribute to bodybuilders ("Charles Atlas Song"/"I Can Make You a Man"). A Coca-Cola freezer in the laboratory opens to reveal Frank and Columbia's former lover, Eddie, a biker covered in surgical scars, who has been rendered a brain-damaged zombie. Intent on rescuing Columbia, Eddie rides crazily out of the freezer and causes extensive damage to Frank's laboratory ("Hot Patootie – Bless My Soul"). Frank panics, forces Eddie back into the freezer and hacks him to death with an axe. Frank tells Rocky – the recipient of half of Eddie's brain – that he prefers his physique to Eddie's, and so Eddie had to go ("Charles Atlas Song" (reprise)/"I Can Make You a Man" (reprise)). Brad and Janet, flustered after witnessing Eddie's brutal murder, are ushered to separate bedrooms. The Narrator muses that Brad and Janet may be unsafe. Janet welcomes Brad's advances in her darkened bedroom before realising that it is Frank in disguise. He persuades Janet that pleasure is no crime; she asks him to promise not to tell Brad, and they resume making love. In Brad's darkened bedroom, Janet arrives to make love to Brad, who discovers that his lover is Frank in disguise. Frank promises not to tell Janet, and they resume, but Riff Raff interrupts on the television monitor with the message that Rocky has escaped. Janet searches for Brad in the laboratory and discovers Rocky hiding there. Checking the television monitor, Janet sees Brad in bed with Frank and seduces Rocky ("Touch-a, Touch-a, Touch-a, Touch Me"). The rest of the group discovers on the television monitor that Janet has slept with Rocky; Brad is hurt and angry ("Once in a While"). Riff Raff notifies Frank that there is another visitor entering the castle: Dr. Scott, the paraplegic science tutor whom Brad and Janet intended to visit. Dr. Scott in a wheelchair is brought into the laboratory by Columbia, where Frank accuses him and Brad of spying on his castle, knowing that Dr. Scott has connections with the FBI. Dr Scott assures him that he has come in search of his nephew, Eddie ("Eddie's Teddy"). Frank displays Eddie's corpse to the group and then uses a device to electronically anchor the three visitors and a rebellious Rocky to the floor ("Planet Schmanet Janet"); the inhabitants of the castle are revealed to be space aliens led by Frank, who abandoned their original mission to engage in kinky sex with Earthlings and work on Rocky. Magenta insists that they return to their home planet now that they have been found out; Frank refuses and declares that it is time for a "floor show". Under Frank's influence, Columbia, Rocky, Brad and Janet perform song and dance routines while clad in lingerie ("Rose Tint My World (Floor Show)"). Frank entices them to lose all inhibition and give in to their natural carnal instincts, and an orgy ensues ("Don't Dream It – Be It") before Frank leads them into the rousing finale of the floor show ("Wild and Untamed Thing"). Riff Raff and Magenta arrive abruptly, wearing spacesuits and carrying ray guns. Riff Raff declares that he is usurping Frank's authority and taking them all back to their home planet ("Transit Beam"). Frank makes a final plea for sympathy from Riff Raff, explaining his desire to spend his life having sex with Earthlings ("I'm Going Home"). Riff Raff is unmoved and guns down Columbia, Frank and Rocky before ordering Brad, Janet and Dr. Scott to leave. As the trio evacuates the castle, Riff Raff and Magenta express their excitement to return to their world and do the "Time Warp" again with their fellow Transylvanians ("Spaceship"). Brad and Janet watch as the castle blasts off into outer space, confused about the implications of their sexual escapades, as the Narrator sums up ("Super Heroes"). The Usherette recounts the night's events ("Science Fiction/Double Feature" (reprise)).

The Rose of Algeria

Musical · 1908

The Rose of Algeria is a musical in two acts with music by Victor Herbert and both book and lyrics by Glen McDonough. The work features two songs which have become a part of the classical canon of concert repertoire, "Rose of the World" and "Twilight of Barakeesh". The work is set in the country of Algeria at an oasis in the Sahara desert and at a palace in the nation's capital, Algiers. Believing the work was a strong one, Herbert made numerous revisions after the original Broadway production closed. The revised version, now titled The Rose of Algeria, was mounted at Broadway's Herald Square Theatre in 1909 with a completely different cast and a new director. This second version was more successful with critics and audiences.

The Rothschilds

Musical · 1970

The Rothschilds is a musical with a book by Sherman Yellen, lyrics by Sheldon Harnick and music by Jerry Bock. Based on The Rothschilds by Frederic Morton, it tells of the rise of the Rothschild family from humble beginnings in Germany, to their founding of their financial empire and growing political influence under the guidance of patriarch Mayer Rothschild, to their assistance in funding Napoleon's defeat, and how they secure a declaration of rights for European Jews in the midst of an oppressive era.

The Scarlet Pimpernel

Musical · 1997

The Scarlet Pimpernel is a musical with music by Frank Wildhorn and lyrics & book by Nan Knighton, based on the 1905 novel of the same name by Baroness Orczy. The show is set in England and France during the Reign of Terror of the French Revolution. The story is a precursor to the spy fiction and the superhero genres, where a hero hides under a mild-mannered alias. The musical ran on Broadway from October 1997 to May 1999 at the Minskoff Theatre, closed, toured, and reopened from September 1999 to January 2000 at the Neil Simon Theatre, in several versions. It also had a US National tour, and regional and international productions followed.

The School Girl

Musical · 1903

The School Girl is an Edwardian musical comedy, in two acts, composed by Leslie Stuart (with additional songs by Paul Rubens) with a book by Henry Hamilton and Paul M. Potter, and lyrics by Charles H. Taylor and others. It concerns a French school girl from a convent, who goes to Paris to help her lovesick friend. Through mistaken identity, she learns secrets that help her at the Paris stock exchange and ends up at a students' ball in the Latin Quarter. All ends happily. The musical was first produced in 1903 by George Edwardes and Charles Frohman at the Prince of Wales Theatre in London and ran for 333 performances there. It starred Edna May, Marie Studholme and Billie Burke. George Grossmith, Jr. succeeded G. P. Huntley as Ormsby St. Ledger. The show also played successfully on Broadway in 1904, with May and Grossmith, and on the national and international touring circuits. The most famous song from this show was "My Little Canoe".

The Secret Garden

Musical · 1989

This synopsis describes the original Broadway production; the reworked London production altered this sequence by moving or omitting several scenes and songs. Mary Lennox, a sickly 10-year-old English girl has mostly lived in isolation in India ("Opening"). Survivors of a cholera outbreak discover Mary alone, informing her that her parents and nearly everyone she knew have died ("There's a Girl"). Mary is sent to live in Yorkshire, England with her uncle Archibald Craven, a reclusive hunchback who has spent years grieving the death of his wife, Lily. The management of his manor house, Misselthwaite, is largely left to his manipulative brother, Dr. Neville Craven. The housekeeper, Mrs. Medlock, coldly welcomes Mary to Yorkshire ("The House Upon the Hill"). Due to Archibald and Mary's lingering grief, the house is haunted by ghosts from their pasts. Lonely and misbehaving, Mary hears echoes of crying voices during her first night at Misselthwaite ("I Heard Someone Crying"). The next morning, Martha, an inspiring young chambermaid, encourages Mary to go play outside by telling her about a hidden garden nearby ("If I Had a Fine White Horse"). Archibald remains submerged in his deathly memories of Lily ("A Girl In the Valley"). Mary explores the grounds' Victorian-style topiary maze, discovering the walled garden completely overgrown with ivy. She encounters an elderly gardener ("It's a Maze"), who says the garden has been locked since Lily's death, as it reminds Archibald too much of her. Martha's mystical brother Dickon invokes the spring ("Winter's On the Wing"), and he gives Mary some seeds, claiming that he can converse with animals, who guide Mary to the garden's long-lost key ("Show Me the Key"). Inside the manor, Neville and Archibald are discussing a bedridden boy when Mary suddenly enters. She asks Archibald for a bit of soil to plant a garden of her own. Archibald agrees and muses on Lily and Mary's shared interest in gardening ("A Bit of Earth"). During a fearsome storm ("Storm I"), Archibald and Neville grieve separately over Lily; thus, it is revealed that both brothers were in love with her ("Lily's Eyes"). Mary again hears crying ("Storm II"), but this time she uncovers its source: Colin, a secret cousin of hers who has been confined to bed since his birth, probably under Neville's deceptive advice that he would also become a hunchback. Colin recounts nightly dreams of a man who reads to him from a magical book ("Round-Shouldered Man"). However, just as Mary and Colin embrace each other's company, Neville and Mrs. Medlock burst in and angrily tell her she is never to see Colin again because of his fragile medical condition. A distraught Mary runs outside, where the spectre of Lily appears, revealing the location of the ivy-covered door to the garden ("Final Storm"). Mary dreamily desires the garden to offer her privacy and self-discovery ("The Girl I Mean to Be"). Meanwhile, Neville wants Archibald to leave Misselthwaite entirely to him. The two brothers' thoughts are interwoven with phantom-like old arguments between Lily and Mary's mother about Archibald's suitability as a husband and father ("Quartet"). The melancholy Archibald decides to slip away to Paris for a while, pausing only to read a fairy tale to Colin while the boy sleeps ("Race You To the Top of the Morning"). Thus, the "round-shouldered man" is not a dream at all but merely Colin's own father. Mary tells Dickon that she has now been inside the garden but the plants are all dead. Dickon explains that, with some assistance, it will grow back ("Wick"). Mary tells Colin about the garden, and a ghostly vision of his mother Lily encourages him to visit it ("Come to My Garden/Lift Me Up"). In the garden, exercise, fresh air, and Mary and Dickon's magical incantations strengthen Colin, allowing him to rise from his wheelchair for the first time ("Come Spirit, Come Charm"). Colin makes Mary and the staff promise not to tell Archibald about Colin's recovery until he is able to fully walk, while onlooking spirits sing praises of the renewed garden ("A Bit of Earth (Reprise)"). Back at Misselthwaite, Neville threatens to send Mary away to boarding school and slaps her ("Disappear"). Immediately after, Martha tells Mary to stay strong ("Hold On"), helping Mary write to Archibald in Paris, urging him to come home ("Letter Song"). Archibald initially disagrees ("Where In the World"); however, Lily's ghost gives him the courage to care for their child ("How Could I Ever Know"). Returning home, he enters the garden to find Colin completely healthy, running around with Mary. A changed man, Archibald sends Neville away and triumphantly embraces Mary and Colin back into his life. The spirits of Mary's parents join Lily, promising to keep the children safe in the years to come ("Finale"). Burnett's novel primarily focused on Mary and her interactions with Colin, Martha, and Dickon. The musical adds more emphasis on the adult characters by presenting (and to some extent, inventing) the shared history entwining the two families. Originally, Burnett stated that the name of Archibald's wife was Lilias, and that she was the sister of Mary Lennox's father; in the musical, Colin's and Mary's mothers are sisters named Lily and Rose respectively. In the book, Colin's private physician is an otherwise unnamed poor cousin of Archibald Craven; Colin privately remarks to Mary that Dr. Craven is the next heir to Misselthwaite and "always looks cheerful when [Colin's health] is worse", but Burnett also states that Dr. Craven is "not an unscrupulous man, though he was a weak one, and he did not intend to let [Colin] run into actual danger". The musical heightens the doctor's conflict of interest and makes him the primary antagonist as Archibald's brother, Dr. Neville Craven, who once hopelessly loved Lily. Mary expressly accuses of him of wanting Colin to die for the sake of his inheritance.

The Secret Life of Bees

Musical · 2019

The Secret Life of Bees is a stage musical with a book by Lynn Nottage, music by Duncan Sheik and lyrics by Susan Birkenhead. The musical premiered Off-Broadway in 2019 to critical acclaim, winning the Outer Critics Circle Award for Outstanding New Off-Broadway Musical, along with Best New Musical nominations from the Drama Desk Awards, Lucille Lortel Awards, and the Drama League Awards. The musical is set in the 1960s in South Carolina, and tells the story of Lily Owens and Rosaleen, two young women who become friends in the face of adversity, and embark on an adventure of self discovery thanks to the Boatwright sisters, three women they meet who work as beekeepers on a honey farm. The story had previously been adapted as a film of the same name, released in 2008, directed and written by Gina Prince-Bythewood.

The Shop Girl

Musical · 1894

An attractive and charming London shop girl, Bessie Brent, is in love with Charles Appleby, a poor, but lively medical student from a good family. She also meets a good-hearted millionaire, John Brown, who had gone out in the steerage of a liner, "to become a miner", and had struck it rich in Colorado. The millionaire has come back to London to look for the daughter of his mining chum, to whom a fortune of four million pounds was due. She is to be identified by a birthmark. The daughter, of course, turns out to be the shop girl and, after a few misunderstandings, she agrees to marry her sweetheart.

The Sleeping Beauty and the Beast

Musical · 1901

The Sleeping Beauty and the Beast is a musical in three acts with music by J. M. Glover and Frederick Solomon and lyrics by J. Cheever Goodwin. Its book by John J. McNally and Goodwin was adapted from the Theatre Royal, Drury Lane's 1900 pantomime of the same name by J. Hickory Wood and Arthur Collins. The musical also included additional music and lyrics by the songwriting team of Jean Schwartz and William Jerome,

The Spitfire Grill

Musical · 2012

Act I Place: A small town. Time: Not long ago. February. A young woman, Percy Talbott, gazes out the window of her prison cell, from which she is about to be released. In her pocket is a photograph clipped from a travel book with a caption that states "Autumn colors along Copper Creek near Gilead, Wisconsin" ("A Ring Around the Moon"). Arriving in Gilead, Percy reports to the local sheriff, Joe Sutter. He leads her through the deserted streets to a ramshackle diner called the Spitfire Grill, run by a crusty old widow, Hannah Ferguson, who has a bad hip and a sharp tongue. Joe persuades Hannah to take Percy on board and give her work as a waitress. Percy sets to work in a swirl of small-town suspicions led by Effy, the postmistress and village busybody ("Something's Cooking at the Spitfire Grill"). In the face of all the gossip and Hannah's constant haranguing, Percy begins to wonder whether she made a mistake in coming to Gilead ("Coffee Cups and Gossip"). Her thoughts are interrupted by a cry from Hannah, who has tripped on the stairs and broken her leg. Over the protests of her fiercely protective nephew, Caleb, Hannah has Percy take over the Spitfire. When it comes to cooking, though, Percy is clueless ("Into the Frying Pan"). That night, without explaining why, Hannah reluctantly asks Percy to wrap a towel around a loaf of bread and to leave it near the old stump out back of the grill. Percy is joined at the Spitfire by Caleb's wife Shelby, an excellent cook. In the heat of the kitchen, the two women are drawn together. Shelby tells Percy about Hannah and Gilead's past, the day her childhood hero went off to war and her hometown changed forever ("When Hope Goes"). Wanting to escape painful memories, Hannah has had the Grill on the real estate market for 10 years with no takers. In a moment of inspiration, Percy proposes a way for Hannah to get rid of the Spitfire and make some money at the same time: a raffle. For $100 and an essay about why they might want the Grill, anyone can enter. At first, Hannah resists, but slowly, something about the craziness of the idea convinces her that it just might work. As the rest of the town watches the long Wisconsin winter stubbornly give way to spring ("Ice and Snow"), the women at the Spitfire plan the details of the contest. Percy and Shelby share a vision of life as they wish it were, while writing the advertisement for the raffle ("The Colors of Paradise"). Caleb spots the contest ads as they begin to appear in out-of-town papers. Without a decent job since the local quarry closed, Caleb has been left trying to sell real estate that no one wants. His frustration turns against a world where being a hard-working man is no longer enough ("Digging Stone"). During a parole session with Sheriff Joe Sutter, Percy tells of her bleak past growing up in the West Virginia coal mine region. Joe, in turn, spills out his dissatisfaction with life in Gilead ("This Wide Woods"). As summer approaches, the first raffle entry arrives in the mail, complete with $100 and a rather depressing essay, which stirs up some of Hannah's old wounds ("Forgotten Lullaby"). That night, while placing the usual loaf of bread out back, Percy encounters a silent visitor. She attempts to make conversation, but the mysterious man merely takes the bread and flees. Weeks go by, and essays begin to pour into the grill from far and wide ("Shoot the Moon"). Act II Hannah, Percy, and Shelby sit in the Spitfire Grill after hours, reading essays and drinking from a jug of Hannah's infamous applejack. As they read the letters, some funny, some sad, Hannah expresses her appreciation for what Percy and Shelby have done ("Come Alive Again"). Before long, it seems everyone in town is helping Hannah to sift through the letters, and a magical shift occurs, not only at the Spitfire, but throughout Gilead as well. Late one October night on the back porch, Joe tells Percy that he no longer wants to leave Gilead. He plans to build a house on a plot of land his father has given to him ("Forest for the Trees"). Deeply troubled, Percy abruptly rejects Joe's proposal of marriage and confides to Shelby the harsh details of her life. Impregnated by her stepfather when she was 16, Percy suffered untold abuse resulting in the loss of her unborn child. While on the run, she killed her stepfather with his own straight razor. Shelby comforts Percy and gently sings her to sleep ("Wild Bird"). When Percy awakens, she sees the mysterious visitor and at last realizes he is none other than Eli, Hannah's own son. Eli leads Percy deep into the forest and then to a clearing atop a hill. The leaves have turned to autumn colors and as the sun rises, they burn like flame ("Shine"). Transformed by her hilltop vision, Percy leads Eli back to the Grill to reunite him with Hannah after so many years. In a painful confrontation, Shelby and Caleb recognize Eli and react with such shock at his battered appearance and broken demeanor that Eli flees. Hannah finally admits that Eli had been a deserter in the war. The shame of it killed her husband, and though Hannah has taken care of Eli's basic needs, she has kept his presence in the woods a secret from the entire town. Percy pleads with Hannah to forgive Eli. Day passes into night and Hannah calls out to her son ("Way Back Home"). Out of the shadows, Eli appears in the grill once more. Hannah and Eli tentatively face one another as mother and son. On the last day of the contest, everybody reads their favorite essays. Finally, Hannah reads the words that have touched her the most - the ad describing the grill, written by Percy and Shelby. In gratitude for their role in reuniting mother and son, while admitting she is not offering much in return, Hannah turns over the Grill to Percy and Shelby ("Finale").

The Spring Chicken

Musical · 1905

The Spring Chicken is an Edwardian musical comedy adapted by George Grossmith, Jr. from Coquin de Printemps (1897) by Jaime and Duval, with music by Ivan Caryll and Lionel Monckton and lyrics by Adrian Ross, Percy Greenbank and Grossmith. The story takes place in Paris and Château de Malmaison. Produced by George Edwardes at the Gaiety Theatre in London, the show opened on 30 May 1905. It ran for a very successful 401 performances. The London production starred Grossmith, Harry Grattan and Gertie Millar, with Henry Lytton later joining the cast. The Spring Chicken had a Broadway run in 1906 and toured in Britain and America.

The Story of My Life

Musical · 2009

Best-selling author Thomas Weaver has come back to his hometown to deliver the eulogy for his childhood friend, Alvin Kelby, but finds himself desperately scrambling for something to say. (Write What You Know). His reality is shattered by the memory of Alvin who takes him deep into Thomas's mind cluttered with a lifetime of stories. Alvin suggests that they excavate the story of their first meeting (Mrs. Remington). Thomas rejects Alvin's help but Alvin persists, offering the story of the last time they saw each other, one week ago, when Thomas was tasked with delivering the eulogy for Alvin’s father. Thomas immediately ends this story. Alvin chooses another recalling an evening spent searching his dad's bookstore for a gift for Thomas (The Greatest Gift). Thomas recognizes that the gift, a copy of Tom Sawyer, planted the seed for his desire to become a writer (1876). Alvin continues selecting stories including a recollection of the time they promised to deliver each other’s eulogy, a promise that locked Thomas into his current dilemma. Alvin chooses a story of Thomas belittling Alvin’s fascination with a flapping butterfly (Normal). Thomas responds by selecting a story telling of the consequences of this behavior. Alvin’s response (People Carry On) gives Thomas a new understanding of his friend. Alvin reintroduces the story of their last time together. Even though Thomas had been asked to write Alvin's father's eulogy, he only offered “a quote from a dead poet.” Again, Thomas shuts this story down. Alvin persists, choosing stories that track the passing years as life infringed on their friendship. There’s the one of Thomas asking for Alvin’s life-altering critique of a story written for his college application (The Butterfly). There’s the one about their awkward goodbye as Thomas left for school (Saying Goodbye Pt. 1). There’s the one about Thomas coming back with a seemingly insurmountable writing assignment (Here's Where It Begins). There’s the one about Alvin's first meeting with Thomas's fiancée (Saying Goodbye Pt, 2). With each story, small connections between them become apparent revealing the effect that Alvin had on Thomas's life. Alvin selects a story about Thomas inviting Alvin to leave his hometown for the first time, an invitation that irreparably altered their friendship (Independence Day). Thomas tries to excuse his behavior (I Like It Here), but Alvin criticizes the questionable choices made by Thomas throughout their friendship (You're Amazing Tom). Thomas attempts to explain the struggles of creativity using a failed "work in progress" as an example but Alvin's rebuttal pushes him to the edge of a nervous breakdown (Nothing There) desperately searching for anything to put this eulogy behind him. Alvin reintroduces the story of their last meeting and Thomas lets it play out. Thomas's failed attempt to write Alvin's father's eulogy leads to a final rift in the friendship and Alvin chooses to deliver his father's eulogy off the cuff. Thomas watches as Alvin's eloquent words let him see his friend as he's never seen him before (I Didn't See Alvin). Thomas begs Alvin to reveal the story of his death but Alvin tells him that this is one story that Thomas will never know (This Is It). Thomas revisits his work in progress (Angels In the Snow) and is finally able to finish. Alvin's presence fades. Thomas steps up to the podium and begins telling the story of his friend’s life.

The Strollers

Musical · 1901

Two strollers, August Lump and his wife Bertha, discover a letter with a diamond necklace. When they use their finding to pay for a dinner, they arouse suspicions and are arrested by the police. They are imprisoned in a jail run by Kamfer. It is revealed that that letter and necklace were lost by the Prince de Bomsky and was a gift intended for his girlfriend, the ballet dancer Mimi. August and Bertha lure the Prince de Bomsky and Mimi into their cell and trick them into making their escape; still in possession of the necklace. Eventually the two couples run across each other again in a hotel at a mountain resort. A comedy of errors ensues involving mistaken identities and various deceptions. Eventually all ends well and the Prince presents Mimi with the necklace.

The Student Prince

Musical · 1924

Prince Karl Franz, heir to the fictional German kingdom of Karlsberg, goes incognito to the University of Heidelberg to experience student life. He falls in love with Kathie, the niece of a tavernkeeper, and becomes close to the students. When the king falls ill, Karl returns home to take up his royal duties. Years later, now king, he returns to Heidelberg and hopes to see Kathie. Princess Margaret persuades Kathie to tell Karl she loves another man, freeing him to fulfill his royal engagement. Karl agrees to marry Margaret, though Kathie remains his true love.

The Sultan of Sulu

Musical · 1902

The Sultan of Sulu is described as an original satire in two acts. The music is by Alfred G. Wathall and the lyrics by George Ade. It was first produced by the Castle Square Opera Co. under the direction of Henry W. Savage, at the Studebaker Theatre, Chicago, on March 11th 1902. The first Boston performance was at the Tremont Theatre, on December 1st, 1902. On December 29th, 1902 the show opened at New York City's Wallack's Theatre, then moving to the Grand Opera House, running for a total of 200 performances. The show continued to tour professionally until 1909.

The Sunshine Girl

Musical · 1912

Setting: Port Sunshine, England The hero, Vernon Blundell, has inherited the great "Sunshine" Soap Factory at Port Sunshine, but in the will his uncle inserted a clause that Vernon must not be engaged or married before the expiration of five years; otherwise the whole property will be vested in the various heads of departments on a co-operative basis. Vernon, however, had for some months been working in the factory as an ordinary "hand", and in that period of time had fallen in love with pretty Delia Dale, an assistant in the perfumery department. He wants her to love him for himself, rather than for his position, and accordingly he arranges for his stockbroker friend, Lord Bicester, commonly known as "Bingo", to personate him and pose as head of the establishment. After some demur, "Bingo" agrees to the proposition and trusts to chance that his identity will not be discovered. Unfortunately, he quickly finds himself in a tangle of complications. He is recognised by his fiancée, Lady Rosabelle Meridew, and also by Floot, an ex-cabman, who once drove him from a Covent Garden Fancy Dress Ball after a night of more than ordinary exhilaration. Floot arrives at Port Sunshine on his way from Land's End to John o' Groats, his purpose being to win a £50 prize for walking offered by an enterprising newspaper to whomsoever shall accomplish the journey without begging, borrowing or stealing. Floot immediately sees that he has a good thing on, and Bingo has to purchase his silence by making him the general manager of the soap works. Floot is married to Brenda Blacker, who was Bingo's travelling companion on his journey home from the ball. She is now engaged as a cook in the household of the Lady Rosabelle and is also carrying on a flirtation with a longshoreman, known as Commodore Parker. At the end, it is declared that no law can stop a man from marrying the woman he loves, and so the terms of the will are over-ridden, and Vernon and Delia prepare to "live happily ever after".

The Three Musketeers

Musical · 1928

The Three Musketeers is a musical with a book by William Anthony McGuire, lyrics by Clifford Grey and P. G. Wodehouse, and music by Rudolf Friml. It is based on the classic 1844 novel by Alexandre Dumas, père. Set in France and England in 1626, it recounts the adventures of a young man named d'Artagnan after he leaves home to become a Musketeer of the Guard. The three men of the title are his friends Athos, Porthos, and Aramis. The original 1928 production on Broadway, and a 1930 West End run, both starring Dennis King as d'Artagnan, were successful, but a 1984 attempt at a much-revised Broadway revival flopped.

The Times They Are a-Changin'

Musical · 2006

The Times They Are a-Changin was a 2006 dance musical featuring the songs of Bob Dylan, conceived, directed and choreographed by Twyla Tharp. The show takes place in a setting described as "somewhere between awake and asleep," a dreamlike circus environment in which a coming-of-age conflict between a tyrannical circus master, Captain Ahrab, his idealistic son, Coyote, and a circus performer, Cleo, is told among a choreographed world of clowns, contortionists and Big Tops. Premiering in San Diego in February 2006, the show eventually moved to Broadway, opening on October 26, 2006. The show received uniformly negative reviews, and closed on November 19, 2006 after 35 previews and 28 performances.

The Toreador

Musical · 1901

The Toreador is an Edwardian musical comedy in two acts by James T. Tanner and Harry Nicholls, with lyrics by Adrian Ross and Percy Greenbank and music by Ivan Caryll and Lionel Monckton. It opened at the Gaiety Theatre in London, managed by George Edwardes, on 17 June 1901 and ran for an extremely successful 675 performances. It starred Marie Studholme, Gertie Millar, Harry Grattan, Edmund Payne, George Grossmith, Jr. and the young Sidney Bracy. Gabrielle Ray later joined the cast. The show also enjoyed Broadway runs in 1902 and 1904 and toured internationally. Key songs include "Captivating Cora", "I'm Romantic", "When I Marry Amelia", "Keep Off the Grass", and "Archie". As was customary for musicals at the time, other songs were interpolated into the show. For example Christie MacDonald performed "Moon, Moon" in the show, which was written by Nathaniel D. Mann.

The Unlikely Pilgrimage of Harold Fry

Musical · 2025

The Balladeer opens by singing a song introducing the main character, Harold Fry ("Rise Up"). Harold receives a letter in the mail from an old friend named Queenie saying that she is in hospice. He decides to write her a letter and sets out to mail it but walks by several post boxes and the post office before ending up at a garage. The garage employee inspires Harold to walk from where he is to where Queenie is in hospice, from South Devon to Berwick-upon-Tweed, to inspire her to keep living (“Walk Upon the Water”). Harold calls the hospice to tell Queenie of his plan and sets out on his journey (“Song for the Countryside”). Harold also calls his wife, Maureen, to tell her of his plan. Maureen is confused and unhappy, but Harold continues on. He can only call from phone boxes and send postcards because he left his phone behind. Along his path, Harold meets several people who help him and allow him to contextualize his life and struggles, including a farmer’s wife with no children (“The Art of Getting Lost”), an older man at a diner who wants to come out as gay (“From the Rooftops”), and a woman whose husband left her and is unable to use her medical degree as an immigrant (“You’re Fucked”). He also has flashbacks to when he and Queenie worked together. At home, Maureen reflects about how her life has been dull for a while and now she’s alone (“Tin of Soup for One”). Harold runs into some tourists who find his story inspiring and post photos of him on Instagram. He calls the hospice who tell him that Queenie miraculously seems to be doing better with the knowledge of Harold’s walk and his postcards, and they tell him to keep going (“Keep On Walking Mr. Fry”). Harold becomes a viral sensation from the Instagram post and a group of people join him on his walk, calling themselves pilgrims, starting with Wilf (“The Pilgrim’s Tale”). Harold tells the news how he’s glad that so many people are positively affected by his journey. The Balladeer becomes angry and reveals himself to a startled Harold, who yells out the name David. Wilf sings the praises of Harold as the pilgrims celebrate (“My Hero Harold Fry”). Harold flashes back to fighting with his son while David was at Cambridge. Harold begins to feel the pressure of so many people relying on him and slowing down his journey. Maureen reflects on when she and Harold met at a dance and how happy they were when they were young (“Such a Simple Thing”). Harold freaks out at Wilf, believing he’s trying to steal something. Harold decides to set out on his own, leaving the other pilgrims behind (“One Foot in Front of the Other”). As a storm comes on, Harold spirals and is haunted by an apparition of David who blames him for not listening to or supporting him as David struggled with high expectations and his mental health. Distraught, he calls Maureen who encourages him to finish his journey. Harold staggers into a diner, babbling incoherently about his son and sobbing. He writes a postcard to the girl in the garage, telling her that his son committed suicide many years ago (“Dear Girl in the Garage”). After that, his marriage fell apart and he turned to alcohol. He ended up drunkenly vandalizing his workplace, which Queenie took the blame for and got fired, and he’s guilty that he never got to thank her. The girl brings the postcard to Maureen to help her understand Harold’s reasons and encourage her to go to Harold. Harold arrives at the hospice. Queenie is unresponsive but she can still hear. Harold struggles to find the words to say at first, but is finally able to thank her. Afterward, he sits on a bench on a nearby beach and reflects on his long journey. Maureen joins him and the two reconcile their history and remember the joy of their youth (“Here’s One for the Road”).

The Vagabond King

Musical · 1925

Paris is under siege by the forces of the Duke of Burgundy; popular support for King Louis XI is at a low point. Villon – poet, braggart, thief and darling of the Paris rabble – has sent anonymous love poems to the beautiful Katherine de Vaucelles. These have caused her to reject proposals from King Louis. She goes to seek the mysterious poet at an inn, but King Louis shadows her in disguise. Louis is incensed to hear Villon mocking the failures of his reign and saying what he would do instead "if I were king." The infuriated monarch reveals himself. The king gives Villon a hard choice: as punishment for speaking treasonously, he must either stop courting Katherine or accept the position of Grand Marshal, with all the powers of King, for 24 hours, during which time he must make good on his boasts and free Paris. At the end of the 24 hours, Villon will hang. Villon's dilemma is that he has promised himself to Huguette, his mistress, but now is deeply in love with Katherine. Villon and Katherine declare their love for each other ("Only a Rose"). Hugette describes her means of livelihood ("Love for Sale"). Villon accepts Louis' challenge. Rather than sending the King's Scottish mercenaries against the Burgundians, Villon rouses the Paris mob to defend the city. Huguette discovers that Thibault, one of Louis's advisors, is a traitor. When Thibault ambushes Villon and tries to stab him to death, Huguette steps in front of the blade and takes the blow, thus sacrificing her life, and freeing Villon to be with Katherine. He kills Thibault in retaliation and then leads the Paris rabble to fight the Burgundians. The Parisians emerge victorious. After the battle is over, Katharine offers to sacrifice herself to the hangman in order to save Villon. Louis, realizing he cannot shed noble blood without a just cause, rewards Villon with exile instead of death, and the two lovers leave together.

The Velvet Lady

Musical · 1918

The Velvet Lady is a "musical comedy in three acts" with music by Victor Herbert and a book and lyrics by Henry Blossom. Blossom's book is an adaptation of Fred Jackson's 1915 play A Full House. The musical opened at Broadway's New Amsterdam Theatre on February 3, 1919. It closed at that theatre in June 1919 after 136 performances. The production starred Fay Marbe as Vera Venon, a.k.a. "The Velvet Lady", Ernest Torrence as Parks, Marie Flynn as Ottilie Howell, Ray Raymond as George Howell, Georgia O'Ramey as Susie, Minerva Coverdale as Bubbles, Alfred Gerrard as Ned Pembroke, and Jed Prouty as Nicholas King.

The View UpStairs

Musical · 2017

The View UpStairs is a musical with music, lyrics and book by Max Vernon based on the real-life events of the 1973 arson attack at the UpStairs Lounge, a gay bar in New Orleans. This attack resulted in the deaths of 32 people, the deadliest attack on a gay club in U.S. history before the 2016 Orlando nightclub shooting. The show is inspired by and pays tributes to many of the patrons who frequented the venue. The single-act show runs for approximately 1 hour and 45 minutes and is set entirely within the UpStairs Lounge.

The Wedding Singer

Musical · 2006

Robbie Hart, a wedding singer, lives with his Grandma Rosie in Ridgefield, New Jersey. He and his band play a great wedding gig ("It’s Your Wedding Day"). During his usual "warm-up-the-crowd routine," Robbie proudly announces that he will be married to his beloved fiancée Linda the next day. At the wedding gig, Robbie meets a waitress named Julia Sullivan, who can't wait to get married ("Someday"). Afterward, Robbie tries to write a sweet (eventually corny) love song to Linda, with help from Julia, whom he had just met during the previous wedding ("Awesome"). The following day, however, Linda dumps Robbie at the altar, with only a note claiming that she wants to be the wife of a rock star and not just a wedding singer ("A Note from Linda"). Meanwhile, an anxious Julia goes out to dinner with her Wall Street banker boyfriend, Glen Guglia, hoping he will pop the question, which he does ("Pop!"). Robbie falls into a deep depression ("Somebody Kill Me"), but is urged by his bandmates Sammy and George, and even his grandmother ("A Note from Grandma"), to use that intense emotion to get back on his feet. However, the angry Robbie does nothing but enrage the guests at the next wedding gig ("Casualty of Love"), and he is soon thrown into the dumpster by the groom and an angry crowd of wedding guests. With some convincing from his friend Julia, Robbie does "Come Out of the Dumpster," but changes his singing gigs strictly to bar mitzvahs ("Today You Are a Man"). After the Shapiro bar mitzvah ("George’s Prayer"), Julia convinces Robbie to help her register for her wedding, as her fiancé Glen is, as usual, busy with business-related affairs ("Not That Kind of Thing"). While at the mall, Robbie and Julia meet up with Julia's cousin and best friend Holly, who convinces the "faux duo" that Julia needs to practice her wedding kiss. Robbie and Julia awkwardly and lovingly kiss, only to be interrupted by the reality that Julia is marrying Glen. After seeing the kiss, Holly decides that she should go out with Robbie. Julia, still shocked by the kiss, hastily agrees with Holly. Much later that night, Robbie, Holly, Julia, Glen, Sammy, and George go to a club in New York City ("Saturday Night in the City"). Here Robbie finally realizes that Glen is a cheater and that he, Robbie, loves Julia. Holly realizes this too and tells Robbie that Julia is marrying Glen because of his money and security. Upon hearing this, Robbie says, "Well, I‘m in big trouble, then. But maybe I could change." The next morning, Robbie visits Glen at his Wall Street office to get a job and learn how to be like him in order to secretly impress Julia ("All About the Green"). Later, Julia and Holly recall the events of the night before and Julia begins to question if rich men are truly better people ("Someday - Reprise"). Sammy arrives and tries to woo Holly, but is given the cold shoulder, but Holly can't help but feel that despite his flaws, there is no other man who could replace Sammy ("Right in Front of Your Eyes"). Later in the evening, a "Glenified" Robbie finds Julia at his doorstep and tries to woo her. When that doesn't work, he accuses her of marrying Glen for his material possessions. Julia is stung and walks away from Robbie, throwing a present in his face: personalized blank sheet music. After all, Julia truly cares about Robbie and wants him to sing at weddings again, especially her own. Robbie realizes what he's done and drinks his sorrows away at a local bar ("All About the Green - Reprise"). Sammy and George go to the bar and try to convince Robbie that staying "Single" is the right thing to do. Inadvertently, Sammy and George end up persuading Robbie into going to Julia's house to tell her how he really feels. Meanwhile, at Julia's house, Julia is with her mother, Angie, trying on her wedding dress, but is having doubts about marrying Glen because of recent events with her and Robbie. Julia's mother reassures her that Glen really is "Mr. Right" and questions why Julia would leave him for a wedding singer. But Julia still has doubts. Robbie looks into Julia's window and sees her trying on her wedding dress and smiling at her reflection. He thinks it's because she's marrying Glen, but Julia is smiling only because she's imagining being Robbie's wife ("If I Told You"). Robbie comes across Glen in the middle of a bachelor party. Glen invites Robbie, but Robbie simply begs him not to cheat on Julia anymore. Glen gets defensive and condemns Robbie. Robbie gets knocked down and Glen fires him. Robbie goes home drunk and dazed only to find Linda in his bed, wanting him back ("Let Me Come Home"). Before she can fully apologize Robbie falls into a deep slumber. The next day, Julia goes to Robbie's house to tell him how she really feels, only to find Linda instead. This scares Julia into eloping with Glen to Las Vegas. Meanwhile, Robbie wakes up and promptly kicks Linda (the "psycho") out. At Grandma Rosie's 50th anniversary party, Robbie finds out from Holly what happened to Julia. Only then do Robbie and Julia realize that they may never see each other again, and they may never get to tell each other what's on their minds ("Not That Kind of Thing / If I Told You - Reprise"). With urging from his grandmother and Sammy, Robbie goes to the airport and gets on the next plane to Vegas ("Move That Thang"). With the help of a group of Vegas impersonators (Billy Idol, Mr. T, Ronald Reagan, Tina Turner, Cyndi Lauper, Nancy Reagan, and Imelda Marcos), Robbie crashes Julia's and Glen's wedding at the Little White House Chapel and sings his new song to Julia ("Grow Old With You"). Glen is outraged that Robbie and Julia still have feelings for each other and blurts out that he cheated on Julia with "like a hundred other women." Upon hearing this, the impersonators beat Glen up, and Robbie proposes to Julia. She says yes, on one condition: "Will you sing at my wedding?" The answer is a resounding "Yes!" Later, (Mr.) Robbie Hart and (Mrs.) Julia Sullivan-Hart are wed ("Finale").

The Whirl of New York

Musical · 1921

The Whirl of New York is a Broadway musical that premiered at Winter Garden Theatre on June 13, 1921. It was an expanded and substantially re-worked version of The Belle of New York (1897, music by Gustave Kerker with book and lyrics by Hugh Morton). The show was billed not as a revival but as "founded on The Belle of New York.". The new version had music by Gustave Kerker, Al Goodman and Lew Pollack; book and lyrics by Hugh Morton and Edgar Smith; additional music by Leo Edwards; and additional lyrics by Sidney D Mitchell, Cyrus Wood and Cliff Friend. It opened to favourable reviews and ran for 124 performances.

The White Chrysanthemum

Musical · 1904

Sybil Cunningham loves Reggie Armitage of the Royal Navy. She has followed him from England to Japan partly to escape an unpleasant engagement in London. They have asked his father's consent to their marriage, and in the meantime, he has arranged for a modest house for her to stay in. His father the admiral, however, has decided that Reggie must marry a wealthy but vivacious American, Cornelia Vanderdecken. Sybil disguises herself as a Japanese girl and hides from Cornelia, and Reggie's friend, Chippy helps her keep up the pretense. But Sybil is distressed to see Reggie with Cornelia and runs away tearfully. Fortunately, Reggie's servant, Sin Chong, and Sybil's cousin, Betty, reveal the true situation to Sybil. In the end, Sybil returns to Reggie, Betty pairs off with Sir Horatio (who will agree to anything she wants), and Chippy lands Cornelia's heart.

Showing 1,369–1,488 of 1,634 shows

Load more shows