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Robert and Elizabeth

Musical · 1964

Robert and Elizabeth is a musical with music by Ron Grainer and book and lyrics by Ronald Millar. The story is based on an unproduced musical titled The Third Kiss by Judge Fred G. Moritt, which in turn was adapted from the play The Barretts of Wimpole Street by Rudolph Besier. It is an operetta-style musical which tells the story of the romance and elopement of poets Robert Browning and Elizabeth Barrett. The original 1964 London production was a success, starring John Clements as Barrett, June Bronhill as Elizabeth and Keith Michell as Robert. Several revivals have followed.

Robin Hood

Musical · 1890

In Nottingham, Robin Hood and his archers win an archery contest, but the Sheriff refuses to recognize Robin’s inheritance and produces forged papers naming Sir Guy the Earl. Maid Marian, disguised as a page, comes to see Guy, whom the Sheriff intends her to marry, but she and Robin fall in love. In Sherwood Forest, the Sheriff is captured by Robin’s men, while Guy arrives with soldiers and overpowers them. Robin’s men later find King Richard, recently returned from the Crusades; the king pardons Robin and restores his land and title. Robin marries Marian, and Annabel is free to marry Allan-A-Dale.

Rock of Ages

Musical · 2005

Lonny Barnett, who serves as the show's narrator, sets up the story: In 1987, an aspiring rocker named Drew Boley works as a busboy in the Hollywood bar/club called the Bourbon Room, owned by Dennis Dupree and assisted by Lonny ("Just Like Paradise/Nothin' But a Good Time"). He falls instantly for a girl, Sherrie Christian, who just arrived from Paola, Kansas, hoping to make it big in acting ("Sister Christian"). Drew convinces Dennis to hire Sherrie as a waitress. A pair of German developers, Hertz Klinemann and his son Franz, persuade the city's mayor to abandon the "sex, drugs and rock-n-roll" lifestyle of the Sunset Strip and introduce "clean living" into the area, much to the anger of the City Planner, Regina ("We Built This City"). When Dennis learns that part of the plan involves demolishing The Bourbon Room, he believes the club can generate more money by having rock star Stacee Jaxx and his band Arsenal, who recently announced their break-up, perform their last show at the Bourbon ("Too Much Time on My Hands"). He calls Stacee and convinces him to play the band's last show in the club where he had begun. As Drew struggles to write new lyrics, Sherrie urges him to go after his dreams ("I Wanna Rock"). Regina begins protesting Hertz and Franz's redevelopment plans ("We're Not Gonna Take It"). Later, after arguing with her parents during a phone call, Sherrie begins to discover feelings for Drew, who supports her dream. Also, Drew, auditioning to open for Arsenal, finds the lyrics he has been searching for and realizes that they have come from his feelings for Sherrie ("More Than Words/Heaven/To Be with You"). After obtaining the opening slot for Arsenal, Drew invites Sherrie to have a picnic in the hills overlooking Los Angeles ("Waiting For a Girl Like You"). There, he suggests that the two are merely friends to calm their nerves, disappointing both of them and ruining the date. Stacee Jaxx arrives at the Bourbon and gives an interview about his life ("Wanted Dead or Alive"). Sherrie is immediately smitten with him, and believing she means nothing to Drew, has sex with Stacee in the men's room ("I Want to Know What Love Is"). While Stacee and Sherrie are copulating, Drew opens for Stacee and Arsenal, not knowing a record producer is in the audience. After their tryst, Stacee tells Dennis to dismiss Sherrie before the concert begins. His guitarist realizes what Stacee did and knocks him out. A record producer, Ja'Keith Gill, in the club was impressed with Drew's performance and suggests he take over for Stacee. He then offers Drew a contract, which he accepts. Sherrie seeks comfort from Drew after she is fired, but having seen her go into the men's room with Stacee, he dismisses her ("Cum on Feel the Noize"). In the midst of these events, Regina continues her protest ("We're Not Gonna Take It [Reprise]"). An upset and unemployed Sherrie meets Justice Charlier, the owner of the nearby Venus Club, which Justice prefers to call a "gentleman's club." She relates to Sherrie's story, saying that many of the small-town girls hoping to hit it big in LA end up making a living as strippers. Grudgingly, Sherrie accepts Justice's offer to work in her club ("Harden My Heart/Shadows of the Night"). As the act closes, everyone is alone – Drew, as a soon-to-be rock star; Sherrie, fending for herself as an exotic dancer; Regina protesting the redevelopment; and Dennis, trying to save his club ("Here I Go Again"). Hertz and Franz begin demolition on the Sunset Strip, alienating them from each other as Franz falls for Regina and sees "the error of their ways." Dennis and Lonny join the fight with little success ("The Final Countdown"). Drew's rocker image is upsetting Ja'Keith, and Sherrie is learning how things work at the Venus Club ("Any Way You Want It/I Wanna Rock [Reprise]"). When they meet on the street, Sherrie is embarrassed about her job and Drew is upset that his record company is attempting to reshape him into part of a hip-hop boy band, "Street Boyz," as Joshy J. They argue and Sherrie admits that she was crazy about Drew, but failed to make a move because he said they were friends. They part ways more troubled by these new revelations ("High Enough"). A drunken Stacee arrives at the Venus Club and is pleased to see Sherrie. After being forced to give him a lap-dance, she beats him up while dancing ("I Hate Myself for Loving You/Heat of the Moment"). Drew arrives to admit his feelings to her, but becomes angry when he sees the two in a suggestive position and storms off. Justice later tells Drew that as soon as he left, Sherrie punched Stacee in the jaw. Regina continues her protest against the destruction of the Strip, but it yields no success. She convinces Franz to stand up to his father if he does not believe in his father's vision. Franz admits that he has his own dream: to open a confectioner's store in Germany. He rebels against his father and admits his love for Regina ("Hit Me with Your Best Shot"). Meanwhile, Dennis and Lonny, upset at the loss of The Bourbon Room, admit that they have feelings for each other ("Can't Fight This Feeling"). Sherrie decides to leave the Venus Club after the scene with Drew, and Justice tells her that she had a similar experience with her first love. Everyone is in turmoil as they attempt to move on with their lives ("Every Rose Has Its Thorn"). Franz leaves for Germany and Hertz begins to regret the hurtful way he treated his son ("Keep on Loving You"). Regina arrives and explains to Hertz that Franz does not hate him; he simply wants his father to support his dream. Hertz decides to return the deed to the Bourbon Room to Dennis and invest in Franz's confectionery store. Drew, now a pizza delivery boy, realizes none of his dreams have come true—he still is not a rock star, and Sherrie is leaving on a midnight train. Lonny arrives and breaks the fourth wall by explaining to Drew that his life is so miserable because they are all characters in a musical and that it was their book writer who made it so. He also reveals to Drew that he serves as the show's "dramatic conjurer" and that if Drew wants a happy ending, it is up to him to "get the girl." After hearing this, Drew realizes that he does not need fame to make him happy, only Sherrie ("Oh Sherrie"). He reaches her at the train station in time, where they realize that their love has survived all their trials and reconcile ("The Search Is Over"). In the epilogue, The Bourbon Room is spared from demolition and Stacee Jaxx, now a washed-up has-been who has been charged with statutory rape, flees to Uruguay ("Renegade"). Franz opens his confectionery store in Germany and has a long-distance relationship with Regina, who becomes the new mayor of West Hollywood. Dennis passes away, leaving the Bourbon Room to Lonny, and Sherrie and Drew move to Glendale and start a family. Lonny notes that on The Strip, sometimes the dreams with which you enter are not always the dreams with which you leave, but they still rock ("Don't Stop Believin'").

Rodgers + Hammerstein's Cinderella

Musical · 2013

Ella, a young woman, lives with her stepmother, Madame, and stepsisters, who have treated her like a servant ever since her father's death. Because she sits by the fireplace and is dirty from the cinders, they ridicule her as "Cinderella". Ella dreams of a better life ("Prologue"). Since the king and queen died when he was young, Prince Topher (short for Christopher) has been advised by Lord Chancellor Sebastian. Though expert at slaying dragons, griffins, gargoyles and giants, he feels uncertain about how he will rule as king ("Me, Who Am I?"); he signs everything Sebastian asks him to. Prince Topher and Ella meet as he is on his way to the palace. She offers him a drink of water, and each admires the other's kindness. Ella then speaks with her friends Jean-Michel, an erstwhile revolutionary, and Crazy Marie, an old woman who lives near the forest and gathers what others throw away. Madame arrives with Ella's stepsisters, the demanding Charlotte and the meek Gabrielle, who has a crush on Jean-Michel that she hides from her mother. Left alone, Ella dreams of a better life ("In My Own Little Corner"). In the palace, Sebastian and his henchman, Lord Pinkleton, remind the Prince that it is time for a Royal Wedding; a masked ball will be held to find him a bride. Jean-Michel yells across the moat that the kingdom's policies are unfair to the Prince's poorer subjects. Pinkleton goes to the town square to announce the ball and finds Jean-Michel rallying the townsfolk to protest the government's taking of peasants' land. The ball proves more exciting to the people than political talk ("The Prince Is Giving a Ball"/"Now Is the Time"). The cottage is a whirl of activity as Madame and stepsisters prepare for the ball. Sebastian plans with Madame to steer the Prince to select Gabrielle as his bride. They leave Ella behind, but Jean-Michel arrives to argue that Prince Topher needs to know more about his people. He teases Ella that she should put on a ball gown and tell Topher about the problems. Crazy Marie jokes with Ella about how life could be better ("In My Own Little Corner" (reprise)). Marie reveals herself to be Ella's Fairy Godmother and transforms a pumpkin and animals into a carriage with a footman and a driver. She turns Ella's rags into a beautiful gown with Venetian glass slippers ("Impossible") and warns Ella that the magic will expire at the stroke of midnight ("It's Possible"). At the ball, the Prince dances with all the young women but finds them lacking ("Gavotte"). Ella arrives in her white ballgown and mask, hiding her identity. She transforms Sebastian's cynical contest of ridicule into one of joy and kindness, fascinating Topher ("Ten Minutes Ago"), and their dance of instant attraction becomes a grand waltz. Ella and the Prince kiss ("Cinderella Waltz"/"Ten Minutes Ago" (reprise)). Too soon, the clock begins to strike midnight. Ella has just enough time to tell the Prince that all is not well in his domain. She races down the steps and loses a shoe but quickly retrieves it and dashes off, leaving the shocked Prince to wonder who she is. The Prince is determined to find the mysterious woman who spoke so honestly about the kingdom. The women of the court, led by stepsister Charlotte, bemoan that the Prince had not chosen any of them to be his love ("Stepsister's Lament"). The Prince and his guards search high and low; almost catching the fleeing Ella ("The Pursuit"). Once again dressed in rags, Ella returns to the cottage and reflects on her wonderful Prince ("He was Tall"). Madame, Charlotte and Gabrielle return in state of dejection. Ella relates what she "imagines" the night at the palace must have been like ("When You're Driving Through the Moonlight"), including dancing with the Prince ("A Lovely Night"). The four have a moment of shared emotion, for once. Left alone with Ella, Gabrielle realizes that Ella was the Prince's partner at the ball. Gabrielle reveals that she is an ally, and also in love with Jean-Michel. They vow to keep their shared secrets ("A Lovely Night" (reprise)). Prince Topher continues his search ("Loneliness of Evening"), gradually realizing that Sebastian had been leading him down the wrong path. He decides to hold a banquet to find the enigmatic young woman ("Announcing the Banquet"). The night of the feast arrives, and Gabrielle gives Ella her dress and invitation to attend. Jean-Michel arrives at the house to confess his love to Gabrielle. However, Madame catches them and also sees Ella in Gabrielle's gown, which she tears to shreds and banishes Gabrielle and Jean-Michel from the house. Madame takes Charlotte to the banquet. The Fairy Godmother produces perfect attire and helps inspire Ella to another frank talk with the Prince ("There's Music in You"). At the palace, Ella, Jean-Michel and Gabrielle tell the Prince how he could be a great king ("Now Is the Time" (reprise)), and he immediately announces an election for a Prime Minister to be held between Sebastian and Jean-Michel. Topher is ready to be a king and knows the partner he needs in love and life ("Do I Love You Because You're Beautiful"). Suddenly, the clock begins to chime midnight. Ella races down the stairs but pauses and purposely leaves a slipper behind. The Prince gives all of the women of the kingdom a chance to try on the glass slipper. Everyone is unsuccessful; Marie urges Ella to return to the palace. Of course, the slipper fits her perfectly. Madame apologizes to Ella for her cruelty, and Ella forgives her and Charlotte ("The Shoe Fits"). Topher asks Ella to marry him, and she happily accepts ("The Proposal"). Gabrielle and Jean-Michel reconcile with Madame. Jean-Michel is elected Prime-Minister, Topher and Ella wed, and they all live happily ever after ("The Wedding").

Rosalie

Musical · 1928

Setting: Romanza, on board the S.S. Isle de France, West Point, and the Ex-Kings' Club In the fictional kingdom of Romanza, the crowd assembles to await the arrival of the West Point flyer Lieutenant Richard Fay, coming to visit a girl whom he met in Paris. Mary O'Brien is waiting for her boyfriend, Bill, who she thinks is on the flight with Lt. Fay. When Dick and Rosalie meet, they realize they are in love ("Say So!"). Dick finds out that she is a Princess and he angrily leaves. King Cyril reluctantly goes to visit America to obtain a loan for his troubled country, accompanied by his daughter Princess Rosalie and the Queen. Princess Rosalie visits West Point, but she is disguised. The cadets welcome the royal family ("West Point March"), and Dick and Rosalie continue their romantic relationship ("Oh Gee-Oh Joy"). However, Rosalie agrees to marry Captain Carl, whose father is a Prince, to keep Dick from being tried in court ("Kingdom of Dreams"). At a dance at West Point, Mary and Bill, who had been fighting, make up ("Ev'rybody Knows I Love Somebody"). Rosalie attends the dance, disguised as a cadet ("Follow the Drum"). Mary wonders about the feelings she has for Bill ("How Long Has This Been Going On?"). Dick and Rosalie return to Romanza and start a revolution so that her royal duties will no longer keep them apart. Exiled to Paris, Rosalie and a group of dancers perform ("The Ballet of the Flowers"), and King Cyril happily announces the engagement of Rosalie and Dick.

Rose-Marie

Musical · 1924

Act I In Fond-du-Lac, Saskatchewan, Canada, trappers, hunters and travellers gather at "Lady" Jane's hotel ("Vive la Canadienne"). Royal Canadian Mounted Police Sergeant Malone is flirting with Lady Jane, while wealthy city man Edward Hawley is watching a French Canadian girl, Rose-Marie La Flamme, even though she's miner Jim Kenyon's sweetheart. Rose-Marie's brother, Emile, is searching for her, fearing she is alone with Jim. Wanda, a half-blooded Indian, dances close to Hawley, enraging her Indian lover, Black Eagle. Lady Jane's man, the cowardly "Hard-Boiled Herman", arrives at the bar. Jim arrives to greet Rose-Marie enthusiastically and explains to Sergeant Malone that he has given up his former wild ways because of his love for "Rose-Marie". Black Eagle claims some land (and the gold on it) belonging to Jim and Herman. Herman thinks that shooting Black Eagle will solve everything, but Jim prefers to use legal means, declaring that he will visit Black Eagle and show him the boundary line the property map. Sergent Malone and "The Mounties" warn Herman that they will not hesitate to enforce the laws. Emile is going to take Rose-Marie with him to the trapping grounds at Kootenay Pass. He dislikes Jim and wants her to marry Hawley for financial security. Rose-Marie doesn't want to go, insisting to her brother that she is in love with Jim ("Lak Jeem"). Hawley plans to accompany Emile, but first he has to end his affair with Wanda. He plans to visit her at Black Eagle's log cabin and bribe her to stay away from him. Jim tells Rose-Marie that he will follow her to Kootenay Pass, and they will meet in an old house he calls a castle near a valley with a beautiful echo. According to legend, Indians would call down into the valley to the girls they wished to marry ("Indian Love Call"). Hawley meets Wanda at her cabin and tries to pay her off, just as Jim arrives with a map to prove his claim. Wanda sends Jim away. Black Eagle returns home and catches Wanda and Hawley embracing. He attacks Hawley, and Wanda stabs Black Eagle to save Hawley. Jim and Herman, unaware of the murder, follow Emile, Hawley, and Rose-Marie to Kootenay Pass. Jim and Rose-Marie communicate through their "Indian Love Call" (reprise). Emile tells Rose-Marie that she should marry Hawley because he could buy her all the "Pretty Things" she wants. Wanda arrives at Kootenay Pass and tells everyone that Jim is wanted for the murder of Black Eagle; his map was discovered near Black Eagle's body. Herman continues romancing Lady Jane ("Why Shouldn't We?"). Hawley proposes to Rose-Marie, but she refuses him. He and a city girl whom he has employed, Ethel Brander, try to impress Rose-Marie with the glamour of city life in Quebec. Wanda leads an Indian "Totem-Tom-Tom" dance. Jim has received an offer from the Brazilian government to lead a mining project there. He asks Rose-Marie to come with him, even though it would be safer for her to go to Quebec and wait for him there. If she decides to come, they will meet at the "castle" and go to the United States to be married. If she does not, she should sing the Indian Love Call up the valley to him. Rose-Marie insists she will go with him; he leaves immediately, and she plans to follow twenty minutes later to avoid attracting suspicion. Sergeant Malone arrives with a warrant to arrest Jim for murder. Emile knows that Jim is hiding in the "castle". He tells Rose-Marie that he will not reveal Jim's hiding place to the Mounties if she will go to Quebec and marry Hawley. Holding back tears, Rose-Marie tells Hawley that she must sing the "Indian Love Call" to him, but she is really singing to Jim, telling him that she will not go with him. Act II Many months have passed. Rose-Marie is about to marry Hawley in Quebec, believing that Jim was the killer. Ethel Brander has convinced her that Jim murdered Black Eagle because he loved Wanda. Herman and Lady Jane have married, and they have a shop in Quebec. He still flirts with other women, but he catches her giving Sergeant Malone "Only a Kiss". Jim returns with Wanda intending for her to clear his name. But, seeing Wanda, Rose-Marie jumps to conclusions about Jim and Wanda. Rose-Marie tells Jim that she loves Hawley ("I Love Him"). The wedding preparations commence ("The Minuet of the Minute"), and Wanda jealously threatens Hawley. Sergeant Malone prepares to arrest Jim, who is hiding in Kootenay Pass, even though Malone is troubled by the evidence. Herman suspects Wanda and gets her to confess by pretending that Hawley has accused her of the murder. Jane interrupts them and incorrectly assumes Herman is cheating on her ("One Man Woman"). The wedding begins ("Doorway of My Dreams"), but as Rose-Marie walks down the aisle, Wanda publicly confesses to the murder and declares her love for Hawley. Everyone rushes to Jim's lodgings, and Rose-Marie goes to the pass to return Jim's "Indian Love Call". The lovers are finally united.

Rugantino

Musical · 1962

Rome, 1830. the story starts with Rugantino, a poor man who loves playing pranks and jokes and trick others. He has been punished for one of his latest scams and he is confronted by Rosetta, a beautiful woman married to Gnecco, a very jealous man. Rugantino bets with his friends that he will be able to woe her before the "Lanternoni" festival and if he does not manage, he will be happy to accept a punishment. At the same time Rugantino is looking after Eusebia, his ex lover, who is now in need of help. He finds Mastro Titta, an executioner, would be a good option for her and Rugantino could also trick him into helping him. Rugantino introduces them, hiding Titta's job to Eusebia and introducing her as his sister. With Gnecco away from Rome, Rugantino continues to court Rosetta and convinces her to meet him at Campo Vaccino, where the two have a romantic meeting and end up falling in love. Rugantino hides this to his friends, preferring to pay the price for having lost the bet. Gnecco returns to Rome, but he is killed. Rugantino decides to come forward as the killer, to show Rosetta he is "a real man", but runs away and hides in Mastro Titta's house when the police arrives. He's found and taken to prison, where he confesses to Mastro Titta that he is innocent. When Rosetta arrives and confesses her love, Rugantino decides not to confess the truth and to endure his punishment, being hanged.

Rumple

Musical · 1957

Nelson Crandal, a cartoonist, has been traumatized by an accident and is unable to draw. He decides to discontinue his newspaper feature called Mr. Rumple, but the Rumple character comes to life and objects to being canceled and condemned to Oblivia (the land of forgotten cartoon characters). Rumple has 48 hours to persuade his creator to continue his existence and uses magical tricks on the humans. Anna is another character in the comic strip, Rumple's dumb-blonde girlfriend, who is trying to avoid Oblivia. The humans other than Nelson cannot see Rumple or Anna (so that when Nelson is talking to them, he appears insane), but the comic strip characters can see and hear the humans. Judy is Nelson's fiancé; Kate is a man-hunting gag writer who pens the stories for Crandal's strip. Dr. Winslow is an understanding psychiatrist. When Rumple is forced by the police to draw a picture of his girl for the missing-person investigation, the two comic strip characters are saved from Oblivia.

Ruthless! The Musical

Musical · 1992

Act I The show begins with Sylvia St. Croix asking the audience where talent comes from. She introduces Judy Denmark, a bland housewife with no talent whatsoever, who’s the mother of a very talented eight-year-old, Tina Denmark (“Prologue”/“Tina’s Mother”). Sylvia enters the Denmark household, asking Judy if she can meet her daughter because she was impressed by her talent after seeing her performance at an elderly home. Judy calls in Tina to meet Sylvia, proclaiming that she is “born to entertain (“Born to Entertain”). Impressed by her abilities, Sylvia states that she wants to become Tina’s talent agent to make her a star. Judy is conflicted, wanting her daughter to have a normal childhood. Sylvia explains to her that Tina is no ordinary child, and she will become a musical sensation (“Talent”). Judy agrees to let Sylvia become Tina’s acting coach, but only after school. Sylvia wants to start today, but Tina objects because she has auditions for her elementary school’s musical, Pippi in Tahiti. After school, Tina auditions for the musical, but her classmate Louise Lerman is cast instead of her, and Tina is to play Puddles the dog (“To Play This Part”). Tina is very upset by this, stating that Louise is “too Jewish-looking” to play Pippi. Later, Miss Thorn comes to the Denmark residence. Judy explains to her that Tina is awfully upset about not playing Pippi. Miss Thorn tells her that Tina will get over her disappointment one day and find a more rewarding career, even though Miss Thorn hates her job and wishes she was able to become an actor after failing prior (“Teaching Third Grade”). Sylvia suggests that Tina could be Louise's understudy, and Miss Thorn agrees. The next day, Sylvia tells Judy about her daughter, who was extremely untalented. Judy, who was adopted, wonders how Tina inherited so much talent, while Sylvia tells her it doesn’t matter (“Where Tina Gets It From”). Louise and Tina rehearse for their school’s musical (“The Pippi Song”), where they do nothing but fight with each other. After exchanging insults, Louise hands Tina a jump rope, giving her a wicked idea (“To Play This Part– Reprise”). Later, Sylvia and Judy hear that Louise Lerman “accidentally” hung herself with a jump rope. Tina is dismissed from school early, and Judy attempts to comfort her daughter, although Tina is seemingly unphased by the tragedy (“Kisses and Hugs”). Miss Thorn suggests to Judy that Tina may have killed Louise because Louise's wig is found in her backpack. She tells Judy that as Louise’s understudy, she will have to fill in for her at the show tonight (“Teaching Third Grade– Reprise”). After interrogating Tina, she admits she hung Louise so she could be the lead in the play instead. Judy punishes Tina by making her go to her room, but Sylvia enters, excited for Tina’s debut tonight (“Talent– Reprise #1”). Judy’s adoptive mother Lita Encore, a show critic who hates musicals, arrives at the house, ready to review Tina’s show (“I Hate Musicals”). Judy begs Lita to tell her who her biological parents are, but Sylvia interrupts them. Judy refuses to let Tina participate in show business anymore, much to Sylvia’s dismay. She accuses Judy of only doing so because she is jealous of Tina’s success. She quotes a passage from Lita’s book, “Ruthless: The Life and Times of Ruth DelMarco”, an incredibly talented woman who killed herself after Lita’s bad review of her show, even though Lita believes she is alive and faked her death. This only confuses Judy about her biological parents even more, and Lita admits that Ruth DelMarco is Judy’s biological mother and her real name is Ginger. Tina reenters, ready to go on stage as Pippi. Sylvia and she practice her songs, but Judy, with her newfound confidence and talent, coaches Tina instead. Tina asks Judy to show her how to sing the Pippi Ballad, and Judy is blown away by her own talent (“Angel Mom”). Act II Judy writes to her husband, Frederick, that she has turned Tina in for murder. Four years later and "two Tony Awards later", Judy Denmark has completely rebranded into Ginger DelMarco, a self-centered diva who has completely abandoned her old ways as a housewife (“Montage”). She lives in a penthouse apartment with her devoted personal assistant, Eve, who secretly resents Ginger and is waiting for the moment she gets to take her place as a broadway star (“A Penthouse Apartment”). Sylvia barges into Ginger’s apartment, informing her that today is the day Tina is going to be released from prison. Ginger laments about her old ways as a housewife (“It Will Never Be That Way Again”). Sylvia demands to become Tina’s agent again, even though Ginger wants Tina nowhere near the business (“I Want The Girl”). She refuses to leave until they have a deal. Tina enters her mother’s apartment. The two barely recognize each other. Ginger still refuses to let Tina become an actress with her because she understands how dangerous the business can be. Tina doesn’t accept this explanation, convinced that Ginger only turned her in for murder so she could steal her career (“Parents And Children”). Ginger says that she is only doing this to Tina because it’s what her mother, Ruth did to her as a child. Sylvia is very proud of her, and reveals that she has been Ruth DelMarco all along. Ginger forgives Ruth for abandoning her as a child, and they embrace. Ginger tells Ruth that she’ll get to direct her new show, and that Tina will be the child lead’s understudy. Ginger tells Tina that to make it in show business, she will have to be ruthless (“Ruthless!”). Eve returns in Ginger’s dress to tell her that she should have fun at Sardi’s while she fills in for her in her new show, claiming that she is her understudy. Ginger immediately fires Eve as her assistant, causing Eve to pull a gun on Ginger and reveal she is Betty Lerman, Louise’s mother, and has been plotting revenge on her since Louise's death. Tina tells Eve that she has learned there is more to life than being a star, seemingly to had learn her lesson. But she was being disingenuous and was only distracting Eve so Ginger could take the gun from her. After scuffling, Eve is shot dead by Ginger, and Tina takes the gun. Unexpectedly, Lita enters the apartment to see her granddaughter. While she’s distracted, Ruth steals the gun from Tina, and after a brief altercation, Ruth is shot. Lita comments that Ruth could never sing anyway, so Ruth shoots her dead right before she passes away. Ginger is so traumatized by the deaths that she returns to being Judy Denmark, a bland, untalented housewife. She and Tina reconcile and decides to give up show business and return to their normal lives as mother and daughter. Tina states that there is no money on Broadway anyway and she wants her own TV series, then shoots Judy. Miss Thorn, having given up teaching, is back in New York to become an actor, but Tina shoots her too. Finally, Tina’s father, Frederick, comes back home after being gone the entire musical, and Tina shoots him (“Talent– Reprise #2”).

Ruy Blas and the Blasé Roué

Musical · 1889

Act I – Throne room in royal palace The Queen of Spain is not happy, and as soon as she is left alone she says so ("The Flower Song"). Ruy Blas and Don Caesar are introduced to the royal palace in the capacity of strolling players. Don Salluste, a corrupt court official, has private reasons to wish to humiliate the Queen, and he persuades Ruy and Caesar to disguise themselves as women and apply for posts in the royal household. They are accepted, and Salluste then accuses the Queen of smuggling men into her private apartments, disguised as women. Ruy and Caesar are arrested and jailed. Act II Scene 1 – Cells of misdemeanants of the first class Ruy and Caesar find that their imprisonment is extraordinarily luxurious, but despite its attractions they escape, with the connivance of the Queen. Scene 2 – Interior of Don Salluste's house Ruy and Caesar attempt to burgle Don Salluste's safe and find that he has got himself locked inside it. They release him, but he is immediately arrested because in his safe are found some of the Queen's jewels, which he has stolen. Act III – Palace gardens Ruy Blas wins the Queen's heart by various daring deeds, including bullfighting. He is proclaimed King, and Don Caesar is appointed to the post of Lord Chamberlain vacated by the disgraced Salluste.

Sadie Thompson

Musical · 1944

Sadie Thompson is a 1944 musical in two acts and three scenes by composer Vernon Duke and lyricist Howard Dietz. The musical book, written by Dietz and Rouben Mamoulian, is based on the short story "Rain" by W. Somerset Maugham, published in the literary magazine The Smart Set in 1921. Originally written as a vehicle for Ethel Merman, the actress withdrew from production on September 29, 1944 after just a week and a half of rehearsals, and the lead part went to June Havoc. The work premiered at the Sam S. Shubert Theatre in Philadelphia on October 26, 1944 where it ran for two weeks of tryout performances, then moved to New York. The original production was produced by A.P. Waxman, directed by Mamoulian, and choreographed by Edward Caton. Boris Aronson designed the sets, and the Motley Theatre Design Group designed the costumes. Sadie Thompson debuted on Broadway at the Alvin Theatre on November 16, 1944, with a cast led by June Havoc as Sadie Thompson, Lansing Hatfield as Reverend Alfred Davidson, James Newill as Sergeant Tim O'Hara, Ralph Dumke as Joe Horn, Grazia Narciso as Ameena, Zolya Talma as Mrs. Alfred Davidson, Walter Burke as Quartermaster Bates, Daniel Cobb as Corporal Hodgson, Norman Lawrence as Private Griggs, and Doris Patston as Cicely St. Clair. The production closed after 60 performances on January 6, 1945.

Sail Away

Musical · 1961

Sail Away is a musical with a book, music and lyrics by Noël Coward. The show was the last musical for which Coward wrote both the book and music, although he wrote the music for one last book musical in 1963. The story centres on brash, bold American divorcee Mimi Paragon, working as a hostess on a British cruise ship. The musical ran on Broadway (1961) and in the West End (1962) and has been revived since. Elaine Stritch was nominated for the Tony Award for Best Actress in a Musical for her performance in the original production.

Sally

Musical · 1920

Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton (inspired by the 19th century show, Sally in our Alley), with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn in New York City. She poses as a famous foreign ballerina and rises to fame (and finds love) through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine. The piece was first produced in 1920 on Broadway by Florenz Ziegfeld, and ran for 570 performances, one of the longest runs on Broadway up to that time. The show was designed as a debut star vehicle for Marilyn Miller. It had a successful London run and was revived several times on Broadway and in the West End, although it has had few productions since the 1950s. The musical was adapted into a 1925 silent film and a 1929 musical film.

Sarafina!

Musical · 1987

Sarafina! is a South African musical written and directed by Mbongeni Ngema with music by Hugh Masekela depicting students involved in the Soweto Riots, in opposition to apartheid. It was also adapted into a 1992 film starring Whoopi Goldberg and Leleti Khumalo. Sarafina! The play was first presented at The Market Theatre, Johannesburg, South Africa, in June 1987. Following that success, it premiered on Broadway on 28 January 1988, at the Cort Theatre, and closed on 2 July 1989, after 597 performances and 11 previews. The musical was conceived and directed by Mbongeni Ngema, who also wrote the book. He wrote the music and lyrics alongside Hugh Masekela. The cast included Leleti Khumalo as Sarafina. Leleti Khumalo received a Tony Award nomination for Best Featured Actress in a Musical, as well as an NAACP Image Award for her Broadway theatre portrayal of the title character. The production was also nominated for the Tony Awards for: Best Musical, Best Original Score, Best Choreography, and Best Direction of a Musical. The show presents a school uprising similar to the Soweto uprising of 16 June 1976. A narrator introduces several characters, among them the schoolgirl activist Sarafina. Things get out of control when policemen shoot several pupils at the school. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of the second act. The production of the play was chronicled in the documentary film Voices of Sarafina!. The album of Sarafina! includes the following songs: "Sarafina!" "Lord's Prayer" "Nkonyane Kandaba" "Freedom is coming tomorrow" "Sabela" "Sechaba" "Safa Saphel' Isizwe" "Vuma Dlozi Lame" "One more time"

Saravá

Musical · 1978

Set in Salvador, Bahia, the musical starts with the sudden death of Dona Flor's husband, Vadinho, who collapses in the midst of Carnival celebrations. After a period of mourning, Dona Flor attracts another admirer, a local pharmacist, Teodoro. While her new husband lacks the passionate sensuality of Vadinho, he compensates by providing a life free of worry. But, on the first anniversary of her marriage, Vadinho returns. He is now a ghost, but has lost none of his old ways.

Saturday Night

Musical · 1997

Saturday Night is a 1955 musical with music and lyrics by Stephen Sondheim and a book by Julius J. Epstein, based on the play, Front Porch in Flatbush, written by Epstein and his brother Philip. The first professional musical written by Stephen Sondheim, Saturday Night was intended to open on Broadway in 1955; however, after the sudden death of its lead producer, the show was shelved. Sondheim instead made his professional premiere in 1957 as the lyricist for West Side Story. Following a student production, Saturday Night was staged at the Bridewell Theatre, London in 1997 and then in Chicago in 1999 and Off-Broadway in 2000. The musical also ran in the West End in 2009.

Saturday Night Fever

Musical · 1998

Saturday Night Fever is a 1998 jukebox musical based on the 1977 film Saturday Night Fever. Its book is by Nan Knighton (in collaboration with Arlene Phillips, Paul Nicholas, and Robert Stigwood), and the songs mostly consist of songs that were featured in the film's soundtrack, which in turn were mostly written and performed by the Bee Gees. The musical focuses on Tony Manero, an Italian-American Brooklyn youth whose weekend is spent at the local discotheque. There he luxuriates in the admiration of the crowd and a growing relationship with Stephanie Mangano, and can temporarily forget the realities of his life, including a dead-end job in a paint store and his gang of deadbeat friends. In an effort to make it a family-friendly show, many of the film's darker elements, including references to racial conflict, drug use, and violence, were eliminated from the plot.

Scarlett

Musical · 1970

Scarlett is a 1970 musical with a score by Harold Rome. The original 1966 Japanese book is by Kazuo Kikuta, and was translated to English by Horton Foote. Based on Margaret Mitchell's 1936 bestseller Gone with the Wind, it traces the fate of self-centered Southern belle Scarlett O'Hara and her passionately turbulent relationship with dashing blockade runner Rhett Butler from the days prior to the American Civil War through the war itself and the following period of Reconstruction. The Tokyo production was directed by American director/choreographer Joe Layton, who later directed a production in the London West End. London producer Harold Fielding cancelled his plans for a 1974 Broadway production, and the musical has never been performed on Broadway.

Schmigadoon!

Musical · 2021

Josh Skinner, an orthopedic surgeon, and Melissa Gimble, an OBGYN, meet one night at their New York City hospital's vending machine and share a meet cute, leading to the beginning of a romantic relationship. The couple is happy at first but over the course of two years, their relationship grows strained and, feeling that Josh no longer wishes to fix their relationship problems, Melissa signs them up for a couples' retreat in the Catskills. One night, whilst lost in the woods during a rainstorm, they are in an argument and unknowingly stumble upon a bridge that leads them into the town of Schmigadoon. All of a sudden, music begins playing and they are welcomed through song by Mayor Aloysius Menlove and the townsfolk ("Schmigadoon!"). Though Josh is instantly ready to leave, Melissa convinces him to stay and they are escorted to the Schmigadoon Inn by Mildred Layton, Reverend Layton's wife who is instantly wary of their presence in town. That night, Melissa wanders alone into the town fair, ran by "rapscallion" Danny Bailey. He instantly takes a liking to her, but declares to her that he has no intentions of settling down with anyone, though he is briefly able to imagine sharing a life and children with Melissa. ("You Can't Tame Me"). She applauds his song, which he claims he doesn't know he was singing, and she decides to leave. The next morning, she and Josh, towards whom their waitress, Betsy, is flirtatious, have breakfast and are told by the town about their favorite dish ("Corn Puddin'"). As they try to leave town, they are unable to cross the bridge out of town and a leprechaun appears to tell them that until they find true love, they are stuck in Schmigadoon, "where life's a musical every day," ("Leprechaun Song"). They realize they are trapped in a literal musical and, after failing to cross again, Josh suggests that what they have must not be true love and that they should try to leave with other people in town. They begin to argue and Melissa realizes that Josh truly doesn't believe in their relationship and breaks up with him ("Lovers' Spat"). Betsy appears, consoling him over the breakup, and tells him about the town picnic basket auction that night, where the men of town bid on baskets made up by the women to go on a date with them to raise money for the town library. He agrees to go and she tells him how to spot her basket. Meanwhile, in the woods, Melissa encounters Mayor Menlove and he consoles her, alluding to his own repressed desires of love. Melissa realizes that he is gay and they form a friendship ("Somewhere Love Is Waiting for You"). Later, at the auction, Melissa gets intoxicated by drinking from the gentleman's punch bowl and, after watching Josh bid on and subsequently win Betsy's basket, auctions herself off, being won by Danny ("The Picnic Basket Auction"). Back at the fair, Melissa finds herself further attracted to Danny and finally gets her own song and dance to express her feelings, leading her to spend the night with him ("Enjoy the Ride"). Meanwhile, Josh and Betsy share a picnic in the woods and, realizing she is much younger than he thought, he tries to tell her that they won't be engaging in any romantic behavior ("I'm Not That Kinda Gal"). However, she kisses him anyways and they are discovered by her father, Farmer McDonough, who threatens him with a shotgun to propose to her. The next morning, Danny announces that he is in love with her ("You Done Tamed Me") but she tells him that he was just a casual rebound for her. Believing he has gotten Melissa pregnant (despite her informing him about her IUD), he vows that he will get money to support her and their child, even if it means stealing it. She leaves him and upon arriving at the town square, hears of Josh's engagement to Betsy ("I'm Engaged"). He explains that he had no choice and she tells him to end the engagement while she looks for someone to house them, as Mildred has had them banned from the Inn. However, Josh realizes that Betsy may be his ticket out of Schmigadoon and so invites her for a walk across the bridge, claiming that he has a family tradition in which he must cross a bridge with his betrothed to make sure it's true love. After they fail to leave the town, he calls off the engagement, and Betsy runs crying to her father. Josh decides he will try to cross the bridge with every other girl in town, in hopes that one of them may be his true love. Melissa visits the Mayor's wife, Florence, for help and she tells Melissa that Doc Lopez, the town doctor, is looking for a new nurse and that the position would come with room and board. They bond over their shared struggles with the men in their life, with Florence specifically being unsure why Aloysius' actions are so queer ("What's the Matter with Men?"). Just then, Melissa learns that the engagement is off and believes that Josh may finally be able to commit to them, until she discovers his operation at the bridge ("Cross That Bridge"). She leaves him for the last time and goes to apply for Doc Lopez's nurse position, immediately finding herself attracted to him, while Josh realizes that the last girl he needs to try crossing the bridge with is local schoolmarm, Emma Tate. The townsfolk speculate on what may happen and tell the audience that they'll find out in the second act ("Act I Finale"). Josh, who has been hired as Emma's handyman, arrives during her class and, after seemingly giving up on a task right away, is schooled by her and her students on the importance of commitment ("With All of Your Heart"). At the same time, Melissa has been hired as Doc's nurse and when he turns away an expectant couple, Nancy and Freddy, due to them being unwed, she informs them about the medical realities of childbirth ("Baby Talk"). In the town square, at the multifaith bakesale, Mayor Menlove and the Reverend Layton form a bond over their shared love of rhubarb squares and other pastries ("I Thought I Was the Only One"). Back at the school, Josh is discovered by Farmer McDonough, who once again threatens him with his shotgun, until Emma takes it from him and tells him to leave Josh alone and let Betsy make her own decisions. Josh begins to bond with Emma, feeling like he's finally found another level-headed person in town, but when music begins to play and he angrily decides to stop opening up with her, she leaves. He goes to ask Melissa for help at the doctor's office and she tells him that his situation is most similar to The Music Man, and suggests buying Carson, Emma's younger brother, a trumpet, while also telling him that he will eventually have to sing to express his feelings to her. When Nancy arrives in labor, Josh assists Melissa in delivering the baby and she wishes him good luck with Emma. Doc Lopez returns, outraged that Melissa would defy his orders and deliver the baby, when all of a sudden Danny arrives and threatens Doc with a knife, trying to stage a robbery to provide for the baby he still believes Melissa is having. However after falling on his own knife, he dies ("You Done Killed Me"). At Danny's funeral ("When the Night is Darkest"), Reverend Layton tells the congregation that they should live each day as their fullest selves, prompting Mayor Menlove to come out as homosexual in front of his wife and the rest of the town, following Melissa's suggestion ("Somewhere Love is Waiting for You (Coming Out Reprise)"). This pushes Mildred over the edge, and she realizes she must take matters into her own hands to revert the town back to its old self. Later, Josh surprises Carson with a kazoo, as he couldn't find a trumpet anywhere, and is able to inspire Carson to be himself. This impresses Emma, and Josh realizes Melissa was right. At the Doctor's Office, Doc Lopez apologizes to Melissa for being so close-minded and realizes that she can help him change to become a better man. He tells her that he finds himself falling in love with her and, across town, Emma tells Josh the same thing in a shared duet ("Suddenly"). Melissa and Doc Lopez begin a relationship as Josh and Emma do the same. The next day, Mildred begins a smear campaign against Josh and Melissa, riling up the townsfolk into deciding that they should elect her as the next mayor of Schmigadoon in the upcoming election ("Tribulation"). On a picnic date with Josh, Emma reveals that she is actually Carson's mother, not his sister, as she has told the rest of the town. Both Josh and Carson, who has overheard this, accept her for who she is and decide to cross the bridge with Josh to begin a new life in New York. At the Doctor's office, Melissa and Doc Lopez are surprised by the arrival of Doc's fiancee, Countess Gabrielle von Blerkom, who threatens Melissa with a pistol for trying to steal her man. Doc tells the Countess that their engagement is off, as he has fallen in love with Melissa, and proposes to her on the spot. However, she is conflicted about what to answer and realizes that she is still in love with Josh ("Melissa's Epiphany"). Doc and the Countess tell Melissa to go tell Josh her true feelings and she runs off to do so. Meanwhile, as Josh, Emma, and Carson prepare to leave town, he is struck by his memories of his first time meeting Melissa ("Dream Ballet") and Emma realizes that he still has feelings for her. She similarly tells Josh to express his true love for her and he runs off. In the town square, the mayoral election is underway ("Election Day") and the entire town is prepared to vote for Mildred. Josh and Melissa arrive and while Melissa apologizes for being a perfectionist in their relationship and tells him that she does believe he is her true love. In response, he finally sings to her, finally expressing that he feels the same and is truly in love with her ("You Make Me Wanna Sing"). Mildred shames them, and still insists that they have caused chaos in Schmigadoon, though Emma and the other townfolk insist that they have changed it for the better.

Schoolhouse Rock Live!

Musical · 1993

Tom, a young teacher, is preparing for his first day of teaching. As he nervously rehearses what he's going to say, he turns on Schoolhouse Rock! Soon, personifications of his emotions appear. There's George – the romantic facet, Dori – the goofy facet, Shulie – the sweet aspect, Joe – the cool facet, and Dina – the mature facet. They intend to teach him so he's ready for his job. In their first lesson to him, they cover grammar ("Verb: That's What's Happening"). They tell him that they represent anywhere he has been, each person he has recognized and met ("A Noun Is A Person, Place Or Thing"). They help Tom realize that teaching is as easy as counting to three ("Three Is a Magic Number"). Tom thinks he is hallucinating and tries to get rid of them, but he realizes that he needs them ("Mother Necessity"). They encourage Tom to remember that he wants to be a teacher because both his grandmother and her mother were teachers. In their lifetimes, teaching was one of the few job opportunities open to women ("Sufferin' 'til Suffrage"). He also remembers working at his grandfather's hardware store as a child and sneaking away on Saturday mornings to watch Schoolhouse Rock!, which taught him about adverbs ("Lolly, Lolly, Lolly") and adjectives ("Unpack Your Adjectives"). But Tom has to teach more than that – math, science and social studies ("Just a Bill" / "The Preamble"). By revisiting these moments from his childhood and getting caught up in them, Tom remembers that learning can be fun ("Ready or Not, Here I Come"). When the gang becomes exhausted from all of the excitement, Tom encourages them to stay active ("Do the Circulation"). Joe is ready to do a song about pronouns, but he needs some help from the group ("Rufus Xavier Sarsaparilla"). Shulie plays Tom's guitar; the instrument is shaped like a figure eight, which inspires her to remember how Tom learned multiplication tables ("Figure Eight"). Next, George gives a physics lesson using rock and roll ("A Victim of Gravity"). Staying on the math and science track, George and Shulie introduce a hero who changed counting forever ("Zero, My Hero"). Although they have covered many parts of speech, Tom remembers one that they have left out, conjunctions ("Conjunction Junction"). Joe reminds Tom that school will be a very important transition to America for many of his students who are not native English speakers, just as America went through an important transition as it expanded ("Great American Melting Pot / Elbow Room"). Shulie teaches a lesson about space ("Interplanet Janet") and the thought of going to the Moon gets the whole group energized. They use words that properly express the energy they are feeling ("Interjections"). Tom thanks everyone for helping him. He has one last song for them about sentence structure ("The Tale of Mr. Morton"). As the song ends, all of the characters are gathered around Tom as if he were teaching. He asks if there are any questions, and a student's hand goes up.

Scrooge

Musical · 1992

The musical opens with the company singing a Christmas carol medley as the city of London begins to reminisce over the coming of Christmas ("Sing A Christmas Carol"). Meanwhile, Scrooge and his clerk Bob Cratchit are visited by Scrooge's nephew Harry, who, in contrast to his uncle, is excited for Christmas and deplores how Scrooge is keeping Cratchit working at 7pm on Christmas Eve. Scrooge asks him to leave. After work, Bob Cratchit, his disabled son Tiny Tim and his daughter Kathy go Christmas shopping on the streets of London ("Christmas Children"). Later, Scrooge walks around London, demanding the money that is owed to him by the businesspeople of London, and we learn of Scrooge's negative reputation throughout the people of London, especially soup caterer Tom Jenkins, who leads the angry crowd in despising Scrooge ("Father Christmas"/"I Hate People"). Scrooge is visited by the ghost of Jacob Marley, his business partner who has been dead for seven years, who tells Scrooge to ("Make The Most Of This World") or else the afterlife will be bad for him. He informs Scrooge that he is to be visited by three spirits at 1am, 2am and 3am respectively. Marley also explains the significance of a chain he is wearing: the chain has been built up of sins in life. As Marley leaves, Scrooge is angry at the thought that he is in the wrong for hating Christmas ("It's Not My Fault"). He is visited by the first spirit — the Ghost of Christmas Past — who takes Scrooge back to when he was a small boy who preferred not to take part in Christmas activities and carols ("Sing a Christmas Carol (Reprise)"). The child Ebenezer is visited by his sister Jenny, who takes Ebenezer back home, although he is reluctant to go home to his father due to a troubled relationship. Scrooge is confused as to why the visions are not communicating with him, to which the ghost replies that these are shadows of the things that have been. Scrooge is then taken forward to his teenage years, to a party held by his then boss, Mr Fezziwig ("December the 25th"). Scrooge reminisces about his relationship with Fezziwig's daughter, Isabel ("Happiness"), but we learn that she eventually leaves Scrooge as she feels their love has been negated by his desire for wealth. Scrooge and Young Ebenezer reflect on the situation ("You...You"). The Ghost of Christmas Past reveals to Scrooge that she is the ghost of his sister Jenny, who died young. She tells a heartbroken Scrooge to ("Love While You Can") before leaving him in a state of anguish ("It's Not My Fault (Reprise)"). As the bell tolls 2, Scrooge is visited by the next ghost, the Ghost of Christmas Present. He tells Scrooge that he is part of a group of brothers who, each year, send one down to Earth to spread the joy of Christmas — and this year it is his turn. He is appalled by Scrooge and teaches him to find the joy in living ("I Like Life"). Scrooge is taken by the Ghost of Christmas Present to Bob Cratchit and his family, who are preparing for Christmas ("Good Times") and listening to Tiny Tim sing ("The Beautiful Day"), while Scrooge wonders if the ill Tiny Tim will survive. Scrooge is then taken to his nephew Harry's Christmas party, where he learns that a tradition at the party has become to drink to the health of Scrooge, as well as playing a singing game called ("The Minister's Cat"). Because the song was often sung at Fezziwig's parties, Scrooge is again reminded of his failed relationship with Isabel ("Happiness (Reprise)"). As the Ghost of Christmas Present leaves, Scrooge wonders if he can truly find ("A Better Life") to live. Finally, Scrooge is visited by the mute Ghost of Christmas Yet to Come, who silently communicates by pointing in the direction he wants Scrooge to travel. First, they visit Tom Jenkins and a chorus of people who owed Scrooge money, who are all singing about an unusually generous thing that Scrooge has done that has made them all thankful to him. Unbeknown to Scrooge, they are actually celebrating his death, yet Scrooge is oblivious ("Thank You Very Much"). The uplifted Scrooge is now taken to the Cratchit household, which is sitting in silence, with the absence of Bob Cratchit and Tiny Tim. The ghost takes Scrooge to a graveyard, where Bob is mourning the death of Tiny Tim and reciting the song he had sung the Christmas before ("The Beautiful Day (Reprise)"). It is then revealed that Scrooge is buried in the same graveyard, and Scrooge realises his own imminent demise with shock. He is visited again by Jacob Marley, who reveals that Scrooge has gone to Hell, and Lucifer has appointed Scrooge as his personal assistant, before revealing Scrooge's chain, which was so big that it was not immediately ready for his arrival in Hell. Scrooge is mortified as he is dragged away by demons. To his shock, Scrooge wakes up in his bedroom on Christmas Day — still alive and not in Hell. He is grateful and vows to change his ways in the time he has left ("I'll Begin Again"). He begins going around London, forgiving people of their debts and giving out Christmas presents while dressed up as Father Christmas. Everyone in London who was previously against Scrooge is now massively grateful to him for changing his ways ("Finale"). Scrooge reinstates his vow to celebrate Christmas and be kind to people ("I'll Begin Again (Reprise)") before a reprise of "Thank You Very Much" is sung during the bows ("Curtain Call"/"Thank You Very Much (Reprise)").

Sea Legs

Musical · 1937

Sea Legs is an American musical with music by Michael H. Cleary and lyrics by Arthur Swanstrom. The musical book by Swanstrom is based on the play The Cat Came Back by Laurence E. Johnson, Beula King, and Avery Hopwood. Produced by Albert Bannister and J. Edmund Byrne, the production opened on Broadway at the Mansfield Theatre where it ran from May 18, 1937, through May 29, 1937 for a total of 15 performances. The cast included Dorothy Stone and her husband, Charles Collins.

See What I Wanna See

Musical · 2005

Act 1 – "Kesa" and "R Shomon" In medieval Japan, Kesa plans to kill her lover, Morito ("Kesa"). Morito arrives, and they make love. Kesa divulges to the audience that "[her] husband knows [their] secret" and draws a knife out of her kimono and raises it to stab Morito at the height of her climax, but a blackout leaves the outcome unknown. The scene shifts to New York City in 1951, where a murder has taken place. The janitor of a movie house is being interrogated by an unseen policeman. He explains that when he left work in the late night/early morning he took a shortcut through Central Park, where he found "the scarf, the body, the blood" ("The Janitor's Statement"). He slips when he refers to the weapon as "his knife", indicating that the killer is a male, but then he claims that the police had mentioned this to him. A thief, Jimmy Mako, is also being interrogated ("The Thief's Statement"). He boasts about committing the crime, and a flashback begins as he describes how Lily looked at him on the street after leaving the movies with her husband Louie ("She Looked at Me"). The thief follows the couple to the nightclub where she flirts with both Louie and, discreetly, the Thief ("See What I Wanna See"). The Thief decides that the only way to get a chance at Lily is to get the Husband out of the way. He convinces Louie to go with him to the park to dig up "Big Money" that he knows is hidden there. After a few drinks, Louie agrees, and Lily is also persuaded to come along. The Thief knocks out the husband, ties him up and rapes Lily, who tries vainly to defend herself with a knife ("The Park"). The Thief snaps - he's infatuated with Lily and is convinced that she wants him too, vowing "You'll Go Away With Me". Lily orders the Thief to fight her husband for her ("Murder"). He does, killing Louie; but Lily runs off into the night. Back at the police department, the Thief calmly states that he will "take the chair." The Janitor explains to his interrogator his philosophy about witnessing strange situations in New York City: "Best Not To Get Involved", but he admits to remembering Lily - "how could you forget a woman like her?" The Wife enters the interrogation room to explain her version of the story ("The Wife's Statement"). After the Thief raped her, she blacked out and awoke to find her husband, Louie, glaring at her, blaming her for the rape, and feeling they no longer had anything left to live for. She begs him for his love and forgiveness ("Louie"). He indicates that they should kill themselves together. She begins to comply ("Louie guide my hand, I will honor you") but at the last second, as he pushes the knife towards her, she panics and turns it towards him, killing him and running away. Back in the interrogation room, the Janitor recalls an adage that "only the dead tell the truth." A Medium arrives and explains that the spirit of the Husband entered her during a seance. She summons his spirit again ("The Medium and The Husband's Statement"). The Husband's story is that his wife became enraptured with the Thief and turned on the husband ("You'll Go Away With Me" (Reprise)). The rape becomes passionate love-making, and the Husband attempts to block it out of his mind by recalling that the marquee of the movie house screening Rashomon was missing the "a" in the title. The Wife orders the Thief to bind the husband. She assaults her husband verbally, relishing her new-found power, and telling him everything she has kept bottled up during their marriage; she will take "No More". She orders the Thief to stab the Husband. Surprisingly, the Thief instead cuts the bonds of the Husband and holds the knife to the Wife's throat, asking, "Do you want me to slash her throat and save you the trouble later?" Louie just stares, and the Thief eventually releases the Wife, tossing the knife to the Husband. The Husband, seething with rage, chases his wife away and is left alone. He decides that the honorable thing to do would be to kill himself ("Simple as This"). The Medium and the Husband perform an elaborate ritual reminiscent of traditional Japanese Seppuku (stomach-cutting). His last memory is of "someone" removing the stiletto from his abdomen and his blood flowing into the grass. The Janitor is still in the interrogation room, exhausted. He describes the beauty and the horrors of New York City in 1951 ("Light In the East"). Again he walks home through Central Park that night. He finds the Husband, pulls the knife out of the body and flees the scene. Everyone appears as a collage of voices, telling their statements, sometimes in unison but often interjecting with their own skewed perspectives on the truth. Act 2 – "Morito" and "Gloryday" Back in feudal Japan, Morito, Kesa's lover, tells wistfully of their final night together ("Morito"). Morito has planned to murder Kesa just as she has plotted to kill him, but the audience is left in doubt as to who was the successful killer, the scene ends with Morito strangling Kesa as she reaches for her knife. Reality and truth depend on whose perspective one believes. Kesa sees murdering Morito as a way to cleanse herself of her guilt and shame, while Morito believes he is bringing justice to Kesa and renewing his honor. In New York City in 2002, the meek priest Michael is in confession with his Monsignor. The Priest has lost his faith in the wake of "the tragedy" (alluding to, but not directly referencing the September 11 attacks), having failed to bring comfort to his flock ("Confession/Last Year"). He reminisces about the first time he realized his calling to become a priest, telling his Aunt about it. The Aunt is a spitfire communist and an atheist. She reminds the Priest of all the flaws and wrongdoings in the world and berates him for being "a gullible dope", falling for "The Greatest Practical Joke" of humanity: religion. The Priest walks through Central Park to clear his mind, where he conceives a great hoax. He decides to stage a false miracle in the park. He posts fliers around the park emblazoned with the message: "In three weeks, on Tuesday, at 1 p.m. sharp, a miracle will occur here in Central Park... from the depths of the pond Christ will appear, believe and be free" ("First Message"). He meets a former C.P.A., a filthy wild man in tattered business attire. The C.P.A. becomes inspired by the Priest's message ("Central Park"). He tells of his former life as an adultering, lying, disgustingly wealthy accountant. Worried that God "doesn't see [his] life", he goes to the park, where he discovers his true calling, "to live free and wild". Yet, he remains desperate for a life with purpose, where God sees him as special and unique. The Priest meets an Actress named Deanna as he posts new fliers in the park ("Second Message"). She is jittery, jumping from one subject to the next. She seduces the Priest, and the two have sex behind a bush in the park. Visibly distraught, she explains that she is struggling with cocaine addiction. She had found success in a coffee commercial, which she calls "residual heaven" ("Coffee"). To celebrate her success, her soap opera-actor boyfriend and she binge on cocaine and vodka and go for a drive in their Jaguar through Beverly Hills. The car flies off a cliff, and the actress breaks her neck, legs, nose and arms: "ouch right?". Her wrecked face draws bad press, and her coffee commercial is withdrawn. She consoles herself with morphine and barbiturates. She tells the Priest that she hopes the miracle occurs, because she could use some hope in her life. The Priest visits his Aunt Monica again and discovers she is dying. The TV news program she is watching shows the hordes of people gathering in Central Park for the "Gloryday". The Priest goes to the park to see what he has created. He enters a bar across the street from the park where he meets Aaron, the Reporter on the news program. The Reporter mentions that he has met the Priest before, on the day of "the tragedy". He was running away from the disaster, while the Priest was running toward it. The Reporter says that he, like the Priest, is looking for answers ("Curiosity"). The other characters appear, lighting candles and praying as the Priest emotionlessly "admires [his] handicraft" ("Prayer"). With one hour left until the miracle the Priest giddily points out souvenir salesmen, religious groups and celebrities ("Third Prayer/Feed the Lions"). He is grabbed by The CPA who says that he knows The Priest's secret...he is an angel. Deanna finds the Priest and thanks him for giving her hope. Finally, the Priest sees his Aunt, who, despite being in great pain, has made her way to the park. She confesses that she has lied all these years: she knows that there is a God, and she knows that "There Will Be a Miracle". She falls asleep on a park bench, telling her nephew to wake her when the Gloryday arrives. With a few minutes left, the crowd joins in "Prayer" for forgiveness, and the Priest has a change of heart. He runs around screaming that it was a joke and that everyone should go home. Now Deanna, the CPA, the Reporter and Aunt Monica describe the scene: The sky goes black, a harsh wind picks up, lightning flashes, mist hangs in the air, the earth trembles, and a tornado hits the lake. Everyone flees, pulling coats over their heads to protect themselves from the dust and debris. The Priest tries to stop them, but he is left standing alone. Looking back, he sees something "Rising Up" from the pond, and he sobs as he sees the Glory. In rapture, he races around, but no one else has seen it. The Reporter, the C.P.A. and Deanna are angry. He wakes Aunt Monica and tells her about it, asking if she believes him. She replies, "If you say so baby, why not?" Back in the confessional, the Priest tells his Monsignor that he put the collar back on a month later at Aunt Monica's funeral, but he is still confused about his faith.

Seesaw

Musical · 1973

Seesaw is a 1973 American musical with a book by Michael Bennett, music by Cy Coleman, and lyrics by Dorothy Fields. Based on the William Gibson play Two for the Seesaw, the plot focuses on a brief affair between Jerry Ryan, a young lawyer from Nebraska, and Gittel Mosca, a kooky, streetwise dancer from the Bronx. The musical numbers evoke colorful aspects of New York City life but have relatively little to do with the story. The most notable feature of the score's original orchestrations by Larry Fallon was their wide use of brass instruments.

Seussical

Musical · 2000

This synopsis describes the tour version of the show, currently being licensed as "Seussical the Musical" by Music Theatre International (MTI). The story follows Horton and Gertrude as they band together to save the Whos, free Horton, and restore peace to the Jungle of Nool. The themes of the show include the power of being unique and the importance of fighting for one's beliefs. The show opens on a bare stage, with an odd red-and-white-striped hat in the center. A small boy wanders into view and notices the hat, wondering to whom it might belong. He finally mentions the word Cat in the Hat, who appears before the Boy and tells him he has been brought to life by the Boy's "Thinks". The Cat urges this boy to Think up the "Seussian" world and characters around the boy and himself ("Oh, the Thinks You Can Think!"). The Cat then reveals to the Boy that he is about to tell a story about someone as imaginative as the Boy is. To begin the story, the Cat encourages the Boy to think up the Jungle of Nool, where Horton the Elephant is bathing. Horton hears a strange noise coming from a nearby speck of dust, and reasons that someone must be on it, calling out for help. He carefully places the speck on a soft clover and decides to guard it ("Horton Hears a Who"). But he is mocked mercilessly by the Sour Kangaroo and the other animals of the jungle, who do not believe him ("Biggest Blame Fool"). The only exceptions are Horton's bird neighbors, Gertrude McFuzz, who admires his compassion, and Mayzie LaBird, who is more concerned about herself ("Biggest Blame Fool Playoff"). Horton soon discovers that the speck is actually a microscopic planet populated by creatures called Whos. The citizens of Who-ville introduce themselves and their yearly Christmas pageant directed by their friend the Grinch. They also reveal that in addition to being unable to control where the speck flies, they are on the brink of war and their entire population of Truffula Trees has been cut down ("Here on Who"). The Whos thank Horton and ask for his protection, and he agrees to guard their planet. At this point, the Cat pushes the Boy into the story; he becomes Jojo, the son of the Mayor of Who-ville and his wife. Jojo has been getting into trouble at school for having Thinks, so his parents order him to "take a bath and go to bed, and think some normal Thinks, instead". Jojo blames the Cat for getting him into trouble and tries to send him away. The Cat refuses and persuades Jojo to imagine the tub is McElligot's Pool ("It's Possible"). Jojo inadvertently floods the house, leading the Mayor and his wife to contemplate what to do with their son ("How to Raise a Child"). When the Cat hands them a brochure, they decide to send Jojo to a military school run by General Genghis Khan Schmitz, who is preparing to go to war with those who eat their bread with the butter side down ("The Military"). While there, Jojo meets Horton, and finds a mutual friend in him ("Alone in the Universe"). Gertrude, meanwhile, has fallen in love with Horton, but is afraid he does not notice her because of her own tail, which consists of only "one droopy-droop feather" ("The One Feather Tail of Miss Gertrude McFuzz"). Mayzie advises her to take pills to make her tail grow more feathers, as she did to make her tail enormous, which is why she looks so dazzling. ("Amayzing Mayzie"). Gertrude is so excited that she overdoses, causing her tail to grow long and unwieldy ("Amayzing Gertrude"). Horton is ambushed by the Wickersham brothers, a gang of delinquent monkeys, who steal the clover and make off with it ("Monkey Around"). Horton gives chase until the Wickershams hand the clover to an eagle named Vlad Vladikoff, who drops it into a large patch of identical clovers ("Chasing the Whos"). Here, the Cat cuts briefly into the action to remind the audience how lucky they are to not be Horton ("How Lucky You Are"). Undeterred, Horton begins to look for the clover, hoping the Whos are still alive, when Gertrude catches up with him and tries to get him to notice her new tail. Horton is too busy, so she leaves to take more pills ("Notice Me, Horton"). Horton is about to search his three millionth clover when he loses hope. Mayzie, sitting in a nearby tree, offers to help him forget about the Whos by hatching an egg that she is too lazy to care for ("How Lucky You Are (Reprise)"). Horton reluctantly agrees, and Mayzie leaves for a vacation. Horton sits through months of harsh weather as he tries to decide between the egg and the Whos ("Horton Sits on the Egg") before he is captured by hunters, who take him away along with the entire tree. Gertrude tries to stop the hunters, but cannot fly due to her heavy tail. The Cat closes the act with a reprise of "How Lucky You Are", and conducts the band during the intermission. Horton, still hatching the egg, is auctioned off to the traveling Circus McGurkus ("Egg, Nest, and Tree"/"Circus McGurkus"/"How Lucky You Are (Reprise)"). At one show in Palm Beach, he meets up with Mayzie, who insists that he keep the egg for himself before leaving ("Amayzing Horton"). Horton mourns the loss of the Whos and Jojo, but vows just as surely to protect the egg, as it, too, is alone without its mother ("Alone in the Universe (Reprise)"), and sings it a lullaby with Jojo about a magical place called Solla Sollew. At the same time, the Mayor and his wife begin to miss Horton and Jojo, and wish for Solla Sollew, as well ("Solla Sollew"). Jojo is with General Schmitz and his platoon as the Butter Battle commences ("Transition to Butter Battle"). Jojo deserts Schmitz, but sprints into a minefield and vanishes in an explosion. Schmitz assumes the worst and heads to Who-ville to tell Jojo's parents that their son has died ("A Message from the Front"). The Cat returns to perform a re-enactment of the dramatic scene. But in reality, Jojo has survived, but is lost with no idea of where to turn. The Cat appears to him with a band of Hunches, encouraging him to use his Thinks to find his way home ("Havin' a Hunch"). Jojo does so and happily reunites with his parents, who forgive him for his Thinks. Gertrude sneaks into the circus to free Horton, explaining she plucked out all but one of her tail feathers to fly there, and confesses her love for him. She also reveals she has found his clover, delighting and relieving Horton to find the Whos alive and well ("All for You"). However, the Sour Kangaroo and the Wickersham brothers arrive to take Horton back to the jungle. In the jungle, Horton is put on trial for the crimes of "talking to a speck, disturbing the peace, and loitering... on an egg" ("The People Versus Horton the Elephant"). Aided by Gertrude, Horton makes his best case, but Judge Yertle the Turtle finds him guilty. He orders Horton remanded to the "Nool Asylum for the Criminally Insane" and the clover destroyed in a kettle of hot "Beezle-Nut" oil. Desperate, Horton encourages the Whos to make as much noise as possible to prove their existence, but the animals do not hear them. Jojo finally uses his Thinks to conjure a new word, "Yopp", which he shouts loudly enough to reach the animals' ears. Convinced at last, the animals repent and promise to help protect the Whos, and Horton is acquitted. Jojo is accepted by his parents and the rest of Who-ville as "Thinker Non-Stop" for saving their planet. Horton's egg hatches into a tiny flying "Elephant-Bird", amazing everyone, but dismaying Horton, who panics at the thought of flying progeny. Gertrude reassures him that they can raise the child together, and they agree to do so. With the story finished, the Cat returns to close the show ("Finale - Oh, the Thinks You Can Think!"), then vanishes along with the scenery, leaving only his hat and Jojo, who is now the Boy again. The Boy picks the hat up, dons it, and says, "Seuss!" During a curtain call, the company performs a number based on Green Eggs and Ham ("Green Eggs and Ham").

Seven Brides for Seven Brothers

Musical · 1985

Act 1 In 1850s Oregon, Adam goes into town seeking a wife to run the household that consists of just himself and his six brothers. There he meets Milly, a waitress at a local restaurant. Milly and Adam rush into marriage and immediately return to Adam's remote ranch in the mountains. As soon as they return home, Adam reverts to his true self: an ill-mannered and inconsiderate slob. Milly meets his six brothers, Benjamin, Caleb, Daniel, Ephraim, Frank and Gideon, all of whom also share Adam's love for all things disorderly. Milly decides to reform the brothers and help them change their ways. She teaches them to dance and then takes them to a barn-raising. There, the six brothers meet six girls they like and start courting them. Conflicts arise when each of the six girls turns out to have her own jealous suitor. Upon returning home Adam reads his brothers the story of The Rape of the Sabine Women, inciting them to kidnap the girls and bring them back home with them. Act 2 The brothers kidnap the girls and then cause an avalanche to fall and block the suitors' way, making the brothers' house unreachable until spring. The girls are crying and furious by the time they reach the house. An angry Milly scolds the boys and sends them all to live in the barn, and Adam flees up to their hunting cabin in the mountains to live by himself. They live there all through the winter, but by the time spring arrives, the girls miss the brothers' attention and find themselves to be in love. Gideon goes to the cabin and attempts to get Adam to return home by telling him that Milly had a baby girl. A changed Adam returns home to find his wife and newborn daughter waiting for him. The snow clears up and the angry suitors make their way up to the house in the mountains to find that the girls are happy and want to marry the brothers. The story ends with a shotgun wedding of the six remaining couples.

She Loves Me

Musical · 1963

On a beautiful summer day in Budapest in 1934, the employees of Maraczek's Parfumerie arrive at work ("Good Morning, Good Day"). Working at the shop are Ladislav Sipos, a fretful middle-aged salesman with a family; teenage delivery boy Arpad Laszlo; thirty-something Ilona Ritter, who is having an affair with suave Steven Kodaly; and Georg Nowack, the shy assistant manager. Mr. Maraczek arrives to open the store, and soon business is under way ("Sounds While Selling"/"Thank You, Madam"). Georg has been exchanging letters with an anonymous woman he knows only as "Dear Friend", and he shares today's romantic letter with Sipos. Maraczek advises Georg to get married and recalls being a bachelor ("Days Gone By"). Arpad begins stocking the shelves with a new musical cigarette case. Mr. Maraczek insists that they will manage to sell one within an hour. A nervous young woman, Amalia Balash, enters, hoping to obtain a job at the Parfumerie. When Georg tells her they are not hiring, she demands to speak with Maraczek. Amalia takes one of the cigarette cases and convinces a customer that it is really a musical candy box that plays each time it is opened to gently tell the owner "no more candy" ("No More Candy"). Maraczek is impressed and immediately hires Amalia. As summer turns into autumn and then into the early days of winter, tension grows in the shop. Ilona and Kodaly are at odds, Mr. Maraczek is increasingly short-tempered with Georg, and Georg and Amalia bicker constantly. Georg finds solace in his anonymous romantic pen pal, not suspecting that his correspondent is none other than Amalia ("Three Letters"). Their fellow employees observe their bickering, and Sipos explains to Arpad that they argue because they unknowingly like each other very much. Arpad naively suggests they tell Georg and Amalia this, and Sipos retorts that they'd never believe it. Finally, in early December, the two "Dear Friends" arrange to meet in person. Maraczek humiliatingly dresses down Georg for a minor problem. Georg tells Sipos that tonight he will finally meet his "dear friend" ("Tonight At Eight"). Meanwhile, Amalia explains to Ilona that even though she has not met her "dear friend" yet, she knows him very well from his letters ("I Don't Know His Name"). Mr. Maraczek and Georg argue, and when it becomes obvious that Maraczek is about to fire Georg, Sipos knocks over the stack of musical cigarette boxes to distract him. Maraczek reprimands Sipos and leaves. Sipos tells Georg that no replacement would treat him as well as Georg does ("Perspective"). Maraczek insists that everyone stay late to decorate for Christmas, but Amalia says she must leave early for her date. Georg asks to leave too, but Mr. Maraczek refuses to let him go. Georg angrily quits, and the other employees sadly say goodbye to Georg ("Goodbye Georg"). Amalia leaves clutching a copy of Anna Karenina with a rose in it so that her "dear friend" will be able to identify her. She wonders if "dear friend" will like her ("Will He Like Me?") Meanwhile, inside the shop, Kodaly begins seducing Ilona ("Ilona"). They make a date, but when Mr. Maraczek insists they must close the store early, Kodaly realizes that he has time for a 9:30 date that he previously scheduled. He postpones his date with Ilona, and she angrily declares that she will never fall for a man like him again ("I Resolve"). Georg is nervous and asks Sipos to give "dear friend" a note explaining that Georg could not come. Mr. Maraczek's private investigator enters the shop and tells him that Kodaly is having an affair with his wife. Maraczek had assumed it was Georg. The investigator leaves, and Maraczek's wife calls to say she'll be out late. Maraczek points a gun at his own head and pulls the trigger as Arpad enters the shop. Meanwhile, in the Cafe Imperiale, the head waiter is trying to maintain a romantic atmosphere as Amalia waits with her book and rose ("Romantic Atmosphere"). Georg and Sipos enter and are shocked to realize that Amalia is Georg's date; however, Amalia does not know Georg is her "dear friend". Georg sits at Amalia's table and mocks her, singing a "Tango Tragique" about a woman who was murdered on a blind date (this song has been cut in later productions). They argue, and Georg leaves. As the cafe closes, Amalia, still waiting, begs "dear friend" not to abandon her ("Dear Friend"). The next day, Mr. Maraczek has survived his suicide attempt, and Arpad comes to visit him in the hospital. Maraczek is impressed with Arpad's hard work in his absence, and Arpad begs to be promoted to sales clerk ("Try Me"). Georg also stops by, and Maraczek apologizes and asks him to return to his job. Maraczek tells Georg to fire Kodaly and mentions that Amalia has called in sick. Georg is worried about Amalia and visits her at her apartment. She fears he has come to spy on her and tell the others she is not really sick, so she attempts to get out of bed and get ready for work ("Where's My Shoe"). Georg, seeing she is truly sick, forces her back to bed and presents her with a gift: vanilla ice cream. He apologizes for his rudeness the previous night, but Amalia tells him that he was right about her date; if "dear friend" really loved her, he would have come. Georg, meaning well, makes up a story that he saw an older, bald, fat gentleman looking into the cafe. Georg says the man told him that he had to work and could not meet his date, and Georg surmises that he must be her "dear friend". Amalia is surprised to find she enjoys her conversation with Georg. After he leaves, she begins a letter to "dear friend" but can only think of Georg's kindness and his gift ("Vanilla Ice Cream"). Georg joyously realizes that Amalia loves him ("She Loves Me"). At Maraczek's, Ilona explains to Sipos that she has gotten over Kodaly; last night, she went to the library where she met Paul, a kindly optometrist ("A Trip to the Library"). Kodaly bids everyone goodbye ("Grand Knowing You"). With Christmas fast approaching, the employees are busy helping last-minute shoppers, and Georg and Amalia enjoy each other's company ("Twelve Days to Christmas"). On Christmas Eve, Amalia tells Georg she has invited "dear friend" to spend the evening with her and her mother. She invites Georg as well, and he hesitatingly accepts. Mr. Maraczek returns to the shop for a happy reunion, and Ilona announces her plans to accept Paul's proposal that night, even though he does not know he is going to propose yet. Sipos leaves to join his family's Christmas party, and Maraczek takes Arpad for a night on the town. Georg helps Amalia with her packages as she leaves the shop, and they accidentally drop one of the musical cigarette boxes. Amalia intends to give it to "dear friend", but Georg says he really would like it; it will remind him of the day he first met her. He admits that he always thought Amalia was the sort of girl he could fall in love with. Amalia confesses to having similar feelings, and Georg takes one of Amalia's letters to "dear friend" out of his pocket and begins reading it aloud. Amalia finally understands that Georg really is "dear friend" and they kiss ("Finale").

Shelter

Musical · 1973

Michael is a television writer, who writes commercials, lives in a studio, which is really a special apartment for TV commercials, and shares it with a computer named Arthur. Arthur can sing, do strange things with back projections so that Michael can command his environment, from day to night, from country scene to moonlit stratosphere, and does party tricks. Michael has a wife and seven children. He tries to keep Maud, a distressed actress who has just lost her husband, from growing more distressed. She stays the night, but when morning comes, so does the beautiful cleaning girl who is madly in love with Michael, and then, too, his wife shows up.

Shenandoah

Musical · 1974

Charlie Anderson, a widower, lives with his large family in the Shenandoah Valley in Virginia, during the American Civil War. Anderson does not wish to be involved with the war because he doesn't consider it "his" war, but he is forced to take action when his youngest son Robert is taken prisoner by Union soldiers. In the course of searching for Robert, Charlie, his daughter Jenny, and some of his sons rescue Sam (Jenny's newlywed Confederate soldier husband) from a Yankee POW train. After enduring the tragedy of losing his eldest son Jacob (to a sniper) and his second eldest son James and James' wife Anne (to deserters), Charlie and the rest of the family return home, defeated. In his despair, Charlie is reminded to return to church, where he, at long last, is reunited with Robert once more.

Shinbone Alley

Musical · 1957

Shinbone Alley (sometimes performed as archy & mehitabel) is a musical with a book by Joe Darion and Mel Brooks, lyrics by Darion, and music by George Kleinsinger. Based on the album Archy and Mehitabel: A Back-Alley Opera, which in turn was based on archy and mehitabel, a series of New York Tribune columns by Don Marquis (illustrated by Krazy Kat author George Herriman), it focuses on poetic cockroach Archy (who wasn't strong enough to depress the typewriter's shift-key), alley cat Mehitabel, and her relationships with theatrical cat Tyrone T. Tattersall and tomcat Big Bill, under the watchful eye of the newspaperman, the voice-over narrator and only human being in the show.

Shockheaded Peter

Musical · 1998

Shockheaded Peter is a 1998 musical using the popular German children's book Struwwelpeter (1845) by Heinrich Hoffmann as its basis. Created by Julian Bleach, Anthony Cairns, Julian Crouch, Graeme Gilmour, Tamzin Griffin, Jo Pocock, Phelim McDermott, Michael Morris and The Tiger Lillies (Martyn Jacques, Adrian Huge and Adrian Stout) the production combines elements of pantomime and puppetry with musical versions of the poems with the songs generally following the text but with a somewhat darker tone. Whereas the children in the poems only sometimes die, in the musical they all do. Commissioned by the West Yorkshire Playhouse in Leeds and the Lyric Hammersmith in West London, the show debuted in 1998 in Leeds before moving to London and subsequently to world tours. While the Tiger Lillies performed as onstage band for the majority of the original Leeds and London runs, they were later replaced by David Thomas & Two Pale Boys.

Show Boat

Musical · 1927

Act I In 1887, the show boat Cotton Blossom arrives at the river dock in Natchez, Mississippi. The Reconstruction era had ended a decade earlier, and white-dominated Southern legislatures have imposed racial segregation and Jim Crow rules. The boat's owner, Cap'n Andy Hawks, introduces his actors to the crowd on the levee. A fistfight breaks out between Steve Baker, the leading man of the troupe, and Pete, a rough engineer who had been making passes at Steve's wife, the leading lady Julie La Verne. Steve knocks Pete down, and Pete swears revenge, suggesting he knows a dark secret about Julie. Cap'n Andy pretends to the shocked crowd that the fight was a preview of one of the melodramas to be performed. The troupe exits with the showboat band, and the crowd follows. A handsome riverboat gambler, Gaylord Ravenal, appears on the levee and is taken with eighteen-year-old Magnolia ("Nolie") Hawks, an aspiring performer and the daughter of Cap'n Andy and his wife Parthenia Ann ("Parthy"). Magnolia is likewise smitten with Ravenal ("Make Believe"). She seeks advice from Joe, a Black dock worker aboard the boat, who has returned from buying flour for his wife Queenie, the ship's cook. He replies that he has "seen a lot like [Ravenal] on the river." As Magnolia goes inside the boat to tell her friend Julie about the handsome stranger, Joe mutters that she ought to ask the river for advice. He and the other dock workers reflect on the wisdom and indifference of "Ol' Man River", who does not seem to care what the world's troubles are, but "jes' keeps rollin' along". Magnolia finds Julie inside and announces that she is in love. Julie cautions her that this stranger could be just a "no-account river feller". Magnolia says that if she found out he was "no-account", she would stop loving him. Julie warns her that it is not that easy to stop loving someone, explaining that she will always love Steve and singing a few lines of "Can't Help Lovin' Dat Man". Queenie overhears – she is surprised that Julie knows that song as she has only heard "colored folks" sing it. Magnolia remarks that Julie sings it all the time, and when Queenie asks if she can sing the entire song, Julie obliges. During the rehearsal for that evening, Julie and Steve learn that the town sheriff is coming to arrest them. Steve takes out a large pocket knife and makes a cut on the back of her hand, sucking the blood and swallowing it. Pete returns with the sheriff, who insists the show cannot proceed because Julie is a mulatto who has been passing as white and local law prohibits mixed marriages. Julie admits that her mother was Black, but Steve tells the sheriff that he also has "black blood" in him, so their marriage is legal in Mississippi. The troupe backs him up, boosted by the ship's pilot Windy McClain, a longtime friend of the sheriff. The couple have escaped the charge of miscegenation, but they still have to leave the show boat; identified as Black, they can no longer perform for the segregated white audience. Cap'n Andy fires Pete, but in spite of his sympathy for Julie and Steve, he cannot violate the law for them. Ravenal returns and asks for passage on the boat. Andy hires him as the new leading man and assigns his daughter Magnolia as the new leading lady, over her mother's objections. As Magnolia and Ravenal begin to rehearse their roles and in the process, kiss for the first time (infuriating Parthy), Joe reprises the last few lines of "Ol' Man River". Weeks later, Magnolia and Ravenal have been a hit with the crowds and have fallen in love. As the levee workers hum "Ol' Man River" in the background, he proposes to Magnolia, and she accepts. The couple joyously sings "You Are Love". They make plans to marry the next day while Parthy, who disapproves, is out of town. Parthy has discovered that Ravenal once killed a man and arrives with the sheriff to interrupt the wedding festivities. The group learns that Ravenal was acquitted of murder. Cap'n Andy calls Parthy "narrow-minded" and defends Ravenal by announcing that he also once killed a man. Parthy faints, but the ceremony proceeds. Act II Six years have passed, and it is 1893. Ravenal and Magnolia have moved to Chicago, where they make a precarious living from Ravenal's gambling. At first they are rich and enjoying the good life ("Why Do I Love You?") By 1903, they have a daughter, Kim, and after years of varying income, they are broke and rent a room in a boarding house. Depressed over his inability to support his family, Ravenal abandons Magnolia and Kim, but first visits his daughter at the convent where she goes to school to say goodbye before leaving her forever ("Make Believe" (reprise)). Frank and Ellie, two former actors from the showboat, learn that Magnolia is living in the rooms they want to rent. The old friends seek a singing job for Magnolia at the Trocadero, the club where they are doing a New Year's show. Julie is working there. She has fallen into drinking after being abandoned by Steve. At a rehearsal, she tries out the new song "Bill". She appears to be thinking of Steve and sings it with great emotion. From her dressing room, she hears Magnolia singing "Can't Help Lovin' Dat Man" for her audition, the song which Julie taught her years ago. Julie secretly quits her job so that Magnolia can fill it, without learning of her sacrifice. On New Year's Eve, Andy and Parthy go to Chicago for a surprise visit to their daughter Magnolia. Andy goes to the Trocadero without his wife, and sees Magnolia overcome with emotion and nearly booed off stage. Andy rallies the crowd by starting a sing-along of the standard, "After the Ball". Magnolia becomes a great musical star. More than 20 years pass, and it is 1927. An aged Joe on the Cotton Blossom sings a reprise of "Ol' Man River". Cap'n Andy has a chance meeting with Ravenal and arranges his reunion with Magnolia. Andy knows that Magnolia is retiring and returning to the Cotton Blossom with Kim, who has become a Broadway star. Kim gives her admirers a taste of her performing abilities by singing an updated, Charleston version of "Why Do I Love You?" Ravenal sings a reprise of "You Are Love" to the offstage Magnolia. Although he is uncertain about asking her to take him back, Magnolia, who has never stopped loving him, greets him warmly. As the happy couple walks up the boat's gangplank, Joe and the cast sing the last verse of "Ol' Man River". Plot variants in 1951 film The 1951 MGM film changed the final scenes of the story, as well as many small details. It reconciles Ravenal and Magnolia a few years after they separate, rather than 23 years later. When Ravenal leaves Magnolia in Chicago, he does not know that she is pregnant. Through a chance meeting with Julie, he learns that Magnolia and his daughter are living on the Cotton Blossom. He goes to where the boat is docked and sees Kim playing. He talks with her; the two "make believe" that he is her "real daddy", and he weeps. Magnolia arrives and sends Kim aboard. She and Ravenal hesitate and then embrace, and she leads him onto the boat. Parthy is as happy as Captain Andy to see the reunion. Joe and the chorus sing "Ol' Man River", and the ship heads downriver. Julie watches from a distance and blows them a gentle kiss as the Cotton Blossom recedes.

Shrek

Musical · 2008

Shrek the Musical is a musical with music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire. It is based on the 2001 DreamWorks Animation film Shrek, along with elements of its sequels: Shrek 2, Shrek Forever After and William Steig's 1990 book Shrek!. After a trial run in Seattle, the original Broadway production opened in December 2008 and closed after a run of over 12 months in January 2010. It was followed by a tour of the United States which opened in 2010, and a re-vamped West End production from June 2011 to February 2013. A high definition filming of the Broadway production, shot by RadicalMedia, was released on DVD, Blu-ray, and digital download on October 15, 2013, in North America and December 2, 2013, in the United Kingdom.

Shucked

Musical · 2022

The storytellers discuss the history of the town, Cob County, emphasizing the town's love for corn. They introduce the audience to Maizy and Beau, a couple who are planning their wedding ("Corn"). While Beau's brother, Peanut, is officiating the wedding, the town's corn suddenly begins to die. The town decides that they can't have a wedding until they fix the corn. Maizy talks to her cousin, Lulu, and her grandfather, before discussing the situation with Beau. Maizy tells Beau that she wants to leave the town in order to find solutions, but Beau is against the idea. Maizy explains her reasoning, before booking a plane to Tampa ("Walls"). Maizy is amazed by Tampa, and she finds a podiatrist who calls himself a "corn doctor". Unaware of what that actually means, she decides to meet the doctor, a man named Gordy ("Travelin' Song"). Gordy comes from a family of conmen, but is not great at the job ("Bad"); currently, he is in debt to some members of the mob (played by the storytellers). Gordy notices a bracelet that Maizy is wearing, which he takes to have appraised by the jewelers (also played by the storytellers), who say that the stones are incredibly valuable. Gordy realizes he can use the bracelet to get out of his debt. He tries to charm Maizy, and Maizy kisses him. Although shocked by her eagerness to cheat on Beau, she delights in her ability to save the corn ("Woman of the World"). Maizy takes Gordy back to Cob County, where Beau is angered at her decision to go to Tampa. Maizy retorts that Beau is jealous that she managed to do something about their situation, whereas Beau couldn't even leave the county. As the fight gets increasingly heated, Maizy admits that she kissed Gordy. Beau is shocked and angered, and breaks off his engagement with Maizy, deciding that he's going to find someone who wants him ("Somebody Will"). At Lulu's whiskey distillery, Maizy vents about the situation. Lulu tells her that her mistake was telling Beau that she kissed Gordy. Gordy arrives and tries to sweet-talk Lulu, but Lulu ignores him, relishing her independence as a single person ("Independently Owned"). Gordy receives two calls from the jewelers and the mob. The jewelers tell him the stones weren't as valuable as they thought, while the members of the mob tell Gordy his debt has been cleared due to the mobster being killed by "Murry the Mohel". However, Gordy misunderstands both calls, due to the poor cell service in Cob County. Peanut, Beau, and Lulu overhear the conversations, and go to warn Maizy ("Holy Shit"). However, Maizy remains optimistic and doesn't believe the other three. She and Lulu get into an argument, leading to Maizy saying that Lulu's whiskey is bitter. After they leave, Maizy wonders what love means ("Maybe Love"). Gordy reveals a healthy ear of corn to the town. He tells them that the stones from the bracelet are stopping the corn from growing, and to fix the situation he will remove the stones from the county; he actually intends to keep the stones for himself. The rest of the town takes this as an answer, except for Beau, Lulu, and Peanut. Maizy, still frustrated with Beau and Lulu, and excited by her ability to save the corn, misinterprets Gordy being down on one knee, and agrees to marry him, to the surprise of everyone in Cob County ("Corn (Reprise)"). The storytellers briefly recap the events of Act I. The town goes into a song about how they're Christian, but they drink alcohol ("We Love Jesus") (in the North American tour version, the town goes into a song about the purple rocks ("Ballad of the Rocks")). Peanut and Beau watch the celebration, and Peanut asks Beau if he's doing all right. Beau says he's fine, but admits his heartache after Peanut leaves ("OK"). As Gordy tries to leave Cob County with the stones, he runs into Lulu. Gordy attempts to charm Lulu, again, and Lulu is interested in Gordy's advances. However, she removes the catalytic converter from his car, forcing him to stay in town. Maizy and Gordy both have trouble with the vows for their upcoming wedding. Maizy realizes that the chemistry between her and Beau is still there, and she begins to have second thoughts about the wedding. Lulu and Beau advise Gordy and Maizy, respectively, to pretend that they are the ones they are giving vows to, while the storytellers watch with chagrin ("I Do"). Maizy asks her grandfather for advice about the wedding. Afterwards she speaks with Lulu, and the two make up ("Friends"). Lulu admits that she is interested in Gordy, and the two of them try to come up with a plan to set things right. Meanwhile, Peanut, while attempting to overlook his own romantic interest in Gordy, suggests that Beau, along with the rest of the men, get Gordy drunk, which would force him to admit everything. Storyteller 2 joins in on this song ("Best Man Wins"). The evening before the wedding, the boys easily manage to get Gordy drunk ("Corn Mix"), and he admits his plan. He also admits that the corn ear he showed the town was planted, as he bought it from Whole Foods. However, Gordy says that he wants to do right. Beau and Maizy get back together, and Gordy and Lulu also get together. It is revealed that Storyteller One is Lulu and Gordy's grandchild, while Storyteller Two is Maizy and Beau's grandchild. Beau and Maizy have the wedding that they were hoping for, as Peanut, once again, officiates ("Maybe Love (Reprise)").

Shuffle Along

Musical · 1921

Two dishonest partners in a grocery store, Sam Peck and Steve Jenkins, both run for mayor in Jimtown, USA. They agree that if either wins, he will appoint the other his chief of police. Steve wins with the help of a crooked campaign manager. He keeps his promise and appoints Sam chief of police, but they begin to disagree on petty matters. They resolve their differences in a long, comic fight. As they fight, their opponent for the mayoral position, virtuous Harry Walton, vows to end their corrupt regime ("I'm Just Wild about Harry"). Harry gets the people behind him and wins the next election, as well as the lovely Jessie, and runs Sam and Steve out of town

Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed

Musical · 2016

Flournoy "F. E." Miller and his vaudeville partner Aubrey Lyles conceive the show that was to become Shuffle Along. They meet fellow vaudevillians Noble Sissle and Eubie Blake and decide to team up to create the all-black production. They tour the show, playing one-night stands in Maryland, Washington, D.C., and Pennsylvania, packing the cast into cheap motels and selling their personal possessions to pay for train fare. A romance develops between the married Eubie Blake and the show's leading lady, Lottie Gee, a veteran vaudeville performer who finally got her chance to star in the show. The creatives discuss whether or not to include a love song and embrace between the two black leads, a controversial experiment that had been received with tar and feathers in the few instances where it had been tried before; fortunately, the audiences accept it. Arriving in New York during the Depression of 1920–21, Shuffle Along is deep in debt and struggles to raise money. It faces stiff competition on Broadway in a season that includes surefire hits from Florenz Ziegfeld Jr. and George White, and it was relegated to a remote theater on West 63rd Street with no orchestra pit. Opening night is a hit! Shuffle Along becomes a long-running success, with popular songs like "I'm Just Wild About Harry". The partners do not have the same success during the following years and argue about royalties. Lyles announces that he is moving to Africa, and the creators go their separate ways. The romance between Blake and Gee ends. Everyone wants to be remembered for having done something important, but over the decades, the show fades into obscurity.

Shylock

Musical · 1987

Shylock is a musical based on Shakespeare's The Merchant of Venice, adapted and composed by Ed Dixon debuted at the York Theatre in 1987 with Dixon in the title role. The performance garnered him a Drama Desk nomination for Best Actor in a Musical. The cast included Lisa Vroman, Charles Pistone, Dennis Parlato, Ann Brown and Joel Fredricks. Kathline Rubbico was musical director with sets and costumes by James Morgan and lighting by Marcia Madeira. Lloyd Battista was the director. According to Dixon, Shylock was an attempt to sympathetically explain the motivations of the eponymous character.

Shōgun

Musical · 1990

Shōgun: The Musical is a musical with a book and lyrics by John Driver and music by Paul Chihara. Based on James Clavell's 1975 novel and the 1980 television mini-series of the same name, the musical centers on shipwrecked English sea captain John Blackthorne, who finds himself drawn into a political power play while involved in an illicit affair with a married noblewoman in 17th-century Japan. Clavell's novel was itself originally inspired by the true story of English navigator William Adams.

Side Show

Musical · 1997

The Boss, the ringmaster of a sideshow, introduces the exhibits: the bearded lady, a geek, the Cannibal King, the seraglio of a Hashemite sheik, and, lastly, his star attraction, the Siamese twins ("Come Look at the Freaks"). Buddy Foster, an aspiring musician, brings Terry Connor, a press agent and talent scout for the Orpheum Circuit, to see the Siamese twins, persuading him to enter the show all the way. Coerced ominously in by the Boss, Buddy thinks he could help them create an act and convinces Terry to meet them. The two men interrupt a birthday party for the girls ("Happy Birthday To You And To You"). Terry asks their names and they respond, "I'm Daisy" and "I'm Violet". He then asks them their dreams ("Like Everyone Else"); Violet, the gentler of the two, wants a life of a husband and home; Daisy, on the other hand, seeks fame and fortune. Terry tells them he wants to help their dreams come true ("You Deserve a Better Life"). After the Boss rudely refuses Terry's offer to be cut in on the twins' potential vaudeville career ("Crazy, Deaf and Blind"), Terry devises a scheme whereby Buddy will teach the girls a song. Jake, who plays the Cannibal King in the sideshow and is the twins' friend and protector, begs them to consider what they're getting into and the whole sideshow family adds its opinion ("The Devil You Know"). Two weeks later, Terry returns to see the twins perform and Buddy tells him how the personal dynamics with the girls are getting sticky ("More Than We Bargained For"). Before their secret late-night performance, the twins confess to each other how infatuated they are with the two men who've come into their lives ("Feelings You've Got to Hide"). The Hilton Sisters' secret debut is a great success ("When I'm By Your Side"). But the Boss discovers the subterfuge and physically threatens the twins when they tell him they're leaving the sideshow. Jake comes to their rescue and the other attractions threaten to leave also, causing the Boss to back down. Daisy, Violet and Jake, whom Terry has invited to help backstage on the twins' tour, bid farewell to their sideshow family ("Say Goodbye to the Freak Show"). It's time for the twins' first public performance, and Terry invites a group of reporters together before the show ("Overnight Sensation"). Before their vaudeville debut, the twins argue about their different ways of expressing interest in men ("Leave Me Alone"). Onstage they sing "We Share Everything" in a production number featuring them as queens of ancient Egypt. After the twins' performing triumph, Terry and Buddy shower them with kisses. Hostile reporters ask tough questions about the girls' love life ("The Interview"). Terry and Buddy deny any romantic inclinations, leaving the twins to wonder if they will ever find romantic fulfillment ("Who Will Love Me as I Am?"). The second act opens with the Hilton Sisters at the height of their success - a Follies-style production number ("Rare Songbirds on Display"). Daisy's dream of stardom has come true but Violet seems no closer to her dream of finding a husband. At a fancy New Year's Eve party, Buddy tries to cheer up Violet and ends up proposing marriage ("New Year's Day"). Afterwards, Terry imagines what it would be like to be alone with Daisy ("Private Conversation"). In an onstage number ("One Plus One Equals Three"), Buddy, Violet and Daisy issue an upbeat invitation to their wedding. But backstage both Daisy and Buddy separately express doubts as to how the arrangement will work. Jake overhears Buddy and, in an effort to save Violet from seemingly imminent heartbreak, confesses that he has loved her for years ("You Should Be Loved"). The night before Violet and Buddy's wedding as the grand finale of the Texas Centennial, Daisy is feeling left out. To appease her, Terry suggests going where they could be more-or-less alone together ("Tunnel of Love"). The big day arrives. Hawkers sell tickets and souvenirs ("Beautiful Day for a Wedding"). But in the dressing area, complications arise. Jake announces he is leaving. Buddy confesses he's not strong enough to marry Violet. Daisy offers a solution which will ensure a movie contract dependent on the wedding publicity ("Marry Me, Terry"). Terry cannot bring himself to publicly acknowledge what he feels for Daisy. She dismisses him and insists that Violet and Buddy go through with the ceremony, which will at least benefit everyone's career. Left alone, the twins find solace in each other ("I Will Never Leave You"). As the wedding proceeds, they reprise "Come Look at the Freaks" with full understanding and acceptance of who they are and what they are doing.

Silk Stockings

Musical · 1955

Special envoy Nina Yaschenko (Ninotchka) is dispatched from the Soviet Union to rescue three foolish commissars from the pleasures of Paris. Romanced by theatrical agent Steven Canfield, she eventually comes to recognize the virtues of capitalist indulgence. Meanwhile, Peter Boroff, Russia's greatest composer, is being wooed by Janice Dayton, America's swimming sweetheart, to write the score for her first non-aquatic picture, a musical adaptation of War and Peace.

Simple Simon

Musical · 1930

Simple Simon is a Broadway musical with book by Guy Bolton, and Ed Wynn, lyrics by Lorenz Hart, music by Richard Rodgers, produced by Florenz Ziegfeld Jr., and starring Ed Wynn. It originally played from February 18, 1930, to June 14, 1930, at the Ziegfeld Theatre, then reopened on March 9, 1931, at the Majestic Theatre. The play, a loose plot designed to show off Ed Wynn's fumbling, clowning, punning style, cast him as a newspaper vendor who spends his time in a fairy-tale land where bad news does not exist. The song "Ten Cents a Dance" was introduced by Ruth Etting in this show. "Love Me or Leave Me" by Gus Kahn and Walter Donaldson was interpolated into the show about two months after it opened. "I'm Yours", by Johnny Green and Yip Harburg, was added for the tour. "Dancing on the Ceiling", cut during the Broadway previews, was eventually sung by Jessie Matthews in the London production of Ever Green, and became a standard. The musical numbers written for the show included: "Coney Island" "Don't Tell Your Folks" "Magic Music" "I Still Believe in You" "Send for Me" "Dull and Gay" "Sweetenheart" "Hunting the Fox" "Come On, Men" "Ten Cents a Dance" "Rags and Tatters" "Dancing on the Ceiling" (dropped before the New York opening) "He Was Too Good to Me" (dropped before the New York opening) "Oh, So Lovely" (unused) "Peter Pan" "The Simple Simon Instep" (unused) "Prayers of Tears and Laughter" (dropped before the New York opening) "Hunting Song" (unused) "Come out of the Nursery" (dropped before the pre-Broadway tryout) "Sing Glory Hallelujah" (dropped before the pre-Broadway tryout) The song "I Can Do Wonders with You", from a previous show, was interpolated.

Simplicius

Musical · 1887

After his brother Bruno dies in battle, Wendelin von Grübben retreats into the forest with his infant son Simplicius. Simplicius is later separated from him and taken into a military camp, where he befriends Tilly. Arnim, Wendelin’s older son, loves Hildegarde, whose father intends to arrange her marriage to a supposed Grübben heir. When documents and a dispatch reveal Simplicius’s identity as the true heir, his father’s old will is invalidated. Simplicius and Tilly, and Arnim and Hildegarde, find happiness together after Wendelin is reunited with his son.

Simply Heavenly

Musical · 1957

As the curtain rises, Simple is being informed by his landlady that he must walk her dog without complaining or pay his rent. Simple reluctantly agrees, as he is anxious to visit Joyce. Joyce waits in her furnished room for Simple's arrival, voicing her admiration for him ("Simply Heavenly"). Simple arrives and promises to mend his way of life and to accompany Joyce to church on Sunday. They go for a stroll. Simple returns Joyce to her room and instead of going home goes to Paddy's Bar. He is conversing with his friends when Zarita enters and persuades him to join her for an evening touring the gin mills of New Jersey ("Let Me Take You for a Ride"). Gitfiddle, a guitar-playing blues singer, enters, having broken a string on his guitar, but still determined to play the blues ("Broken Strings"). The next scene finds Simple in a hospital bed, as Zarita's car has "tried to climb the George Washington Bridge instead of crossing it!" The scene shifts back to the bar to find Simple out of the hospital but unable to sit down. He is as disgusted with himself as he is broke; he has spent nearly his last nickel on a newspaper that has no news about people of color ("Flying Saucer Monologue"). Gitfiddle mourns the fact that jukeboxes are taking the place of live music. Mamie, the warmhearted woman everybody loves, assures him he can play the blues for her any time ("Did You Ever Hear the Blues?"). Simple's friends continue to admonish him for his fast living and he recalls the story of John Henry ("I'm Gonna Be John Henry"). Mamie is constantly being pursued by Melon, a watermelon vendor. She expresses disgust at his constantly following her and forever ringing her bell ("When I'm in a Quiet Mood"). Zarita returns, trying to get the bartender Hopkins to join her for a night of fun. She cannot understand his refusal and recalls the times when he would accept ("Look for the Morning Star"). Though Simple has made progress raising money for his divorce, he is now jobless. Joyce tells him she will lend him money and do his laundry ("Gatekeeper of My Castle"). Simple returns to his room, only to be interrupted by Zarita and many of her friends. It is Zarita's birthday ("Let's Ball Awhile"). Simple wants no part of this but can't help himself. Just as the fun is at its peak, Joyce enters to return Simple's laundry. Zarita decides she is unwanted and takes the party to her house. Next morning, the bar is saddened by Simple's troubles with Joyce. The bartender tries to spread a little cheer ("Beat It Out, Mon"). Zarita cannot understand why her charms are being rebuffed by Simple—she has never had trouble with men before (The Men in My Life). Meanwhile, Simple gets his job back and decides he will not see Joyce again until he has enough money to pay for his divorce.

Sing Street

Musical · 2019

Sing Street is a musical with music and lyrics by Gary Clark and John Carney and a book by Enda Walsh. The musical is based on Carney's 2016 film of the same name. The stage adaptation was originally presented at New York Theatre Workshop. Directed by Rebecca Taichman and produced by Barbara Broccoli, Brian Carmody, Patrick Milling-Smith, Michael Wilson, Orin Wolf, and Frederick Zollo, the musical was initially set to premiere on Broadway at the Lyceum Theatre in previews on March 26, 2020, and officially on April 19 with the same cast, but was ultimately delayed due to the COVID-19 pandemic. Nevertheless, a cast recording featuring the original Broadway cast was released on April 22, 2020. The show was presented by the Huntington Theatre Company in Boston in the fall of 2022, with plans to move to Broadway.

Singin' in the Rain

Musical · 1983

Outside of Grauman's Chinese Theater in 1927 ("Overture"), celebrity news reporter, Dora Bailey, interviews Monumental Pictures' president R.F. Simpson, director Roscoe Dexter, actress Lina Lamont, her co-star and supposed fiancée Don Lockwood, and Don's best friend and composer, Cosmo Brown. After being pressed by Dora and the audience in attendance, Don recaps his early days as an aspiring actor and vaudevillian, how he met Cosmo, and got his start in show business, which ultimately led to a talent scout seeing both Don and Cosmo's talents and recruiting them both for bigger projects. ("Fit as a Fiddle") Inside the theater, fans applaud a screening of the latest Lockwood-Lamont picture, The Royal Rascal, as Don hastily pulls Lina off-stage during their post-film speech. Lina, who is revealed to have a harsh, nasally voice, proclaims Don to really be her "fee-yan-see" in spite of Don's clear resentment of her as well as the entire engagement being nothing more than a publicity stunt. Processing his feelings on the matter, Don decides to walk to the after-party being held at R.F.'s mansion, where he is accosted by crazed fans. Don manages to dissuade them by pretending to be a normal passer-by, claiming to be the boyfriend of a nearby woman. When the woman tries to call the police on Don, she eventually recognizes him and introduces herself as Kathy Selden, a stage actress. Unimpressed with Don's "pantomime on the screen", the two of them trade insults back and forth, with Don becoming completely smitten over Kathy ("You Stepped Out of a Dream"). When a crowd begins to form around Don, he quickly escapes the commotion as a mob of women tear off his jacket sleeve. During a transition, the men, now left behind by their dates, dance with a new group of women as the scene moves to R.F.'s mansion, where an already intoxicated Lina sings along. ("Temptation Tango") At R.F.'s party, a demonstration of a "talking picture" is shown to the party-goers, with everyone visibly disturbed and conflicted at the revelation of the gadget. Afterwards, Lina tries to flirt with Don, only to be interrupted by Kathy jumping out of a massive cake, revealed to be nothing more than a showgirl who performs a dance routine for the guests ("All I Do"). Enraged that Don has found out her true occupation and annoyed by his constant belittlement, Kathy throws a pie at Don, only to end up hitting Lina. Kathy runs off in embarrassment, leaving Don regretful ("You Stepped out of a Dream (Reprise)"). Three weeks later, Don is on the set of his newest film, The Dueling Cavalier, still heartbroken over losing Kathy. Cosmo tries to cheer Don up by reminding him of his acting chops ("Make 'Em Laugh"), before Dexter and his assistant directors begin filming. Lina reveals to Don that she had Kathy fired from her job at the Coconut Grove, causing Don to explode at her. R.F. interrupts the shoot to halt production, as Warner Brothers' latest film, The Jazz Singer (a talking picture), was a smash hit in spite of everyone's predictions of failure. Realizing "talkies" are the way of the future, R.F. orders Cavalier to be converted into a talking picture, much to the annoyance of Dexter and his crew. While filming a musical on another lot ("Beautiful Girl"), director Sid Phillips has Kathy, who was one of the dancers in the number, perform for R.F. for a chance at an upcoming role ("You Are My Lucky Star"). Cosmo, who performs the music for Kathy's audition, tells Don of his discovery, allowing Don to reunite with Kathy. Learning of Kathy's connection to Lina, R.F. hires Kathy in secret, as Don takes Kathy out to lunch and professes his love for her ("You Were Meant for Me"). Don and Lina take diction courses in order to perfect their speech for their upcoming movie ("Moses Supposes"), as Dexter and his crew struggle to record Lina's lines efficiently ("Moses Supposes (Reprise)"). At the preview for Dueling Cavalier, the entire showing goes awry due to Lina's flat delivery, Don's uninspired improv, and the sound going out of synch from the picture. Scheduled to open in less than six weeks, the film looks to be the end of Don's screen career. After jokingly suggesting a return to vaudeville, Kathy recommends turning Cavalier into a musical to save its reputation. Don and Cosmo enthusiastically agree, and celebrate the brilliant idea ("Good Mornin'"). However, when Don realizes Lina won't be able to act or sing, Cosmo comes up with the idea to dub Lina's lines over with Kathy's vocals. Don is hesitant, believing Kathy would waste her career away, but agrees only after Kathy persuades him to do it. That night, after dropping Kathy off at home, Don dances in the streets on a cold, rainy night. ("Singin' in the Rain") As reshoots begin on the newly-renamed The Dancing Cavalier, Kathy begins to record over Lina's lines in secret. ("Would You?") Don and Cosmo are thrilled over the progress being made on the film, but the excitement is ruined by a scorned Lina, who, thanks to her best friend and fellow actress, Zelda Zanders, finds Don and Kathy together. After Don reveals his intent to one day marry Kathy as well as Monumental's plans to not only re-record Lina's songs and dialogue but to also give Kathy a full screen credit, Lina runs off to her dressing room, distraught. Cosmo and Don calm Kathy's nerves as Lina laments to Zelda about Don's lack of romantic interest in her. ("What's Wrong With Me?") R.F. remains steadfast in his commitment to promoting Kathy's big debut, in spite of Lina's threats. As Dexter ponders how to film Cavalier's final dance number, R.F. suggests "tap dancing! We've got to have tap dancing!". With that, Cosmo helps R.F. and Dexter visualize a big production number featuring an elaborate tap sequence under the pretense of a modern framing device ("Broadway Ballet"/"Broadway Melody"). R.F., still unconvinced, asks Cosmo to do the whole number over again. Cosmo exaggeratedly passes out in exhaustion. At the premiere of The Dancing Cavalier, Dexter and R.F. learn from Rod, the head of Monumental's publicity department, that newspapers all over town are publishing articles claiming Lina to be singing her own songs. As Rod bemoans the lack of communication and the money wasted on Kathy's campaign that will no longer come to fruition, Lina approaches the trio, revealing that she had read a clause in her contract that allows her to control her own publicity, not the studio. A defeated R.F. has no choice but to agree to Lina's demands at the risk of a lawsuit, in addition to forcing Kathy into becoming Lina's permanent vocal replacement without credit. After the showing, Don, Cosmo, and Kathy celebrate their hard work as Lina reveals her scheme to ride off Kathy's success. As R.F. struggles to stand up to Lina and Rod continues complying to Lina's demands, Don plots to reveal Lina's deception to the audience in attendance by having her deliver the post-screening speech instead of him. When the audience becomes confused at Lina's real voice over the one she used in the movie, they demand she sing. R.F., Don, and Cosmo force Kathy to sing backstage into a microphone for Lina to lip-synch to, reminding Kathy of her iron-clad contract with Monumental. Feeling betrayed, Kathy breaks up with Don as she begins to sing for Lina. ("Would You? (Reprise)") However, Don raises the curtain on Lina to reveal Kathy singing in her stead, as Cosmo takes over to sing for Lina, humiliating her into running off-stage. Kathy tries to flee through the crowd, but is stopped by Don, who tells the audience that she, is in fact, the real star of the picture ("You Are My Lucky Star (Reprise)"). The two embrace as the show ends. ("Singin' in the Rain (Finale)")

Sister Act

Musical · 2006

Act 1 In Philadelphia, the Mother superior declares that the convent is in need (Prologue) before Deloris Van Cartier, crowned 'Lady Fabulous' of 1978, is seen performing in the night club run by her gangster boyfriend Curtis Shank ("Take Me to Heaven"). Deloris is overjoyed as she believes her boyfriend is going to introduce her to a record producer on that day (her birthday), although she soon learns that this is not to be. Hurt and frustrated, Deloris goes to her backup singers KT and LaRosa, about her dreams of stardom and fame ("Fabulous, Baby!"). She decides to break up with Shank and head out of Philadelphia to go fulfill her dreams on her own. However she gets to Shank just in time to see him and his crew made up of nephew TJ, Bones, and Dinero, shoot someone who they believe has "squealed" about them to the cops. Horrified, Deloris runs away and Shank orders his men to get her and bring her back. Deloris runs to a police station and tells the desk chief, Eddie, about what happened. The two recognize each other as old friends from school with Deloris calling him "Sweaty Eddie". Eddie decides that Deloris needs to go into the witness protection program and sends her to the place he believes Shank will never find her - a convent called The Holy Order of the Little Sisters of Our Mother of Perpetual Faith. Deloris is disappointed by this idea as she learns from the Mother superior that contact with the outside world is limited, and that she cannot smoke, drink, or wear any of her less than appropriate clothing ("Here Within These Walls"). Deloris joins the other nuns for dinner and after several comedic interactions with the overly perky Sister Mary Patrick, Deloris discovers how the other nuns got their "calling" from the Lord ("How I Got the Calling"). They then ask Deloris to share her story with them and she lies. Meanwhile, back in his nightclub, Shank is frustrated that he cannot find Deloris anywhere. He tells his goons how he will not stop until he finds and kills Deloris ("When I Find My Baby"). Back at the convent Deloris is bored by the simple life of the nuns and decides to hit the town. She goes across the street to a slinky bar, and is followed by Sister Mary Lazarus, Sister Mary Patrick, and Sister Mary Robert. When the three nuns arrive they are shocked to find Sister Mary Clarence (Deloris' undercover name) drinking and dancing, however they assume that she is attempting to save the lost souls in the bar. Deloris goes along with this idea and gets the whole bar dancing ("Do the Sacred Mass"). However, the joyful mood is quickly destroyed when Deloris recognises Shank's boys entering the bar. She tries to hide herself as they ask people in the bar if they've seen Deloris. Suddenly there is a fight in the bar which has to be broken up by Eddie and the Mother superior, who orders the nuns to go back to the convent. She then confronts Deloris telling her that she must conform to the life of the nuns. Eddie agrees, telling Deloris that Shank has upped the price on her head, so she needs to be careful. Deloris storms back to the convent after being informed that she has to wake up at 5 a.m. and join the choir. Eddie, now alone with only the drunks and homeless on the street, sings of his desire to be cool, to let go, and impress Deloris ("I Could Be That Guy"). The following morning Deloris attends the choir practice and loudly admits that the choir sounds terrible. This prompts the Mother superior to let Deloris lead the choir. Deloris does so and teaches the nuns how to sing on key and on time. She also manages to break the quiet and timid Sister Mary Robert out of her shell ("Raise Your Voice"). That Sunday, the choir perform an up-tempo hymn ("Take Me to Heaven (Reprise)") which to the struggling church's surprise brings in more people and more donations. The Mother superior, however, is horrified how the simple traditional choir she knew has changed and become modern. The news of the choir soon spreads with photographers and news reporters coming in to get the story behind the latest sensation - this wonderful nontraditional choir. Act 2 Over the coming weeks, the choir has become incredibly successful and the money from donations has paid for the church to be remodelled and fixed ("Sunday Morning Fever"). However, the newfound fame comes at a price. Shank and his goons spot Deloris with the choir in the newspaper. Shank orders his boys to get into the convent and bring Deloris to him. TJ, Bones, and Dinero discuss how they will do this ("Lady in the Long Black Dress"). Meanwhile, back at the church, Monsignor Howard has some terrific news: the choir has been asked to perform a special concert in front of the Pope. The choir are overjoyed but nervous and that night they ask Deloris to pray for their success ("Bless Our Show"). Deloris is also looking forward to the occasion, although the Mother superior calls her over and tells her that Shank's men have just come looking for her and she must leave quickly. The other nuns overhear and Deloris is forced to tell them the truth about who she really is and that she cannot perform with them. Deloris quickly runs off to get her things followed by Sister Mary Robert while the other nuns disappointedly go back to their rooms. Alone in Deloris' room, the Mother superior expresses joy that life can go back to being as it was. However it is evident that she, along with the other nuns, have developed a love for Sister Mary Clarence and her modern if somewhat unorthodox ways ("Here Within These Walls (Reprise)"). As Deloris prepares to leave Sister Mary Robert begs to come with her, claiming that she has been inspired to become a stronger person and go after the things she wants ("The Life I Never Led"). Deloris tells her that she doesn't need her to do that, and that she can do it all herself if she really wants to. Deloris runs from the convent and stays at Eddie's house for the night. While there she initially is overjoyed that the following day she will testify against Shank and his boys and then go back to pursuing the career she's dreamed of ("Fabulous, Baby! (Reprise)"). Guilty for abandoning her sisters when they needed her, she reflects on her life and realises that the choices she is making will leave her with nothing but fame and money, and when the lights go out she will be alone. She decides to return to the convent and sing with her sisters ("Sister Act"). Meanwhile, Shank thinks up a new way to get into the convent ("When I Find My Baby (Reprise)"). Dressed as nuns, Shank and his boys sneak into the convent; they find and chase Deloris. Sister Mary Patrick, who has seen what has happened, informs the other nuns who insist they must go and help Deloris. The Mother superior, however, is adamant that they stay and call the police, prompting an outburst from Sister Mary Robert who tells her that she won't be quiet and take orders blindly anymore; that she is going to help Deloris ("The Life I Never Led (Reprise)"). The other nuns agree and all of them go running through the convent looking for Deloris. It all comes down to a final confrontation in which Shank, armed and dangerous, tells Deloris to get on her knees and beg for her life. However, all the sisters and nuns stand in front of her telling Shank that they will have to go through them first ("Sister Act (Reprise)"). Shank is about to start firing at the nuns when Eddie comes in and fights Shank off. He arrests Shank and his boys and then asks Deloris out on a date which she accepts. The Mother superior and Deloris come to a truce and accept that perhaps they are not so different after all. The show ends with all the nuns and eventually the entire cast performing for the Pope ("Spread the Love Around"). Act 1 On Christmas Eve, Deloris Van Cartier is performing for her gangster boyfriend Curtis Jackson in the night club he owns ("Take Me to Heaven"). Deloris is overjoyed as she believes her boyfriend is going to introduce her to a record producer on that day, although she soon learns that this is not to be. Jackson tells her he cannot join her for Christmas Day, but gives her a coat, which she discovers belonged to his wife. Hurt and frustrated, Deloris sings to her backup singers, Michelle and Tina, about her dreams of stardom and fame ("Fabulous, Baby!"). She decides to break up with Jackson to fulfill her dreams on her own, but gets to him just in time to see him and his crew shoot Ernie, who they believe has "squealed" about them to the cops. Horrified, Deloris runs to a police station and tells the desk chief, Eddie, about what happened. Eddie decides that Deloris needs to go into the witness protection program and sends her to the place he believes Jackson will never find her - a convent. When she arrives, Deloris is upset to learn from the Mother superior that contact with the outside world is limited, and that she cannot smoke, drink, or wear any of her own clothing ("Here Within These Walls"). Deloris, introduced as "Sister Mary Clarence," joins the other nuns for dinner and discovers just how much is limited when she is a nun ("It’s Good to Be A Nun"). Deloris asks them about what they are missing, and the Mother superior makes Deloris go on a fast. Back in his nightclub, Jackson is frustrated that he cannot find Deloris anywhere. He tells his "crew," Joey, TJ, and Pablo, how he will not stop until he finds and kills Deloris ("When I Find My Baby"). Deloris, hungry from the fast, leaves the convent and goes to a bar across the street, where Joey, TJ, and Pablo are eating. She is followed by two nuns, Sister Mary Patrick and Sister Mary Robert, who realize what life is like outside the convent. Joey almost recognizes Deloris when he gives her money for the jukebox, but dismisses it.

Skittles Commercial

Musical · 2019

The performance begins outside the theater before the show's formal start, with vendors outside the theater selling purportedly unauthorized knockoff Skittles Commercial: The Broadway Musical T-shirts at half the price of the T-shirts sold inside. In the theater, attendees were also allowed onstage prior to the start of the show, where Skittles were sold in a mock bodega that also served as the set for the musical's opening scene. The musical itself lasts approximately thirty minutes and while it announced as not having an intermission has a brief break between the first and final two scenes. The first scene takes place in a New York City bodega before the Super Bowl. A clerk and a man who claims to run the store (but in fact does not) have a conversation about the Super Bowl, the ephemerality of life, and the nature of existence, stating that "if we could live our lives backwards, everything would be an omen". Customers enter the store to purchase items for Super Bowl Sunday and start to break into song, only to be silenced when the clerk points out the "No Singing" sign behind the register. Michael C. Hall enters the store, dressed in a cat costume. He explains that it's for performing that afternoon in a Broadway musical for Skittles, but when asked what the performance is about, he says that he does not know or understand who would pay to be there. Mysterious lights start flashing and all the actors freeze except for the clerk, who pleads for unseen individuals not to ruin his store. The lights disappear, and Hall sings the shows first song, "This Might Have Been a Bad Idea," which begins with Hall fearing that performing in a Skittles ad will destroy his career. However, after he eats some Skittles, he decides that the musical will be a big success, though the bodega chorus continues to express doubts. The show then segues to its next scene, in which actors (and at least one company representative) in the audience question Hall about the performance thus far. The sequence riffs on the name of theater, The Town Hall, by creating an actual town hall with people asking long multi-part questions, criticizing the show's content, complaining about the theater's acoustics, and calling for a creation of a national high-speed rail system. Hall quits in frustration, the curtain falls, and an announcer explains that the show has to end early. The next scene takes place on a set after the show on a set modeled after the outside of The Town Hall theater, complete with the show's actual posters and a vendor selling the fake knockoff T-shirts. In the song "Advertising Ruins Everything," audience members leaving the show complain about the show and blame both Hall and Skittles for betraying them. Hall defends advertising, but after the audience members explain how advertising has ruined various aspects of their lives, he vows never to perform in another ad so long as he can act. However, he once again starts praising Skittles, "the perfect treat for this anti-capitalist uprising" and informs the crowd that they themselves are merely actors in a Skittles commercial, which sparks a riot. The angry crowd tears down the curtain, which opens into a rearranged alternate universe version of the bodega. Skittles rain down from a broken ventilation shaft as the crowd trashes the bodega, but they flee when they discover that Michael C. Hall has been killed by an overturned ATM. A bear crawls across the stage. In the final scene, Hall's ghost, wearing chains, meets the spirits of "quote machine" Winston Churchill and Amelia Earhart. In the final song, "This Definitely Was a Bad Idea," audience members complain about the time and money wasted on the play, an advertising executive laments the show's failure to achieve marketing goals, and an exasperated Hall laments being killed. However, a news report reveals that nearly 600 packs of Skittles were sold at the show, leading everyone except Hall to conclude that Hall's death now has meaning and the show was a success. The curtain falls.

Slam Frank

Musical · 2025

Slam Frank opens with an Artistic Director addressing the audience, explaining that they are attending the opening night of a small regional theatre company’s production. During the monologue, they deliver a confused land acknowledgement, praise the LGBT community, and announce that one actress quit during dress rehearsals, requiring an ensemble member to assume two roles. A montage of contemporary news clips and political memes plays and the show starts. The Frank family goes into hiding from the Nazis in 1942, leading Margot to sing about feeling forced to hide, while Anita performs an energetic rap about documenting everything happening around her ("Write It All Out"). As the family settles into the attic, Edith instructs everyone how to behave in hiding. She chastises her husband Otto for being distracted by a fidget spinner used to manage his anxiety and rebukes Anita for attempting to assert a Latinx identity, insisting that her name is Anne and that she should model herself after Margot, who rarely speaks. The ghost of Anita’s abuela appears, urging her to write on behalf of her ancestors, leading Anita to begin journaling ("Immigrant Girl"). The Van Daan family, consisting of a misogynistic Mr. Van Daan, a submissive Mrs. Van Daan, and their son Peter, arrives. Anita expresses discomfort with Margot’s increasing Jewish religious observance and begins developing a romantic interest in Peter. Peter confides in Anita about his feminine side, while Edith, Otto, and Mrs. Van Daan lament their respective struggles against societal expectations as a Black woman, a neurodivergent person, and a woman ("Fighting Expectations"). As 1944 approaches, tensions rise over rationing and the cramped nature of the attic ("New Years, 1944"). Edith and Mr. Van Daan argue over authority in the attic, with Edith asserting that the men must contribute more labor. Mr. Van Daan delivers a monologue about feeling threatened as an insecure white man, and Edith responds with a piece of Black feminist slam poetry, likening the patriarchy to Jewish confinement in the attic ("Yeast of Edith"). Edith encourages Mrs. Van Daan to leave her husband and provides her with feminist literature. Mr. Van Daan mocks Anita’s diary writing, but Peter defends her. A radio broadcast announces that the Dutch government plans to publish firsthand wartime accounts, including diaries, inspiring Anita to revise her writing for publication ("Rewrite My Diary"). Edith and Otto inform Anita that publication would require suppressing her Latinx identity and ceasing to write in Spanish. After being told she must be white, Anita is visited again by her abuela's ghost ("Abuela's Warning"), whom she rejects, calling her "Grandma". Mr. Van Daan confronts Mrs. Van Daan for reading feminist literature and Edith accuses him of being the source of the attic’s problems. Mr. Van Daan demands his wife leave with him but she refuses, with herself, Edith, and Anita performing a feminist anthem celebrating women's liberation ("Herstory"). As Mr. Van Daan departs, he shares a moment with Otto lamenting that women cannot understand men as men understand each other. Otto misinterprets this interaction as romantic and attempts to kiss Mr. Van Daan. Following Mr. Van Daan’s departure, Margot lights Shabbat candles and reads from the Torah, drawing puzzled reactions. Anita confides in Peter that she previously had no one to talk to, disregarding Margot, and admits she has largely forgotten about the Nazis, focusing instead on familial stress. With his father gone, Peter reveals that he is non-binary, prompting Anita to identify as pansexual ("Non-Binary"). Otto comes out as gay, Edith as asexual, and Mrs. Van Daan as having a fetish. As the others replace their Star of David badges with pronoun pins, Margot silently gathers the discarded stars. Struggling to write, Anita is again visited by her abuela, who urges her to reconnect with her roots ("Rewrite My Diary Reprise, Part I"). A surreal sequence depicts Anita’s childhood in the barrios of Frankfurt, a CIA-backed coup bringing Nazis to power, her family’s journey through German jungles, assistance from an Indigenous, shamanic Moses figure, and her grandmother’s death ("Rewrite My Diary Reprise, Part II"). Anita resolves to write her diary in Spanish rather than "the colonizer language". A radio announcement of the Allies nearing Amsterdam prompts reflection amongst the group ("Before Allies"). Everyone discusses post-war plans, with Anita advocating continued activism across causes while the rest pledge various acts of allyship ("Allies"). Margot finally speaks, proposing the creation of a safe space for people like them in Palestine ("Safe Space"). When Anita notes that people already live there, Margot dismisses the concern. They don black hats and exaggerated noses of antisemitic caricatures and sing about colonizing Palestine, extracting rent, conquering the Global South, and expanding empire. Margot urges Anita to remember her people. Anita mourns that her family has become oppressors but reiterates her belief that people are good ("Anita’s Decision"). Concluding that Jews inherently occupy space that does not belong to them, she writes a letter revealing the attic’s location and throws it from the window. Nazis arrive and execute each resident as they assert their identities, leaving Anita and Margot last. Margot confronts Anita, who argues that every Jew sacrificed saves thousands of lives. Margot removes her microphone and exits the show. Adolf Hitler appears from the audience, applauds, revives the cast, and announces that he has been inspired to transition into Adeleine Hitler and declares the Holocaust canceled. The attic residents express relief that they no longer need to confront Palestine. Hitler praises Anita for changing the world. The cast, excluding Margot, performs a final number, advocating an uncompromising pursuit of justice, including the suppression of dissent ("Justice"). They remove their costumes, piling their shoes onstage, and revealing shirts bearing activist slogans—some of which overlap with Nazi rhetoric—as a montage plays featuring diverse groups alongside footage of antisemitic attacks and the Nova music festival massacre.

Smiling Faces

Musical · 1932

Smiling Faces is an American musical with music by Harry Revel, lyrics by Mack Gordon (and additionally, for the song "Do Say You Do", by Harold Adamson), and a musical book by Harry Clarke. Produced by Lee Shubert and Jacob J. Shubert, the production opened on Broadway at the Shubert Theatre where it ran from August 30, 1932, through September 24, 1932, for a total of 31 performances. The cast included Dorothy Stone as Peggy Post, Roy Royston as Robert Bowington, Fred Stone as Monument Spleen, Adora Andrews as Cordonia Potts, Charles Collins as Arthur Lawrence, Hope Emerson as Amy Edwards, Doris Patston as Mildred McKay, Barbara Williams as Helen Sydney, Eddie Garvey as Edward Richter, Isabel O'Madigan as Sybilla Richter, Ali Yousuff as Horatio Dalrymple, and Bradford Hatton as George Black.

Smoke on the Mountain

Musical · 1988

Smoke on the Mountain is an Off-Broadway musical with a book by Connie Ray and conceived of and directed by Alan Bailey. It was originally workshopped at the McCarter Theatre in 1988, given a full staging at the McCarter in 1990, and was subsequently moved by the McCarter to Lamb's Theatre in New York City, New York in 1990 and had 475 performances. The Lamb's revived it in 1998. The name of the musical comes from Psalm 104:32: "He who looks at the earth, and it trembles, who touches the mountains, and they smoke". Smoke on the Mountain is one of the most produced shows worldwide.

Soft Power

Musical · 2018

In 2015, playwright DHH (a stand-in for the author), meets with Chinese film executive Xue Xing about adapting a Chinese film into an American-style romantic comedy musical aimed at Chinese audiences. They attend a performance of The King and I that is a fundraiser for Hillary Clinton's presidential campaign alongside Xing's American girlfriend Zoe, where Xing briefly meets Clinton. DHH's efforts to adapt the film, the title of which roughly translates to "Stick With Your Mistake", are complicated by what he sees as different values between American and Chinese culture: he takes umbrage with the ending where the hero returns to an unhappy marriage instead of following his heart, and feels that with the upcoming 2016 election and belief that Hillary Clinton will become President, he needs to write a musical where dreams are fulfilled and freedom flourishes. His view on the matter changes when Clinton loses the election to "the other candidate", and Xue Xing suggests suspending the project in the aftermath. Shortly after, DHH is stabbed in the neck in an apparent hate crime. On the surgery table, he has a hallucinatory vision of a musical retelling of Xue Xing's trip to America, where he meets and falls in love with Hillary Clinton, as written by a Chinese author 50 years in the future. The musical imagines a future where America has lost its soft power, and many of the details about America are "as hilariously inexact as most Western stories set in Asia". For example, Xing travels to the "Hollywood Airport" and Hillary performs a number while revealing a Wonder Woman outfit in a glitzy McDonald's. Most of the "white" roles are played by Asian actors in whiteface and incorrect accents, a reversal of the movie version of The King and I. The musical also examines the nature of democracy, cultural identity, appropriation and racism.

Some Like It Hot

Musical · 2022

In 1933, right before the end of Prohibition, Chicago speakeasy performer Sweet Sue is arrested in a raid ("What Are You Thirsty For?"). After being bailed out of jail, Sue decides to form an all-female band that will tour the western U.S., playing its final engagement in San Diego. Meanwhile, the club's saxophonist Joe and bass player Jerry, desperately in need of a paycheck, seek out a job with Spats Colombo, the proprietor of the Cheetah Club and a powerful gangster. Colombo's hiring manager is impressed by Joe and Jerry's musical abilities, but only offers to hire Joe; the manager is prejudiced against Black people and therefore refuses to hire Jerry. Joe and Jerry explain that Jerry's parents raised Joe after his own outlaw parents abandoned him, and as such, they come as a package deal ("You Can't Have Me (If You Don't Have Him)"). Colombo, impressed by their tap dancing act, "The Tip-Tap Twins", agrees to hire them both. That evening, Colombo receives a tip from FBI Agent Mulligan that he will be arrested imminently if he doesn't turn state's evidence. Suspecting he has been betrayed, Colombo calls Toothpick Charlie and two of his associates into his office and has them shot. At this moment, Joe and Jerry walk in and witness the murder. Fleeing from Colombo’s goons, the pair find themselves in a women's dressing room. Joe makes a plan: he and Jerry will disguise themselves as women and join Sweet Sue's band to get to San Diego, then flee to Mexico. Jerry is doubtful that Joe's plan will work, but seeing no alternative, he goes along with the plan. ("Vamp!") The next day, Joe and Jerry arrive at the train station as the band is departing, posing as two music students named Josephine and Daphne. Sweet Sue hires them to replace the original sax and bass player, whose instruments were dumped in the river by Joe and Jerry. The last to arrive is the band's singer, Sugar Kane ("I'm California Bound"). On the train, Sugar confesses to Josephine and Daphne that she is joining the all-female band because of her weakness for male musicians, particularly saxophone players ("A Darker Shade of Blue"). As the show travels west, Josephine, Daphne and Sugar develop a new version of the Tip-Tap Twins act, "The Tip-Tap Trio." ("Take It Up A Step") Joe, who struggles to fit in as Josephine, marvels at Jerry’s ease in behaving femininely as he leads the girls in telling off a greedy bar manager ("Zee Bap"). Sugar and Josephine grow closer, and Sugar shares her childhood dreams of movie stardom ("At the Old Majestic Nickel Matinee"). Joe begins to fall for Sugar. Meanwhile, Colombo recognizes the Tip-Tap Trio as Joe and Jerry's act. The band arrives at the Hotel del Coronado in San Diego. The hotel's owner, Osgood Fielding III, an eccentric millionaire in search of love, takes an immediate interest in Daphne ("Poor Little Millionaire"). Joe insists to Jerry that they flee to Mexico immediately, but Jerry doesn't want to leave the band yet, feeling more at home as Daphne than he ever has. Joe attempts to escape alone by stealing the luggage of Austrian screenwriter Kip von der Plotz, but bumps into Sugar. Impersonating Kip, he woos her, and she invites him to see her perform that evening. When Kip shows up in place of Josephine that night, Sugar and Daphne perform the act as a duo. Daphne angrily eyes "Kip" from the stage while Osgood admires her. Colombo arrives in town, with Agent Mulligan hot on his tail ("Some Like It Hot"). The performance ends, and Kip invites Sugar out after the show. Sweet Sue storms into Josephine and Daphne's room, demanding to know why Josephine missed the performance. Still dressed as Kip from the shoulders down but covered by a blanket, Josephine explains that she was waylaid by food poisoning. Osgood visits Daphne, and Josephine convinces him to take Daphne out so "Kip" can use his yacht without Osgood knowing. Osgood convinces a reluctant Daphne to come with him to Mexico, and Daphne receives a makeover from the other girls ("Let's Be Bad"). On the yacht, Sugar falls in love with Kip and teaches him how to dance, fantasizing about the movies they’d make together ("Let's Dance the World Away"). In Mexico, Osgood explains to Daphne that his father, Osgood Fielding II, was disowned by Osgood I for falling in love with a Mexican barmaid, Osgood's mother. Though Osgood II regained his fortune by inventing root beer, it left Osgood III with a feeling of a dual identity, his Mexican name being Pedro Francisco Alvarez. Daphne is inspired by his allegorical story about a caterpillar becoming a butterfly, and Osgood proposes ("Fly, Mariposa, Fly"). Returning early the next morning, Daphne tells Joe that she is both Jerry and Daphne and that she is engaged to Osgood ("You Could've Knocked Me Over With a Feather"). Daphne also encourages Joe to be honest with himself. Realizing that Sugar can never love someone she doesn't know, Joe resolves to be a better friend to Daphne and tell Sugar the truth ("He Lied When He Said Hello"). Sweet Sue introduces the band to their new investor, Colombo, and later walks in on Joe out of disguise. They explain the whole story, and she agrees to keep their secret until the end of the show, at which point they will flee to Mexico. Sue also encourages Joe to let Sugar down easy without endangering her life. Josephine informs Sugar that Kip left a note breaking up with her. Heartbroken and with her dream in tatters, Sugar nevertheless performs ("Ride Out the Storm"). Colombo and his associates recognize the trio's dancing and Joe unmasks himself, stunning Sugar. The gangsters and the FBI chase the trio through the hotel. Eventually, Agent Mulligan, dressed as Josephine, is able to corner and arrest Colombo ("Tip-Tap Trouble"). Joe testifies against Colombo without implicating Daphne. Sugar is furious at Joe's multiple deceptions, but she comes to realize that she did have real affection for Josephine and Kip and does indeed love Joe. Joe offers to be Sugar’s agent and go with her to Hollywood to make up for his deceptions. Sweet Sue is glad everyone is okay, but upset that the band has lost their investor, prompting Osgood to offer his investment instead. Daphne tries to admit the truth to Osgood, but he assures her that he understands and still considers her perfect, even if Daphne counters that "nobody's perfect." Sometime later, the 21st amendment is ratified, ending Prohibition. Daphne marries Osgood, Sugar has become a movie star for MGM, and Osgood opens a club called "Daphnecita's," where Daphne and Joe continue to perform together every night ("Baby, Let's Get Good").

Someone like You

Musical · 1989

Someone Like You is a musical with a book by Robin Midgley and Fay Weldon, lyrics by Dee Shipman, and music by Petula Clark. Based on a concept developed by Clark and Ferdie Pacheco over a period of several years, it is set in West Virginia immediately after the end of the Civil War. Originally entitled Amen, it was conceived as a dark view of the difficulties Southerners faced dealing with carpetbaggers during the Reconstruction period, and also dealt with the problems of morphine-addicted Confederate soldiers returning home. It lost many of its serious overtones as the project evolved; Clark and Shipman's original book was revised substantially by Weldon (who also contributed the new title), and the plot became convoluted, often bordering on the ridiculous. Shipman later stated, "For all the faults there were in the original book... it was better than the hybrid we ended up with because it had passion." The story centers on Abigail Kane, who journeys to America from her native England with her son Andy in search of her preacher husband, who allegedly had gone to the States to participate in the skirmish between North and South. She comes to the aid of the Major, a doctor struggling to care for a multitude of injured soldiers without the benefit of medical supplies, and soon discovers her missing husband is involved in shady dealings not usually associated with a man of the cloth. Drawn together out of both necessity and desire, Abigail and the Major forsake their marital vows and become involved in a passionate romance. Directed by Midgley, the musical premiered on 25 October 1989 at the Cambridge Arts Theatre in Cambridge, and in his review in the Cambridge Evening News, Alan Kersey wrote, "Petula Clark proved last night at the world premiere of Someone Like You that she can still work wonders both on stage and in the tough real world of show business." The production toured the UK through 9 December. On 22 March 1990, Someone Like You opened at the Strand Theatre in London's West End. In addition to Clark, it starred Dave Willetts (The Phantom of the Opera) as the Major, Clive Carter as Kane (roles in which Clark had hoped Andy Williams and Sting would be cast) and Lewis Rae as Andy. Reviews were mixed, although most critics praised Clark's performance and her contribution to the score. Due to financial difficulties faced by producer Harold Fielding, all his assets were seized, and the show closed without warning after the 25 April performance. Although an original cast album was never released at the time, Clark's recordings of several of the tunes were issued on various CDs throughout the ensuing years. A studio recording of the score was released by Sepia Records in May 2007. With arrangements by the show's original musical director and arranger, Kenny Clayton, it features vocals by Debi Doss, Andrew Derbyshire, and Lewis Rae, who appeared in the original production as young Andy. Clayton is featured on piano and keyboards, with David Martin on guitar and Eric Young on percussion.

Something Rotten!

Musical · 2015

The Minstrel welcomes everyone ("Welcome to the Renaissance"). Nick Bottom runs a theatre troupe with his brother Nigel. They are rehearsing their upcoming play, Richard II, when Lord Clapham, a patron of the troupe, announces that Shakespeare is doing Richard II. The news outrages Nick, as Shakespeare has already done Richard III, and the thought of going backwards seems absurd to him. Lord Clapham tells the brothers he is stopping their funds unless they have another play by the next morning, sending Nick into a rant: "God, I Hate Shakespeare". On the way home, Nick encounters Shylock the Jew who wants to help fund the troupe, but Nick rejects this as it is illegal to employ a Jew. Nick and his wife Bea are saving for a better life, and when Nick tries to open the Money Box, Bea pulls it away, instead offering to help them by working, but Nick is adamant ("Right Hand Man"). Despite Nick's arguments, Bea goes out to do jobs that Nick claims are for men. Nick reveals that he hates Shakespeare because he is jealous of Shakespeare's success ("God, I Hate Shakespeare" (reprise)). He seeks a way to top Shakespeare and steals from the Money Box to see a soothsayer named Thomas Nostradamus (the nephew of Nostradamus). Nick asks him what the next big thing in theatre will be, and Nostradamus says that it will be "a musical", where the speaking stops, and the story is told through songs. Nick finds this ridiculous but quickly warms up to the idea ("A Musical"). Nigel has just met Portia, the daughter of Brother Jeremiah, and they immediately fall in love. Nick tells him that he shouldn't pursue her because she is a Puritan. Nick soon tells Nigel about the musical idea but does not tell him about seeing Nostradamus. Nigel wants to musicalize "The Brothers from Cornwall", the story of how they came to England, but Nick says it has to be bigger and decides to adapt the Black Death. The troupe performs a song for Lord Clapham ("The Black Death"). Lord Clapham is disgusted and deserts the troupe, and Brother Jeremiah threatens to have Nick executed if he continues with his work. Nigel tries to write a new play. Portia sneaks out to see him; they discover that they both love poetry ("I Love the Way"). Nigel tells Portia he sent one of his sonnets to Shakespeare for feedback. A messenger arrives with an invitation for Nigel to attend Shakespeare in the Park and an after-party. Nigel takes Portia as his "plus one", and they watch Shakespeare perform ("Will Power"). Bea tells Nick she's pregnant, and he is ecstatic, yet also worried. Shylock also has an invitation to the after-party and tells Nick that Nigel is attending it. Furious at Nigel, Nick goes to the party to tell him off. There, Portia gets drunk, and Shakespeare asks to read Nigel's journal of poems and writings. Nick chastises Shakespeare for trying to steal Nigel's ideas and reprimands Nigel for his naiveté. Brother Jeremiah arrives to find a drunk Portia and once again admonishes Nigel. Desperate and out of options, Nick agrees to let Shylock invest in his play. Nick goes back to Nostradamus with the remaining money from the Money Box to ask what Shakespeare's new hit is going to be. Nostradamus sees Hamlet but misinterprets it as "Omelette" and sees the protagonist eating a danish pastry rather than being a Danish prince. Nick dreams of a future in which crowds cheer for him and Shakespeare bows down to him ("Bottom's Gonna Be on Top"). The Minstrel notes the stresses that the Bottom brothers and Shakespeare face ("Welcome to the Renaissance" (reprise)). Shakespeare laments trying to write hits while managing his fame. A spy tells him that the brothers are trying to steal his upcoming hit. Shakespeare decides to disguise himself as "Toby Belch" and audition for the brothers' troupe to steal the play ("Hard to Be the Bard"). The troupe is rehearsing Omelette: The Musical ("It's Eggs!"). Shylock is their new investor, but they cannot find a title that would make his role legal. Some of the actors wonder why Nostradamus is at their theatre; Nick says that he is an actor. "Toby Belch" arrives and is hired. Shakespeare is surprised to learn that his next hit is supposed to be about eggs. Nigel sneaks out to London Bridge to see Portia and reads her another poem about his love for her. Portia says that everyone will change their minds about their relationship when they hear Nigel's beautiful sonnets ("We See the Light"). Nigel is not happy with Omelette, believing it won't work. Brother Jeremiah interrupts the lovers and imprisons Portia in a tower for disobeying. Saddened, Nigel is inspired to write a different play that is revealed to be Hamlet. At the theatre, Nigel tells Nick about this, and Shakespeare realizes that this is his next hit and takes advantage of Nick and Nigel's argument to get it ("To Thine Own Self"). Nick is having qualms about Omelette as well but dismisses these doubts when he learns the musical is sold out. Shakespeare steals Nigel's hit under the guise of "improving it". Bea tells Nigel that they should trust Nick because they can always call on him if they need him ("Right Hand Man" (reprise)). Nick and the troupe prepare for the show ("Something Rotten!"). It opens with a bombastic dance number filled with references to musicals such as The Lion King and The Phantom of the Opera ("Make an Omelette"). Shakespeare removes his disguise and reveals Nick's plot, horrifying Nigel and the troupe. In court, Nick, Nigel, Nostradamus, and Shylock are on trial and are about to be sentenced to beheading. Bea enters disguised as a lawyer and makes Nick confess that he stole from the Money Box; she tells the judge that beheading him would be redundant because he has already lost his head. She has made a deal with Shakespeare that they will be exiled to America ("To Thine Own Self" (reprise)). She says that they always wanted a new country house, and now they are getting a house in a new country. Portia then arrives, having escaped the tower. She renounces her father's ideals and joins the Bottoms in exile. The Bottom Family, Portia, Shylock, Nostradamus and their acting troupe find new opportunities in the New World ("Finale"). When they hear about the opening of Shakespeare's new masterpiece, Hamlet, Nostradamus sighs, "I was this close!"

Something's Afoot

Musical · 1972

In the country estate of Lord Dudley Rancour in the English lake district in late Spring, 1935, Dudley's servants—Clive, the overworked widower butler, Lettie, the new maid, and Flint, the "gripper" handyman—prepare for the arrival of guests. The guests—flighty Hope Langdon, proper Doctor Grayburn, black sheep nephew Nigel Rancour, supposedly French grande dame Lady Manley-Prowe, retired military Colonel Gillweather, and artist/detective Miss Tweed—express surprise at the presence of other guests, but look forward to their stay. ("A Marvelous Weekend") Soon after they arrive, Clive announces that a storm has made the estate inaccessible, the power is in danger, Lord Rancour is dead, and that dinner is served. He is immediately killed when the staircase explodes. Miss Tweed appoints herself as leader of the survivors, and they express surprise that "the butler didn't do it". ("Something's Afoot") Doctor Grayburn discovers that Lord Rancour has been shot, and that the revolver is missing. The men leave to confirm that the bridge is flooding, leaving the women alone. Miss Tweed, Hope, and Lettie comfort Lady Manley-Prowe about her fears ("Carry On") and the women patrol the mansion with ornamental spears. Geoffrey, a college student, arrives in the mansion drenched, and is immediately tied and interrogated by the women. When the men return, they examine him and find a pistol, but they find that it is a starting pistol for his college's rowing team. He suggests that they telephone for help, but they find that the wire on every telephone has been cut with Flint's garden shears. Doctor Grayburn is tricked into answering a ringing telephone emerging from the wall, which gasses and kills him. Geoffrey and Hope are left in a room together, and they find that they have fallen in love. ("I Don't Know Why I Trust You") Nigel confronts Lady Manley-Prowe about a letter he finds from her begging Lord Rancour for money. She reveals that she is the ex-wife of Lord Rancour, and that they divorced after she had an affair with an army lieutenant named Shirley. Nigel enlists her in his search for Rancour's will, in which he expects to be named the legal heir. While trying to distract Colonel Gillweather from Nigel's search, she discovers that he is the same Shirley, and the two reunite. ("The Man With the Ginger Moustache") She tells him that she had had his child, but that Lord Rancour had taken it from her to make it his heir. Nigel discovers the two of them, and they bicker until Miss Tweed interrupts. Geoffrey discovers a gun on Clive's body. Miss Tweed examines the clues, but she herself is under suspicion by the other guests because she "knows too much indeed." ("Suspicious") The power suddenly goes out. The Colonel yells to flip the light switch, and it electrocutes Lady Manley-Prowe when she tries to turn it on, killing her too. Gillweather mourns Lady Manley-Prowe. Flint gets the power back on by means of the generator, and as the rest of the survivors go off to examine it, Nigel searches for the will. When he finds it corked in a bottle, he is dismayed to find that he is not his uncle's heir, before having his head bashed in by a mechanical sconce ("The Legal Heir"). Gillweather discovers Nigel's corpse and the will, which he reads before being shot with a dart. He recognizes the poison and diagnoses that he has five minutes to live, but most of his time is taken up by Miss Tweed confiding in him about Flint's "gripper" tendencies and the discovery of Nigel. He is finally able to reveal Rancour's heir to Miss Tweed—Hope Langdon, whom he realizes is his daughter by Lady Manley-Prowe—before succumbing, dignified, to the poison. Lettie panics at the mounting pile of bodies in the library and the survivors decide to pack up and leave as soon as climatically possible. While the others are doing so, Hope expresses her joy at finding someone like Geoffrey ("You Fell Out of the Sky") and nearly misses being hit by the falling chandelier. Lettie takes this to mean that Hope was supposed to be next, and Hope, Geoffrey, and Miss Tweed go off to pack. Lettie turns the gas on to make tea, but is distracted by Flint, who offers a means of escape by proposing they take his boat off the island. She eagerly accepts his advances this time. ("Problematical Solution [The Dinghy Song]") After he runs to pack, Lettie finds a letter in her pocket, revealing that Lord Rancour stores large sums of money in a large Ming vase. Upon discovering the vase, she cannot resist, and peeks inside, only to be sucked in and ground to bits, the vase spitting out only her shoe. When the rest of the survivors, Miss Tweed, Geoffrey, Hope, and Flint, discover Lettie's remains, Flint goes to finish the tea. However, as he was smoking and the gas had never been turned off, there is an explosion, killing Flint. Miss Tweed concludes that since Flint's death had been accidental, he had been the murderer, with a motive of insanity. She shows Lord Rancour's will to Hope, revealing her parentage and fortune. Delighted, Geoffrey and Hope ask Miss Tweed how she solves her cases. Miss Tweed replies that all her knowledge comes from reading mystery novels. ("I Owe it All") However, as she thinks over the facts while painting Geoffrey's portrait, she declares that Flint was not the killer. Before she can tell who the true murderer was, she is strangled with her own scarf by a mechanical ornamental spear. Geoffrey and Hope turn on each other, each suspecting the other of being the killer. However, the portrait of Lord Rancour opens to reveal a victrola, which contains the confession of Lord Rancour. He himself had planned the murders, all in order to let Hope inherit her fortune. He had killed her parents and himself so that she would never have the burden of a guardian, Clive because he had known of the existence of a child, Doctor Grayburn because he had delivered her, and Miss Tweed because she had been Hope's nanny. Rancour assumed that if the truth were revealed, the three of them would stand in her way. Nigel had been killed because he would have contested the will, Lettie because she was blackmailing Rancour, and Flint simply because he was "a gripper." Rancour explains that each murder was planned according to the victim's habits: Clive punctually announced dinner on the stairs at 7:15, for example, when the bomb was to be set off. Grieved, Hope stops listening. She and Geoffrey drink a toast to the new world that awaits them. ("New Day") However, they begin to feel ill as Rancour explains that Flint's death was meant to come from poisoned wine, which they have evidently just drunk (rather than the accidental gas explosion, which Rancour could not have anticipated). Hope and Geoffrey fall dead, thus ending the play.

Sometime

Musical · 1918

Sometime is a musical in two acts, with a book and lyrics by Rida Johnson Young and music by Rudolf Friml. Additional lyrics are by Ed Wynn. The romantic story concerns a couple kept apart for five years after the man is seen in a compromising position with another woman, but it turns out that this was a ruse planned by the other woman, and the man is innocent. The story enfolds in flashbacks (a novelty at the time) set in New York and Buenos Aires; with periodic shifts in time to the present in an unknown location. The musical opened at the Schubert Theatre on Broadway on October 4, 1918, and transferred the following month to the Casino Theatre, running there until June 7, 1919 for a total of 283 performances. It was produced by Arthur Hammerstein and directed by Oscar Eagle. The music director was Herbert Stothart. It starred Wynn, Francine Larrimore, Harrison Brockbank and Mae West.

Somewhere Else

Musical · 1913

Somewhere Else is a musical in two acts with music by Gustav Luders and both book and lyrics by Avery Hopwood. It premiered at the Broadway Theatre on January 20, 1913. It was harshly reviewed in the press and lasted only one week on Broadway. It was Luders' final stage work, and he died of a heart attack on January 24, 1913, during this production's brief run, an event which may have been precipitated by the stress of the public negative reaction to the work. The production closed on January 25, 1913, after just eight performances.

Song and Dance

Musical · 1982

Song and Dance is a musical comprising two acts, one told entirely in "Song" and one entirely in "Dance", tied together by a unifying love story. The "Song" act is Tell Me on a Sunday, with lyrics by Don Black and music by Andrew Lloyd Webber, about a young British woman's romantic misadventures in New York City and Hollywood. The "Dance" act is a ballet choreographed to Variations, composed by Andrew Lloyd Webber for his cellist brother Julian, which is based on the A Minor Caprice No. 24 by Paganini.

Songbook

Musical · 1979

Through a series of witty pastiches, the musical tells the life story of a fictional songwriter, Mooney Shapiro, born Liverpool 1908, who emigrates to New York's Lower East Side, before finding Broadway and Hollywood success (cue Gershwin and deSylva/Brown/Henderson spoofs), marrying a Swedish film star and writing for early Busby Berkeley film musicals. Mooney flees the Depression for Europe, where he joins the expat Paris scene (cue Piaf spoof) and falls for an English aristocrat, whose sister is a close friend of Hitler (cue Berlin Olympics 1936). Returning to the US, Mooney scores an Andrews Sisters style hit, then returns to write patriotic numbers for Blitz-ed London (cue Cicely Courtneidge & Marlene Dietrich spoofs). After WW2, Mooney is back in the USA writing returning-GI hits (cue Como/Sinatra spoof) and hoe-down, mid-West feelgood Broadway musical before falling foul of McCarthyism. This brings him back to his native Liverpool (1960) where (surprise, surprise) he writes for a new pop group and a new generation (cue Beatles spoof)! The Swinging Sixties come and go, leaving Mooney stranded again, losing wife and lover, a teenage singer, who conquers the charts with an old Shapiro number reworked as a disco hit. Back on top again, the aged Mooney dies, rich in honours, with a parting song 'Nostalgia'. half-celebrating, half-mocking his long songwriting career.

Songs for a New World

Musical · 1995

Songs for a New World is a work of musical theatre written and composed by Jason Robert Brown. This was Jason Robert Brown's first produced show, originally produced Off-Broadway at the WPA Theatre in 1995. Brown and director Daisy Prince put together songs he had written for other venues and events, resulting in "neither musical play nor revue, it is closer to a theatrical song cycle, a very theatrical song cycle." The show lies between musical and song cycle, but it is neither; it is an abstract musical, a series of songs all connected by a theme: "the moment of decision." Because of its small cast and orchestra, Songs for a New World has become a favorite small show for colleges and local theatres, despite its vocally demanding score.

Soul Doctor

Musical · 2008

Soul Doctor - Journey of a Rockstar Rabbi is a Broadway musical that details the life of Rabbi Shlomo Carlebach, with music and lyrics by Shlomo Carlebach and David Schechter, and book and direction by Daniel Wise. The Soul Doctor show debuted at Le Petit Theatre du Vieux Carre in New Orleans, and had subsequent runs at The Colony Theater in Miami, The Parker Playhouse in Ft Lauderdale, and The New York Theatre Workshop in New York City. The Broadway production started previews in July 2013 with its official opening night taking place August 15, 2013 at Broadway's Circle in the Square Theatre.

South Pacific

Musical · 1949

On a South Pacific island during World War II, two half-Polynesian children, Ngana and Jerome, happily sing as they play together ("Dites-Moi"). Ensign Nellie Forbush, a naïve U.S. Navy nurse from Little Rock, Arkansas, has fallen in love with Emile de Becque, a middle-aged French plantation owner, though she has known him only briefly. Even though everyone else is worried about the outcome of the war, Nellie tells Emile that she is sure everything will turn out all right ("A Cockeyed Optimist"). Emile also loves Nellie, and each wonders if the other reciprocates those feelings ("Twin Soliloquies"). Emile expresses his love for Nellie, recalling how they met at the officers' club dance and instantly were attracted to each other ("Some Enchanted Evening"). Nellie, promising to think about their relationship, returns to the hospital. Emile calls Ngana and Jerome to him, revealing to the audience that they are his children, unbeknownst to Nellie. Meanwhile, the restless American Seabees, led by crafty Luther Billis, lament the absence of available women – Navy nurses are commissioned officers and off-limits to enlisted men. There is one civilian woman on the island, nicknamed "Bloody Mary", a sassy middle-aged Tonkinese vendor of grass skirts, who engages the sailors in sarcastic, flirtatious banter as she tries to sell them her wares ("Bloody Mary"). Billis yearns to visit the nearby island of Bali Ha'i – which is off-limits to all but officers – supposedly to witness a Boar's Tooth Ceremony (at which he can get an unusual native artifact); the other sailors josh him, saying that his real motivation is to see the young French women there. Billis and the sailors further lament their lack of female companionship ("There Is Nothing Like a Dame"). U.S. Marine Lieutenant Cable arrives on the island from Guadalcanal, having been sent to take part in a dangerous spy mission whose success could turn the tide of the war against Japan. Bloody Mary tries to persuade Cable to visit "Bali Ha'i", mysteriously telling him that it is his special island. Billis, seeing an opportunity, urges Cable to go. Cable meets with his commanding officers, Captain George Brackett and Commander William Harbison, who plan to ask Emile to help with the mission because he used to live on the island where the mission will take place. They ask Nellie to help them find out more about Emile's background, for example, his politics and why he left France. They have heard, for instance, that Emile committed a murder, and this might make him less than desirable for such a mission. After thinking a bit more about Emile and deciding she has become attracted on the basis of little knowledge of him, Nellie tells the other nurses that she intends to end her relationship with him ("I'm Gonna Wash That Man Right Outa My Hair"). But when he arrives unexpectedly and invites Nellie to a party where he will introduce her to his friends, she accepts. Emile declares his love for Nellie and asks her to marry him. When she mentions politics, he speaks of universal freedom, and describes fleeing France after standing up against a bully, who died accidentally as the two fought. After hearing this, Nellie agrees to marry Emile. After he exits, Nellie joyously gives voice to her feelings ("I'm in Love with a Wonderful Guy"). Cable's mission is to land on a Japanese-held island and report on Japanese ship movements. The Navy officers ask Emile to be Cable's guide, but he refuses their request because of his hopes for a new life with Nellie. Commander Harbison, the executive officer, tells Cable to go on leave until the mission can take place, and Billis obtains a boat and takes Cable to Bali Ha'i. There, Billis participates in the native ceremony, while Bloody Mary introduces Cable to her beautiful daughter, Liat, with whom he must communicate haltingly in French. Believing that Liat's only chance at a better life is to marry an American officer, Mary leaves Liat alone with Cable. The two are instantly attracted to each other and make love ("Younger Than Springtime"). Billis and the rest of the crew are ready to leave the island, yet must wait for Cable who, unbeknownst to them, is with Liat ("Bali Ha'i" (reprise)). Bloody Mary proudly tells Billis that Cable is going to be her son-in-law. Meanwhile, after Emile's party, he and Nellie reflect on how happy they are to be in love (Reprises of "I'm in Love with a Wonderful Guy", "Twin Soliloquies", "Cockeyed Optimist" and "I'm Gonna Wash That Man Right Outa My Hair"). Emile introduces Nellie to Jerome and Ngana. Though she finds them charming, she is shocked when Emile reveals that they are his children by his first wife, a dark-skinned Polynesian woman, now deceased. Nellie is unable to overcome her deep-seated racial prejudices and tearfully leaves Emile, after which he reflects sadly on what might have been ("Some Enchanted Evening" (reprise)). It is Thanksgiving Day. The GIs and nurses dance in a holiday revue titled "Thanksgiving Follies". In the past week, an epidemic of malaria has hit the island of Bali Ha'i. Having visited Bali Ha'i often to be with Liat, Cable is also ill, but escapes from the hospital to be with Liat. As Liat and Cable spend more time together, Bloody Mary is delighted. She encourages them to continue their carefree life on the island ("Happy Talk") and urges them to marry. Cable, aware of his family's prejudices, says he cannot marry a Tonkinese girl. Bloody Mary furiously drags her distraught daughter away, telling Cable that Liat must now marry a much older French plantation owner instead. Cable laments his loss ("Younger Than Springtime" (reprise)). For the final number of the Thanksgiving Follies, Nellie performs a comedy burlesque dressed as a sailor singing the praises of "his" sweetheart ("Honey Bun"). Billis plays Honey Bun, dressed in a blond wig, grass skirt and coconut-shell bra. After the show, Emile asks Nellie to reconsider. She insists that she cannot feel the same way about him since she knows about his children's Polynesian mother. Frustrated and uncomprehending, Emile asks Cable why he and Nellie have such prejudices. Cable, filled with self-loathing, replies that "it's not something you're born with", yet it is an ingrained part of their upbringing ("You've Got to Be Carefully Taught"). He also vows that if he gets out of the war alive, he won't go home to the United States; everything he wants is on these islands. Emile imagines what might have been ("This Nearly Was Mine"). Dejected and feeling that he has nothing to lose, he agrees to join Cable on his dangerous mission. The mission begins with plenty of air support. Offstage, Billis stows away on the plane, falls out when the plane is hit by anti-aircraft fire, and ends up in the ocean waiting to be rescued; the massive rescue operation inadvertently becomes a diversion that allows Emile and Cable to land on the other side of the island undetected. The two send back reports on Japanese ships' movements in the "Slot", a strategic strait; American aircraft intercept and destroy the Japanese ships. When the Japanese Zeros strafe the Americans' position, Emile narrowly escapes, but Cable is killed. Nellie learns of Cable's death and that Emile is missing. She realizes that she was foolish to reject Emile. Bloody Mary and Liat come to Nellie asking where Cable is; Mary explains that Liat refuses to marry anyone but him. Nellie comforts Liat. Cable and Emile's espionage work has made it possible for a major offensive, Operation Alligator, to begin. The previously idle fighting men, including Billis, go off to battle. Nellie spends time with Jerome and Ngana and soon comes to love them. While the children are teaching her to sing "Dites-Moi", suddenly Emile's voice joins them. Emile has returned to discover that Nellie has overcome her prejudices and has fallen in love with his children. Emile, Nellie and the children rejoice ("Dites-Moi" (reprise)).

Spamalot

Musical · 2004

A recording encourages members of the audience to "let your cell phones and pagers ring willy-nilly," and comments that they should "be aware there are heavily armed knights on stage that may drag you on stage and impale you." This was recorded by Eric Idle. A historian narrates a brief overview of medieval England. In a miscommunication between the actors and the narrator, the actors sing an introductory song about Finland ("Fisch Schlapping Song"). The Historian returns, irritated, and tells the frolicking Finns that he was talking about England, not Finland. The scene immediately changes to a dreary, dark village with penitent monks in hooded robes chanting Latin and hitting themselves with wooden boards ("Monk's Chant"). King Arthur travels the land with his servant, Patsy, who follows him around banging two coconut shells together to make the sound of a horse's hooves as Arthur "rides" before him. Arthur aims to recruit Knights of the Round Table to join him in Camelot ("King Arthur's Song"). Arthur and Patsy encounter a pair of sentries who begin debating the probability of finding a coconut in a non-tropical climate. Robin, a collector of plague victims, and Lancelot, a handsome and hot-tempered man, meet as Lancelot attempts to dispose of the sickly Not Dead Fred. Although a plague victim, the man insists that he is not dead yet and he can dance and sing. He begins performing a dance number, but is soon knocked unconscious with a shovel by an impatient Lancelot ("He Is Not Dead Yet"). Lancelot and Robin agree to become Knights together; Lancelot wants to fight in battles, and Robin wants to sing and dance professionally. Not Dead Fred revives, declaring he will serve as Robin's musician, only to be promptly killed by Lancelot. While attempting to recruit a peasant named Dennis Galahad, Arthur explains that he became King of England because the Lady of the Lake gave him Excalibur, the sword given only to the man fit to rule England. However, Dennis and his mother, Mrs. Galahad, are political radicals and say that any king who has not been elected by the people has no legitimate right to rule over them. To settle the issue, Arthur asks the Lady of the Lake and her "Laker Girls" (named after the cheerleading squad) to appear before Dennis ("Come with Me"). Cheered on by the girls ("Laker Girls Cheer"), the Lady of the Lake turns Dennis into Sir Galahad; together they sing a generic Broadway love song ("The Song That Goes Like This"). Arthur knights Galahad, and subsequently Robin and Lancelot. Together with Sir Bedevere and the "aptly named" Sir Not-Appearing-In-This-Show, a knight resembling Don Quixote who promptly apologises and leaves, they become the Knights of the Round Table ("All for One"). Arthur and the four knights gather in Camelot, a deliberately anachronistic place resembling Las Vegas's Camelot-inspired Excalibur resort, complete with showgirls, oversized dice and the Lady of the Lake as a lounge singer reminiscent of Liza Minnelli ("Knights of the Round Table"/"The Song That Goes Like This (Reprise)"). In the midst of their revelry, they are contacted by God, who tells them to locate the Holy Grail. Urged on by the Lady of the Lake ("Find Your Grail"), the knights set off. They travel throughout the land until they reach a castle, only to be viciously taunted by lewd French soldiers. Bedevere comes up with the idea to retaliate by sending them a large wooden rabbit in the style of the Trojan horse; however, the knights realize after the fact that they forgot to hide inside the rabbit before the French soldiers took it in. Defeated, they leave in a hurry when the French soldiers begin taunting them again, sending cancan dancers after them and throwing barnyard animals at them ("Run Away!"). Arthur and his followers manage to run into the safety of the wings before the French soldiers catapult the Trojan rabbit back at them. The knights are separated after the French soldiers' attack. In a forest, Arthur and Patsy meet the terrifying Knights Who Say "Ni!", who demand a shrubbery. Arthur has no idea where to find a shrubbery, but Patsy cheers him up ("Always Look on the Bright Side of Life") and they find a shrubbery shortly after. Sir Robin wanders the forest with his minstrels ("Brave Sir Robin"), and they encounter the Black Knight, who scares Robin away. Arthur then encounters the Black Knight and defeats him by cutting off both his arms and legs, impaling his still-alive torso on a door, and leaving to give the shrubbery to the Knights Who Say "Ni!". Arthur and Robin reunite. The Knights Who Say "Ni!" accept the shrubbery and then demand that Arthur put on a musical and bring it to Broadway. Robin insists that it would be impossible to accomplish this next task, since a successful Broadway musical requires the involvement of Jewish people ("You Won't Succeed on Broadway"). Robin proves his point in a wild production number filled with Ashkenazi Jewish cultural references, a list of Jewish celebrities known for their work on Broadway, and a Fiddler on the Roof parody involving a bottle dance with Grails instead of bottles. Arthur and Patsy promptly set off in search of Jews. While the Lady of the Lake laments her lack of stage time ("Diva's Lament (What Ever Happened to My Part?)"), Sir Lancelot receives a letter of distress from someone who is being forced into an arranged marriage. He is very surprised to find that the supposed "damsel in distress" is actually an effeminate young man named Prince Herbert ("Where Are You?"). Herbert asks Lancelot to help him escape. Herbert's music-hating father, the King of Swamp Castle, cuts the rope that Herbert is using to climb out of the window, and Herbert falls to his apparent death. Lancelot is a bit puzzled at the king's actions, but discovers that his squire Concorde saved Herbert at the last minute. When Herbert begins to explain, in song, how he was saved, the king charges at Herbert with a spear, preparing to kill him. Lancelot steps in to save Herbert, then gives a tearful, heartfelt speech to the king about sensitivity on Herbert's behalf. The king correctly guesses that Lancelot is homosexual, and Herbert helps Lancelot accept his sexuality in a disco number ("His Name Is Lancelot"). Arthur begins to give up hope of ever putting on a Broadway musical and laments that he is alone, ignoring Patsy ("I'm All Alone"). The Lady of the Lake appears and tells Arthur that he and the Knights have been in a Broadway musical all along. The Lady of the Lake tells Arthur that to end the musical, he must find the Grail and marry someone. Arthur proposes to the Lady of the Lake, and she happily accepts. They plan to marry after Arthur finds the Grail ("Twice in Every Show"). The knights reunite, recruit Sir Bors, and meet Tim the Enchanter, a pyromancer who warns them of the danger of a killer rabbit. When the rabbit bites off Bors' head, Arthur uses the Holy Hand Grenade of Antioch against it, knocking down a nearby hill and revealing that the "evil rabbit" was actually a puppet controlled by a surprised puppeteer. A large stone block showing a combination of letters and numbers is also revealed. After pondering the final clue, a confused Arthur asks God for help. A large hand points to the audience and Arthur realises that the letters and numbers refer to a seat number in the audience. The grail is "found" under the seat, and the person sitting in the seat is invited on stage to be rewarded with a small trophy shaped like the Monty Python foot and a polaroid photo ("The Holy Grail"). Arthur marries the Lady of the Lake, who reveals that her name is Guinevere, and Lancelot marries Herbert, who finally gets a chance to sing without interruption from his father. Sir Robin decides to pursue a career in musical theatre. The King of Swamp Castle attempts to interrupt the finale and stop the singing, but Lancelot knocks him unconscious with a shovel. After the bows at curtain call, the company invites the audience to partake in a sing-along of "Always Look on the Bright Side of Life". ("Act 2 Finale / Always Look on the Bright Side of Life (Company Bow)").

Spamilton

Musical · 2016

The musical opens with a parody of the opening number of Hamilton. Leslie Odom Jr., Daveed Diggs, Okieriete Onaodowan and Renée Elise Goldsberry sing about their main star, a man named 'Lin-Manuel as Hamilton', and his quest to save Broadway with his brand new musical, unaware it will one day be parodied. ("Lin-Manuel as Hamilton") The show cuts to New York City, 2014. Lin-Manuel meets Leslie Odom Jr., and asks if he is Aaron Burr, saying "Now that I've cast you...". Leslie gives Lin-Manuel advice on making his musical in a send up of the Hamilton song, Aaron Burr, Sir ("Aaron Burr, Sir, Nervous-Er") to which Lin-Manuel gets upset and claims he isn't going to let Broadway rot, discussing his plans on how his new musical will breathe life into the dead and cash-grabbing modern Broadway business. He meets Daveed Diggs and Okieriete Onaodowan, and he recruits them for his show, and Leslie tells them they're "rocking the boat!", though they keep getting sidetracked due to things like doing pot and being scared of the song "Memory" from Cats ("His Shot") A transition occurs to the modern Broadway scene. We meet Renée Elise Goldsberry, Phillipa Soo and Jasmine Cephas Jones, (though Phillipa and Jasmine are just puppets being controlled by Renée), lamenting over the runied state of entertainment, saying all shows are yucky as they mash up right now, including such productions like An American Psycho in Paris, The Lion King & I, and Avenue Crucible. ("Look Around (The Schuyler Puppets)") Lin-Manuel as Hamilton, now bearing the iconic Hamilton coat, states he has a dream and claims his quest is to get his show mainstream, a historical epic similar to Camalot. He works on names for his show, going from 'Camalot', 'Spamalot', 'Spamilton', and after an accidental lightbulb given to him by Okieriete, 'Hamilton', calling it the 'impossible show!' (Lin-Manuel's Quest) He is interruped by a woman begging for tickets to Hamilton, so we can assume that a time-skip has occurred and Hamilton is currently being previewed. Lin-Manuel gives her tickets, but she rejects them, saying they aren't ever-lasting. Lin-Manuel asks if he knows her, and she reveals she is Bernadette Peters, to which Lin-Manuel exclaims 'Bernadette Peters!' ("Ticket-Beggar Woman"). Leslie tells Lin-Manuel not to worry, she's just a washed up actor, claiming Broadway is full of them. This transitions to a winter prom, where Lin-Manuel, Leslie, Daveed and Okieriete try their luck with the ladies ("Straight Guy's Winter Prom"), but this is interrupted by a message from King George, who berates musical theatre for once being too gay, but now with Hamilton straightness has returned to theatre ("Straight Is Back"). The show parodies the numerous time transitions in Hamilton, repeating 1789 until it turns to nonsense. Leslie wonders how the audience keeps up with the thick plot of Hamilton, finding out Daveed Diggs has been double cast as Lafeyette and Jefferson, and Daveed has the same questions as him, and he tries to help the audience catch up ("What Did You Miss?"). Lin-Manuel composes some fan-mail to his idol, Stephen Sondheim, asking for help on how to make his show better. This causes Sondheim to take the form of Ben Franklin to talk to Lin-Manuel, telling him his musical is messy and claiming he is a one-hit wonder. Franklin warns him to keep his raps and lyrics simple, or else the audience will get confused and won't listen. Renée agrees, and recounts the time she sang a song by Sondheim, remembering how hard it was ("Ben Franklin, Stephen Sondheim & Lin Manuel") Hard cut to Daveed Diggs in some 80s styled attire, and Daveed recounts his life to the beat of intro music to The Fresh Prince of Bel-Air, and shifts to singing about trying to rap as Lafeyette and Jefferson ("Daveed Diggs - The Fresh Prince of Big Hair"), to which Renée decides to rap battle him, but Lin-Manuel hijacks the song and sings about himself and, again, his show ("Rap Battle"). Suddenly, the ticket-beggar returns in flashier attire, again begging for Hamilton tickets. Lin-Manuel gives her tickets, but she declines them, saying they are for something rotten, to which Lin-Manuel retorts they are for School of Rock ("Ticket-Beggar Woman #2") The woman is revealed to be Liza Minnelli, who seems to be against the song-writing style of Lin-Manuel ("Liza's Down With Rap") Once again, a ticket-beggar appears, who turns out to be a woman named Audra McDonald, a has-been. Lin-Manuel condemns Audra and hops off, leaving Audra and Brian Stokes Mitchell to plot a new musical about Roosevelt (Whichever one is not stated), to compete with Hamilton. ("Ticket-Beggar Woman #3") Lin-Manuel returns to home, and jokingly laments over his fame and fortune, seeing his home town turned to a Lin-Manuel Miranda worshipping compound, selling souvenirs and gifts uptown, going as far as calling him a god and news reports grovelling for interviews. ("In The Hype"). Leslie asks why and how Lin-Manuel does what he does, and Lin-Manuel claims he just tries to write like it's going out of style. Much to Lin-Manuel's shock, J-Lo appears, and inflates Lin-Manuels ego, eventually asking to team up and work together. Lin-Manuel declines, and Beyoncé and Gloria Estefan appears and offers him the same option ("Lin-Manuel & J-Lo, Beyoncé & Gloria Estefan") The show turns to a Book of Mormon parody, as multiple former Broadway shows beg for attention pitifully, unable to compete with Lin-Manuel as Hamilton's smash hit, before admitting defeat ("Book of No More Mormons"). Some shows don't though. The specific ones being Assassins, The Phantom of The Opera, Aladdin, Cats, and Wicked, all itching to get back to Broadway ("Broadway Assassins") Leslie Odom Jr. tells Lin-Manuel to stop rapping so much, pushing Lin-Manuel over the edge. Leslie challenges him to a duel, and Lin-Manuel agrees. Leslie tries to debate that Broadway is already dead and his dreams are moot, to which Lin-Manuel debates with a bullet, shooting Leslie. Leslie shoots as well, and both get wounded ("Cool Duel"). Renée gets sad over this, leading to a number where she tries to make the audience cry, telling them how all these characters die, but also tries to list all her good deeds. In a last-ditch effort, she tells them she opened an orphanage ("Who Lives, Who Dies, Who Cries") One of Renée's orphans, who bears a striking resemblance to Little Orphan Annie, tells the audience that Hamilton is killing it on Broadway, to which Lin-Manuel agrees. In New York City, Lin-Manuel and his cast get rich off the success ("Lin-Manuel's New York City") The show cuts to the Tony award for Best Musical of The Century, with Hamilton being nominated. Barbra Streisand, who is presenting the award, stops before announcing the winner, and asks Lin-Manuel if she can make the movie adaptation of Hamilton, should it happen, wanting full creative control. The rest of the cast comes back and agrees they want a film version, suggesting Johnny Depp as Hamilton, Russell Crowe as Aaron Burr, Shia LaBeouf as Jefferson and have Steven Spielberg directing, even though they all agree the movie will not match up to the musical. ("The Film When It Happens") The show ends in a bar with the cast of Hamilton, celebrating the success of Hamilton, commercially and critically, all being happy that Broadway has been salvaged. The show ends with Lin-Manuel telling the audience to write their own musical ("Finale: Raise a Glass to Broadway")

Spring Awakening

Musical · 2006

Wendla Bergmann, an adolescent in late 19th-century Germany, laments that her mother gave her "no way to handle things" and has not taught her the lessons she is meant to know as a young woman ("Mama Who Bore Me"). She tells her mother that it is time she learned where babies come from, considering that she is about to be an aunt for the second time. Her mother cannot bring herself to explain the facts about conception clearly to Wendla, despite knowing her daughter is reaching puberty. Instead, she simply tells Wendla that to conceive a child a woman must love her husband with all of her heart. The other young girls in town – Martha, Thea, Anna and Ilse – appear to be similarly naïve and are upset about the lack of knowledge presented to them ("Mama Who Bore Me (Reprise)"). At school, some teenage boys are studying Virgil in Latin class. When Moritz Stiefel, a very nervous and anxious young man, sleepily misquotes a line, the teacher chastises him harshly. Moritz's classmate, the rebellious and highly intelligent Melchior Gabor, tries to defend him, but the teacher will have none of it, and hits Melchior with a stick. Melchior reflects on the shallow narrow-mindedness of school and society and expresses his intent to change things ("All That's Known"). Moritz describes a dream that has been keeping him up at night, and Melchior realizes that Moritz has been having erotic dreams which Moritz believes are signs of insanity. To comfort the panicked Moritz, Melchior, who has learned sexual information from books, tells Moritz that all of the boys at their age get these dreams. Moritz, Melchior and the other boys – Ernst, Hänschen, Otto and Georg – share their own sexually frustrated thoughts and desires ("The Bitch of Living"). Moritz, who is uncomfortable talking about the subject with Melchior, requests that he give him the information in the form of an essay, complete with illustrations. All the girls, except Ilse, are gathered together after school; they tease each other as they fantasize about marrying the boys in the town. Martha admits that she has a crush on Moritz, but is made fun of by the other girls. At the top of the list is the radical, intelligent, and good-looking Melchior ("My Junk"). Moritz has eagerly digested the essay that Melchior prepared for him, but complains that his new knowledge has only made his dreams even more vivid and torturous. Melchior tries to calm and comfort his friend, but Moritz runs off in frustration. All of the boys and girls express their desires for physical intimacy ("Touch Me"). While searching for flowers for her mother, Wendla stumbles upon Melchior. The two reminisce on the friendship they once shared as children and share a moment while sitting together in front of a tree. Each of them considers what it would be like to give in to their physical desires for one another ("The Word of Your Body"), but they do not do so. Meanwhile, at school, Moritz sneaks a look at his test results and is thrilled to learn that he has passed his midterm examinations, and tells the other boys. They are ecstatic, save the skeptical Hänschen. However, the teacher and schoolmaster, who claim they cannot pass everyone, decide to fail Moritz anyway, deeming his passing grade still not up to the school's lofty standards. Martha accidentally admits to her friends that her father abuses her physically and sexually and that her mother is either oblivious or uncaring. The other girls are horrified to hear this, but Martha makes them promise not to tell anyone, lest she end up like Ilse, a friend from childhood who now wanders homeless and aimless after her similarly abusive parents kicked her out of the house ("The Dark I Know Well"). Later, Wendla finds Melchior again at his spot in the woods and tells him about Martha's abuse. Melchior is appalled to hear this, but Wendla convinces him to hit her with a switch, so that she can try to understand Martha's pain. At first Melchior is determined to do nothing of the sort, but reluctantly complies. He gets carried away in the beating, taking his own frustrations out on Wendla and throws her to the ground. Disgusted with himself, Melchior runs off as Wendla is left lying on the ground, weeping. Alone, Wendla finds that Melchior has left his journal on the ground. She picks it up and takes it with her. Moritz is told he has failed his final examination; when Moritz tells his father that he will not be progressing in school, he reacts with disdain and contempt. Rather than attempting to understand his son's pain, his father is only concerned with how the others in town will react when they see "the man with the son who failed." Moritz writes to Melchior's mother, his only adult friend, asking for money to help him flee to America; she tenderly but firmly denies his request and promises to write his parents to discourage them from being too hard on him ("And Then There Were None"). Devastated by her refusal and feeling he has few choices left, Moritz considers killing himself. In a stuffy hayloft during a storm, Melchior expresses his frustration about being caught between childhood and adulthood ("The Mirror-Blue Night"). Wendla finds him once again, telling him she wants to return his journal, and each apologizes for what happened in the forest. Melchior, disappointed in himself from the night before, urges her to leave. Wendla ignores this, instead suggesting they run in the rain until they "get soaked to the skin". Before long, they begin to kiss. Both of them nervously continue to entangle themselves, and then hesitate, sensing that what they are doing is something very powerful. Wendla is not entirely sure of what they are about to do but is certain that it is unlike anything that she has known before. They continue and then have sex in the hayloft; as Melchior penetrates her, Wendla cries out ("I Believe"). (Note: This scene was very much softened from the show's Off-Broadway run, where consent from Wendla was unclear and stage notes suggest explicit rape. Later, as staged by the Broadway show, Wendla gives explicit consent to Melchior, but does so without full understanding of what they are going to do.) Wendla and Melchior are finishing their moment of confused intimacy in the hayloft; they reflect on and discuss what has just happened ("The Guilty Ones"). (In the Off-Broadway production, Act II began with "There Once Was a Pirate".) Moritz, having been thrown out of his home, wanders the town at dusk, carrying a pistol when he comes across Ilse, a childhood friend of his. Ilse tells him she has found refuge at an artists' colony, and they reminisce in some childhood memories and "remarkable times". She invites him to come home with her and join her in sharing some more childhood memories, and maybe something more. Moritz refuses and Ilse does everything she can to change his mind ("Don't Do Sadness/Blue Wind"). After affirming to Ilse that he truly wished he could go with her, Moritz refuses and Ilse leaves, distraught and upset. Realizing that Ilse was his last chance to escape the fate he's set out for himself, Moritz quickly changes his mind and calls after her, but she is gone. Alone and believing that he has nowhere to turn, Moritz shoots himself. At Moritz's funeral, each of the children drops a flower into his grave as Melchior laments the passing of his friend while touching on the factors that led to his death, including the way his parents treated him ("Left Behind"). Back at school, the schoolmaster and teacher feel the need to call attention away from Moritz, whose death was a direct result of their actions. They search through Moritz's belongings and find the essay on sex which Melchior wrote for him. They seize the opportunity to lay the blame of Moritz's death on Melchior, and although Melchior knows that he is not to blame, he knows there is nothing he can do to fight them and is expelled as a result ("Totally Fucked"). Elsewhere that night, Hänschen meets up with his shy and delicate classmate Ernst. Ernst tells Hänschen about his plans to become a pastor after school, and Hänschen shares his pragmatic outlook on life. He is amazed with how Ernst has remained so innocent despite the horrible things happening around them. They kiss and Ernst reveals that he loves Hänschen. ("The Word of Your Body (Reprise)"). Wendla has become ill, and her mother takes her to visit a doctor. He gives her some medication and assures them both that Wendla is suffering from anemia and will be fine, but takes Wendla's mother aside and tells her that Wendla is pregnant. When her mother confronts her with this information, Wendla is completely shocked, not understanding how it could have happened. She realizes that her mother lied to her about how babies are made. Although she berates her mother for leaving her ignorant, her mother rejects the guilt and insists Wendla tell her who the child's father is. Wendla reluctantly surrenders a passionate note Melchior sent her after they consummated their relationship. She reflects somberly on her current condition and the circumstances that precipitated it, but resolves with optimism about her future child ("Whispering"). Meanwhile, Melchior's parents argue about their son's fate; his mother does not believe that the essay he wrote for Moritz is sufficient reason to send him away to reform school. When Melchior's father (Callum) tells his wife about Wendla's pregnancy, she finally agrees that they must send Melchior away, which they do without telling him that Wendla is pregnant. During this time, Melchior and Wendla keep contact through letters, delivered by Ilse. At the reform school, Melchior gets into a fight with some boys who grab a letter he has just received from Wendla and use it in a masturbation game. As one of the boys reads from the letter, Melchior finally learns about Wendla and their child, and he escapes from the institution to find her.

St. Louis Woman

Musical · 1946

The story is set in St. Louis in 1898. Little Augie, a jockey who is on a winning streak, is enamoured of Della Green, the belle of St Louis. Della, however, is the girlfriend of Biglow Brown, the proprietor of the local bar. Biglow is abusive toward Della and she decides to leave him. Brown's previous mistress, Lila, is still around which produces complications. And then there is the barmaid, Butterfly. She is in love with Barney, another jockey, but unlike Little Augie, Barney is older and not that lucky. But Butterfly doesn't want things to go too far with Barney until she gets that elusive wedding ring. It's cakewalking time and Augie attracts the attention and admiration of Della with his virtuoso performance of the cakewalk. Things go so well between them that they agree to set up home together and prepare plans to marry. But, things are not destined to go smoothly. While Augie is off at the racetrack, Della gets an unwelcome visit from Biglow Brown. When she refuses to have anything more to do with him he beats her. It is at this point that Lila enters and begs Biglow to take her back. Augie returns and a shot is fired. Brown believing he has been shot by Augie swears a curse on him although it was, in fact, Lila who fired the gun. Although Augie is suspected by everyone that he killed Biglow Brown, it is at Brown's funeral that Lila confesses. However, the curse cast by Brown seems to be working. Augie's horses are no longer winning and Della blames herself for all the problems that have overcome them. She leaves, pretending that she wants a better life than that which can now be provided by Augie. Della's new friend, the new bar-owner, nonetheless tells Augie of Della's true feelings. Augie believes the curse to be so much mumbo-jumbo. He'll win his next race and he and Della can get back together again. He does - and they do!

Starlight Express

Musical · 1984

Starlight Express has been revised many times since it was first produced. These revisions range from tweaks to lyrics to adding or removing entire songs, characters and subplots. The fundamental story, however, has stayed the same. This synopsis reflects the show as it was first produced, in the West End in 1984. A young boy falls asleep while playing with his toy trains, announcing it is race night. In his dreams, the trains come to life. The reigning champion – a diesel engine from the U.S.A. called Greaseball – enters with his cavalcade train of several other diesel engines and three freight trucks. They boast of diesel's supremacy ("Rolling Stock"). Next, a steam engine called Rusty enters. Greaseball mocks Rusty, who replies that he will win the championship, despite steam being obsolete compared to diesel ("Call Me Rusty"). The dreaming boy, Control, intervenes and orders Rusty to collect a passenger train from the marshalling yard. He returns with four coaches that make up the passenger train: a dining car called Dinah, a smoking car called Ashley, a buffet car called Buffy, and an observation car called Pearl. Control sends Rusty away to fetch a freight train as the coaches introduce themselves to the audience ("A Lotta Locomotion"). Greaseball returns. He boasts again, this time to the coaches ("Pumping Iron"). Rusty returns with the six trucks that make up the freight train: three boxcars called Rocky 1, Rocky 2 and Rocky 3, a brick truck called Flat-Top, an aggregate hopper called Dustin and a caboose called C.B. They introduce themselves to the audience and argue with the coaches over whether it is preferable to carry people or cargo ("Freight"). Control declares entries for the championship open. Six trains arrive to challenge Greaseball: Bobo, the French Sud-Est; Espresso, the Italian Settebello; Weltschaft, the German Class 103; Turnov, the Trans-Siberian Express from Russia; Hashamoto, the Japanese Shinkansen Bullet Train; and the City of Milton Keynes, the Advanced Passenger Train from Great Britain. Entries are about to close when a surprise entry – an electric engine called Electra – arrives. Accompanied by his train of five components – an armaments truck called Krupp, a repair truck called Wrench, a money truck called Purse, a freezer truck called Volta and an animal truck called Joule – Electra declares that electricity is the future of the railways ("AC/DC"). Greaseball and Electra square up to each other as the entrants form a parade to celebrate the race ("Coda of Freight"). Control announces the rules of the championship: the trains will compete in pairs, with an engine pulling a coach. There will be three elimination heats, and the winner of each heat will move on to the finals to decide the fastest train. The engines start to pick their coaches. Rusty offers to race with Pearl, but she rejects him, explaining that she is waiting for her 'dream train' ("He Whistled at Me"). Electra's messenger, Purse, enters with an invitation from Electra. Even though Electra is not her dream train, she accepts, leaving Rusty alone. The first heat pits Greaseball and Dinah against Espresso, Buffy, Hashimoto, and C.B. C.B. sabotages Hashimoto by applying his brakes at critical moments in the race and then letting him derail before crossing the finish line. Greaseball and Dinah win comfortably, claiming a place in the finals. After the race, Dinah objects to Greaseball's cheating. In response, he abandons her, and C.B. comforts Dinah ("There's Me"). Meanwhile, a lonely Rusty has retreated to the freight yard where the former champion – an old steam engine called Poppa – sings a blues song to the trucks ("Poppa's Blues"). Poppa tries to persuade Rusty to race without Pearl, urging him to believe in the Starlight Express. When Rusty refuses, Poppa introduces him to an old Pullman car called Memphis Belle ("Belle The Sleeping Car"). Rusty agrees to race with Belle. They compete in the second heat against Electra, Pearl, Weltschaft, and Joule. Electra and Pearl finish first, securing a place in the finals; Rusty and Belle finish last. Already despondent after losing Pearl as his race partner, Rusty loses his last shreds of confidence. Poppa decides to step up and prove that steam power is still relevant, despite everyone's misgivings, by racing himself in the third heat. Only Dustin is willing to run with him. Rusty points out that the race is already whole, but suddenly, Control announces that the British train has been scrapped, leaving space for a late entry. Poppa interprets this as a sign from the Starlight Express and enters the race. The third heat pits Poppa and Dustin against Bobo, Ashley, Turnov and Wrench. Poppa wins the race, securing a place in the finals against Greaseball and Electra, but the effort of outracing the others and pulling the hefty Dustin exhausts him. Now worn out and half-dead, he begs Rusty to take his place. Rusty refuses at first, but then he notices Pearl with Electra and is jealous. When C.B. offers to race with him, Rusty announces that he will take Poppa's place. Greaseball and the other competitors mock him and then leave. Alone, Rusty prays to the supposedly mythical Starlight Express for help in the final ("Starlight Express"). The trains debate whether Rusty should be allowed to take Poppa's place in the finals since he's already competed and lost or whether the area should go to Bobo, who finished second in Poppa's heat ("The Rap"). They ultimately decide to let Rusty race. Control offers the engines the chance to change partners. Pearl abandons Electra and joins Greaseball, leaving Dinah feeling betrayed. Dinah expresses shame at being uncoupled, although she cannot speak the word itself ("U.N.C.O.U.P.L.E.D."). Ashley, Buffy, and Belle try to persuade Dinah to fight for Greaseball's affection ("Rolling Stock (Reprise)"/"Girls' Rolling Stock"), but instead, she accepts an offer from Electra to replace Pearl in the finals. Elsewhere, C.B. hatches a plan. He tells Greaseball he will help him win the championship by sabotaging Rusty. He then tells Electra the same thing. When Electra expresses his surprise at C.B.'s duplicity, C.B. explains that he has spent a career secretly causing train crashes for fun ("C.B."). The finals take place between Electra and Dinah, Greaseball and Pearl, and Rusty and C.B. C.B. sabotages Rusty, slowing him down so he misses a movable bridge that is part of the course and cannot finish the race. Electra and Greaseball finish in a dead heat. Control announces that there will be another race, with Electra and Greaseball going head-to-head to decide the winner. Rusty complains that he was cheated, but the marshals refuse to listen. Pearl confronts Greaseball after hearing him gloating with CB and Electra about how seamless the sabotage was, but he warns her to say nothing, as the marshals would also consider her complicit and punish her. Rusty retreats to the freight yard, where he bumps into the Rockies. They tell him he will never win without luck and should give up ("Right Place, Right Time"). The Rockies leave Rusty alone. He appeals again to the mythical Starlight Express for help, and this time, it hears. The Starlight Express, which is portrayed by the same actor as Poppa, appears in front of Rusty. The Starlight Express reminds Rusty that he already possesses the strength he needs if he believes in himself, inspiring him to enter the rerun of the final race. ("I Am The Starlight"). The Starlight Express disappears, and Rusty finds himself back in the freight yard with Dustin, who says he was asleep but felt the starlight's presence. Rusty asks Dustin to race with him in the final. He accepts, and they head off together. Moments before the race, Dinah, angry with how Electra treats her, disconnects from him. Electra quickly appeals to C.B. to take her place. The trains gather to watch what they expect will be a head-to-head final between Greaseball and Pearl and Electra and C.B.. Suddenly, Rusty arrives with Dustin, and the marshals allow him to enter the race. The race is fast and furious. This time, the downhill track turns Dustin's weight into an advantage for Rusty. Greaseball struggles with an unwilling Pearl holding him back, and Electra uses all his power to disrupt his opponents. Pearl is distracted by Rusty's presence, causing Greaseball to uncouple her at full speed. Rusty diverts from the race course just in time to save her but at the cost of falling into a distant third place. The now partner-less Greaseball and Electra dispute over the lead but suddenly CB abandons Electra and couples up to Greaseball while the ensemble sings part of the chorus to "C.B." just like they did after he put the brakes on Rusty during the Uphill Final, leaving Electra to disappear backstage for the rest of the race. Rusty and Dustin are able to overtake and right next to the finish line Greaseball and CB crash, allowing Rusty to win the race. But instead of celebrating, he leaves immediately to find Pearl. Control warns that Rusty will cancel his lap of honor if he does not return quickly. Meanwhile, humiliated and infuriated, Electra leaves the race track, swearing never to return ("No Comeback"). Greaseball and C.B. emerge in a tangled wreck. They lament the heavy toll their wreck and racing in general has taken on them ("One Rock 'n' Roll Too Many"). Poppa demands that Greaseball and C.B. help find Rusty. Away from the other engines, Pearl fears that she caused Rusty to lose the race. She realises that of all the trains she's raced with, only Rusty acted selflessly towards her ("Only He"). Rusty arrives. He tells Pearl that he won the race and confesses his love for her ("Only You"). The other trains arrive. Greaseball finally apologises to Dinah for his behaviour, and they reconcile. Greaseball complains that he's finished as a racer, but Poppa offers to rebuild him into a steam engine.

State Fair

Musical · 1992

State Fair is a musical with a book by Tom Briggs and Louis Mattioli, lyrics by Oscar Hammerstein II, and music by Richard Rodgers. Phil Stong's original 1932 novel, State Fair, was first adapted for film in 1933 in a production starring Will Rogers. In 1945, the film was remade as a musical with original songs by Rodgers and Hammerstein. This was subsequently remade in 1962 as well as adapted into a made-for-television movie in 1976. The stage production closely follows the plot of its predecessors, providing a glimpse into the life of a farming family, the Frakes, and their three-day adventure at the Iowa State Fair in Des Moines in 1946. While parents Abel and Melissa are hoping to win a few blue ribbons, siblings Margy and Wayne are more interested in finding romance on the midway.

Stinkfoot, a Comic Opera

Musical · 1985

Stinkfoot, a Comic Opera is an English musical with book, music, and lyrics by Vivian Stanshall and Ki Longfellow-Stanshall written for the Crackpot Theatre Company aboard the Old Profanity Showboat in Bristol, England. The show is based on a series of tales written by Longfellow about Stinkfoot, a New York City alley cat. It had been intended for children, but when told by a New York City literary agent that "No mother in America would want her child identifying with Stinkfoot the alley cat, never mind its name," the story went into a drawer, and didn't reappear until 1985 when Vivian and Ki decided to base a musical on its lead character, Stinkfoot.

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