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Prince of Central Park

Musical · 1988

Prince of Central Park is a 1989 Broadway musical with music by Don Sebesky, lyrics by Gloria Nissenson and a book by Evan H. Rhodes. It is based on Rhodes' 1974 novel The Prince of Central Park and its 1977 television movie adaptation which starred Ruth Gordon and Brooke Shields. The musical was a notorious flop, losing nearly $2 million and closing after only four performances. Today, it is best remembered for a humorously negative review by Frank Rich in The New York Times.

Princess Caprice

Musical · 1912

Princess Caprice is a musical theatre work described as a "comedy with music", in three acts, with music by Leo Fall. The book was adapted by Alexander M. Thompson from Fall's operetta Der liebe Augustin by Rudolf Bernauer and Ernst Welisch. The lyrics were by A. Scott-Craven, Harry Beswick and Percy Greenbank. Much of the music was from Der liebe Augustin, but Fall composed four new numbers, with lyrics by Scott-Craven, for the new piece. The story involves mistaken identities and farcical financial dealings at a European palace, following which the proper romantic partners are paired happily. The original production opened at the Shaftesbury Theatre, London, on 11 May 1912, running for 265 performances until January 1913. It was produced by Robert Courtneidge. The piece then toured.

Princess Charming (operetta)

Musical · 1925

Princess Charming is an operetta with music composed by Albert Szirmai. The English libretto by Arthur Wimperis and Lauri Wylie is based on the Hungarian libretto by Franz Martos. The operetta is set in the Palace of the Elyrian Embassy in the fictional European country of Novia and the Sigman Castle adjoining the Royal Palace. The story concerns a young princess who accepts a proposal of marriage from the elderly king of a neighboring country as protection against an uprising by her own subjects. Captain Torrelli, a military officer sent by the king, fears imminent danger to the princess and marries her himself. The officer then escorts her to his king for an annulment, but the couple fall in love and elope. The operetta was first presented in Hungarian in 1925 in Budapest as Alexandra. Its English-language premier was in London in 1926, and it was revived on Broadway and elsewhere. A 1934 film adaptation was made, starring Evelyn Laye.

Princess Toto

Musical · 1876

Absent-minded Princess Toto is due to marry Prince Caramel, but her earlier betrothed Doro returns after being shipwrecked. Confusion follows when Caramel disguises himself as the brigand Barberini, and Toto runs off with him shortly after marrying Doro. She later joins her father’s court disguised as American Indians, while Doro and Caramel each pursue her. After more mistaken identities, Toto recognizes Doro as her husband and agrees to marry him again; Caramel proposes to Toto’s nurse, Jelly.

Priscilla, Queen of the Desert

Musical · 2006

The drag queen Mitzi Mitosis – stage name of Anthony "Tick" Belrose – is performing at a club ("Downtown" [Australia and London]/"I've Never Been to Me"; "It's Raining Men" [Broadway]) when his estranged wife Marion, calls in for a favour. While Tick is offstage, fellow drag queen Miss Understanding performs her own number ("What's Love Got to Do With It?"). From the phone in Tick's dressing room, Marion reveals that she needs an act for a few weeks at her business in distant Alice Springs, Australia. Tick is at first reluctant, but Marion informs him that part of the reason she's asking is because their now eight-year-old son Benji wants to meet his father ("I Say A Little Prayer"). Tick confides in another fellow drag queen Farrah, before deciding he will leave for Alice Springs. Tick then calls a friend, a transgender woman named Bernadette to join him but Bernadette's husband has just died. The pair meet at the funeral ("Don't Leave Me This Way"), where Bernadette agrees to join him. Tick also asks a friend Felicia – stage name of Adam Whitely – to come with them ("Venus"/"Material Girl"), with Bernadette taking an immediate dislike to his show-off performance style. Nonetheless, the newly formed trio buy a "budget Barbie campervan" they nickname "Priscilla, Queen of the Desert" ("Go West"). Tick informs them that the trip is a favour to his wife, but does not tell them it is also to meet his son who wants to see him ("I Say A Little Prayer (Reprise)"). As the journey to Alice Springs begins, Adam angers Bernadette after making transphobic jokes about her life before transitioning. Later the group arrives at a bar in Broken Hill, in full drag, and start a bar dance party ("I Love the Nightlife"), but when they return to the bus learn that the townspeople wrote hateful statements on the bus in spray paint. Tick is very upset, but Adam and Bernadette comfort him ("Both Sides, Now"/"True Colors"). While on the road, Adam practices his lip-syncing as Felicia sitting in the giant high heel on the roof of the van ("Follie! Delirio vano è questo! Sempre libera (from La traviata)"). The next morning, Priscilla breaks down and Adam buys lavender paint to erase the vandalism ("Colour My World"). They manage to get the locals of another town on their side and meet Bob, a mechanic from a small town nearby who agrees to help fix Priscilla. The group celebrates that they've found people that accept them ("I Will Survive"). The second act opens with a group of bogans singing ("Thank God I'm A Country Boy"). Bernadette talks with Bob and learns that when he was in Sydney, he saw her when she was a young "Les Girl" ("A Fine Romance"). The two begin to grow feelings for each other. Later in a bar ("Thank God I'm A Country Boy Reprise"), the trio is about to perform ("Shake Your Groove Thing") when Cynthia, Bob's wife, interrupts their act by "popping" ping-pong balls ("Pop Muzik"). After this, the trio leaves, leaving Bob to wonder about his feelings for Bernadette ("A Fine Romance (Reprise)"). All of a sudden, Bernadette asks if he wants a free ride back to his real home, in which he agrees ("Girls Just Wanna Have Fun"). Later when they arrive, Adam dresses up like a woman to try to meet men ("Hot Stuff"), but ends up getting chased and nearly becomes the victim of a hate crime until Bernadette rescues him by kicking one of his attackers. Later as they arrive in Alice Springs, Tick reflects on the trip after someone literally leaves the cake out in the rain ("MacArthur Park"). As another act performs first ("Boogie Wonderland"), the trio gets ready to perform a variety of songs that they sang or lip-synced on their journey ("The Floor Show"). Afterwards, Tick finally meets his son, Benji, who accepts his father's sexuality and lifestyle ("Always on My Mind/I Say a Little Prayer") and Adam gets to perform his own solo Madonna hit, ("Like A Prayer" [Broadway]; "Confide in Me/Kylie Medley" [Australia and West End]), his favorite singer. Afterwards the gang talks about their plans after Alice Springs, and realize they can't leave each other ("We Belong"). They go off stage together and the company performs a medley of songs to close the show ("Finally (Finale)").

Prisoner Cell Block H: The Musical

Musical · 1995

Prisoner Cell Block H: The Musical is a stage musical based on the Australian television series Prisoner (also known as Prisoner Cell Block H) created by Reg Watson. The concept, music and lyrics where devised by Don Battye and Peter Pinne. After previews from 23 October 1995, the musical opened on 30 October 1995 at the Sondheim Theatre (formerly The Queens Theatre) in London's West End. It closed on 13 January 1996. The cast featured Lily Savage and Maggie Kirkpatrick.

Prodigal

Musical · 2000

As the OVERTURE fades, we meet Luke Flannery and his family; father Harry, mother Celia and brother Kane, who live in Eden, Australia ((PICTURE POSTCARD PLACE). Luke is 18 and about to join the Flannery fishing business, but isn't so sure that he wants to spend another eighteen years playing (HAPPY FAMILIES). Harry gives him a car for his birthday, to use for business (much to Kane's disgust). Luke announces he has been offered a place at Sydney University, and wants to go. Celia tries to keep the mood light (PICTURE POSTCARD PLACE - REPRISE). Against Harry's wishes, Luke runs away to Sydney (RUN WITH THE TIDE). He moves into a warehouse apartment with Maddy, a performance artist, who encourages him to shift his perspective and see the world with BRAND NEW EYES0. They quickly become best friends, but when Maddy tells Luke she loves him, he is forced to introduce his boyfriend from University, Zach. A few weeks later, Zach moves into the apartment, and the three get better acquainted sharing childhood memories (WHEN I WAS A KID). Luke realizes he has shut his family out of his life, so calls home to tell his parents his news, who don't react as he hoped (MY BOY). Luke responds by going out, experimenting with drugs, letting all responsibility slide (OUT OF MYSELF). Maddy throws him out after one late night party too many, and eventually Zach dumps him too (SET ME FREE). Luke decides to return home and mend the bridges he burned (EPIPHANY). The homecoming doesn't go as planned, as neither Luke nor Harry can bring themselves to admit they could be wrong, and Luke is thrown out of the house. When Harry stops Celia from going after him, she pushes him aside (LOVE THEM AND LEAVE THEM ALONE). Harry takes his frustration out on Kane, and goes down to the pub. Celia tracks Luke down at the local pub, and asks him to be a little more understanding of Harry, but Luke won't back down in his beliefs (WHERE DOES IT GET YOU). She leaves him for the night, and Luke receives a phone call, telling him to meet Kane at the shipyard. At the docks he is attacked and badly injured. Maddy performs the piece she developed through meeting Luke and opening up to her own dad (MADDY'S PIECE). Kane comes home the next day to find out from Harry that Luke is in the hospital. Kane admits responsibility, but before walking out points out Harry isn't blameless himself. Harry goes to the hospital and relieves Celia of her watch over Luke (LULLABY). Months later. Luke has healed, but won't leave the family home, even with Celia and Harry's encouragement. They spring a surprise on him; they've invited Maddy down. She reminds Luke of why he left Eden originally and helps him to reimagine the life he went searching for. He decides to return to Sydney, and try again (FINALE). Luke heads out to show Maddy around his home town, leaving Harry and Celia in the family kitchen.

Promenade

Musical · 1965

Promenade is an experimental musical comedy with book and lyrics by María Irene Fornés and music by Rev. Al Carmines. In a review in The New York Times for a 1983 New York revival, Stephen Holden linked the production to the Theatre of the Absurd: "This work, which suggests a mixture of Candide and Samuel Beckett viewed through Lewis Carroll's looking glass, is a little too avant-garde and absurdist to appeal to mainstream tastes. But in its odd way it's an exquisite piece of musical theater."

Promises, Promises

Musical · 1968

Chuck Baxter is an ambitious bachelor and junior executive for a large insurance company, Consolidated Life, who expresses his frustrations and hopes for career advancement ("Half as Big as Life"). To curry favor with higher-ups in the company, he allows his apartment to be used for their romantic trysts in return for promises of promotion ("Upstairs"). Chuck has his own eye set on Fran Kubelik, a waitress in the company cafeteria whom he's always admired from a distance. While talking together she wonders if she will ever find someone to share her life with. Chuck hopes that she might notice him ("You'll Think of Someone"). J.D. Sheldrake, the company's powerful personnel director, notices the glowing reviews written by Chuck's superiors and deduces the reason for them. He requests sole use of the apartment for his affairs in exchange for Chuck's long-awaited promotion and tickets to a basketball game ("Our Little Secret"). (In the 2010 revival, the song "I Say a Little Prayer For You" was added for a scene in which Fran tells female workmates about flowers she has received from a new "mystery individual".) Chuck asks Fran to attend the basketball game with him, and she agrees to meet him there after first having a drink with her soon-to-be ex-lover ("She Likes Basketball"). Fran's lover turns out to be the married Sheldrake. Fran wants to end the relationship, but Sheldrake talks her into spending the evening with him ("Knowing When to Leave"). Though Fran stands him up, Chuck forgives her. When he informs the other executives that his apartment is no longer available for their use, they express dismay ("Where Can You Take a Girl?"). Meanwhile, Sheldrake wonders why he is drawn to affairs ("Wanting Things"). The scene shifts to the company Christmas party, where everyone is enjoying themselves ("Turkey Lurkey Time"). Miss Olsen, Sheldrake's secretary, reveals to Fran that she is simply the latest in a long line of Sheldrake's mistresses. The first-act curtain falls as Fran is driven to misery ("A House is Not a Home" in the 2010 revival), and Chuck discovers that Fran is the one Sheldrake has been taking to his apartment. A despondent Chuck spends Christmas Eve trying to drink away his troubles at a bar, where he meets another tipsy lonelyheart, Marge MacDougall, who agrees to come back to his apartment ("A Fact Can Be a Beautiful Thing"). In the meantime, at Chuck's apartment, Fran confronts Mr. Sheldrake about his earlier affairs. While he admits to the affairs, he declares his love for Fran, but tells her that he must leave in order to catch his train home to spend Christmas Eve with his family. A despairing Fran discovers Chuck's sleeping pills and takes the whole bottle ("Whoever You Are"). When Chuck arrives with Marge, he discovers Fran on his bed. After quickly disposing of Marge, a frantic Chuck gets his neighbor, Dr. Dreyfuss, to come over and together they save her life. The next morning Chuck calls Sheldrake to let him know what happened. Sheldrake says he can't leave for the city without his wife knowing and asks Chuck to take care of Fran ("Christmas Day"). Over the next few days Chuck and Dreyfuss try to keep Fran's spirits up to prevent a relapse into suicidal behavior ("A Young Pretty Girl Like You"). Chuck and Fran play gin rummy and discuss their problems, growing closer ("I'll Never Fall In Love Again"). Mr. Kirkeby, one of Chuck's former 'clients', discovers that Fran has been staying at Chuck's apartment, so as revenge for cutting him and the others off from using the apartment he tells Fran's overly protective brother where she has been staying. Karl Kubelik then comes to the apartment to collect her, and believing that Chuck is the cause of her current state he punches Chuck. Miss Olsen soon discovers that Sheldrake's actions led to Fran almost killing herself. She quits her job and tells Mrs. Sheldrake all about her husband's affairs. She leaves him, resulting in his desperation to woo Fran back. Sheldrake asks for the keys to Chuck's apartment again on New Year's Eve to take Fran there. Chuck refuses and quits his job rather than allow Sheldrake to take Fran to his apartment ever again ("Promises, Promises"). Deciding that he has to get away, Chuck begins packing to move elsewhere when Fran comes to see him. Sheldrake had told her that Chuck had refused him access and quit, and she realizes that Chuck is the one who really loves her. As they resume their earlier game of gin, he declares his love for her, to which she replies, "Shut up and deal".

Pump Boys and Dinettes

Musical · 1982

The story takes place on an unspecified "Highway 57" on the outskirts of Frog Level, a rural community somewhere in the southeastern United States ("in Grand Ole Opry country" according to the official summary), at two adjacent locations: the Pump Boys service station and general store co-owned by Jim and L.M., and the Double Cupp, a diner operated by sisters Prudie and Rhetta Cupp ("Highway 57"). Jim's Uncle Bob calls the gas station to inquire about when his Winnebago will be fixed, and Jim stalls him by saying it takes time and extra care to do the job right ("Takin' It Slow"). Jim talks about the ladies that swing through the area, noting that his employee Jackson chases them, Eddie (a friend of the pump boys who hangs out at the station while his Edsel is being fixed) once lured a wealthy actress, but L.M., the station bookkeeper, draws the most attention, which L.M. doesn't even want ("Serve Yourself"). At the Double Cupp, Rhetta advertises the diner's menu ("Menu Song"). Prudie talks about how the male-to-female ratio in the area plays in her favor, and that although Eddie comes close to her ideal, his being from the nearby "inbred" town of Smyrna is a deal-breaker, and her real soulmate is in the audience ("Best Man"). Jim talks about how he forgot he had promised to take Rhetta to a minor league baseball game when he chose to go fishing instead ("Fisherman's Prayer"/"Catfish"). Jim recalls his late grandmother ("Mamaw"). Jim takes one of the catfish from his fishing trip to Rhetta to cook, but Rhetta is still jilted and tells him off ("Be Good or Be Gone"), to which Jim tries to make good by offering her a silk artificial rose and to clean up his truck if she accepts another date at a nearby bar ("Drinkin' Shoes"). After intermission, the Pump Boys advertise their gas station's services and goods ("Pump Boys"). Jackson talks about what he does on the weekends, when he goes into town, where he has a crush on a cashier at Woolworth's ("Mona"). Jim and Jackson recall an exceptionally dry and troublesome summer the previous year, when anything that could go wrong did, which segues into a story about how L.M. met Dolly Parton backstage after a concert and had a brief fling before he cut off the affair due to extenuating circumstances ("The Night Dolly Parton Was Almost Mine"). At the Double Cupp, Rhetta and Prudie sing about wanting tips from their customers ("Tips") before reflecting on their childhood under an absent single mother, lamenting the emotional distance between each other ("Sisters"), then decide to shut down the diner for a time and take a trip ("I Need a Vacation"). The pump boys and Cupp sisters all head on a road trip to Florida in Bob's miraculously fixed Winnebago ("No Holds Barred"), where L.M. now relishes in the attention of the ogling "brown" onlookers ("Farmer Tan"). Bob calls the group, and Jim assures him that they will be returning soon ("Highway 57 (Reprise)"). Upon returning, they close the diner and gas station ("Closing Time").

Queen of the Mist

Musical · 2011

In the early 1900s, in western New York State, at Niagara Falls, Anna Edson Taylor is a 63-year-old teacher. Needing money, she decides to become the first woman to go over Niagara Falls, and designs her own barrel. She is helped by her manager, Frank Russell. "Navigating both the treacherous Falls and a fickle public with a ravenous appetite for sensationalism, this unconventional heroine vies for her legacy in a world clamoring with swindling managers, assassins, revolutionaries, moralizing family, anarchists, and activists. Convinced that there is greatness in her and determined not to live as ordinary, she sets out to battle her fear and tempt her fate." The score incorporates turn-of-the-century themes. Anna attempts to take advantage of her fame on the lecture circuit, but that does not last. Anna dies in a nursing home at age 82, a pauper.

Quilters

Musical · 1982

In the American West, Sarah, a pioneer woman, and six women, who are called her daughters, face frontier life. Rather than a straightforward story, the musical is presented as a series of short tales and tableau matched with musical numbers, each presenting an aspect of frontier life or womanhood. The patches or blocks show "girlhood, marriage, childbirth, spinsterhood, twisters, fire, illness and death." The patches ultimately are put together to form one dramatic tableau.

Radiant Baby

Musical · 2003

Radiant Baby is a musical about Keith Haring, who was an artist and social activist in New York City. The music was composed by Debra Barsha, with lyrics by Ira Gasman, Stuart Ross, and Debra Barsha. It was based on Keith Haring: The Authorized Biography (1991) by John Gruen. Radiant Baby was partially developed at the 1998 O'Neil Music Theater Conference in Waterford, Connecticut. It had its New York premiere at The Public Theater in a 2003 production directed by George C. Wolfe with Daniel Reichard in the title role. Kate Jennings Grant and Billy Porter also appeared in the New York production.

Raggedy Ann

Musical · 1986

The story, in the Broadway production, was as follows: Young Marcella is suffering from psychological trauma. Her mother ran away with another man, which drove her father to drink. Her dog tried to eat her pet bird, which killed them both ("Gingham and Yarn"). In Marcella's bedroom, a trio of doctors give differing but equally dire warnings regarding the youngster's ailments until Poppa throws them out. Lightening the mood, Poppa presents her with a doll that he created, which he names Raggedy Ann. Marcella complains that she has no heart, so Poppa pulls a candy heart from a box and stitches it onto the doll. He sings his daughter a lullaby, claiming that her toys spring to life when she's asleep ("Carry On"). Marcella's bed whirls around, and out from the covers pops Raggedy Ann. The girl says she's dying, and the trio of doctors emerge from beneath the mattress to corroborate her story ("Diagnosis"). Raggedy Ann shouts them off and urges Marcella to get out of bed, revealing that this is a dream, so she can do anything she wants. The rag dolly calls for help from her friends: Raggedy Andy, Baby, and Panda, who emerge from the toy box one by one ("The Light"). Andy is curious as to what's behind the closet door, so he opens it despite Marcella's pleas. General D. emerges with his cronies, the sexy Bat and the roguish Wolf. He says that he's enlisting recruits for his Army of the Dead and thinks Raggedy Ann is the one he's looking for, but she argues that she's only "Make Believe". The General learns that Marcella is dying, so he declares that he'll be back to collect her at 6 a.m. Suddenly, Marcella and the toys find themselves at the Miami shipyard, where old toys go to die. The doctors appear and drop the Camel behind a chain-link fence ("Diagnosis (Reprise)"). The animal tells the toys that he's all alone and "Blue". Raggedy Ann suggests that they should head to Los Angeles to visit the Doll Doctor. Andy leads them in transforming the bed into a boat, and they set sail ("Make Believe Reprise"). A giant hand sporting a thumb ring attempts to drag the boat down to Davy Jones' Locker, so the toys begin flapping the bed's blankets like wings and rise into the heavens ("Something in the Air"/"So Beautiful"). Along the way, Marcella reunites with her pet bird ("A Heavenly Chorus") and her parents ("The Shooting Star"). The Rat in the Rolls-Royce, representing the man her mother ran away with, jumps out to steal Mommy away, so Poppa punches him out, and the couple agree to remarry ("The Wedding"). Marcella says that she's tired of pointless stories and walks off, which fills Raggedy Ann with self-doubt, though the rag doll refuses to give up ("Rag Dolly"). Bat gnaws through the rope tethering them to the clouds, and the boat plunges from the sky. Marcella and the dolls land on the roof of a meatpacking plant in Omaha and have only four hours left to get to the Doll Doctor. Bat talks Raggedy Andy into handing over the map ("You'll Love It"). General D. arrives and commands Marcella to look at his opal thumb ring. He states his intention to make Marcella his queen. The toys lull the General and his cronies to sleep ("Would You Like a Little Music?") and steal the ring. The melody fills the Camel with such spirit that he's able to soar on the wings of the song, so everyone grabs on, and they float away. The General awakens and orders Bat to follow them, but Bat refuses, so the General throws her down a chimney and sends Wolf to find the dolls instead. The toys find themselves separated in the Grisley Woods National Park and frantically search for one another through a maze of trees littered with skeletons with glowing red eyes ("Gone"). They meet the Witch, dressed like a 1920s flapper ("Why Not?"). The Witch pulls a bundle of clothesline from her bag and tries to fashion a noose. Raggedy Ann tells the Witch that it's a terrible idea to kill herself, and the Witch reflects on the life that she gave up ("What Did I Lose"/"Somewhere"). The Witch reveals that she had a daughter named Marcella and comes to realize that the young lady standing before her is her child. They have a tearful reunion, which is interrupted by the arrival of Wolf. Bitter toward his master for killing Bat, he allows Marcella to escape but pursues the Witch into the woods. The toys arrive at the Doll Hospital ("Welcome to L.A."), but the doctors are revealed to be the same "quacks" as before ("Diagnosis (Reprise)") and tell them the Doll Doctor is dead. Panda suggests looking into the ring, where they see the head doctor alive and chained up. General D. emerges from the cellar and declares that this is his field hospital for the terminally wounded ("I Come Riding"). He becomes curious about the heart on Raggedy Ann's apron, but upon touching it, he collapses, crying that he's been poisoned by love. They tie up the General, swipe his keys, and head downstairs. He vows that he'll get loose. In the dungeon, the Doll Doctor examines Marcella, declaring that the "chick" has a broken heart. Upon hearing her father's pet name for her, Marcella realizes that the Doll Doctor is actually Poppa. Poppa says that a heart transplant is the only thing that can save her, but those haven't been invented yet, so he suggests a candy heart. Just as the General bursts in to collect Marcella, Raggedy Ann sacrifices her own candy heart, which she coerces the girl to eat ("The Light (Reprise)"). Raggedy Ann then leaves with the General, who is satisfied he was right all along. Back in her bedroom, a now-healthy Marcella tells Poppa of her adventure, and he offers to sew a new heart on Raggedy Ann's chest ("Gingham and Yarn Reprise").

Ragtime

Musical · 2023

Narration by J. P. Morgan, Henry Ford, Booker T. Washington, Emma Goldman, Harry Houdini, and Evelyn Nesbit connects three families: an upper-class White family from New Rochelle – Little Boy (Edgar), his Father (who runs a fireworks factory), Mother, Mother's Younger Brother, and Grandfather; a Black couple from Harlem in New York City – Sarah, who adores the pianist Coalhouse Walker Jr.; and Jewish immigrants from Europe on the Lower East Side – Latvian artist Tateh and his young daughter (“Prologue: Ragtime”). As Father leaves on Robert Peary's 1909 expedition to the North Pole, he asks Mother to oversee his affairs and assures her that nothing will change in his absence, but Mother feels adrift without her husband to guide her (“Goodbye, My Love”). A "rag ship" arrives, carrying a hopeful Tateh and his Little Girl to America, while Mother wishes Father safe passage (“Journey On”). Meanwhile, Mother's Younger Brother, an intense and awkward young man yearning for purpose who works at Father's fireworks factory, attends the vaudeville act of Evelyn Nesbit, a young woman who became famous after her wealthy lover Stanford White was killed by her millionaire husband Harry K. Thaw (“Crime of the Century”). After her show ends, Younger Brother confesses his love to Evelyn. She kisses him, but only for the benefit of a press photographer, then cheerfully rejects him afterward. At home in New Rochelle, Mother discovers a still-living newborn Black baby, partly buried alive in her garden. The police arrive with Sarah, the baby's mother. Pitying her, Mother takes responsibility for Sarah and her child. Brother thanks her. Surprised at herself, she remarks that her husband would never have allowed her to make such a decision (“What Kind of Woman”). At Ellis Island, the immigrants arrive (“A Shtetl Iz Amereke”). Tateh eagerly begins his new life, drawing silhouettes and selling them on the street. He and Little Girl quickly descend into poverty. Emma attempts to get him to join the Socialist movement, but he refuses. A wealthy man even offers to purchase Little Girl, whom Tateh now keeps on a leash for safety. Inspired by immigrant magician Harry Houdini, Tateh resolves to begin again somewhere else (“Success”). In Harlem, Coalhouse, a popular pianist, informs his audience that he's finally found his lost love, Sarah, and is going to win her back (“His Name Was Coalhouse”/“Gettin' Ready Rag”). He then purchases a Model T while Henry Ford and his workers glorify industry (“Henry Ford”). Tateh and Little Girl leave for Boston; en route, they meet Mother and Edgar in New Rochelle and politely make conversation (“Nothing Like the City”). At Mother's home, Sarah explains her desperate actions to her baby (“Your Daddy's Son”). Also en route to New Rochelle, Coalhouse is harassed by a racist fire squad led by Chief Willie Conklin, who taunt him for driving his own car. He arrives at Mother's house, where he has heard a Black woman is living. He is stunned to learn of the baby's existence, and when Sarah refuses to see him, he returns weekly (“The Courtship”) until Mother invites him inside. Grandfather asks Coalhouse to play a minstrel song on the parlor piano; instead, Coalhouse plays a ragtime song. Father returns home while Coalhouse is playing, and is stunned by the changes to his family's life, while Mother and Younger Brother are proud of her choices. Eventually, Sarah reconciles with Coalhouse (“New Music”). The two go on an idyllic picnic where, inspired by the words of Booker T. Washington, he dreams of a just, future America that their son will grow up in (“Wheels of a Dream”). At a worker's hall, Younger Brother hears Emma speak passionately about a textile mills strike in Lawrence, Massachusetts, where Tateh and his daughter are among those targeted by federal troops and strikebreakers. Younger Brother imagines that Emma is speaking directly to him (“The Night That Goldman Spoke at Union Square”). Emma is arrested, prompting a riot that mirrors the chaos in Lawrence, where Tateh is beaten by a policeman. He and Little Girl escape Lawrence on a train; he gives his daughter a flip book of moving silhouettes to calm her. The train conductor offers to buy the book, and Tateh, hurriedly dubbing it a "movie-book", sells it for a dollar. Tateh realizes that "movie-books" may be a route out of poverty (“Gliding”). Returning to New Rochelle, Coalhouse and Sarah are stopped by Conklin and the fire squad, who demand a fictitious toll; Coalhouse refuses. A lecture by Washington on patience and dignity is juxtaposed against the white firemen's destruction of Coalhouse's new Model T (“The Trashing of the Car”). Coalhouse vows legal action (“Justice”), postponing his marriage to Sarah until he gets justice. Sarah goes to a campaign rally nearby to ask for help from the vice-presidential candidate; as she approaches, J. P. Morgan shouts, "She's got a gun!" and Sarah is beaten to death by the Secret Service (“President”). At her funeral, Black mourners demand an end to such injustice and pray for true equality. Mother, Father, Younger Brother, Tateh and Emma look on as Coalhouse weeps at Sarah's grave (“Till We Reach That Day”). Edgar wakes up screaming from a nightmare in which Houdini attempts a daring escape after being locked in a dynamite-laden box by Willie Conklin ("Harry Houdini, Master Escapist"). This dream proves prophetic: news arrives that a volunteer firehouse has been bombed. Coalhouse has vowed to get justice on his own terms (“Coalhouse's Soliloquy”) and now terrorizes New Rochelle while demanding his car be restored to him and that Conklin be delivered to him. Washington condemns Coalhouse's actions (“Coalhouse Demands”). In the chaos, Mother retains custody of Sarah and Coalhouse's baby. Father blames her for bringing this turmoil into their lives, but Younger Brother lambastes him for his blindness and storms out of the house. Mother grows increasingly offended by her husband's ignorant outlook. Father, to distract Edgar from the unrest, takes his son to a baseball game, but feels alienated from the raucous, working-class crowd, and begins to realize that his genteel way of life is passing (“What a Game”). Coalhouse's campaign continues (“Fire in the City”), and so Father decides to temporarily move the family to Atlantic City. In Atlantic City, Evelyn's career is on the downslide and Houdini has become intrigued by the supernatural and the afterlife following the death of his mother (“Atlantic City”). Edgar cryptically shouts "Warn the Duke!" to Houdini. Mother encounters Tateh again, not recognizing him from their brief meeting months ago; now a wealthy filmmaker, he has re-invented himself as "the Baron Ashkenazy" and is directing a silent movie in Atlantic City (“Buffalo Nickel Photoplay, Inc.”). Edgar and Little Girl soon become fast friends, prompting Mother and Tateh to become friends as well; eventually, Tateh reveals who he is, and they grow even closer (“Our Children”). Back in Harlem, Younger Brother seeks out Coalhouse but is repeatedly turned away until Coalhouse is convinced that he can be trusted. Coalhouse has banished music from his life but watches a carefree young couple ("Harlem Nightclub") and recalls meeting Sarah (“Sarah Brown Eyes”). Younger Brother meets with him but is inarticulate and nervous: his profound thoughts, narrated to the audience by Emma, stand in contrast to the only phrase he can muster: "I know how to blow things up." (“He Wanted to Say”). With Younger Brother's help, Coalhouse and his men take over Morgan's magnificent library in the heart of New York City, threatening to blow it up. Father is summoned to help reason with Coalhouse. Before he goes, he assures Mother that everything will soon return to the way it was, but Mother knows such hopes are naive (“Back to Before”). Meeting with the police, Father devises a mediation strategy involving Washington, whom Coalhouse allows to enter the library. Washington, invoking the violent legacy Coalhouse is leaving his son, works out a deal with Coalhouse. Younger Brother is enraged at Coalhouse's abandonment of their cause (“Look What You've Done”). Washington leaves and Father enters the library as a hostage. There, he finally realizes the profundity of society's troubles while seeing Coalhouse convince Younger Brother and his men that violence cannot solve injustice. Coalhouse exhorts them to fight through the power of their words (“Make Them Hear You”). Coalhouse's sacrifice and oratory convince Younger Brother and the men to leave while Father tells Coalhouse about his son. Coalhouse thanks Father for his kindness. Once he leaves the library, Coalhouse is shot dead by the police. Edgar appears to introduce the Epilogue. Younger Brother departs for Mexico to fight for Emiliano Zapata. Emma is arrested and deported. Washington establishes the Tuskegee Institute, while Evelyn fades into obscurity. Houdini realizes upon the assassination of Archduke Franz Ferdinand that Edgar's shout of "Warn the Duke!" was a true mystical experience. Father dies aboard the RMS Lusitania; after a year of mourning, Mother marries Tateh, adopts Coalhouse and Sarah's son, and moves to California. Tateh is struck by an idea for a film series centering on a diverse group of children banding together. The ghosts of Coalhouse and Sarah watch their son grow up (“Epilogue: Ragtime/Wheels of a Dream: Reprise”).

Raisin

Musical · 1973

In Chicago in 1951, an African-American family – Ruth Younger, her husband Walter Lee Younger, their son Travis, and Walter's mother Mama Lena – are living in a cramped apartment. Walter is a chauffeur but thinks that his father's life insurance policy proceeds will buy a way to a better life. He plans on buying a liquor store, but his mother is against the selling of liquor. Tensions arise as Walter tries to convince Mama Lena to forget her dream of buying the family its own small house ("A Whole Lotta Sunlight"). Walter decides to make the deal for the liquor store and signs the papers with his partners Bobo Jones and Willie Harris. Beneatha, Walter's sister, is in college and is romantically involved with an African exchange student, Asagai. When Walter comes home drunk he joins Beneatha in a celebratory dance, picturing himself as a chieftain ("African Dance"). Ruth and Walter fight about their future but they reconcile ("Sweet Time"). Mama arrives to announce that she has bought a house in the white neighborhood of Clybourne Park, and Walter leaves in anger ("You Done Right"). Walter has not returned home and Mama finds him in a bar. She apologizes and gives him an envelope filled with money. She asks him to deposit $3,000 for Beneatha's college education, and tells him the rest is for him. As the family packs to move, a representative of Clybourne Park, Karl Lindner, arrives and offers to buy back the house. Walter, Ruth and Beneatha mockingly tell Mama of the enlightened attitude of their new neighbors. Just then Bobo arrives to tell the family the bad news that Willie has run off with the money. This forces Walter to contact Lindner and accept the offer to buy back the house. Although Beneatha berates her brother for not standing up for principles, Mama shows compassion and understanding ("Measure the Valleys"). When Lindner arrives, Walter announces that the family will, after all, move to the new house.

Rap Master Ronnie

Musical · 1984

Rap Master Ronnie is the name of several musical comedies developed by Garry Trudeau and Elizabeth Swados throughout the 1980s, including a 1984 off-Broadway "partisan revue," a music video, and a made for TV movie starring The Smothers Brothers, Carol Kane, and Jon Cryer. The shows all share the same basic structure of a faux campaign ad for Ronald Reagan, satirizing his social policies, particularly those regarding drugs and minorities. The shows received largely mixed reviews.

Re-Animator the Musical

Musical · 2011

Medical student Herbert West develops a glowing green serum that brings the dead back to life to catastrophic results. After the mysterious death of his mentor Dr. Gruber in Switzerland, West transfers to Miskatonic University in Arkham, Mass. to continue his studies. West enlists his friend Dan Cain to help him with his experiments, much to the chagrin of Dan's fiancée Megan Halsey, daughter of the dean of the medical school. Dr. Carl Hill tries to steal the re-agent and West beheads him and then brings him back to life.

Real Women Have Curves

Musical · 2023

In Boyle Heights, Los Angeles, in 1987, recent high school graduate Ana García is accepted to Columbia University. Ana struggles to balance her dream of going to college with family duty and a tough economic situation. Ana conceals the news from her father Raúl and her mother Carmen. Initially, Carmen resists the idea in favor of Ana helping her sister Estela, who oversees a textile factory and needs to manufacture 200 dresses in three weeks. The factory experiences several challenges including an immigration raid next door and the deportation of Itzel, one of their employees. Ana wants to both keep her family together and resolve their precarious finances. Ana accepts an internship at a newspaper, where she meets another intern named Henry. The two interns form a romance, with Henry disregarding Ana's self-deprecation. Ana juggles the newspaper internship with her factory job; in the end, she ultimately decides to go to Columbia University.

Red Hot and Blue

Musical · 1936

Nails O'Reilly Duquesne is a newly wealthy young widow. Loud and brassy, Nails is a former manicurist. She organizes a benefit for her favorite cause, the rehabilitation of ex-convicts. Together with her sidekick (an "ex-con" himself), Policy Pinkle, and her "square" boyfriend, lawyer Bob Hale, she embarks on a nationwide search for Bob's old girlfriend, which is really the reason for the enterprise. The girlfriend, 18 years earlier, had sat upon a hot waffle iron and so had a unique "imprint". However, the national lottery that Nails starts gets the attention of the Finance Committee, and they wind up in Washington DC in an even more complicated situation. The Supreme Court declares the lottery unconstitutional, because it would benefit the people.

Red Pepper

Musical · 1921

At a racetrack in Havana, Cuba, Juniper Berry and Jimpson Weed conspire to get rich quick by influencing the outcome of an impending horse race. They bet against the favored winner, the thoroughbred horse Red Pepper, with the intent of drugging the horse to prevent it from winning the race. Their plans get sidetracked and several side adventures occur. The pair follow the horse to Arizona and then Georgia in the hopes of successfully implementing their scheme.

Reefer Madness

Musical · 1998

This synopsis reflects the current version of the show as licensed. For information about other versions of the show, and cut songs, see below. The year is 1936. As the play opens, the Lecturer, a stern, conservative authority figure, informs a group of parents (the audience) of the new drug menace, "marihuana", which threatens the American way of life. (His warnings are reinforced by the Placard Girl, who throughout the play holds up large signs that clearly state scenes' moral lessons.) From his podium, the Lecturer warns the audience that action must be taken immediately before the children of America succumb to the Demon Weed ("Reefer Madness"). The Lecturer illustrates his point by re-enacting "the Harper Affair", which he claims is a true and horrific scandal. He begins by introducing us to Jimmy Harper and Mary Lane, a lovable pair of wholesome teens who hold hands, sip hot cocoa, and think pure thoughts while studying Shakespeare for English class ("Romeo and Juliet"). The Lecturer then shows us the seamier side of life at the Reefer Den, populated by drug-addled denizens. We meet Mae, the Reefer Den hostess, who is abused by her slick, pusher boyfriend Jack. She'd leave him, but Jack keeps her supplied with the marijuana she craves ("The Stuff"), despite his physical and sexual abuse. The Lecturer brings us now to the five and dime, a local teen hangout where wholesome kids indulge in the risqué rhythms of swing-jazz music, as performed by Duke Ellington, Dizzy Gillespie, and other "ginger-colored agents of evil" ("Down at the Ol' Five and Dime"). The Lecturer assumes the guise of kindly Mr. Poppy, the singing and dancing proprietor. Jack, trawling for youthful victims, arrives at the five and dime, where he meets Jimmy and lures him back to the Reefer Den under the pretense of offering him swing dancing lessons. There, Jimmy encounters Ralph, a psychotic ex-college student who communicates primarily with cackling, maniacal laughter. He also meets Sally, a marijuana-addicted prostitute who works to support herself and her baby. Jimmy is pressured into taking his first hit of marijuana ("Jimmy Takes a Hit") and tastes the forbidden fruits of sensual abandon in a wild hallucinatory dance sequence featuring weird sex, belly dancers, fire eaters, and Goat-Man, a frightening satyr played by the Lecturer ("The Orgy"). Over the next few weeks, we watch Jimmy make a terrifying transition from "good egg" to "bad apple". He mouths off to his parents, brutalizes a puppy, and even attempts to tongue-kiss a shocked Mary, sending her running off in tears. Alone in church, Mary prays that her sweetheart will regain his senses and return to her ("Lonely Pew"). Later, Jimmy and Ralph break into the church to steal from the poor box. While Ralph goes off to smoke some frankincense, Jimmy receives a vision of Jesus Christ! Jesus (played by Jack) warns Jimmy (in a Tom Jones-style production number) to kick his reefer habit or suffer eternal damnation ("Listen to Jesus, Jimmy"), but Jimmy ultimately refuses to heed Jesus's warning. Back at the Reefer Den, Jimmy is completely out of control. A desperate Mae warns Jimmy to avoid her own mistakes – he must escape the Reefer Den while he is still able. The drug-addled Jimmy won't listen. Even the revelation that Sally has sold her baby for drug money fails to snap him out of it. Sally's baby (played by Ralph) appears and sings a plaintive solo ("Lullaby"). Jimmy's misbehavior culminates with his stealing Mary's Packard and taking it for a reckless, marijuana-induced joyride with Sally. His joy, however, proves short-lived – Sally, who is driving, runs over a helpless old man crossing the street, killing him. Finally regaining his senses, Jimmy returns the stolen Packard to Mary's house and apologizes to her, pledging his love ("Mary Jane/Mary Lane".) Before he can give her his school ring as a token of his undying love, a siren sounds in the distance. Jimmy, now wanted for a hit-and-run, realizes that he must get far away from Mary lest he bring her down with him. He runs off into the night with no explanation. Mary doesn't know the exact nature of Jimmy's demons, but she vows he will not face them alone. She drives her Packard into the night in search of "her poor lost Romeo". Meanwhile, back at the Reefer Den, Jack and Mae hear a radio broadcast announcing the hit-and-run accident. Police are looking for a young man in a late-model Packard. Jack, fearing Jimmy will be arrested and lead the cops back to him, grabs a pistol and ominously vows to bring Jimmy back to the Reefer Den "one way or another" ("Act I Finale"). As the act begins, hallucinatory visions of Ralph, Sally and Mae appear as Jazz Trio Backup Girls ("Jimmy on the Lam"). The Lecturer brings us up to date – Jimmy's on the lam and Mary's "combing the rain-spattered streets in search of her wayward young man." Jimmy arrives at the local train station and attempts to purchase a one-way ticket for "Parts Unknown". Before Jimmy can board the train, Jack appears and tries to convince Jimmy to return to the Reefer Den with him. Jimmy refuses; he promised himself he'd never smoke marijuana again. Jack tricks Jimmy by offering him a seemingly innocent brownie. Jimmy thinks this is the best brownie he's ever eaten in his life. The train station patrons join him in a song extolling the many virtues of said brownie ("The Brownie Song"). Jimmy is hooked once again. Meanwhile, Mary makes inquiries at the five and dime. Kindly Mr. Poppy provides Mary with the address of the Reefer Den. The naive Mary leaves, grateful for Mr. Poppy's assistance. As soon as Mary is out of earshot, Mr. Poppy telephones the Reefer Den and tells Ralph to inform Jack that an unsuspecting new "client" is on her way over. We learn that Mr. Poppy is secretly on Jack's payroll. He helps Jack "trundle little children off to pay the wages of sin" ("Five and Dime" reprise). Back at the Reefer Den, Sally drags Jimmy upstairs for a weed-whacked sexual liaison. When Mary arrives looking for Jimmy, the lecherous Ralph is lying in wait. He tries to seduce Mary by tricking her into smoking marijuana herself ("Little Mary Sunshine"). The plan backfires – the power of the weed is so great, it immediately transforms the virginal Mary into a whip-cracking sadomasochist who enslaves the frightened Ralph. Upon discovering Mary and Ralph in a compromising position, a smoke-addled Jimmy attacks Ralph. A scuffle ensues. Jimmy is knocked unconscious and Jack accidentally shoots Mary through the heart. The villainous Jack places the gun in the unconscious Jimmy's hand. Jimmy, who remembers nothing, is convinced that he has murdered his beloved "Juliet". Mary regains consciousness long enough for Jimmy to finally give her his school ring. She dies in his arms ("Mary's Death"). As the police pull up in front of the house, Mae tells Jimmy that he's innocent of the crime and that Jack is planning to frame him. A police inspector (played by the Lecturer) bursts in. Jack accuses Jimmy of murdering Mary while "hopped up" on reefer. Jimmy begs Mae to tell the truth and exonerate him. Mae, however, is too weak and too dependent on the "stuff" Jack gives her. She remains silent and Jimmy is dragged away to stand trial. A few weeks later. Ralph, Mae, and Sally are racked with guilt as they listen to Winchell announce Jimmy Harper's conviction and death sentence. Ralph, who has been smoking non-stop, is becoming seriously unhinged. He sees hallucinatory visions: the ghost of doomed Jimmy, dead Mary in Hell being sodomized by the Devil, and the zombie remnants of all the kids destroyed by reefer. Imaginary reefer vines drop from the ceiling, ensnaring him. All the while, Ralph, stricken with a severe case of the munchies, moans about starving to death. Fearing that Ralph's insane caterwauling will prompt a neighbor to call the cops, Jack and Mae leave to get Ralph something to eat. Sally is instructed to remain behind and keep Ralph quiet. When Jack and Mae return with Chinese food, they catch Ralph in the act of gnawing on Sally's severed arm – he has eaten Sally alive! Ralph, now a cackling reefer-fueled cannibal, turns on Mae and Jack. Jack shoots Ralph repeatedly. He dies laughing. The shock of all this causes Mae's mind to snap – she's surrounded by the angry visions of Ralph, Sally, Mary, Goat-Man, Jimmy, and the Zombies ("Murder!"). Jack warns the unhinged Mae that the world is kill or be killed; "the winner is the last one left alive." Mae decides the only way to find inner peace is to turn herself in and save Jimmy from the electric chair. Jack tries to bring Mae back to her senses in his usual fashion – by giving her a smoke. Mae stubs it out. An angry Jack slaps her for wasting "half a jay of good mootah". Mae reacts with cold fury and picks up a hoe from the victory garden. Frightened by Mae's intensity, Jack tries to shoot her – alas, he expended all his bullets on Ralph! Mae sings as she slashes Jack with the garden hoe, avenging the deaths of Sally, Ralph, Mary, and every other poor kid Jack has ever hooked on marijuana ("The Stuff" reprise). Fountains of blood spray over the stage. Finally, Mae runs off to save Jimmy. Meanwhile, in an execution chamber, Jimmy walks the last mile and is strapped into the electric chair. Just as the Switch-Puller (played by Ralph) prepares to fry Jimmy, he is interrupted by a second visit from Jesus and his backup angels! They sing and dance ("Listen to Jesus, Jimmy" reprise). Jimmy's immense relief is short-lived. It turns out Jesus has only come to gloat and watch the execution. Jimmy prepares to meet his fate – when a second interruption occurs. This time it is Mae who has obtained a presidential pardon. President FDR (played by the Lecturer) orders Jimmy to warn other children to beware the dangers of reefer. The President promises Jimmy plenty of help getting the message out.

Return to the Forbidden Planet

Musical · 1983

The bosun of the starship Albatross welcomes the audience as passengers aboard a routine survey flight, departing momentarily under the command of Captain Tempest. After takeoff, Captain Tempest converses with the ship's new Science Officer, who is a woman, and they argue about the importance of men and women on earth. During their argument, the ship gets caught in a meteor shower. The Science Officer suggests that they use the shuttle craft and abandon ship, but Captain Tempest insists on flying through the storm. During the confusion, the Science Officer escapes the ship via shuttle craft. Their spaceship is drawn mysteriously to the planet D'Illyria where the crew meet mad scientist Doctor Prospero, who has been marooned on the planet since his wife and science partner Gloria sent him and their daughter Miranda into space. Doctor Prospero offers to help repair the broken starship and he, his daughter, and their robot Ariel come aboard. The ship's cook, Cookie, is instantly taken by Miranda's beauty and falls in love with her, a love he thinks she returns. In fact she has fallen in love with Captain Tempest, against the will of her father. During discussions about locating the missing Science Officer, Ariel reveals information about Doctor Prospero's new formula 'X Factor’, which can enhance the brain and mind. After an argument with his daughter over her love for the captain, Doctor Prospero takes the draught of 'X Factor'. Soon afterwards, the ship is attacked by a foul monster, but during the attack it is revealed that Ariel is in the airlock with the missing Science Officer. To save them both, Captain Tempest orders the airlock opened, which allows the monster to gain access to the ship. During the confusion of the attack it is revealed that the Science Officer is Doctor Prospero's wife Gloria, who is then taken by the monster, as its tentacles attack the rest of the ship. The story continues with the attack unfolding again, but this time Gloria isn't kidnapped by the monster, and Ariel the robot is able to attack the monster to make it retreat. After the attack, more is revealed about Doctor Prospero and Gloria's past. Captain Tempest puts Gloria under ship arrest for her crimes against her husband. She forms a quick alliance with Cookie, whom she persuades to release her and help steal the recipe for Doctor Prospero's 'X Factor' in exchange for helping him win over Miranda's heart. Gloria talks to Cookie, as Bosun, the ship's First Mate, talks to Captain Tempest about how to gain the love of Miranda. When the monster returns, it is revealed that it is created by Doctor Prospero's mind due to his having taken the 'X Factor'. Gloria tells Doctor Prospero that what she did to him was so that he could keep himself and their daughter safe from the 'X Factor'. Doctor Prospero has no choice but to leave the ship and sacrifice himself to save the others. Once Doctor Prospero has left, it is then revealed that D'Illyria is nothing other than a figment of Doctor Prospero's imagination, as it starts to destroy itself once the doctor has died. The ship escapes. Once again in space Gloria blesses the union of Miranda and Captain Tempest, and Cookie is pardoned for his behaviour towards Miranda and Captain Tempest. The show ends with the crew safe and well with their Science Officer back and Captain Tempest with a new bride.

Ride the Cyclone

Musical · 2009

A mysterious, headless girl in a school uniform sings about an unending dream-like state ("Dream of Life"). The Amazing Karnak, a mechanical fortune teller, introduces himself as the show's narrator and explains that he is able to predict the exact moment and cause of a person's death; however, the carnival in which he operates set him to "Family Fun Novelty Mode," rendering him only able to repeat vague predictions and fairground advertising. Karnak reveals that a rat— whom he has named Virgil— has been gradually chewing through his power cable and will soon kill them both. "As there is nothing more base than death," Virgil is enlisted to play the bass. Karnak conjures the memory of five teenagers from the Saint Cassian Chamber Choir, who will soon die in a crash on a malfunctioning rollercoaster, The Cyclone ("Uranium"). As they derail, the teens lament their lives in Uranium City, a once-boomtown that declined drastically with the closure of its uranium mines ("Minor Turn"). Guilty over his inability to prevent their deaths, Karnak has summoned the teens' spirits, allowing them to compete for a chance to return to life. Karnak reads a prophecy: "The one who wants to win it the most shall redeem the loser in order to complete the whole." Karnak announces the presence of a mystery contestant. The headless character who opened the show arrives, revealed to be another victim of the crash. Since no family came to claim her body and Karnak never read her fortune, her identity is unknown, so she goes by the name given to her by the coroner: "Jane Doe" ("Jane Doe's Entrance"). Jane has replaced her head with that of a doll, whose body she carries around with her. Though Jane's appearance disturbs the others, the competition begins. The first contestant is Ocean O'Connell Rosenberg, an overachieving perfectionist who grew up among "far-left-of-center humanists" ("Ocean's Bumper"). She attempts to convince Karnak that she is the worthiest of life compared to the others, as she has the highest chance of succeeding in the world ("What the World Needs"). To Ocean's dismay, Karnak reveals that the choice will be made by group consensus. Though she clumsily attempts to take back her words, the others, including her best friend Constance Blackwood, are extremely offended by her social Darwinist rant ("I Love You Guys"). The next contestant is Noel Gruber, the only gay boy in Uranium and "an aspiring poet laureate" who was stuck working at Taco Bell ("Noel's Bumper"). He sings about his desire to live the tragic, loveless life of his alter ego, French prostitute "Monique Gibeau" (inspired by Marlene Dietrich in The Blue Angel), who dies of typhoid flu at the end of the song ("That Fucked Up Girl (Noel's Lament)"). Ocean expresses annoyance that Noel's song did not have a moral ("Every Story's Got a Lesson") and enlists Constance to help her perform one of their anti-drug improv PSA's, which Ocean has scripted in advance. When Constance tries to ad-lib, Ocean scolds her. The third contestant is Mischa Bachinski, a Ukrainian adoptee who immigrated to Canada when his mother, dying from radiation poisoning while on a Chernobyl disaster clean-up crew, put him up for adoption and lied about his age. To cope with the isolating treatment he received from his adoptive parents, Mischa turned to "self-aggrandizing commercialized hip-hop," posting his own original raps to YouTube under the name "Bad Egg" ("Mischa's Bumper"). His song begins as an autotune gangsta rap track ("This Song Is Awesome") before transitioning into a passionate love ballad about his online fiancée whom he met through his YouTube comment section ("Talia"), after which he breaks down in tears, falling into Noel's arms. Ocean unsuccessfully tries to regain favor with the class, lamenting that they "all died virgins." Karnak prompts Constance to go next, calling it a "perfect segue," but she refuses. The fourth contestant is Ricky Potts, a socially awkward boy who witnessed the killing of his Pentecostal pastor father by their pet viper JoJo, causing him to become mute. Neglected by his family and desperate to combat his loneliness in life, Ricky spent his free time retreating into elaborate science fiction fantasies based on a childhood spent with his fourteen cats, imagining himself as the intergalactic savior of a race of anthropomorphic "sexy cat women" from a distant planet ("Ricky's Bumper / Space Age Bachelor Man"). Rather than singing about her hopes and dreams, Jane Doe sings about her despair. Though she was presumed to be a member of the choir because of her uniform, her identity remained unknown following the stress-induced death of their choir director later that day. Her spirit has no memory of her life ("Jane Doe's Bumper" and "The Ballad of Jane Doe"). After hearing Jane's tale, the choir holds a makeshift birthday party for her. When they realize the traditional song would require Jane to have a name, Ocean leads the class in making something new ("The New Birthday Song"). Ricky bonds with Jane by naming her Savannah, one of the names he had been "saving up" in life, while Noel and Mischa connect over seeing each other as they want to be seen. Meanwhile, Ocean goads Constance into voting for her, while also admitting that she refuses to vote for anyone other than herself. Constance, fed up with Ocean's conceited behavior, finally stands up for herself by punching Ocean in the breast. Finally taking her turn ("Constance's Bumper"), Constance reveals that three hours before the accident, she had lost her virginity to a 32-year-old carny in a port-o-potty, which she admits was an act of self-loathing. Frustrated with her image as the "nicest girl in town," Constance confesses that she spent much of her life resenting her parents, who lived and worked in Uranium their entire lives, but finally learned to appreciate the simple joys in life the moment the rollercoaster derailed ("Jawbreaker / Sugar Cloud"). Ocean apologizes to Constance. Karnak suddenly changes the rules, asserting that Ocean alone will make the deciding vote as she has the highest grade point average. Recalling Karnak's prophecy, Ocean refuses to vote for herself and realizes that Jane is the only one without memories to take to the afterlife with her, lamenting that while the teenagers died young, they at least had the chance to enjoy life. The choir supports Ocean's decision, and Jane is sent back to the Other Side. Karnak reveals her true name: Penny Lamb. A home movie compilation of Penny's life from birth to old age is played as the choir watches on ("It's Not a Game"). Virgil finally tears through the rubber, killing Karnak before he can give his final piece of insight. As he loses power, he reverts to the message he gave the choir just prior to their deaths: "Your lucky number is seven. You will soar to great heights. Be sure to ride the Cyclone." Somewhere outside of limbo, the remaining teens unite and sing an uplifting song ("It's Just a Ride"). The voice of Jane Doe echoes her opening song as the teens travel toward whatever comes next.

Right This Way

Musical · 1938

Right This Way is a Broadway production that opened at the 46th Street Theatre on January 5, 1938, and ran for fifteen performances. It was categorized as an original musical comedy and was set in Paris and Boston. It starred Joe E. Lewis as Spaulding, Leonard Elliott as Bomboski, and Leona Stephens as Lissa. The interpolated song "I'll Be Seeing You", written by Irving Kahal and Sammy Fain, was featured in the production and has since been recognized as a jazz standard, covered by many musicians.

Rio Rita

Musical · 1927

Setting: Mexico and Texas The captain of the Texas Rangers, Jim Stewart, is in San Lucar Mexico on the Rio Grande, in disguise in order to catch the notorious bandit Kinkajou. While there, he falls in love with Rita Ferguson, an Irish-American-Mexican girl who sings in the local hotel after being displaced, along with her brother, from her family ranch. General Esteban, the Governor of the San Lucar District, also loves Rita and hates all gringos. He hatches a plot to set Jim and Rita at odds by making Rita doubt both her own brother, who may be the Kinkajou, and Jim, who may be spying on her brother through her. Amid all of this intrigue, Chick Bean, a soap salesman, and Dolly, an American cabaret girl, arrive in San Lucar and get married. Unbeknownst to Dolly, Chick also went to Mexico to obtain a quick divorce from his unfaithful first wife, Katie. But then hours after Chick and Dolly are wed, Ed Lovett, a lawyer of dubious reputation, informs Chick that his divorce is not recognized by the U.S. Government. Complications ensue.

Road Show

Musical · 2008

This is a synopsis of the current version of Road Show used since the 2008 Off-Broadway Production. After the 1933 death of Addison Mizner, people who knew him, including his estranged lover Hollis Bessemer, comment on his life and the way he squandered his talents ("Waste"). Addison's younger brother Wilson appears and speaks to Addison, who angrily claims that Wilson was the cause of all his failures. The time shifts to Papa Mizner's death in California at the beginning of the twentieth century. On his deathbed, Papa charges his sons with the task of using their gifts to shape America ("It's In Your Hands Now"), telling them that there's a "road" to follow. Mama Mizner reveals the family's wealth has been eaten away by Papa's long illness and advises the boys to seek gold in Alaska; Addison is reluctant, but goes along with Wilson anyway ("Gold!"). In the Klondike, the brothers share a sleeping bag and reminisce about their childhood ("Brotherly Love"). Wilson leaves to get supplies while Addison works the claim. Wilson is lured into a game of poker. Addison is shocked to discover his brother gambling. Wilson explains his newfound love of taking risks regardless of what's at stake ("The Game"). Wilson stakes their gold claim in a poker game and wins the saloon in which the game is taking place (This episode is fictitious.). A shade of Papa Mizner appears and tells Addison that this was not what he had in mind for his sons. Addison leaves in disgust with his share of Wilson's winnings and travels around the world searching for business opportunities and a sense of purpose ("Addison's Trip"). All of his ventures fail due to bad luck. He is left with nothing but souvenirs that inspire him to take up architecture (so he can design a house in which to show them off). Wilson's businesses in Alaska also have failed, so he comes south to seek his brother's help. Wilson seduces and marries Addison's first client, a rich widow, and fritters away her money on various flashy endeavors, including fixed boxing matches and horse races ("That Was A Year"). Although Wilson's various partners lose money, they remain fond of him because of the verve and energy with which he lives. Even Mama Mizner, who is being looked after by Addison and never receives any visits from Wilson, enjoys reading about Wilson's exploits, saying that she can live through him ("Isn't He Something!"). Only Addison remains uncharmed by Wilson, and when Wilson finally comes back, his resources exhausted, he finds that Mama has died in his absence. Addison angrily throws Wilson out of the house. Learning of rising property interests in Florida ("Land Boom!"), Addison decides to travel to Palm Beach to take advantage of the many rich people settling there who need houses built. (In reality, Mizner went there for his health.) On the train he meets the fictitious Hollis Bessemer, with whom he is smitten instantly. Hollis is the son of a wealthy industrialist, cut off by his father for refusing to enter the family business. His real passion is art, and although he is not talented, he dreams of creating an artist colony in Palm Beach with the help of his aunt, who is staying there in a hotel ("Talent"). Addison shows Hollis's aunt a plan for a house he proposes to build for her. Impressed, she agrees and offers to sponsor Hollis's artist colony. However, Hollis and Addison, now lovers, are too busy designing resort homes for the rich ("You") and enjoying each other's company ("The Best Thing That Ever Has Happened") to follow up on Hollis's original plan. Wilson arrives at Hollis's and Addison's house, destitute and sick ("The Game [Reprise]"). Addison reluctantly takes him in, and when Wilson has recovered, he begins to work on Hollis, persuading him to be a patron to his newest scheme: to build a brand new city in Boca Raton with Wilson as promoter and Addison as chief architect ("Addison's City"). Wilson's con man instincts resurface. He promotes the Boca Raton real estate scheme with increasingly extravagant and eventually fraudulent claims, creating a price bubble ("Boca Raton"). Addison goes along, until it is Hollis who finally puts a stop to the real-estate scheme. He asks Addison to choose between Wilson and him. Addison, brought to a state of desperation, drives Hollis away by claiming he never loved him. Addison also orders Wilson out of his life ("Get Out"), but Wilson insists Addison loves him too much ("Go"). Addison agrees, but still wants him to go. Wilson leaves for good, but not quite, for in the finale (as in the first scene) all the characters leave the stage except for Wilson and Addison. At this point, Wilson realizes that he, too, has died. The brothers bicker half-heartedly, their differences no longer mattering enough to keep them apart. Confronted by their father, they shrug off his criticisms and the brothers set out together on the road to eternity—or, as Wilson calls it, "the greatest opportunity of all". "Sooner or later", he says, "we're bound to get it right."

Roald Dahl's Matilda

Musical · 2010

Mrs. Wormwood gives birth to Matilda, but the new mother is only worried about a ballroom dancing contest she has missed. Similarly shallow, Mr. Wormwood—a used-car salesman and scam artist dismisses the child when he realizes she is a girl ("Miracle"). Five years later, Matilda is an avid reader and lives unhappily with her parents and her older brother Michael. The Wormwoods are oblivious to her genius and frequently mock and verbally abuse her. They prefer to watch TV over reading. Matilda adds some of her mother's peroxide to her father's hair oil, leaving Mr. Wormwood with bright green hair ("Naughty"). At the library, Matilda spends time with the kind librarian Mrs. Phelps and makes up a story about a world famous acrobat and escapologist who cannot have children. Out of despair, the couple decide to put on a show containing a very dangerous act ("Once Upon a Time"). Matilda has her first day at school ("School Song"). Her teacher Miss Honey instantly sees that Matilda is exceptionally intelligent and decides to request that Matilda be moved to the top class ("Pathetic"). However, the child-hating and tyrannical headmistress Miss Trunchbull dismisses Miss Honey's suggestion. Miss Trunchbull explains that Matilda is better off in Miss Honey's class. Miss Trunchbull doesn't feel that Matilda is ready to be in the top class. ("The Hammer") Matilda's father takes out his career frustration on Matilda, so she puts superglue around the rim of his hat. At school, Matilda is told of Miss Trunchbull's cruel punishments, including The Chokey: a tiny cupboard lined with sharp objects in which she locks disobedient children for hours ("The Chokey Chant"). After Matilda meets her best friend Lavender and saves their friend Nigel from Miss Truncbhull when he's accused of putting syrup on her chair, Miss Trunchubll throws their classmate Amanda Thripp over the fence by her hair as punishment for wearing pigtails. Later, Miss Honey meets Mrs. Wormwood and her dance partner Rudolpho. Mrs. Wormwood mocks Matilda's interest in books and intellect ("Loud"). Miss Honey is desperate to help Matilda but feels powerless to do so ("This Little Girl"). Continuing her story, Matilda explains that the escapologist announces that their act is canceled because the acrobat is pregnant, but her sister refuses to cancel the show and refund tickets, and produces a contract legally binding them to perform the act or go to prison ("The Great Day Arrived"). At school, Miss Trunchbull attempts to accuse Matilda of eating a chocolate cake she had been saving, but quickly learns that the student who ate the cake was Bruce Bogtrotter. As punishment, she forces him to eat an entire chocolate cake as the rest of the students watch him, half of them anticipating that he'll eat the entire cake, while the others are doubtful ("Bruce"). Even though Bruce manages to finish the entire cake, Miss Trunchbull still sends him to The Chokey. Mr. Wormwood advises the audience against reading in favour of watching television ("Telly"). Matilda's classmates sing about their hopes for the future ("When I Grow Up"). Matilda tells Mrs. Phelps more of the story of the acrobat and the escapologist. Legally bound by their contract, they perform their act. The acrobat is fatally injured, living just long enough to give birth to a girl. The acrobat asks her husband to take care of their daughter and love her. After giving birth, the acrobat dies from her injuries. The escapologist invites the acrobat's sister to move in and look after his daughter. The girl's aunt is secretly cruel to her niece. The aunt blames the girl for her sister's death ("The Trick Started Well"). Mr. Wormwood is pleased because he tricked his Russian customers ("I'm So Clever"). Matilda scolds him, so he locks her in her bedroom. Matilda continues the story of the acrobat and escapologist's daughter. The aunt locks her in the cellar, where the father finds her crying. Filled with rage, he goes to confront the aunt but is never seen again. He dies off stage and the aunt becomes the girl's legal guardian ("I'm Here"). The next day, Miss Trunchbull forces Miss Honey's class to undergo a gruelling physical education lesson ("The Smell of Rebellion"). Miss Trunchbull bullies the children, then verbally abuses Matilda, but Matilda discovers she can move objects with her mind ("Quiet"). Matilda demonstrates her powers to Miss Honey who tells of her own cruel and abusive aunt, who looked after her as a child after her parents died. When Miss Honey first became a teacher, her aunt produced a bill detailing everything Miss Honey consumed as a child, along with other expenses, and forced her to sign a contract binding her to pay it all back. Desperate to escape, Miss Honey found refuge in an old farm shed ("My House"). Matilda recognizes Miss Honey's scarf from the story of the acrobat and the escapologist which she realizes is the true story of Miss Honey's childhood, and that her wicked aunt is Miss Trunchbull. Miss Trunchbull schemes to punish Lavender for putting a newt in the jug of water she usually drinks from, but her classmates try to intervene. Matilda uses her powers to write on the blackboard posing as the ghost of Miss Honey's father ("Chalk Writing"). Miss Trunchbull runs away and the children celebrate ("Revolting Children"). Miss Honey receives her parents house and money, and she becomes the new headmistress. Matilda can no longer use her powers. The Wormwoods try to escape with Michael and Matilda to Spain but the Russian mafia arrive. Sergei is impressed by Matilda's intellect, and he lets them go ("This Little Girl" reprise). Matilda is allowed to live with Miss Honey as the Wormwoods leave for Spain ("When I Grow Up" (reprise)/"Naughty" (reprise)).

Robert and Elizabeth

Musical · 1964

Robert and Elizabeth is a musical with music by Ron Grainer and book and lyrics by Ronald Millar. The story is based on an unproduced musical titled The Third Kiss by Judge Fred G. Moritt, which in turn was adapted from the play The Barretts of Wimpole Street by Rudolph Besier. It is an operetta-style musical which tells the story of the romance and elopement of poets Robert Browning and Elizabeth Barrett. The original 1964 London production was a success, starring John Clements as Barrett, June Bronhill as Elizabeth and Keith Michell as Robert. Several revivals have followed.

Robin Hood

Musical · 1890

In Nottingham, Robin Hood and his archers win an archery contest, but the Sheriff refuses to recognize Robin’s inheritance and produces forged papers naming Sir Guy the Earl. Maid Marian, disguised as a page, comes to see Guy, whom the Sheriff intends her to marry, but she and Robin fall in love. In Sherwood Forest, the Sheriff is captured by Robin’s men, while Guy arrives with soldiers and overpowers them. Robin’s men later find King Richard, recently returned from the Crusades; the king pardons Robin and restores his land and title. Robin marries Marian, and Annabel is free to marry Allan-A-Dale.

Rock of Ages

Musical · 2005

Lonny Barnett, who serves as the show's narrator, sets up the story: In 1987, an aspiring rocker named Drew Boley works as a busboy in the Hollywood bar/club called the Bourbon Room, owned by Dennis Dupree and assisted by Lonny ("Just Like Paradise/Nothin' But a Good Time"). He falls instantly for a girl, Sherrie Christian, who just arrived from Paola, Kansas, hoping to make it big in acting ("Sister Christian"). Drew convinces Dennis to hire Sherrie as a waitress. A pair of German developers, Hertz Klinemann and his son Franz, persuade the city's mayor to abandon the "sex, drugs and rock-n-roll" lifestyle of the Sunset Strip and introduce "clean living" into the area, much to the anger of the City Planner, Regina ("We Built This City"). When Dennis learns that part of the plan involves demolishing The Bourbon Room, he believes the club can generate more money by having rock star Stacee Jaxx and his band Arsenal, who recently announced their break-up, perform their last show at the Bourbon ("Too Much Time on My Hands"). He calls Stacee and convinces him to play the band's last show in the club where he had begun. As Drew struggles to write new lyrics, Sherrie urges him to go after his dreams ("I Wanna Rock"). Regina begins protesting Hertz and Franz's redevelopment plans ("We're Not Gonna Take It"). Later, after arguing with her parents during a phone call, Sherrie begins to discover feelings for Drew, who supports her dream. Also, Drew, auditioning to open for Arsenal, finds the lyrics he has been searching for and realizes that they have come from his feelings for Sherrie ("More Than Words/Heaven/To Be with You"). After obtaining the opening slot for Arsenal, Drew invites Sherrie to have a picnic in the hills overlooking Los Angeles ("Waiting For a Girl Like You"). There, he suggests that the two are merely friends to calm their nerves, disappointing both of them and ruining the date. Stacee Jaxx arrives at the Bourbon and gives an interview about his life ("Wanted Dead or Alive"). Sherrie is immediately smitten with him, and believing she means nothing to Drew, has sex with Stacee in the men's room ("I Want to Know What Love Is"). While Stacee and Sherrie are copulating, Drew opens for Stacee and Arsenal, not knowing a record producer is in the audience. After their tryst, Stacee tells Dennis to dismiss Sherrie before the concert begins. His guitarist realizes what Stacee did and knocks him out. A record producer, Ja'Keith Gill, in the club was impressed with Drew's performance and suggests he take over for Stacee. He then offers Drew a contract, which he accepts. Sherrie seeks comfort from Drew after she is fired, but having seen her go into the men's room with Stacee, he dismisses her ("Cum on Feel the Noize"). In the midst of these events, Regina continues her protest ("We're Not Gonna Take It [Reprise]"). An upset and unemployed Sherrie meets Justice Charlier, the owner of the nearby Venus Club, which Justice prefers to call a "gentleman's club." She relates to Sherrie's story, saying that many of the small-town girls hoping to hit it big in LA end up making a living as strippers. Grudgingly, Sherrie accepts Justice's offer to work in her club ("Harden My Heart/Shadows of the Night"). As the act closes, everyone is alone – Drew, as a soon-to-be rock star; Sherrie, fending for herself as an exotic dancer; Regina protesting the redevelopment; and Dennis, trying to save his club ("Here I Go Again"). Hertz and Franz begin demolition on the Sunset Strip, alienating them from each other as Franz falls for Regina and sees "the error of their ways." Dennis and Lonny join the fight with little success ("The Final Countdown"). Drew's rocker image is upsetting Ja'Keith, and Sherrie is learning how things work at the Venus Club ("Any Way You Want It/I Wanna Rock [Reprise]"). When they meet on the street, Sherrie is embarrassed about her job and Drew is upset that his record company is attempting to reshape him into part of a hip-hop boy band, "Street Boyz," as Joshy J. They argue and Sherrie admits that she was crazy about Drew, but failed to make a move because he said they were friends. They part ways more troubled by these new revelations ("High Enough"). A drunken Stacee arrives at the Venus Club and is pleased to see Sherrie. After being forced to give him a lap-dance, she beats him up while dancing ("I Hate Myself for Loving You/Heat of the Moment"). Drew arrives to admit his feelings to her, but becomes angry when he sees the two in a suggestive position and storms off. Justice later tells Drew that as soon as he left, Sherrie punched Stacee in the jaw. Regina continues her protest against the destruction of the Strip, but it yields no success. She convinces Franz to stand up to his father if he does not believe in his father's vision. Franz admits that he has his own dream: to open a confectioner's store in Germany. He rebels against his father and admits his love for Regina ("Hit Me with Your Best Shot"). Meanwhile, Dennis and Lonny, upset at the loss of The Bourbon Room, admit that they have feelings for each other ("Can't Fight This Feeling"). Sherrie decides to leave the Venus Club after the scene with Drew, and Justice tells her that she had a similar experience with her first love. Everyone is in turmoil as they attempt to move on with their lives ("Every Rose Has Its Thorn"). Franz leaves for Germany and Hertz begins to regret the hurtful way he treated his son ("Keep on Loving You"). Regina arrives and explains to Hertz that Franz does not hate him; he simply wants his father to support his dream. Hertz decides to return the deed to the Bourbon Room to Dennis and invest in Franz's confectionery store. Drew, now a pizza delivery boy, realizes none of his dreams have come true—he still is not a rock star, and Sherrie is leaving on a midnight train. Lonny arrives and breaks the fourth wall by explaining to Drew that his life is so miserable because they are all characters in a musical and that it was their book writer who made it so. He also reveals to Drew that he serves as the show's "dramatic conjurer" and that if Drew wants a happy ending, it is up to him to "get the girl." After hearing this, Drew realizes that he does not need fame to make him happy, only Sherrie ("Oh Sherrie"). He reaches her at the train station in time, where they realize that their love has survived all their trials and reconcile ("The Search Is Over"). In the epilogue, The Bourbon Room is spared from demolition and Stacee Jaxx, now a washed-up has-been who has been charged with statutory rape, flees to Uruguay ("Renegade"). Franz opens his confectionery store in Germany and has a long-distance relationship with Regina, who becomes the new mayor of West Hollywood. Dennis passes away, leaving the Bourbon Room to Lonny, and Sherrie and Drew move to Glendale and start a family. Lonny notes that on The Strip, sometimes the dreams with which you enter are not always the dreams with which you leave, but they still rock ("Don't Stop Believin'").

Rodgers + Hammerstein's Cinderella

Musical · 2013

Ella, a young woman, lives with her stepmother, Madame, and stepsisters, who have treated her like a servant ever since her father's death. Because she sits by the fireplace and is dirty from the cinders, they ridicule her as "Cinderella". Ella dreams of a better life ("Prologue"). Since the king and queen died when he was young, Prince Topher (short for Christopher) has been advised by Lord Chancellor Sebastian. Though expert at slaying dragons, griffins, gargoyles and giants, he feels uncertain about how he will rule as king ("Me, Who Am I?"); he signs everything Sebastian asks him to. Prince Topher and Ella meet as he is on his way to the palace. She offers him a drink of water, and each admires the other's kindness. Ella then speaks with her friends Jean-Michel, an erstwhile revolutionary, and Crazy Marie, an old woman who lives near the forest and gathers what others throw away. Madame arrives with Ella's stepsisters, the demanding Charlotte and the meek Gabrielle, who has a crush on Jean-Michel that she hides from her mother. Left alone, Ella dreams of a better life ("In My Own Little Corner"). In the palace, Sebastian and his henchman, Lord Pinkleton, remind the Prince that it is time for a Royal Wedding; a masked ball will be held to find him a bride. Jean-Michel yells across the moat that the kingdom's policies are unfair to the Prince's poorer subjects. Pinkleton goes to the town square to announce the ball and finds Jean-Michel rallying the townsfolk to protest the government's taking of peasants' land. The ball proves more exciting to the people than political talk ("The Prince Is Giving a Ball"/"Now Is the Time"). The cottage is a whirl of activity as Madame and stepsisters prepare for the ball. Sebastian plans with Madame to steer the Prince to select Gabrielle as his bride. They leave Ella behind, but Jean-Michel arrives to argue that Prince Topher needs to know more about his people. He teases Ella that she should put on a ball gown and tell Topher about the problems. Crazy Marie jokes with Ella about how life could be better ("In My Own Little Corner" (reprise)). Marie reveals herself to be Ella's Fairy Godmother and transforms a pumpkin and animals into a carriage with a footman and a driver. She turns Ella's rags into a beautiful gown with Venetian glass slippers ("Impossible") and warns Ella that the magic will expire at the stroke of midnight ("It's Possible"). At the ball, the Prince dances with all the young women but finds them lacking ("Gavotte"). Ella arrives in her white ballgown and mask, hiding her identity. She transforms Sebastian's cynical contest of ridicule into one of joy and kindness, fascinating Topher ("Ten Minutes Ago"), and their dance of instant attraction becomes a grand waltz. Ella and the Prince kiss ("Cinderella Waltz"/"Ten Minutes Ago" (reprise)). Too soon, the clock begins to strike midnight. Ella has just enough time to tell the Prince that all is not well in his domain. She races down the steps and loses a shoe but quickly retrieves it and dashes off, leaving the shocked Prince to wonder who she is. The Prince is determined to find the mysterious woman who spoke so honestly about the kingdom. The women of the court, led by stepsister Charlotte, bemoan that the Prince had not chosen any of them to be his love ("Stepsister's Lament"). The Prince and his guards search high and low; almost catching the fleeing Ella ("The Pursuit"). Once again dressed in rags, Ella returns to the cottage and reflects on her wonderful Prince ("He was Tall"). Madame, Charlotte and Gabrielle return in state of dejection. Ella relates what she "imagines" the night at the palace must have been like ("When You're Driving Through the Moonlight"), including dancing with the Prince ("A Lovely Night"). The four have a moment of shared emotion, for once. Left alone with Ella, Gabrielle realizes that Ella was the Prince's partner at the ball. Gabrielle reveals that she is an ally, and also in love with Jean-Michel. They vow to keep their shared secrets ("A Lovely Night" (reprise)). Prince Topher continues his search ("Loneliness of Evening"), gradually realizing that Sebastian had been leading him down the wrong path. He decides to hold a banquet to find the enigmatic young woman ("Announcing the Banquet"). The night of the feast arrives, and Gabrielle gives Ella her dress and invitation to attend. Jean-Michel arrives at the house to confess his love to Gabrielle. However, Madame catches them and also sees Ella in Gabrielle's gown, which she tears to shreds and banishes Gabrielle and Jean-Michel from the house. Madame takes Charlotte to the banquet. The Fairy Godmother produces perfect attire and helps inspire Ella to another frank talk with the Prince ("There's Music in You"). At the palace, Ella, Jean-Michel and Gabrielle tell the Prince how he could be a great king ("Now Is the Time" (reprise)), and he immediately announces an election for a Prime Minister to be held between Sebastian and Jean-Michel. Topher is ready to be a king and knows the partner he needs in love and life ("Do I Love You Because You're Beautiful"). Suddenly, the clock begins to chime midnight. Ella races down the stairs but pauses and purposely leaves a slipper behind. The Prince gives all of the women of the kingdom a chance to try on the glass slipper. Everyone is unsuccessful; Marie urges Ella to return to the palace. Of course, the slipper fits her perfectly. Madame apologizes to Ella for her cruelty, and Ella forgives her and Charlotte ("The Shoe Fits"). Topher asks Ella to marry him, and she happily accepts ("The Proposal"). Gabrielle and Jean-Michel reconcile with Madame. Jean-Michel is elected Prime-Minister, Topher and Ella wed, and they all live happily ever after ("The Wedding").

Rosalie

Musical · 1928

Setting: Romanza, on board the S.S. Isle de France, West Point, and the Ex-Kings' Club In the fictional kingdom of Romanza, the crowd assembles to await the arrival of the West Point flyer Lieutenant Richard Fay, coming to visit a girl whom he met in Paris. Mary O'Brien is waiting for her boyfriend, Bill, who she thinks is on the flight with Lt. Fay. When Dick and Rosalie meet, they realize they are in love ("Say So!"). Dick finds out that she is a Princess and he angrily leaves. King Cyril reluctantly goes to visit America to obtain a loan for his troubled country, accompanied by his daughter Princess Rosalie and the Queen. Princess Rosalie visits West Point, but she is disguised. The cadets welcome the royal family ("West Point March"), and Dick and Rosalie continue their romantic relationship ("Oh Gee-Oh Joy"). However, Rosalie agrees to marry Captain Carl, whose father is a Prince, to keep Dick from being tried in court ("Kingdom of Dreams"). At a dance at West Point, Mary and Bill, who had been fighting, make up ("Ev'rybody Knows I Love Somebody"). Rosalie attends the dance, disguised as a cadet ("Follow the Drum"). Mary wonders about the feelings she has for Bill ("How Long Has This Been Going On?"). Dick and Rosalie return to Romanza and start a revolution so that her royal duties will no longer keep them apart. Exiled to Paris, Rosalie and a group of dancers perform ("The Ballet of the Flowers"), and King Cyril happily announces the engagement of Rosalie and Dick.

Rose-Marie

Musical · 1924

Act I In Fond-du-Lac, Saskatchewan, Canada, trappers, hunters and travellers gather at "Lady" Jane's hotel ("Vive la Canadienne"). Royal Canadian Mounted Police Sergeant Malone is flirting with Lady Jane, while wealthy city man Edward Hawley is watching a French Canadian girl, Rose-Marie La Flamme, even though she's miner Jim Kenyon's sweetheart. Rose-Marie's brother, Emile, is searching for her, fearing she is alone with Jim. Wanda, a half-blooded Indian, dances close to Hawley, enraging her Indian lover, Black Eagle. Lady Jane's man, the cowardly "Hard-Boiled Herman", arrives at the bar. Jim arrives to greet Rose-Marie enthusiastically and explains to Sergeant Malone that he has given up his former wild ways because of his love for "Rose-Marie". Black Eagle claims some land (and the gold on it) belonging to Jim and Herman. Herman thinks that shooting Black Eagle will solve everything, but Jim prefers to use legal means, declaring that he will visit Black Eagle and show him the boundary line the property map. Sergent Malone and "The Mounties" warn Herman that they will not hesitate to enforce the laws. Emile is going to take Rose-Marie with him to the trapping grounds at Kootenay Pass. He dislikes Jim and wants her to marry Hawley for financial security. Rose-Marie doesn't want to go, insisting to her brother that she is in love with Jim ("Lak Jeem"). Hawley plans to accompany Emile, but first he has to end his affair with Wanda. He plans to visit her at Black Eagle's log cabin and bribe her to stay away from him. Jim tells Rose-Marie that he will follow her to Kootenay Pass, and they will meet in an old house he calls a castle near a valley with a beautiful echo. According to legend, Indians would call down into the valley to the girls they wished to marry ("Indian Love Call"). Hawley meets Wanda at her cabin and tries to pay her off, just as Jim arrives with a map to prove his claim. Wanda sends Jim away. Black Eagle returns home and catches Wanda and Hawley embracing. He attacks Hawley, and Wanda stabs Black Eagle to save Hawley. Jim and Herman, unaware of the murder, follow Emile, Hawley, and Rose-Marie to Kootenay Pass. Jim and Rose-Marie communicate through their "Indian Love Call" (reprise). Emile tells Rose-Marie that she should marry Hawley because he could buy her all the "Pretty Things" she wants. Wanda arrives at Kootenay Pass and tells everyone that Jim is wanted for the murder of Black Eagle; his map was discovered near Black Eagle's body. Herman continues romancing Lady Jane ("Why Shouldn't We?"). Hawley proposes to Rose-Marie, but she refuses him. He and a city girl whom he has employed, Ethel Brander, try to impress Rose-Marie with the glamour of city life in Quebec. Wanda leads an Indian "Totem-Tom-Tom" dance. Jim has received an offer from the Brazilian government to lead a mining project there. He asks Rose-Marie to come with him, even though it would be safer for her to go to Quebec and wait for him there. If she decides to come, they will meet at the "castle" and go to the United States to be married. If she does not, she should sing the Indian Love Call up the valley to him. Rose-Marie insists she will go with him; he leaves immediately, and she plans to follow twenty minutes later to avoid attracting suspicion. Sergeant Malone arrives with a warrant to arrest Jim for murder. Emile knows that Jim is hiding in the "castle". He tells Rose-Marie that he will not reveal Jim's hiding place to the Mounties if she will go to Quebec and marry Hawley. Holding back tears, Rose-Marie tells Hawley that she must sing the "Indian Love Call" to him, but she is really singing to Jim, telling him that she will not go with him. Act II Many months have passed. Rose-Marie is about to marry Hawley in Quebec, believing that Jim was the killer. Ethel Brander has convinced her that Jim murdered Black Eagle because he loved Wanda. Herman and Lady Jane have married, and they have a shop in Quebec. He still flirts with other women, but he catches her giving Sergeant Malone "Only a Kiss". Jim returns with Wanda intending for her to clear his name. But, seeing Wanda, Rose-Marie jumps to conclusions about Jim and Wanda. Rose-Marie tells Jim that she loves Hawley ("I Love Him"). The wedding preparations commence ("The Minuet of the Minute"), and Wanda jealously threatens Hawley. Sergeant Malone prepares to arrest Jim, who is hiding in Kootenay Pass, even though Malone is troubled by the evidence. Herman suspects Wanda and gets her to confess by pretending that Hawley has accused her of the murder. Jane interrupts them and incorrectly assumes Herman is cheating on her ("One Man Woman"). The wedding begins ("Doorway of My Dreams"), but as Rose-Marie walks down the aisle, Wanda publicly confesses to the murder and declares her love for Hawley. Everyone rushes to Jim's lodgings, and Rose-Marie goes to the pass to return Jim's "Indian Love Call". The lovers are finally united.

Rugantino

Musical · 1962

Rome, 1830. the story starts with Rugantino, a poor man who loves playing pranks and jokes and trick others. He has been punished for one of his latest scams and he is confronted by Rosetta, a beautiful woman married to Gnecco, a very jealous man. Rugantino bets with his friends that he will be able to woe her before the "Lanternoni" festival and if he does not manage, he will be happy to accept a punishment. At the same time Rugantino is looking after Eusebia, his ex lover, who is now in need of help. He finds Mastro Titta, an executioner, would be a good option for her and Rugantino could also trick him into helping him. Rugantino introduces them, hiding Titta's job to Eusebia and introducing her as his sister. With Gnecco away from Rome, Rugantino continues to court Rosetta and convinces her to meet him at Campo Vaccino, where the two have a romantic meeting and end up falling in love. Rugantino hides this to his friends, preferring to pay the price for having lost the bet. Gnecco returns to Rome, but he is killed. Rugantino decides to come forward as the killer, to show Rosetta he is "a real man", but runs away and hides in Mastro Titta's house when the police arrives. He's found and taken to prison, where he confesses to Mastro Titta that he is innocent. When Rosetta arrives and confesses her love, Rugantino decides not to confess the truth and to endure his punishment, being hanged.

Rumple

Musical · 1957

Nelson Crandal, a cartoonist, has been traumatized by an accident and is unable to draw. He decides to discontinue his newspaper feature called Mr. Rumple, but the Rumple character comes to life and objects to being canceled and condemned to Oblivia (the land of forgotten cartoon characters). Rumple has 48 hours to persuade his creator to continue his existence and uses magical tricks on the humans. Anna is another character in the comic strip, Rumple's dumb-blonde girlfriend, who is trying to avoid Oblivia. The humans other than Nelson cannot see Rumple or Anna (so that when Nelson is talking to them, he appears insane), but the comic strip characters can see and hear the humans. Judy is Nelson's fiancé; Kate is a man-hunting gag writer who pens the stories for Crandal's strip. Dr. Winslow is an understanding psychiatrist. When Rumple is forced by the police to draw a picture of his girl for the missing-person investigation, the two comic strip characters are saved from Oblivia.

Ruthless! The Musical

Musical · 1992

Act I The show begins with Sylvia St. Croix asking the audience where talent comes from. She introduces Judy Denmark, a bland housewife with no talent whatsoever, who’s the mother of a very talented eight-year-old, Tina Denmark (“Prologue”/“Tina’s Mother”). Sylvia enters the Denmark household, asking Judy if she can meet her daughter because she was impressed by her talent after seeing her performance at an elderly home. Judy calls in Tina to meet Sylvia, proclaiming that she is “born to entertain (“Born to Entertain”). Impressed by her abilities, Sylvia states that she wants to become Tina’s talent agent to make her a star. Judy is conflicted, wanting her daughter to have a normal childhood. Sylvia explains to her that Tina is no ordinary child, and she will become a musical sensation (“Talent”). Judy agrees to let Sylvia become Tina’s acting coach, but only after school. Sylvia wants to start today, but Tina objects because she has auditions for her elementary school’s musical, Pippi in Tahiti. After school, Tina auditions for the musical, but her classmate Louise Lerman is cast instead of her, and Tina is to play Puddles the dog (“To Play This Part”). Tina is very upset by this, stating that Louise is “too Jewish-looking” to play Pippi. Later, Miss Thorn comes to the Denmark residence. Judy explains to her that Tina is awfully upset about not playing Pippi. Miss Thorn tells her that Tina will get over her disappointment one day and find a more rewarding career, even though Miss Thorn hates her job and wishes she was able to become an actor after failing prior (“Teaching Third Grade”). Sylvia suggests that Tina could be Louise's understudy, and Miss Thorn agrees. The next day, Sylvia tells Judy about her daughter, who was extremely untalented. Judy, who was adopted, wonders how Tina inherited so much talent, while Sylvia tells her it doesn’t matter (“Where Tina Gets It From”). Louise and Tina rehearse for their school’s musical (“The Pippi Song”), where they do nothing but fight with each other. After exchanging insults, Louise hands Tina a jump rope, giving her a wicked idea (“To Play This Part– Reprise”). Later, Sylvia and Judy hear that Louise Lerman “accidentally” hung herself with a jump rope. Tina is dismissed from school early, and Judy attempts to comfort her daughter, although Tina is seemingly unphased by the tragedy (“Kisses and Hugs”). Miss Thorn suggests to Judy that Tina may have killed Louise because Louise's wig is found in her backpack. She tells Judy that as Louise’s understudy, she will have to fill in for her at the show tonight (“Teaching Third Grade– Reprise”). After interrogating Tina, she admits she hung Louise so she could be the lead in the play instead. Judy punishes Tina by making her go to her room, but Sylvia enters, excited for Tina’s debut tonight (“Talent– Reprise #1”). Judy’s adoptive mother Lita Encore, a show critic who hates musicals, arrives at the house, ready to review Tina’s show (“I Hate Musicals”). Judy begs Lita to tell her who her biological parents are, but Sylvia interrupts them. Judy refuses to let Tina participate in show business anymore, much to Sylvia’s dismay. She accuses Judy of only doing so because she is jealous of Tina’s success. She quotes a passage from Lita’s book, “Ruthless: The Life and Times of Ruth DelMarco”, an incredibly talented woman who killed herself after Lita’s bad review of her show, even though Lita believes she is alive and faked her death. This only confuses Judy about her biological parents even more, and Lita admits that Ruth DelMarco is Judy’s biological mother and her real name is Ginger. Tina reenters, ready to go on stage as Pippi. Sylvia and she practice her songs, but Judy, with her newfound confidence and talent, coaches Tina instead. Tina asks Judy to show her how to sing the Pippi Ballad, and Judy is blown away by her own talent (“Angel Mom”). Act II Judy writes to her husband, Frederick, that she has turned Tina in for murder. Four years later and "two Tony Awards later", Judy Denmark has completely rebranded into Ginger DelMarco, a self-centered diva who has completely abandoned her old ways as a housewife (“Montage”). She lives in a penthouse apartment with her devoted personal assistant, Eve, who secretly resents Ginger and is waiting for the moment she gets to take her place as a broadway star (“A Penthouse Apartment”). Sylvia barges into Ginger’s apartment, informing her that today is the day Tina is going to be released from prison. Ginger laments about her old ways as a housewife (“It Will Never Be That Way Again”). Sylvia demands to become Tina’s agent again, even though Ginger wants Tina nowhere near the business (“I Want The Girl”). She refuses to leave until they have a deal. Tina enters her mother’s apartment. The two barely recognize each other. Ginger still refuses to let Tina become an actress with her because she understands how dangerous the business can be. Tina doesn’t accept this explanation, convinced that Ginger only turned her in for murder so she could steal her career (“Parents And Children”). Ginger says that she is only doing this to Tina because it’s what her mother, Ruth did to her as a child. Sylvia is very proud of her, and reveals that she has been Ruth DelMarco all along. Ginger forgives Ruth for abandoning her as a child, and they embrace. Ginger tells Ruth that she’ll get to direct her new show, and that Tina will be the child lead’s understudy. Ginger tells Tina that to make it in show business, she will have to be ruthless (“Ruthless!”). Eve returns in Ginger’s dress to tell her that she should have fun at Sardi’s while she fills in for her in her new show, claiming that she is her understudy. Ginger immediately fires Eve as her assistant, causing Eve to pull a gun on Ginger and reveal she is Betty Lerman, Louise’s mother, and has been plotting revenge on her since Louise's death. Tina tells Eve that she has learned there is more to life than being a star, seemingly to had learn her lesson. But she was being disingenuous and was only distracting Eve so Ginger could take the gun from her. After scuffling, Eve is shot dead by Ginger, and Tina takes the gun. Unexpectedly, Lita enters the apartment to see her granddaughter. While she’s distracted, Ruth steals the gun from Tina, and after a brief altercation, Ruth is shot. Lita comments that Ruth could never sing anyway, so Ruth shoots her dead right before she passes away. Ginger is so traumatized by the deaths that she returns to being Judy Denmark, a bland, untalented housewife. She and Tina reconcile and decides to give up show business and return to their normal lives as mother and daughter. Tina states that there is no money on Broadway anyway and she wants her own TV series, then shoots Judy. Miss Thorn, having given up teaching, is back in New York to become an actor, but Tina shoots her too. Finally, Tina’s father, Frederick, comes back home after being gone the entire musical, and Tina shoots him (“Talent– Reprise #2”).

Ruy Blas and the Blasé Roué

Musical · 1889

Act I – Throne room in royal palace The Queen of Spain is not happy, and as soon as she is left alone she says so ("The Flower Song"). Ruy Blas and Don Caesar are introduced to the royal palace in the capacity of strolling players. Don Salluste, a corrupt court official, has private reasons to wish to humiliate the Queen, and he persuades Ruy and Caesar to disguise themselves as women and apply for posts in the royal household. They are accepted, and Salluste then accuses the Queen of smuggling men into her private apartments, disguised as women. Ruy and Caesar are arrested and jailed. Act II Scene 1 – Cells of misdemeanants of the first class Ruy and Caesar find that their imprisonment is extraordinarily luxurious, but despite its attractions they escape, with the connivance of the Queen. Scene 2 – Interior of Don Salluste's house Ruy and Caesar attempt to burgle Don Salluste's safe and find that he has got himself locked inside it. They release him, but he is immediately arrested because in his safe are found some of the Queen's jewels, which he has stolen. Act III – Palace gardens Ruy Blas wins the Queen's heart by various daring deeds, including bullfighting. He is proclaimed King, and Don Caesar is appointed to the post of Lord Chamberlain vacated by the disgraced Salluste.

Sadie Thompson

Musical · 1944

Sadie Thompson is a 1944 musical in two acts and three scenes by composer Vernon Duke and lyricist Howard Dietz. The musical book, written by Dietz and Rouben Mamoulian, is based on the short story "Rain" by W. Somerset Maugham, published in the literary magazine The Smart Set in 1921. Originally written as a vehicle for Ethel Merman, the actress withdrew from production on September 29, 1944 after just a week and a half of rehearsals, and the lead part went to June Havoc. The work premiered at the Sam S. Shubert Theatre in Philadelphia on October 26, 1944 where it ran for two weeks of tryout performances, then moved to New York. The original production was produced by A.P. Waxman, directed by Mamoulian, and choreographed by Edward Caton. Boris Aronson designed the sets, and the Motley Theatre Design Group designed the costumes. Sadie Thompson debuted on Broadway at the Alvin Theatre on November 16, 1944, with a cast led by June Havoc as Sadie Thompson, Lansing Hatfield as Reverend Alfred Davidson, James Newill as Sergeant Tim O'Hara, Ralph Dumke as Joe Horn, Grazia Narciso as Ameena, Zolya Talma as Mrs. Alfred Davidson, Walter Burke as Quartermaster Bates, Daniel Cobb as Corporal Hodgson, Norman Lawrence as Private Griggs, and Doris Patston as Cicely St. Clair. The production closed after 60 performances on January 6, 1945.

Sail Away

Musical · 1961

Sail Away is a musical with a book, music and lyrics by Noël Coward. The show was the last musical for which Coward wrote both the book and music, although he wrote the music for one last book musical in 1963. The story centres on brash, bold American divorcee Mimi Paragon, working as a hostess on a British cruise ship. The musical ran on Broadway (1961) and in the West End (1962) and has been revived since. Elaine Stritch was nominated for the Tony Award for Best Actress in a Musical for her performance in the original production.

Sally

Musical · 1920

Sally is a musical comedy with music by Jerome Kern, lyrics by Clifford Grey and book by Guy Bolton (inspired by the 19th century show, Sally in our Alley), with additional lyrics by Buddy De Sylva, Anne Caldwell and P. G. Wodehouse. The plot hinges on a mistaken identity: Sally, a waif, is a dishwasher at the Alley Inn in New York City. She poses as a famous foreign ballerina and rises to fame (and finds love) through joining the Ziegfeld Follies. There is a rags to riches story, a ballet as a centrepiece, and a wedding as a finale. "Look for the Silver Lining" continues to be one of Kern's most familiar songs. The song is lampooned by another song, "Look for a Sky of Blue," in Rick Besoyan's satirical 1959 musical Little Mary Sunshine. The piece was first produced in 1920 on Broadway by Florenz Ziegfeld, and ran for 570 performances, one of the longest runs on Broadway up to that time. The show was designed as a debut star vehicle for Marilyn Miller. It had a successful London run and was revived several times on Broadway and in the West End, although it has had few productions since the 1950s. The musical was adapted into a 1925 silent film and a 1929 musical film.

Sarafina!

Musical · 1987

Sarafina! is a South African musical written and directed by Mbongeni Ngema with music by Hugh Masekela depicting students involved in the Soweto Riots, in opposition to apartheid. It was also adapted into a 1992 film starring Whoopi Goldberg and Leleti Khumalo. Sarafina! The play was first presented at The Market Theatre, Johannesburg, South Africa, in June 1987. Following that success, it premiered on Broadway on 28 January 1988, at the Cort Theatre, and closed on 2 July 1989, after 597 performances and 11 previews. The musical was conceived and directed by Mbongeni Ngema, who also wrote the book. He wrote the music and lyrics alongside Hugh Masekela. The cast included Leleti Khumalo as Sarafina. Leleti Khumalo received a Tony Award nomination for Best Featured Actress in a Musical, as well as an NAACP Image Award for her Broadway theatre portrayal of the title character. The production was also nominated for the Tony Awards for: Best Musical, Best Original Score, Best Choreography, and Best Direction of a Musical. The show presents a school uprising similar to the Soweto uprising of 16 June 1976. A narrator introduces several characters, among them the schoolgirl activist Sarafina. Things get out of control when policemen shoot several pupils at the school. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of the second act. The production of the play was chronicled in the documentary film Voices of Sarafina!. The album of Sarafina! includes the following songs: "Sarafina!" "Lord's Prayer" "Nkonyane Kandaba" "Freedom is coming tomorrow" "Sabela" "Sechaba" "Safa Saphel' Isizwe" "Vuma Dlozi Lame" "One more time"

Saravá

Musical · 1978

Set in Salvador, Bahia, the musical starts with the sudden death of Dona Flor's husband, Vadinho, who collapses in the midst of Carnival celebrations. After a period of mourning, Dona Flor attracts another admirer, a local pharmacist, Teodoro. While her new husband lacks the passionate sensuality of Vadinho, he compensates by providing a life free of worry. But, on the first anniversary of her marriage, Vadinho returns. He is now a ghost, but has lost none of his old ways.

Saturday Night

Musical · 1997

Saturday Night is a 1955 musical with music and lyrics by Stephen Sondheim and a book by Julius J. Epstein, based on the play, Front Porch in Flatbush, written by Epstein and his brother Philip. The first professional musical written by Stephen Sondheim, Saturday Night was intended to open on Broadway in 1955; however, after the sudden death of its lead producer, the show was shelved. Sondheim instead made his professional premiere in 1957 as the lyricist for West Side Story. Following a student production, Saturday Night was staged at the Bridewell Theatre, London in 1997 and then in Chicago in 1999 and Off-Broadway in 2000. The musical also ran in the West End in 2009.

Saturday Night Fever

Musical · 1998

Saturday Night Fever is a 1998 jukebox musical based on the 1977 film Saturday Night Fever. Its book is by Nan Knighton (in collaboration with Arlene Phillips, Paul Nicholas, and Robert Stigwood), and the songs mostly consist of songs that were featured in the film's soundtrack, which in turn were mostly written and performed by the Bee Gees. The musical focuses on Tony Manero, an Italian-American Brooklyn youth whose weekend is spent at the local discotheque. There he luxuriates in the admiration of the crowd and a growing relationship with Stephanie Mangano, and can temporarily forget the realities of his life, including a dead-end job in a paint store and his gang of deadbeat friends. In an effort to make it a family-friendly show, many of the film's darker elements, including references to racial conflict, drug use, and violence, were eliminated from the plot.

Scarlett

Musical · 1970

Scarlett is a 1970 musical with a score by Harold Rome. The original 1966 Japanese book is by Kazuo Kikuta, and was translated to English by Horton Foote. Based on Margaret Mitchell's 1936 bestseller Gone with the Wind, it traces the fate of self-centered Southern belle Scarlett O'Hara and her passionately turbulent relationship with dashing blockade runner Rhett Butler from the days prior to the American Civil War through the war itself and the following period of Reconstruction. The Tokyo production was directed by American director/choreographer Joe Layton, who later directed a production in the London West End. London producer Harold Fielding cancelled his plans for a 1974 Broadway production, and the musical has never been performed on Broadway.

Schmigadoon!

Musical · 2021

Josh Skinner, an orthopedic surgeon, and Melissa Gimble, an OBGYN, meet one night at their New York City hospital's vending machine and share a meet cute, leading to the beginning of a romantic relationship. The couple is happy at first but over the course of two years, their relationship grows strained and, feeling that Josh no longer wishes to fix their relationship problems, Melissa signs them up for a couples' retreat in the Catskills. One night, whilst lost in the woods during a rainstorm, they are in an argument and unknowingly stumble upon a bridge that leads them into the town of Schmigadoon. All of a sudden, music begins playing and they are welcomed through song by Mayor Aloysius Menlove and the townsfolk ("Schmigadoon!"). Though Josh is instantly ready to leave, Melissa convinces him to stay and they are escorted to the Schmigadoon Inn by Mildred Layton, Reverend Layton's wife who is instantly wary of their presence in town. That night, Melissa wanders alone into the town fair, ran by "rapscallion" Danny Bailey. He instantly takes a liking to her, but declares to her that he has no intentions of settling down with anyone, though he is briefly able to imagine sharing a life and children with Melissa. ("You Can't Tame Me"). She applauds his song, which he claims he doesn't know he was singing, and she decides to leave. The next morning, she and Josh, towards whom their waitress, Betsy, is flirtatious, have breakfast and are told by the town about their favorite dish ("Corn Puddin'"). As they try to leave town, they are unable to cross the bridge out of town and a leprechaun appears to tell them that until they find true love, they are stuck in Schmigadoon, "where life's a musical every day," ("Leprechaun Song"). They realize they are trapped in a literal musical and, after failing to cross again, Josh suggests that what they have must not be true love and that they should try to leave with other people in town. They begin to argue and Melissa realizes that Josh truly doesn't believe in their relationship and breaks up with him ("Lovers' Spat"). Betsy appears, consoling him over the breakup, and tells him about the town picnic basket auction that night, where the men of town bid on baskets made up by the women to go on a date with them to raise money for the town library. He agrees to go and she tells him how to spot her basket. Meanwhile, in the woods, Melissa encounters Mayor Menlove and he consoles her, alluding to his own repressed desires of love. Melissa realizes that he is gay and they form a friendship ("Somewhere Love Is Waiting for You"). Later, at the auction, Melissa gets intoxicated by drinking from the gentleman's punch bowl and, after watching Josh bid on and subsequently win Betsy's basket, auctions herself off, being won by Danny ("The Picnic Basket Auction"). Back at the fair, Melissa finds herself further attracted to Danny and finally gets her own song and dance to express her feelings, leading her to spend the night with him ("Enjoy the Ride"). Meanwhile, Josh and Betsy share a picnic in the woods and, realizing she is much younger than he thought, he tries to tell her that they won't be engaging in any romantic behavior ("I'm Not That Kinda Gal"). However, she kisses him anyways and they are discovered by her father, Farmer McDonough, who threatens him with a shotgun to propose to her. The next morning, Danny announces that he is in love with her ("You Done Tamed Me") but she tells him that he was just a casual rebound for her. Believing he has gotten Melissa pregnant (despite her informing him about her IUD), he vows that he will get money to support her and their child, even if it means stealing it. She leaves him and upon arriving at the town square, hears of Josh's engagement to Betsy ("I'm Engaged"). He explains that he had no choice and she tells him to end the engagement while she looks for someone to house them, as Mildred has had them banned from the Inn. However, Josh realizes that Betsy may be his ticket out of Schmigadoon and so invites her for a walk across the bridge, claiming that he has a family tradition in which he must cross a bridge with his betrothed to make sure it's true love. After they fail to leave the town, he calls off the engagement, and Betsy runs crying to her father. Josh decides he will try to cross the bridge with every other girl in town, in hopes that one of them may be his true love. Melissa visits the Mayor's wife, Florence, for help and she tells Melissa that Doc Lopez, the town doctor, is looking for a new nurse and that the position would come with room and board. They bond over their shared struggles with the men in their life, with Florence specifically being unsure why Aloysius' actions are so queer ("What's the Matter with Men?"). Just then, Melissa learns that the engagement is off and believes that Josh may finally be able to commit to them, until she discovers his operation at the bridge ("Cross That Bridge"). She leaves him for the last time and goes to apply for Doc Lopez's nurse position, immediately finding herself attracted to him, while Josh realizes that the last girl he needs to try crossing the bridge with is local schoolmarm, Emma Tate. The townsfolk speculate on what may happen and tell the audience that they'll find out in the second act ("Act I Finale"). Josh, who has been hired as Emma's handyman, arrives during her class and, after seemingly giving up on a task right away, is schooled by her and her students on the importance of commitment ("With All of Your Heart"). At the same time, Melissa has been hired as Doc's nurse and when he turns away an expectant couple, Nancy and Freddy, due to them being unwed, she informs them about the medical realities of childbirth ("Baby Talk"). In the town square, at the multifaith bakesale, Mayor Menlove and the Reverend Layton form a bond over their shared love of rhubarb squares and other pastries ("I Thought I Was the Only One"). Back at the school, Josh is discovered by Farmer McDonough, who once again threatens him with his shotgun, until Emma takes it from him and tells him to leave Josh alone and let Betsy make her own decisions. Josh begins to bond with Emma, feeling like he's finally found another level-headed person in town, but when music begins to play and he angrily decides to stop opening up with her, she leaves. He goes to ask Melissa for help at the doctor's office and she tells him that his situation is most similar to The Music Man, and suggests buying Carson, Emma's younger brother, a trumpet, while also telling him that he will eventually have to sing to express his feelings to her. When Nancy arrives in labor, Josh assists Melissa in delivering the baby and she wishes him good luck with Emma. Doc Lopez returns, outraged that Melissa would defy his orders and deliver the baby, when all of a sudden Danny arrives and threatens Doc with a knife, trying to stage a robbery to provide for the baby he still believes Melissa is having. However after falling on his own knife, he dies ("You Done Killed Me"). At Danny's funeral ("When the Night is Darkest"), Reverend Layton tells the congregation that they should live each day as their fullest selves, prompting Mayor Menlove to come out as homosexual in front of his wife and the rest of the town, following Melissa's suggestion ("Somewhere Love is Waiting for You (Coming Out Reprise)"). This pushes Mildred over the edge, and she realizes she must take matters into her own hands to revert the town back to its old self. Later, Josh surprises Carson with a kazoo, as he couldn't find a trumpet anywhere, and is able to inspire Carson to be himself. This impresses Emma, and Josh realizes Melissa was right. At the Doctor's Office, Doc Lopez apologizes to Melissa for being so close-minded and realizes that she can help him change to become a better man. He tells her that he finds himself falling in love with her and, across town, Emma tells Josh the same thing in a shared duet ("Suddenly"). Melissa and Doc Lopez begin a relationship as Josh and Emma do the same. The next day, Mildred begins a smear campaign against Josh and Melissa, riling up the townsfolk into deciding that they should elect her as the next mayor of Schmigadoon in the upcoming election ("Tribulation"). On a picnic date with Josh, Emma reveals that she is actually Carson's mother, not his sister, as she has told the rest of the town. Both Josh and Carson, who has overheard this, accept her for who she is and decide to cross the bridge with Josh to begin a new life in New York. At the Doctor's office, Melissa and Doc Lopez are surprised by the arrival of Doc's fiancee, Countess Gabrielle von Blerkom, who threatens Melissa with a pistol for trying to steal her man. Doc tells the Countess that their engagement is off, as he has fallen in love with Melissa, and proposes to her on the spot. However, she is conflicted about what to answer and realizes that she is still in love with Josh ("Melissa's Epiphany"). Doc and the Countess tell Melissa to go tell Josh her true feelings and she runs off to do so. Meanwhile, as Josh, Emma, and Carson prepare to leave town, he is struck by his memories of his first time meeting Melissa ("Dream Ballet") and Emma realizes that he still has feelings for her. She similarly tells Josh to express his true love for her and he runs off. In the town square, the mayoral election is underway ("Election Day") and the entire town is prepared to vote for Mildred. Josh and Melissa arrive and while Melissa apologizes for being a perfectionist in their relationship and tells him that she does believe he is her true love. In response, he finally sings to her, finally expressing that he feels the same and is truly in love with her ("You Make Me Wanna Sing"). Mildred shames them, and still insists that they have caused chaos in Schmigadoon, though Emma and the other townfolk insist that they have changed it for the better.

Schoolhouse Rock Live!

Musical · 1993

Tom, a young teacher, is preparing for his first day of teaching. As he nervously rehearses what he's going to say, he turns on Schoolhouse Rock! Soon, personifications of his emotions appear. There's George – the romantic facet, Dori – the goofy facet, Shulie – the sweet aspect, Joe – the cool facet, and Dina – the mature facet. They intend to teach him so he's ready for his job. In their first lesson to him, they cover grammar ("Verb: That's What's Happening"). They tell him that they represent anywhere he has been, each person he has recognized and met ("A Noun Is A Person, Place Or Thing"). They help Tom realize that teaching is as easy as counting to three ("Three Is a Magic Number"). Tom thinks he is hallucinating and tries to get rid of them, but he realizes that he needs them ("Mother Necessity"). They encourage Tom to remember that he wants to be a teacher because both his grandmother and her mother were teachers. In their lifetimes, teaching was one of the few job opportunities open to women ("Sufferin' 'til Suffrage"). He also remembers working at his grandfather's hardware store as a child and sneaking away on Saturday mornings to watch Schoolhouse Rock!, which taught him about adverbs ("Lolly, Lolly, Lolly") and adjectives ("Unpack Your Adjectives"). But Tom has to teach more than that – math, science and social studies ("Just a Bill" / "The Preamble"). By revisiting these moments from his childhood and getting caught up in them, Tom remembers that learning can be fun ("Ready or Not, Here I Come"). When the gang becomes exhausted from all of the excitement, Tom encourages them to stay active ("Do the Circulation"). Joe is ready to do a song about pronouns, but he needs some help from the group ("Rufus Xavier Sarsaparilla"). Shulie plays Tom's guitar; the instrument is shaped like a figure eight, which inspires her to remember how Tom learned multiplication tables ("Figure Eight"). Next, George gives a physics lesson using rock and roll ("A Victim of Gravity"). Staying on the math and science track, George and Shulie introduce a hero who changed counting forever ("Zero, My Hero"). Although they have covered many parts of speech, Tom remembers one that they have left out, conjunctions ("Conjunction Junction"). Joe reminds Tom that school will be a very important transition to America for many of his students who are not native English speakers, just as America went through an important transition as it expanded ("Great American Melting Pot / Elbow Room"). Shulie teaches a lesson about space ("Interplanet Janet") and the thought of going to the Moon gets the whole group energized. They use words that properly express the energy they are feeling ("Interjections"). Tom thanks everyone for helping him. He has one last song for them about sentence structure ("The Tale of Mr. Morton"). As the song ends, all of the characters are gathered around Tom as if he were teaching. He asks if there are any questions, and a student's hand goes up.

Scrooge

Musical · 1992

The musical opens with the company singing a Christmas carol medley as the city of London begins to reminisce over the coming of Christmas ("Sing A Christmas Carol"). Meanwhile, Scrooge and his clerk Bob Cratchit are visited by Scrooge's nephew Harry, who, in contrast to his uncle, is excited for Christmas and deplores how Scrooge is keeping Cratchit working at 7pm on Christmas Eve. Scrooge asks him to leave. After work, Bob Cratchit, his disabled son Tiny Tim and his daughter Kathy go Christmas shopping on the streets of London ("Christmas Children"). Later, Scrooge walks around London, demanding the money that is owed to him by the businesspeople of London, and we learn of Scrooge's negative reputation throughout the people of London, especially soup caterer Tom Jenkins, who leads the angry crowd in despising Scrooge ("Father Christmas"/"I Hate People"). Scrooge is visited by the ghost of Jacob Marley, his business partner who has been dead for seven years, who tells Scrooge to ("Make The Most Of This World") or else the afterlife will be bad for him. He informs Scrooge that he is to be visited by three spirits at 1am, 2am and 3am respectively. Marley also explains the significance of a chain he is wearing: the chain has been built up of sins in life. As Marley leaves, Scrooge is angry at the thought that he is in the wrong for hating Christmas ("It's Not My Fault"). He is visited by the first spirit — the Ghost of Christmas Past — who takes Scrooge back to when he was a small boy who preferred not to take part in Christmas activities and carols ("Sing a Christmas Carol (Reprise)"). The child Ebenezer is visited by his sister Jenny, who takes Ebenezer back home, although he is reluctant to go home to his father due to a troubled relationship. Scrooge is confused as to why the visions are not communicating with him, to which the ghost replies that these are shadows of the things that have been. Scrooge is then taken forward to his teenage years, to a party held by his then boss, Mr Fezziwig ("December the 25th"). Scrooge reminisces about his relationship with Fezziwig's daughter, Isabel ("Happiness"), but we learn that she eventually leaves Scrooge as she feels their love has been negated by his desire for wealth. Scrooge and Young Ebenezer reflect on the situation ("You...You"). The Ghost of Christmas Past reveals to Scrooge that she is the ghost of his sister Jenny, who died young. She tells a heartbroken Scrooge to ("Love While You Can") before leaving him in a state of anguish ("It's Not My Fault (Reprise)"). As the bell tolls 2, Scrooge is visited by the next ghost, the Ghost of Christmas Present. He tells Scrooge that he is part of a group of brothers who, each year, send one down to Earth to spread the joy of Christmas — and this year it is his turn. He is appalled by Scrooge and teaches him to find the joy in living ("I Like Life"). Scrooge is taken by the Ghost of Christmas Present to Bob Cratchit and his family, who are preparing for Christmas ("Good Times") and listening to Tiny Tim sing ("The Beautiful Day"), while Scrooge wonders if the ill Tiny Tim will survive. Scrooge is then taken to his nephew Harry's Christmas party, where he learns that a tradition at the party has become to drink to the health of Scrooge, as well as playing a singing game called ("The Minister's Cat"). Because the song was often sung at Fezziwig's parties, Scrooge is again reminded of his failed relationship with Isabel ("Happiness (Reprise)"). As the Ghost of Christmas Present leaves, Scrooge wonders if he can truly find ("A Better Life") to live. Finally, Scrooge is visited by the mute Ghost of Christmas Yet to Come, who silently communicates by pointing in the direction he wants Scrooge to travel. First, they visit Tom Jenkins and a chorus of people who owed Scrooge money, who are all singing about an unusually generous thing that Scrooge has done that has made them all thankful to him. Unbeknown to Scrooge, they are actually celebrating his death, yet Scrooge is oblivious ("Thank You Very Much"). The uplifted Scrooge is now taken to the Cratchit household, which is sitting in silence, with the absence of Bob Cratchit and Tiny Tim. The ghost takes Scrooge to a graveyard, where Bob is mourning the death of Tiny Tim and reciting the song he had sung the Christmas before ("The Beautiful Day (Reprise)"). It is then revealed that Scrooge is buried in the same graveyard, and Scrooge realises his own imminent demise with shock. He is visited again by Jacob Marley, who reveals that Scrooge has gone to Hell, and Lucifer has appointed Scrooge as his personal assistant, before revealing Scrooge's chain, which was so big that it was not immediately ready for his arrival in Hell. Scrooge is mortified as he is dragged away by demons. To his shock, Scrooge wakes up in his bedroom on Christmas Day — still alive and not in Hell. He is grateful and vows to change his ways in the time he has left ("I'll Begin Again"). He begins going around London, forgiving people of their debts and giving out Christmas presents while dressed up as Father Christmas. Everyone in London who was previously against Scrooge is now massively grateful to him for changing his ways ("Finale"). Scrooge reinstates his vow to celebrate Christmas and be kind to people ("I'll Begin Again (Reprise)") before a reprise of "Thank You Very Much" is sung during the bows ("Curtain Call"/"Thank You Very Much (Reprise)").

Sea Legs

Musical · 1937

Sea Legs is an American musical with music by Michael H. Cleary and lyrics by Arthur Swanstrom. The musical book by Swanstrom is based on the play The Cat Came Back by Laurence E. Johnson, Beula King, and Avery Hopwood. Produced by Albert Bannister and J. Edmund Byrne, the production opened on Broadway at the Mansfield Theatre where it ran from May 18, 1937, through May 29, 1937 for a total of 15 performances. The cast included Dorothy Stone and her husband, Charles Collins.

See What I Wanna See

Musical · 2005

Act 1 – "Kesa" and "R Shomon" In medieval Japan, Kesa plans to kill her lover, Morito ("Kesa"). Morito arrives, and they make love. Kesa divulges to the audience that "[her] husband knows [their] secret" and draws a knife out of her kimono and raises it to stab Morito at the height of her climax, but a blackout leaves the outcome unknown. The scene shifts to New York City in 1951, where a murder has taken place. The janitor of a movie house is being interrogated by an unseen policeman. He explains that when he left work in the late night/early morning he took a shortcut through Central Park, where he found "the scarf, the body, the blood" ("The Janitor's Statement"). He slips when he refers to the weapon as "his knife", indicating that the killer is a male, but then he claims that the police had mentioned this to him. A thief, Jimmy Mako, is also being interrogated ("The Thief's Statement"). He boasts about committing the crime, and a flashback begins as he describes how Lily looked at him on the street after leaving the movies with her husband Louie ("She Looked at Me"). The thief follows the couple to the nightclub where she flirts with both Louie and, discreetly, the Thief ("See What I Wanna See"). The Thief decides that the only way to get a chance at Lily is to get the Husband out of the way. He convinces Louie to go with him to the park to dig up "Big Money" that he knows is hidden there. After a few drinks, Louie agrees, and Lily is also persuaded to come along. The Thief knocks out the husband, ties him up and rapes Lily, who tries vainly to defend herself with a knife ("The Park"). The Thief snaps - he's infatuated with Lily and is convinced that she wants him too, vowing "You'll Go Away With Me". Lily orders the Thief to fight her husband for her ("Murder"). He does, killing Louie; but Lily runs off into the night. Back at the police department, the Thief calmly states that he will "take the chair." The Janitor explains to his interrogator his philosophy about witnessing strange situations in New York City: "Best Not To Get Involved", but he admits to remembering Lily - "how could you forget a woman like her?" The Wife enters the interrogation room to explain her version of the story ("The Wife's Statement"). After the Thief raped her, she blacked out and awoke to find her husband, Louie, glaring at her, blaming her for the rape, and feeling they no longer had anything left to live for. She begs him for his love and forgiveness ("Louie"). He indicates that they should kill themselves together. She begins to comply ("Louie guide my hand, I will honor you") but at the last second, as he pushes the knife towards her, she panics and turns it towards him, killing him and running away. Back in the interrogation room, the Janitor recalls an adage that "only the dead tell the truth." A Medium arrives and explains that the spirit of the Husband entered her during a seance. She summons his spirit again ("The Medium and The Husband's Statement"). The Husband's story is that his wife became enraptured with the Thief and turned on the husband ("You'll Go Away With Me" (Reprise)). The rape becomes passionate love-making, and the Husband attempts to block it out of his mind by recalling that the marquee of the movie house screening Rashomon was missing the "a" in the title. The Wife orders the Thief to bind the husband. She assaults her husband verbally, relishing her new-found power, and telling him everything she has kept bottled up during their marriage; she will take "No More". She orders the Thief to stab the Husband. Surprisingly, the Thief instead cuts the bonds of the Husband and holds the knife to the Wife's throat, asking, "Do you want me to slash her throat and save you the trouble later?" Louie just stares, and the Thief eventually releases the Wife, tossing the knife to the Husband. The Husband, seething with rage, chases his wife away and is left alone. He decides that the honorable thing to do would be to kill himself ("Simple as This"). The Medium and the Husband perform an elaborate ritual reminiscent of traditional Japanese Seppuku (stomach-cutting). His last memory is of "someone" removing the stiletto from his abdomen and his blood flowing into the grass. The Janitor is still in the interrogation room, exhausted. He describes the beauty and the horrors of New York City in 1951 ("Light In the East"). Again he walks home through Central Park that night. He finds the Husband, pulls the knife out of the body and flees the scene. Everyone appears as a collage of voices, telling their statements, sometimes in unison but often interjecting with their own skewed perspectives on the truth. Act 2 – "Morito" and "Gloryday" Back in feudal Japan, Morito, Kesa's lover, tells wistfully of their final night together ("Morito"). Morito has planned to murder Kesa just as she has plotted to kill him, but the audience is left in doubt as to who was the successful killer, the scene ends with Morito strangling Kesa as she reaches for her knife. Reality and truth depend on whose perspective one believes. Kesa sees murdering Morito as a way to cleanse herself of her guilt and shame, while Morito believes he is bringing justice to Kesa and renewing his honor. In New York City in 2002, the meek priest Michael is in confession with his Monsignor. The Priest has lost his faith in the wake of "the tragedy" (alluding to, but not directly referencing the September 11 attacks), having failed to bring comfort to his flock ("Confession/Last Year"). He reminisces about the first time he realized his calling to become a priest, telling his Aunt about it. The Aunt is a spitfire communist and an atheist. She reminds the Priest of all the flaws and wrongdoings in the world and berates him for being "a gullible dope", falling for "The Greatest Practical Joke" of humanity: religion. The Priest walks through Central Park to clear his mind, where he conceives a great hoax. He decides to stage a false miracle in the park. He posts fliers around the park emblazoned with the message: "In three weeks, on Tuesday, at 1 p.m. sharp, a miracle will occur here in Central Park... from the depths of the pond Christ will appear, believe and be free" ("First Message"). He meets a former C.P.A., a filthy wild man in tattered business attire. The C.P.A. becomes inspired by the Priest's message ("Central Park"). He tells of his former life as an adultering, lying, disgustingly wealthy accountant. Worried that God "doesn't see [his] life", he goes to the park, where he discovers his true calling, "to live free and wild". Yet, he remains desperate for a life with purpose, where God sees him as special and unique. The Priest meets an Actress named Deanna as he posts new fliers in the park ("Second Message"). She is jittery, jumping from one subject to the next. She seduces the Priest, and the two have sex behind a bush in the park. Visibly distraught, she explains that she is struggling with cocaine addiction. She had found success in a coffee commercial, which she calls "residual heaven" ("Coffee"). To celebrate her success, her soap opera-actor boyfriend and she binge on cocaine and vodka and go for a drive in their Jaguar through Beverly Hills. The car flies off a cliff, and the actress breaks her neck, legs, nose and arms: "ouch right?". Her wrecked face draws bad press, and her coffee commercial is withdrawn. She consoles herself with morphine and barbiturates. She tells the Priest that she hopes the miracle occurs, because she could use some hope in her life. The Priest visits his Aunt Monica again and discovers she is dying. The TV news program she is watching shows the hordes of people gathering in Central Park for the "Gloryday". The Priest goes to the park to see what he has created. He enters a bar across the street from the park where he meets Aaron, the Reporter on the news program. The Reporter mentions that he has met the Priest before, on the day of "the tragedy". He was running away from the disaster, while the Priest was running toward it. The Reporter says that he, like the Priest, is looking for answers ("Curiosity"). The other characters appear, lighting candles and praying as the Priest emotionlessly "admires [his] handicraft" ("Prayer"). With one hour left until the miracle the Priest giddily points out souvenir salesmen, religious groups and celebrities ("Third Prayer/Feed the Lions"). He is grabbed by The CPA who says that he knows The Priest's secret...he is an angel. Deanna finds the Priest and thanks him for giving her hope. Finally, the Priest sees his Aunt, who, despite being in great pain, has made her way to the park. She confesses that she has lied all these years: she knows that there is a God, and she knows that "There Will Be a Miracle". She falls asleep on a park bench, telling her nephew to wake her when the Gloryday arrives. With a few minutes left, the crowd joins in "Prayer" for forgiveness, and the Priest has a change of heart. He runs around screaming that it was a joke and that everyone should go home. Now Deanna, the CPA, the Reporter and Aunt Monica describe the scene: The sky goes black, a harsh wind picks up, lightning flashes, mist hangs in the air, the earth trembles, and a tornado hits the lake. Everyone flees, pulling coats over their heads to protect themselves from the dust and debris. The Priest tries to stop them, but he is left standing alone. Looking back, he sees something "Rising Up" from the pond, and he sobs as he sees the Glory. In rapture, he races around, but no one else has seen it. The Reporter, the C.P.A. and Deanna are angry. He wakes Aunt Monica and tells her about it, asking if she believes him. She replies, "If you say so baby, why not?" Back in the confessional, the Priest tells his Monsignor that he put the collar back on a month later at Aunt Monica's funeral, but he is still confused about his faith.

Seesaw

Musical · 1973

Seesaw is a 1973 American musical with a book by Michael Bennett, music by Cy Coleman, and lyrics by Dorothy Fields. Based on the William Gibson play Two for the Seesaw, the plot focuses on a brief affair between Jerry Ryan, a young lawyer from Nebraska, and Gittel Mosca, a kooky, streetwise dancer from the Bronx. The musical numbers evoke colorful aspects of New York City life but have relatively little to do with the story. The most notable feature of the score's original orchestrations by Larry Fallon was their wide use of brass instruments.

Seussical

Musical · 2000

This synopsis describes the tour version of the show, currently being licensed as "Seussical the Musical" by Music Theatre International (MTI). The story follows Horton and Gertrude as they band together to save the Whos, free Horton, and restore peace to the Jungle of Nool. The themes of the show include the power of being unique and the importance of fighting for one's beliefs. The show opens on a bare stage, with an odd red-and-white-striped hat in the center. A small boy wanders into view and notices the hat, wondering to whom it might belong. He finally mentions the word Cat in the Hat, who appears before the Boy and tells him he has been brought to life by the Boy's "Thinks". The Cat urges this boy to Think up the "Seussian" world and characters around the boy and himself ("Oh, the Thinks You Can Think!"). The Cat then reveals to the Boy that he is about to tell a story about someone as imaginative as the Boy is. To begin the story, the Cat encourages the Boy to think up the Jungle of Nool, where Horton the Elephant is bathing. Horton hears a strange noise coming from a nearby speck of dust, and reasons that someone must be on it, calling out for help. He carefully places the speck on a soft clover and decides to guard it ("Horton Hears a Who"). But he is mocked mercilessly by the Sour Kangaroo and the other animals of the jungle, who do not believe him ("Biggest Blame Fool"). The only exceptions are Horton's bird neighbors, Gertrude McFuzz, who admires his compassion, and Mayzie LaBird, who is more concerned about herself ("Biggest Blame Fool Playoff"). Horton soon discovers that the speck is actually a microscopic planet populated by creatures called Whos. The citizens of Who-ville introduce themselves and their yearly Christmas pageant directed by their friend the Grinch. They also reveal that in addition to being unable to control where the speck flies, they are on the brink of war and their entire population of Truffula Trees has been cut down ("Here on Who"). The Whos thank Horton and ask for his protection, and he agrees to guard their planet. At this point, the Cat pushes the Boy into the story; he becomes Jojo, the son of the Mayor of Who-ville and his wife. Jojo has been getting into trouble at school for having Thinks, so his parents order him to "take a bath and go to bed, and think some normal Thinks, instead". Jojo blames the Cat for getting him into trouble and tries to send him away. The Cat refuses and persuades Jojo to imagine the tub is McElligot's Pool ("It's Possible"). Jojo inadvertently floods the house, leading the Mayor and his wife to contemplate what to do with their son ("How to Raise a Child"). When the Cat hands them a brochure, they decide to send Jojo to a military school run by General Genghis Khan Schmitz, who is preparing to go to war with those who eat their bread with the butter side down ("The Military"). While there, Jojo meets Horton, and finds a mutual friend in him ("Alone in the Universe"). Gertrude, meanwhile, has fallen in love with Horton, but is afraid he does not notice her because of her own tail, which consists of only "one droopy-droop feather" ("The One Feather Tail of Miss Gertrude McFuzz"). Mayzie advises her to take pills to make her tail grow more feathers, as she did to make her tail enormous, which is why she looks so dazzling. ("Amayzing Mayzie"). Gertrude is so excited that she overdoses, causing her tail to grow long and unwieldy ("Amayzing Gertrude"). Horton is ambushed by the Wickersham brothers, a gang of delinquent monkeys, who steal the clover and make off with it ("Monkey Around"). Horton gives chase until the Wickershams hand the clover to an eagle named Vlad Vladikoff, who drops it into a large patch of identical clovers ("Chasing the Whos"). Here, the Cat cuts briefly into the action to remind the audience how lucky they are to not be Horton ("How Lucky You Are"). Undeterred, Horton begins to look for the clover, hoping the Whos are still alive, when Gertrude catches up with him and tries to get him to notice her new tail. Horton is too busy, so she leaves to take more pills ("Notice Me, Horton"). Horton is about to search his three millionth clover when he loses hope. Mayzie, sitting in a nearby tree, offers to help him forget about the Whos by hatching an egg that she is too lazy to care for ("How Lucky You Are (Reprise)"). Horton reluctantly agrees, and Mayzie leaves for a vacation. Horton sits through months of harsh weather as he tries to decide between the egg and the Whos ("Horton Sits on the Egg") before he is captured by hunters, who take him away along with the entire tree. Gertrude tries to stop the hunters, but cannot fly due to her heavy tail. The Cat closes the act with a reprise of "How Lucky You Are", and conducts the band during the intermission. Horton, still hatching the egg, is auctioned off to the traveling Circus McGurkus ("Egg, Nest, and Tree"/"Circus McGurkus"/"How Lucky You Are (Reprise)"). At one show in Palm Beach, he meets up with Mayzie, who insists that he keep the egg for himself before leaving ("Amayzing Horton"). Horton mourns the loss of the Whos and Jojo, but vows just as surely to protect the egg, as it, too, is alone without its mother ("Alone in the Universe (Reprise)"), and sings it a lullaby with Jojo about a magical place called Solla Sollew. At the same time, the Mayor and his wife begin to miss Horton and Jojo, and wish for Solla Sollew, as well ("Solla Sollew"). Jojo is with General Schmitz and his platoon as the Butter Battle commences ("Transition to Butter Battle"). Jojo deserts Schmitz, but sprints into a minefield and vanishes in an explosion. Schmitz assumes the worst and heads to Who-ville to tell Jojo's parents that their son has died ("A Message from the Front"). The Cat returns to perform a re-enactment of the dramatic scene. But in reality, Jojo has survived, but is lost with no idea of where to turn. The Cat appears to him with a band of Hunches, encouraging him to use his Thinks to find his way home ("Havin' a Hunch"). Jojo does so and happily reunites with his parents, who forgive him for his Thinks. Gertrude sneaks into the circus to free Horton, explaining she plucked out all but one of her tail feathers to fly there, and confesses her love for him. She also reveals she has found his clover, delighting and relieving Horton to find the Whos alive and well ("All for You"). However, the Sour Kangaroo and the Wickersham brothers arrive to take Horton back to the jungle. In the jungle, Horton is put on trial for the crimes of "talking to a speck, disturbing the peace, and loitering... on an egg" ("The People Versus Horton the Elephant"). Aided by Gertrude, Horton makes his best case, but Judge Yertle the Turtle finds him guilty. He orders Horton remanded to the "Nool Asylum for the Criminally Insane" and the clover destroyed in a kettle of hot "Beezle-Nut" oil. Desperate, Horton encourages the Whos to make as much noise as possible to prove their existence, but the animals do not hear them. Jojo finally uses his Thinks to conjure a new word, "Yopp", which he shouts loudly enough to reach the animals' ears. Convinced at last, the animals repent and promise to help protect the Whos, and Horton is acquitted. Jojo is accepted by his parents and the rest of Who-ville as "Thinker Non-Stop" for saving their planet. Horton's egg hatches into a tiny flying "Elephant-Bird", amazing everyone, but dismaying Horton, who panics at the thought of flying progeny. Gertrude reassures him that they can raise the child together, and they agree to do so. With the story finished, the Cat returns to close the show ("Finale - Oh, the Thinks You Can Think!"), then vanishes along with the scenery, leaving only his hat and Jojo, who is now the Boy again. The Boy picks the hat up, dons it, and says, "Seuss!" During a curtain call, the company performs a number based on Green Eggs and Ham ("Green Eggs and Ham").

Seven Brides for Seven Brothers

Musical · 1985

Act 1 In 1850s Oregon, Adam goes into town seeking a wife to run the household that consists of just himself and his six brothers. There he meets Milly, a waitress at a local restaurant. Milly and Adam rush into marriage and immediately return to Adam's remote ranch in the mountains. As soon as they return home, Adam reverts to his true self: an ill-mannered and inconsiderate slob. Milly meets his six brothers, Benjamin, Caleb, Daniel, Ephraim, Frank and Gideon, all of whom also share Adam's love for all things disorderly. Milly decides to reform the brothers and help them change their ways. She teaches them to dance and then takes them to a barn-raising. There, the six brothers meet six girls they like and start courting them. Conflicts arise when each of the six girls turns out to have her own jealous suitor. Upon returning home Adam reads his brothers the story of The Rape of the Sabine Women, inciting them to kidnap the girls and bring them back home with them. Act 2 The brothers kidnap the girls and then cause an avalanche to fall and block the suitors' way, making the brothers' house unreachable until spring. The girls are crying and furious by the time they reach the house. An angry Milly scolds the boys and sends them all to live in the barn, and Adam flees up to their hunting cabin in the mountains to live by himself. They live there all through the winter, but by the time spring arrives, the girls miss the brothers' attention and find themselves to be in love. Gideon goes to the cabin and attempts to get Adam to return home by telling him that Milly had a baby girl. A changed Adam returns home to find his wife and newborn daughter waiting for him. The snow clears up and the angry suitors make their way up to the house in the mountains to find that the girls are happy and want to marry the brothers. The story ends with a shotgun wedding of the six remaining couples.

She Loves Me

Musical · 1963

On a beautiful summer day in Budapest in 1934, the employees of Maraczek's Parfumerie arrive at work ("Good Morning, Good Day"). Working at the shop are Ladislav Sipos, a fretful middle-aged salesman with a family; teenage delivery boy Arpad Laszlo; thirty-something Ilona Ritter, who is having an affair with suave Steven Kodaly; and Georg Nowack, the shy assistant manager. Mr. Maraczek arrives to open the store, and soon business is under way ("Sounds While Selling"/"Thank You, Madam"). Georg has been exchanging letters with an anonymous woman he knows only as "Dear Friend", and he shares today's romantic letter with Sipos. Maraczek advises Georg to get married and recalls being a bachelor ("Days Gone By"). Arpad begins stocking the shelves with a new musical cigarette case. Mr. Maraczek insists that they will manage to sell one within an hour. A nervous young woman, Amalia Balash, enters, hoping to obtain a job at the Parfumerie. When Georg tells her they are not hiring, she demands to speak with Maraczek. Amalia takes one of the cigarette cases and convinces a customer that it is really a musical candy box that plays each time it is opened to gently tell the owner "no more candy" ("No More Candy"). Maraczek is impressed and immediately hires Amalia. As summer turns into autumn and then into the early days of winter, tension grows in the shop. Ilona and Kodaly are at odds, Mr. Maraczek is increasingly short-tempered with Georg, and Georg and Amalia bicker constantly. Georg finds solace in his anonymous romantic pen pal, not suspecting that his correspondent is none other than Amalia ("Three Letters"). Their fellow employees observe their bickering, and Sipos explains to Arpad that they argue because they unknowingly like each other very much. Arpad naively suggests they tell Georg and Amalia this, and Sipos retorts that they'd never believe it. Finally, in early December, the two "Dear Friends" arrange to meet in person. Maraczek humiliatingly dresses down Georg for a minor problem. Georg tells Sipos that tonight he will finally meet his "dear friend" ("Tonight At Eight"). Meanwhile, Amalia explains to Ilona that even though she has not met her "dear friend" yet, she knows him very well from his letters ("I Don't Know His Name"). Mr. Maraczek and Georg argue, and when it becomes obvious that Maraczek is about to fire Georg, Sipos knocks over the stack of musical cigarette boxes to distract him. Maraczek reprimands Sipos and leaves. Sipos tells Georg that no replacement would treat him as well as Georg does ("Perspective"). Maraczek insists that everyone stay late to decorate for Christmas, but Amalia says she must leave early for her date. Georg asks to leave too, but Mr. Maraczek refuses to let him go. Georg angrily quits, and the other employees sadly say goodbye to Georg ("Goodbye Georg"). Amalia leaves clutching a copy of Anna Karenina with a rose in it so that her "dear friend" will be able to identify her. She wonders if "dear friend" will like her ("Will He Like Me?") Meanwhile, inside the shop, Kodaly begins seducing Ilona ("Ilona"). They make a date, but when Mr. Maraczek insists they must close the store early, Kodaly realizes that he has time for a 9:30 date that he previously scheduled. He postpones his date with Ilona, and she angrily declares that she will never fall for a man like him again ("I Resolve"). Georg is nervous and asks Sipos to give "dear friend" a note explaining that Georg could not come. Mr. Maraczek's private investigator enters the shop and tells him that Kodaly is having an affair with his wife. Maraczek had assumed it was Georg. The investigator leaves, and Maraczek's wife calls to say she'll be out late. Maraczek points a gun at his own head and pulls the trigger as Arpad enters the shop. Meanwhile, in the Cafe Imperiale, the head waiter is trying to maintain a romantic atmosphere as Amalia waits with her book and rose ("Romantic Atmosphere"). Georg and Sipos enter and are shocked to realize that Amalia is Georg's date; however, Amalia does not know Georg is her "dear friend". Georg sits at Amalia's table and mocks her, singing a "Tango Tragique" about a woman who was murdered on a blind date (this song has been cut in later productions). They argue, and Georg leaves. As the cafe closes, Amalia, still waiting, begs "dear friend" not to abandon her ("Dear Friend"). The next day, Mr. Maraczek has survived his suicide attempt, and Arpad comes to visit him in the hospital. Maraczek is impressed with Arpad's hard work in his absence, and Arpad begs to be promoted to sales clerk ("Try Me"). Georg also stops by, and Maraczek apologizes and asks him to return to his job. Maraczek tells Georg to fire Kodaly and mentions that Amalia has called in sick. Georg is worried about Amalia and visits her at her apartment. She fears he has come to spy on her and tell the others she is not really sick, so she attempts to get out of bed and get ready for work ("Where's My Shoe"). Georg, seeing she is truly sick, forces her back to bed and presents her with a gift: vanilla ice cream. He apologizes for his rudeness the previous night, but Amalia tells him that he was right about her date; if "dear friend" really loved her, he would have come. Georg, meaning well, makes up a story that he saw an older, bald, fat gentleman looking into the cafe. Georg says the man told him that he had to work and could not meet his date, and Georg surmises that he must be her "dear friend". Amalia is surprised to find she enjoys her conversation with Georg. After he leaves, she begins a letter to "dear friend" but can only think of Georg's kindness and his gift ("Vanilla Ice Cream"). Georg joyously realizes that Amalia loves him ("She Loves Me"). At Maraczek's, Ilona explains to Sipos that she has gotten over Kodaly; last night, she went to the library where she met Paul, a kindly optometrist ("A Trip to the Library"). Kodaly bids everyone goodbye ("Grand Knowing You"). With Christmas fast approaching, the employees are busy helping last-minute shoppers, and Georg and Amalia enjoy each other's company ("Twelve Days to Christmas"). On Christmas Eve, Amalia tells Georg she has invited "dear friend" to spend the evening with her and her mother. She invites Georg as well, and he hesitatingly accepts. Mr. Maraczek returns to the shop for a happy reunion, and Ilona announces her plans to accept Paul's proposal that night, even though he does not know he is going to propose yet. Sipos leaves to join his family's Christmas party, and Maraczek takes Arpad for a night on the town. Georg helps Amalia with her packages as she leaves the shop, and they accidentally drop one of the musical cigarette boxes. Amalia intends to give it to "dear friend", but Georg says he really would like it; it will remind him of the day he first met her. He admits that he always thought Amalia was the sort of girl he could fall in love with. Amalia confesses to having similar feelings, and Georg takes one of Amalia's letters to "dear friend" out of his pocket and begins reading it aloud. Amalia finally understands that Georg really is "dear friend" and they kiss ("Finale").

Shelter

Musical · 1973

Michael is a television writer, who writes commercials, lives in a studio, which is really a special apartment for TV commercials, and shares it with a computer named Arthur. Arthur can sing, do strange things with back projections so that Michael can command his environment, from day to night, from country scene to moonlit stratosphere, and does party tricks. Michael has a wife and seven children. He tries to keep Maud, a distressed actress who has just lost her husband, from growing more distressed. She stays the night, but when morning comes, so does the beautiful cleaning girl who is madly in love with Michael, and then, too, his wife shows up.

Shenandoah

Musical · 1974

Charlie Anderson, a widower, lives with his large family in the Shenandoah Valley in Virginia, during the American Civil War. Anderson does not wish to be involved with the war because he doesn't consider it "his" war, but he is forced to take action when his youngest son Robert is taken prisoner by Union soldiers. In the course of searching for Robert, Charlie, his daughter Jenny, and some of his sons rescue Sam (Jenny's newlywed Confederate soldier husband) from a Yankee POW train. After enduring the tragedy of losing his eldest son Jacob (to a sniper) and his second eldest son James and James' wife Anne (to deserters), Charlie and the rest of the family return home, defeated. In his despair, Charlie is reminded to return to church, where he, at long last, is reunited with Robert once more.

Shinbone Alley

Musical · 1957

Shinbone Alley (sometimes performed as archy & mehitabel) is a musical with a book by Joe Darion and Mel Brooks, lyrics by Darion, and music by George Kleinsinger. Based on the album Archy and Mehitabel: A Back-Alley Opera, which in turn was based on archy and mehitabel, a series of New York Tribune columns by Don Marquis (illustrated by Krazy Kat author George Herriman), it focuses on poetic cockroach Archy (who wasn't strong enough to depress the typewriter's shift-key), alley cat Mehitabel, and her relationships with theatrical cat Tyrone T. Tattersall and tomcat Big Bill, under the watchful eye of the newspaperman, the voice-over narrator and only human being in the show.

Shockheaded Peter

Musical · 1998

Shockheaded Peter is a 1998 musical using the popular German children's book Struwwelpeter (1845) by Heinrich Hoffmann as its basis. Created by Julian Bleach, Anthony Cairns, Julian Crouch, Graeme Gilmour, Tamzin Griffin, Jo Pocock, Phelim McDermott, Michael Morris and The Tiger Lillies (Martyn Jacques, Adrian Huge and Adrian Stout) the production combines elements of pantomime and puppetry with musical versions of the poems with the songs generally following the text but with a somewhat darker tone. Whereas the children in the poems only sometimes die, in the musical they all do. Commissioned by the West Yorkshire Playhouse in Leeds and the Lyric Hammersmith in West London, the show debuted in 1998 in Leeds before moving to London and subsequently to world tours. While the Tiger Lillies performed as onstage band for the majority of the original Leeds and London runs, they were later replaced by David Thomas & Two Pale Boys.

Show Boat

Musical · 1927

Act I In 1887, the show boat Cotton Blossom arrives at the river dock in Natchez, Mississippi. The Reconstruction era had ended a decade earlier, and white-dominated Southern legislatures have imposed racial segregation and Jim Crow rules. The boat's owner, Cap'n Andy Hawks, introduces his actors to the crowd on the levee. A fistfight breaks out between Steve Baker, the leading man of the troupe, and Pete, a rough engineer who had been making passes at Steve's wife, the leading lady Julie La Verne. Steve knocks Pete down, and Pete swears revenge, suggesting he knows a dark secret about Julie. Cap'n Andy pretends to the shocked crowd that the fight was a preview of one of the melodramas to be performed. The troupe exits with the showboat band, and the crowd follows. A handsome riverboat gambler, Gaylord Ravenal, appears on the levee and is taken with eighteen-year-old Magnolia ("Nolie") Hawks, an aspiring performer and the daughter of Cap'n Andy and his wife Parthenia Ann ("Parthy"). Magnolia is likewise smitten with Ravenal ("Make Believe"). She seeks advice from Joe, a Black dock worker aboard the boat, who has returned from buying flour for his wife Queenie, the ship's cook. He replies that he has "seen a lot like [Ravenal] on the river." As Magnolia goes inside the boat to tell her friend Julie about the handsome stranger, Joe mutters that she ought to ask the river for advice. He and the other dock workers reflect on the wisdom and indifference of "Ol' Man River", who does not seem to care what the world's troubles are, but "jes' keeps rollin' along". Magnolia finds Julie inside and announces that she is in love. Julie cautions her that this stranger could be just a "no-account river feller". Magnolia says that if she found out he was "no-account", she would stop loving him. Julie warns her that it is not that easy to stop loving someone, explaining that she will always love Steve and singing a few lines of "Can't Help Lovin' Dat Man". Queenie overhears – she is surprised that Julie knows that song as she has only heard "colored folks" sing it. Magnolia remarks that Julie sings it all the time, and when Queenie asks if she can sing the entire song, Julie obliges. During the rehearsal for that evening, Julie and Steve learn that the town sheriff is coming to arrest them. Steve takes out a large pocket knife and makes a cut on the back of her hand, sucking the blood and swallowing it. Pete returns with the sheriff, who insists the show cannot proceed because Julie is a mulatto who has been passing as white and local law prohibits mixed marriages. Julie admits that her mother was Black, but Steve tells the sheriff that he also has "black blood" in him, so their marriage is legal in Mississippi. The troupe backs him up, boosted by the ship's pilot Windy McClain, a longtime friend of the sheriff. The couple have escaped the charge of miscegenation, but they still have to leave the show boat; identified as Black, they can no longer perform for the segregated white audience. Cap'n Andy fires Pete, but in spite of his sympathy for Julie and Steve, he cannot violate the law for them. Ravenal returns and asks for passage on the boat. Andy hires him as the new leading man and assigns his daughter Magnolia as the new leading lady, over her mother's objections. As Magnolia and Ravenal begin to rehearse their roles and in the process, kiss for the first time (infuriating Parthy), Joe reprises the last few lines of "Ol' Man River". Weeks later, Magnolia and Ravenal have been a hit with the crowds and have fallen in love. As the levee workers hum "Ol' Man River" in the background, he proposes to Magnolia, and she accepts. The couple joyously sings "You Are Love". They make plans to marry the next day while Parthy, who disapproves, is out of town. Parthy has discovered that Ravenal once killed a man and arrives with the sheriff to interrupt the wedding festivities. The group learns that Ravenal was acquitted of murder. Cap'n Andy calls Parthy "narrow-minded" and defends Ravenal by announcing that he also once killed a man. Parthy faints, but the ceremony proceeds. Act II Six years have passed, and it is 1893. Ravenal and Magnolia have moved to Chicago, where they make a precarious living from Ravenal's gambling. At first they are rich and enjoying the good life ("Why Do I Love You?") By 1903, they have a daughter, Kim, and after years of varying income, they are broke and rent a room in a boarding house. Depressed over his inability to support his family, Ravenal abandons Magnolia and Kim, but first visits his daughter at the convent where she goes to school to say goodbye before leaving her forever ("Make Believe" (reprise)). Frank and Ellie, two former actors from the showboat, learn that Magnolia is living in the rooms they want to rent. The old friends seek a singing job for Magnolia at the Trocadero, the club where they are doing a New Year's show. Julie is working there. She has fallen into drinking after being abandoned by Steve. At a rehearsal, she tries out the new song "Bill". She appears to be thinking of Steve and sings it with great emotion. From her dressing room, she hears Magnolia singing "Can't Help Lovin' Dat Man" for her audition, the song which Julie taught her years ago. Julie secretly quits her job so that Magnolia can fill it, without learning of her sacrifice. On New Year's Eve, Andy and Parthy go to Chicago for a surprise visit to their daughter Magnolia. Andy goes to the Trocadero without his wife, and sees Magnolia overcome with emotion and nearly booed off stage. Andy rallies the crowd by starting a sing-along of the standard, "After the Ball". Magnolia becomes a great musical star. More than 20 years pass, and it is 1927. An aged Joe on the Cotton Blossom sings a reprise of "Ol' Man River". Cap'n Andy has a chance meeting with Ravenal and arranges his reunion with Magnolia. Andy knows that Magnolia is retiring and returning to the Cotton Blossom with Kim, who has become a Broadway star. Kim gives her admirers a taste of her performing abilities by singing an updated, Charleston version of "Why Do I Love You?" Ravenal sings a reprise of "You Are Love" to the offstage Magnolia. Although he is uncertain about asking her to take him back, Magnolia, who has never stopped loving him, greets him warmly. As the happy couple walks up the boat's gangplank, Joe and the cast sing the last verse of "Ol' Man River". Plot variants in 1951 film The 1951 MGM film changed the final scenes of the story, as well as many small details. It reconciles Ravenal and Magnolia a few years after they separate, rather than 23 years later. When Ravenal leaves Magnolia in Chicago, he does not know that she is pregnant. Through a chance meeting with Julie, he learns that Magnolia and his daughter are living on the Cotton Blossom. He goes to where the boat is docked and sees Kim playing. He talks with her; the two "make believe" that he is her "real daddy", and he weeps. Magnolia arrives and sends Kim aboard. She and Ravenal hesitate and then embrace, and she leads him onto the boat. Parthy is as happy as Captain Andy to see the reunion. Joe and the chorus sing "Ol' Man River", and the ship heads downriver. Julie watches from a distance and blows them a gentle kiss as the Cotton Blossom recedes.

Shrek

Musical · 2008

Shrek the Musical is a musical with music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire. It is based on the 2001 DreamWorks Animation film Shrek, along with elements of its sequels: Shrek 2, Shrek Forever After and William Steig's 1990 book Shrek!. After a trial run in Seattle, the original Broadway production opened in December 2008 and closed after a run of over 12 months in January 2010. It was followed by a tour of the United States which opened in 2010, and a re-vamped West End production from June 2011 to February 2013. A high definition filming of the Broadway production, shot by RadicalMedia, was released on DVD, Blu-ray, and digital download on October 15, 2013, in North America and December 2, 2013, in the United Kingdom.

Shucked

Musical · 2022

The storytellers discuss the history of the town, Cob County, emphasizing the town's love for corn. They introduce the audience to Maizy and Beau, a couple who are planning their wedding ("Corn"). While Beau's brother, Peanut, is officiating the wedding, the town's corn suddenly begins to die. The town decides that they can't have a wedding until they fix the corn. Maizy talks to her cousin, Lulu, and her grandfather, before discussing the situation with Beau. Maizy tells Beau that she wants to leave the town in order to find solutions, but Beau is against the idea. Maizy explains her reasoning, before booking a plane to Tampa ("Walls"). Maizy is amazed by Tampa, and she finds a podiatrist who calls himself a "corn doctor". Unaware of what that actually means, she decides to meet the doctor, a man named Gordy ("Travelin' Song"). Gordy comes from a family of conmen, but is not great at the job ("Bad"); currently, he is in debt to some members of the mob (played by the storytellers). Gordy notices a bracelet that Maizy is wearing, which he takes to have appraised by the jewelers (also played by the storytellers), who say that the stones are incredibly valuable. Gordy realizes he can use the bracelet to get out of his debt. He tries to charm Maizy, and Maizy kisses him. Although shocked by her eagerness to cheat on Beau, she delights in her ability to save the corn ("Woman of the World"). Maizy takes Gordy back to Cob County, where Beau is angered at her decision to go to Tampa. Maizy retorts that Beau is jealous that she managed to do something about their situation, whereas Beau couldn't even leave the county. As the fight gets increasingly heated, Maizy admits that she kissed Gordy. Beau is shocked and angered, and breaks off his engagement with Maizy, deciding that he's going to find someone who wants him ("Somebody Will"). At Lulu's whiskey distillery, Maizy vents about the situation. Lulu tells her that her mistake was telling Beau that she kissed Gordy. Gordy arrives and tries to sweet-talk Lulu, but Lulu ignores him, relishing her independence as a single person ("Independently Owned"). Gordy receives two calls from the jewelers and the mob. The jewelers tell him the stones weren't as valuable as they thought, while the members of the mob tell Gordy his debt has been cleared due to the mobster being killed by "Murry the Mohel". However, Gordy misunderstands both calls, due to the poor cell service in Cob County. Peanut, Beau, and Lulu overhear the conversations, and go to warn Maizy ("Holy Shit"). However, Maizy remains optimistic and doesn't believe the other three. She and Lulu get into an argument, leading to Maizy saying that Lulu's whiskey is bitter. After they leave, Maizy wonders what love means ("Maybe Love"). Gordy reveals a healthy ear of corn to the town. He tells them that the stones from the bracelet are stopping the corn from growing, and to fix the situation he will remove the stones from the county; he actually intends to keep the stones for himself. The rest of the town takes this as an answer, except for Beau, Lulu, and Peanut. Maizy, still frustrated with Beau and Lulu, and excited by her ability to save the corn, misinterprets Gordy being down on one knee, and agrees to marry him, to the surprise of everyone in Cob County ("Corn (Reprise)"). The storytellers briefly recap the events of Act I. The town goes into a song about how they're Christian, but they drink alcohol ("We Love Jesus") (in the North American tour version, the town goes into a song about the purple rocks ("Ballad of the Rocks")). Peanut and Beau watch the celebration, and Peanut asks Beau if he's doing all right. Beau says he's fine, but admits his heartache after Peanut leaves ("OK"). As Gordy tries to leave Cob County with the stones, he runs into Lulu. Gordy attempts to charm Lulu, again, and Lulu is interested in Gordy's advances. However, she removes the catalytic converter from his car, forcing him to stay in town. Maizy and Gordy both have trouble with the vows for their upcoming wedding. Maizy realizes that the chemistry between her and Beau is still there, and she begins to have second thoughts about the wedding. Lulu and Beau advise Gordy and Maizy, respectively, to pretend that they are the ones they are giving vows to, while the storytellers watch with chagrin ("I Do"). Maizy asks her grandfather for advice about the wedding. Afterwards she speaks with Lulu, and the two make up ("Friends"). Lulu admits that she is interested in Gordy, and the two of them try to come up with a plan to set things right. Meanwhile, Peanut, while attempting to overlook his own romantic interest in Gordy, suggests that Beau, along with the rest of the men, get Gordy drunk, which would force him to admit everything. Storyteller 2 joins in on this song ("Best Man Wins"). The evening before the wedding, the boys easily manage to get Gordy drunk ("Corn Mix"), and he admits his plan. He also admits that the corn ear he showed the town was planted, as he bought it from Whole Foods. However, Gordy says that he wants to do right. Beau and Maizy get back together, and Gordy and Lulu also get together. It is revealed that Storyteller One is Lulu and Gordy's grandchild, while Storyteller Two is Maizy and Beau's grandchild. Beau and Maizy have the wedding that they were hoping for, as Peanut, once again, officiates ("Maybe Love (Reprise)").

Shuffle Along

Musical · 1921

Two dishonest partners in a grocery store, Sam Peck and Steve Jenkins, both run for mayor in Jimtown, USA. They agree that if either wins, he will appoint the other his chief of police. Steve wins with the help of a crooked campaign manager. He keeps his promise and appoints Sam chief of police, but they begin to disagree on petty matters. They resolve their differences in a long, comic fight. As they fight, their opponent for the mayoral position, virtuous Harry Walton, vows to end their corrupt regime ("I'm Just Wild about Harry"). Harry gets the people behind him and wins the next election, as well as the lovely Jessie, and runs Sam and Steve out of town

Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed

Musical · 2016

Flournoy "F. E." Miller and his vaudeville partner Aubrey Lyles conceive the show that was to become Shuffle Along. They meet fellow vaudevillians Noble Sissle and Eubie Blake and decide to team up to create the all-black production. They tour the show, playing one-night stands in Maryland, Washington, D.C., and Pennsylvania, packing the cast into cheap motels and selling their personal possessions to pay for train fare. A romance develops between the married Eubie Blake and the show's leading lady, Lottie Gee, a veteran vaudeville performer who finally got her chance to star in the show. The creatives discuss whether or not to include a love song and embrace between the two black leads, a controversial experiment that had been received with tar and feathers in the few instances where it had been tried before; fortunately, the audiences accept it. Arriving in New York during the Depression of 1920–21, Shuffle Along is deep in debt and struggles to raise money. It faces stiff competition on Broadway in a season that includes surefire hits from Florenz Ziegfeld Jr. and George White, and it was relegated to a remote theater on West 63rd Street with no orchestra pit. Opening night is a hit! Shuffle Along becomes a long-running success, with popular songs like "I'm Just Wild About Harry". The partners do not have the same success during the following years and argue about royalties. Lyles announces that he is moving to Africa, and the creators go their separate ways. The romance between Blake and Gee ends. Everyone wants to be remembered for having done something important, but over the decades, the show fades into obscurity.

Shylock

Musical · 1987

Shylock is a musical based on Shakespeare's The Merchant of Venice, adapted and composed by Ed Dixon debuted at the York Theatre in 1987 with Dixon in the title role. The performance garnered him a Drama Desk nomination for Best Actor in a Musical. The cast included Lisa Vroman, Charles Pistone, Dennis Parlato, Ann Brown and Joel Fredricks. Kathline Rubbico was musical director with sets and costumes by James Morgan and lighting by Marcia Madeira. Lloyd Battista was the director. According to Dixon, Shylock was an attempt to sympathetically explain the motivations of the eponymous character.

Shōgun

Musical · 1990

Shōgun: The Musical is a musical with a book and lyrics by John Driver and music by Paul Chihara. Based on James Clavell's 1975 novel and the 1980 television mini-series of the same name, the musical centers on shipwrecked English sea captain John Blackthorne, who finds himself drawn into a political power play while involved in an illicit affair with a married noblewoman in 17th-century Japan. Clavell's novel was itself originally inspired by the true story of English navigator William Adams.

Side Show

Musical · 1997

The Boss, the ringmaster of a sideshow, introduces the exhibits: the bearded lady, a geek, the Cannibal King, the seraglio of a Hashemite sheik, and, lastly, his star attraction, the Siamese twins ("Come Look at the Freaks"). Buddy Foster, an aspiring musician, brings Terry Connor, a press agent and talent scout for the Orpheum Circuit, to see the Siamese twins, persuading him to enter the show all the way. Coerced ominously in by the Boss, Buddy thinks he could help them create an act and convinces Terry to meet them. The two men interrupt a birthday party for the girls ("Happy Birthday To You And To You"). Terry asks their names and they respond, "I'm Daisy" and "I'm Violet". He then asks them their dreams ("Like Everyone Else"); Violet, the gentler of the two, wants a life of a husband and home; Daisy, on the other hand, seeks fame and fortune. Terry tells them he wants to help their dreams come true ("You Deserve a Better Life"). After the Boss rudely refuses Terry's offer to be cut in on the twins' potential vaudeville career ("Crazy, Deaf and Blind"), Terry devises a scheme whereby Buddy will teach the girls a song. Jake, who plays the Cannibal King in the sideshow and is the twins' friend and protector, begs them to consider what they're getting into and the whole sideshow family adds its opinion ("The Devil You Know"). Two weeks later, Terry returns to see the twins perform and Buddy tells him how the personal dynamics with the girls are getting sticky ("More Than We Bargained For"). Before their secret late-night performance, the twins confess to each other how infatuated they are with the two men who've come into their lives ("Feelings You've Got to Hide"). The Hilton Sisters' secret debut is a great success ("When I'm By Your Side"). But the Boss discovers the subterfuge and physically threatens the twins when they tell him they're leaving the sideshow. Jake comes to their rescue and the other attractions threaten to leave also, causing the Boss to back down. Daisy, Violet and Jake, whom Terry has invited to help backstage on the twins' tour, bid farewell to their sideshow family ("Say Goodbye to the Freak Show"). It's time for the twins' first public performance, and Terry invites a group of reporters together before the show ("Overnight Sensation"). Before their vaudeville debut, the twins argue about their different ways of expressing interest in men ("Leave Me Alone"). Onstage they sing "We Share Everything" in a production number featuring them as queens of ancient Egypt. After the twins' performing triumph, Terry and Buddy shower them with kisses. Hostile reporters ask tough questions about the girls' love life ("The Interview"). Terry and Buddy deny any romantic inclinations, leaving the twins to wonder if they will ever find romantic fulfillment ("Who Will Love Me as I Am?"). The second act opens with the Hilton Sisters at the height of their success - a Follies-style production number ("Rare Songbirds on Display"). Daisy's dream of stardom has come true but Violet seems no closer to her dream of finding a husband. At a fancy New Year's Eve party, Buddy tries to cheer up Violet and ends up proposing marriage ("New Year's Day"). Afterwards, Terry imagines what it would be like to be alone with Daisy ("Private Conversation"). In an onstage number ("One Plus One Equals Three"), Buddy, Violet and Daisy issue an upbeat invitation to their wedding. But backstage both Daisy and Buddy separately express doubts as to how the arrangement will work. Jake overhears Buddy and, in an effort to save Violet from seemingly imminent heartbreak, confesses that he has loved her for years ("You Should Be Loved"). The night before Violet and Buddy's wedding as the grand finale of the Texas Centennial, Daisy is feeling left out. To appease her, Terry suggests going where they could be more-or-less alone together ("Tunnel of Love"). The big day arrives. Hawkers sell tickets and souvenirs ("Beautiful Day for a Wedding"). But in the dressing area, complications arise. Jake announces he is leaving. Buddy confesses he's not strong enough to marry Violet. Daisy offers a solution which will ensure a movie contract dependent on the wedding publicity ("Marry Me, Terry"). Terry cannot bring himself to publicly acknowledge what he feels for Daisy. She dismisses him and insists that Violet and Buddy go through with the ceremony, which will at least benefit everyone's career. Left alone, the twins find solace in each other ("I Will Never Leave You"). As the wedding proceeds, they reprise "Come Look at the Freaks" with full understanding and acceptance of who they are and what they are doing.

Silk Stockings

Musical · 1955

Special envoy Nina Yaschenko (Ninotchka) is dispatched from the Soviet Union to rescue three foolish commissars from the pleasures of Paris. Romanced by theatrical agent Steven Canfield, she eventually comes to recognize the virtues of capitalist indulgence. Meanwhile, Peter Boroff, Russia's greatest composer, is being wooed by Janice Dayton, America's swimming sweetheart, to write the score for her first non-aquatic picture, a musical adaptation of War and Peace.

Simple Simon

Musical · 1930

Simple Simon is a Broadway musical with book by Guy Bolton, and Ed Wynn, lyrics by Lorenz Hart, music by Richard Rodgers, produced by Florenz Ziegfeld Jr., and starring Ed Wynn. It originally played from February 18, 1930, to June 14, 1930, at the Ziegfeld Theatre, then reopened on March 9, 1931, at the Majestic Theatre. The play, a loose plot designed to show off Ed Wynn's fumbling, clowning, punning style, cast him as a newspaper vendor who spends his time in a fairy-tale land where bad news does not exist. The song "Ten Cents a Dance" was introduced by Ruth Etting in this show. "Love Me or Leave Me" by Gus Kahn and Walter Donaldson was interpolated into the show about two months after it opened. "I'm Yours", by Johnny Green and Yip Harburg, was added for the tour. "Dancing on the Ceiling", cut during the Broadway previews, was eventually sung by Jessie Matthews in the London production of Ever Green, and became a standard. The musical numbers written for the show included: "Coney Island" "Don't Tell Your Folks" "Magic Music" "I Still Believe in You" "Send for Me" "Dull and Gay" "Sweetenheart" "Hunting the Fox" "Come On, Men" "Ten Cents a Dance" "Rags and Tatters" "Dancing on the Ceiling" (dropped before the New York opening) "He Was Too Good to Me" (dropped before the New York opening) "Oh, So Lovely" (unused) "Peter Pan" "The Simple Simon Instep" (unused) "Prayers of Tears and Laughter" (dropped before the New York opening) "Hunting Song" (unused) "Come out of the Nursery" (dropped before the pre-Broadway tryout) "Sing Glory Hallelujah" (dropped before the pre-Broadway tryout) The song "I Can Do Wonders with You", from a previous show, was interpolated.

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