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Jamaica

Musical · 1957

Jamaica is a musical with a book by Yip Harburg and Fred Saidy, lyrics by Harburg, and music by Harold Arlen. It is set on a small island off the coast of Jamaica, and tells about a simple island community fighting to avoid being overrun by American commercialism. Arlen's music parodies the popular form of Calypso, which was in vogue in the 1950s, largely as a result of the popularity of Harry Belafonte, for whom the musical originally was written. Belafonte withdrew from the production due to illness, and the musical was tailored around the talents of Lena Horne. and the satire is unusually pointed. Many of the topics raised in the songs, including evolution, nuclear energy, and consumerism, remain topical today.

Jane Eyre

Musical · 2000

Act 1 Jane Eyre, a young orphan, is living at Gateshead but is ill-treated by her Aunt Mrs. Reed and cousin John Reed. Jane is sent to a boarding school. Over the years, Jane becomes a teacher at the boarding school but longs to see other sights. She becomes a tutor of Adèle Varens, a young French girl who lives at Thornfield Hall as the ward of the owner, Edward Rochester. When a fire breaks out, Jane puts it out and saves Edward's life, and the two become close. Edward, however, cannot accept his affection for Jane, and so invites wealthy guests as a distraction. It appears that Blanche Ingram and Edward may be getting married, and Jane is unhappy over this. Mason, an old friend, arrives, and Edward is disturbed. He asks Jane whether she would leave if he had a terrible secret, and she vows her faithfulness. Act 2 When Mason is attacked in the attic, he is helped by Jane and Edward and leaves. Edward, pretending to be a gypsy, tells Blanche Ingram that he is not rich, and she hastily departs Thornfield. Edward at last tells Jane that he loves her and proposes marriage, and Jane happily accepts. However, on the day of the wedding, Mason tells the secret. Edward is already married to Bertha (who is Mason's sister) and his mad wife lives in the attic of Thornfield. Jane, unwilling to live with Edward without being married, leaves. Bertha meanwhile sets fire to Thornfield, and dies in the flames. Jane, hungry and exhausted after wandering the moors, has returned to Gateshead Hall, and discovers that her aged aunt is near death. Mrs. Reed has tried to steal her inheritance, but Jane forgives this last evil treatment. St. John Rivers, a clergyman, proposes marriage and Jane almost accepts. But, she hears Edward calling out to her. She returns to Thornfield to see that it has been destroyed. Jane and Edward, blind and crippled in the attempt to save his wife, are married. Edward's sight is partially restored as Jane shows him their new-born son.

Jekyll & Hyde

Musical · 1990

The majority of the show's story has not changed from production to production, but many of the songs have been altered, cut or replaced since the show debuted. The audience is introduced to John Utterson and Sir Danvers Carew, both having been associated with Doctor Henry Jekyll. Utterson was Jekyll's lawyer and best friend while Sir Danvers was Jekyll's future father-in-law. The two gentlemen take the audience back some time to find Jekyll in an insane asylum singing of his comatose father ("Lost in the Darkness"). It is Jekyll's belief that the evil in his father's soul has caused his illness. Jekyll tells the audience about his passion to find out why man is both good and evil and his attempts to separate the good from the evil ("I Need to Know"). Some time later, the rich and poor of 19th century London describe how people act – how they want others to see them, no matter who they really are inside ("Façade"). Afterward, Jekyll presents a research proposal to the Board of Governors of St. Jude's Hospital. Sir Danvers, the chairman of the board, is in attendance along with His Grace Rupert the 14th Bishop of Basingstoke, the Right Honorable Sir Archibald "Archie" Proops, Lord Theodore "Teddy" Savage, Lady Elizabeth "Bessie" Beaconsfield, General Lord Glossop and Simon Stride, the secretary. All, with the exception of Sir Danvers, already deem the proposal an inconvenience. When Jekyll proposes to test his theory and his formula on a human subject (presumably his father), they scorn the proposal with cries of "sacrilege, lunacy, blasphemy, heresy", voting five to none with Sir Danvers' one abstention ("Board of Governors"). Utterson tries to calm Jekyll down, knowing that he is obsessed over his father's condition. Jekyll feels that he could "save" those who have fallen in the same darkness. Utterson urges his friend, if he feels he is right about his theory, that he should continue ("Pursue the Truth"). Later that night, a group of high society Londoners turns up at Sir Danvers' residence at Regent's Park, which has a well-maintained façade. Sir Danvers throws a showy party for his daughter Emma, for her engagement to Dr. Jekyll, to which Jekyll is late. ("Façade" (reprise #1). During the party, the guests – which include the Governors and Stride, deride Danvers and Emma for her engagement to a "madman", but Utterson, Sir Danvers and Emma back up Jekyll. Stride, who has feelings for Emma, speaks to Emma in private and tries to reason her out of her engagement, but she quickly turns him down, saying she feels she can be who she wants to be with Jekyll ("Emma's Reasons"). Jekyll arrives late as usual – just before the party leaves to go see the fireworks – and shares a moment with Emma. Though he warns her he may always be busy with his work, Emma swears she will be beside him through it all ("I Must Go On/Take Me as I Am"). Sir Danvers returns as Jekyll leaves and expresses to Emma that he considers Jekyll like a son to him but finds it difficult to tolerate his behavior at the cost of losing his daughter. Emma assures him that he will never lose her, and they should not be afraid to let go ("Letting Go"). Jekyll and Utterson later go to the dregs of Camden Town known as "The Red Rat" for Jekyll's bachelor party ("Façade (reprise #2)"). Prostitute Lucy Harris arrives late and is in for some trouble with the boss, known as 'Spider', but she dismisses it for now. Despite her position in life, she is seen to be kind-hearted and well-liked by her co-workers but has moments of contemplation about her life ("No One Knows Who I Am"). Guinevere, the German manager of "The Red Rat", then breaks Lucy's reverie and then sends her out onstage to do her number ("Bring on the Men" or "Good 'N' Evil" depending on the production), which captivates Jekyll. After the number, Lucy begins to circulate among the clientele. Spider approaches Lucy and after striking her hard across the face, threatens to kill her if she is late again. Jekyll approaches Lucy after witnessing the Spider's actions and intends to help her as Utterson is led away by another bar girl. Jekyll and Lucy are drawn to each other in a way that promises each of them a great friendship. Jekyll admits Lucy's song has helped him find the answer to his experiment. Utterson reemerges, and Jekyll tells Lucy that he must be on his way. Before he goes, he gives Lucy his visiting card and asks her to see him should she ever need a friend ("Lucy meets Jekyll"). As Utterson and Jekyll arrive at the latter's residence, Utterson notices that Jekyll is in a better mood. Jekyll informs him that he has found a subject for his experiments. Utterson recommends that Jekyll go straight to bed and departs. Jekyll dismisses his butler, Poole, for the night and proceeds to his laboratory, excited that the moment has come to conduct his experiment ("This Is the Moment"). Keeping tabs on the experiment in his journal, Jekyll mixes his chemicals to create his formula, HJ7, and injects it into the subject: himself (in some versions, he drinks the formula, as he did in the book). After a minute of the potion's side effects, he writhes in pain, and is taken over by an alternate, aggressive personality ("First Transformation"). With grim humor he notes in his journal "4:00 AM -A few slight changes" (the exact line varies, depending on the production). He gleefully goes out and roams the streets, taking in the sights and sounds of London while tormenting innocent bystanders, which includes a sexually abusive encounter with Lucy (“Lucy meets Hyde”). Jekyll's alternate personality gives himself a name: Edward Hyde ("Alive"). A week later, no one has heard anything from Jekyll. Emma, Sir Danvers and Utterson ask Poole where he is, but Emma decides to leave and believes Jekyll will come for her after his work is finished. After Emma and Sir Danvers leave, Poole tells Utterson that Jekyll has been locked in his lab all this time and that he has heard strange sounds from the lab. Jekyll, who seems distraught, emerges and impatiently sends Poole to fetch some chemicals for him. Utterson confronts Jekyll about his bizarre behavior, but Jekyll brushes this off. He instead gives Utterson three letters: one for Emma, another for her father, and one for Utterson himself should Jekyll become ill or disappear. Suspicious and concerned, Utterson warns Jekyll to not let his work take over his life. Meanwhile, Emma and Sir Danvers argue about the prudence of Emma's marriage to a man who seems to be falling into an ever-deepening abyss. Emma again tells her father that she understands that Jekyll's work is important ("His Work and Nothing More"). After Utterson departs, Lucy arrives at Jekyll's residence with an aggressive bruise on her back. As Jekyll treats her wound, she tells him a man named Hyde inflicted it. Jekyll is stunned by this revelation but hides it. Feeling compassion for Jekyll for being kind to her, Lucy kisses him ("Sympathy, Tenderness"). Disturbed by his own actions, Jekyll leaves Lucy, who wonders about her love for him ("Someone Like You"). Later, the Bishop of Basingstoke is seen with Guinevere after having a "meeting" with one of her underage attendants. He pays Guinevere and arranges to see the attendant next Wednesday. When Guinevere and the attendant leave, Hyde appears holding a swordstick with a heavy pewter knob. After insulting the Bishop, Hyde proceeds to beat and stab him to death with the swordstick before gleefully setting the body aflame ("Alive (reprise)"). Utterson and Sir Danvers speak to the audience once again of past events with Jekyll: Utterson begins to feel he was not able to help his poor client and friend, while Danvers senses that something was horribly wrong with his work, as he had not been seen or heard from for weeks. The citizens of London gossip about the bishop's murder as Hyde hunts down and kills General Glossop, Sir Proops, Lady Beaconsfield, and Lord Savage. By now, all five Governors who rejected Jekyll's proposal are dead ("Murder, Murder"). Later one night, Emma lets herself into Jekyll's laboratory. She finds his journal open and reads one of his entries. Jekyll enters and immediately closes the journal, preventing her from learning what he has become. Emma can see he is distraught. She professes her love for him and begs him to confide in her ("Once Upon a Dream"). He tells her nothing of his work, but says he still loves her. After Emma leaves, Jekyll writes in his journal that Hyde has taken a heavy toll on him and those around him, and that the transformations are occurring of their own accord. His entry is interrupted when Utterson arrives at the lab, seeking to find out who Jekyll's sole heir is, Edward Hyde, as referred to in Jekyll's letter. Jekyll only tells him that Hyde is a "colleague" involved in the experiment. Utterson can see that his friend is desperately ill and agrees to obtain the rest of the chemicals Jekyll requires. Jekyll, once again alone, begins to face the fact that Hyde is a part of him ("Obsession"). At the same time, both Lucy and Emma wonder about their love for the same man ("In His Eyes"). At "The Red Rat", Nellie and Lucy consider their profession and why they keep doing it ("Girls of the Night"). Lucy is then visited by Hyde, who tells her that he is going away for a while. He then warns her to never leave him. Lucy is terrified, but seems to be held under a sexual, animalistic control by Hyde ("Dangerous Game"). As they leave together, Spider addresses the "Red Rat" attendants, warning them to always be aware of what dangers lie ahead in the East End ("Façade (reprise #3)"). Utterson comes to Jekyll's lab with the rest of the chemicals and a secret envelope and discovers Hyde, who informs him that the doctor is "not available" tonight. Utterson refuses to leave the package with anyone but his friend and demands to know where he is. Hyde replies that even if he told him, Utterson would not believe him.

Jelly's Last Jam

Musical · 1991

The musical opens with the recently deceased Morton in a state of limbo, looking back on his life. He is reluctantly guided by the mysterious 'Chimney Man,' who forces him to recall the more painful moments of his life when he attempts to ignore or embellish them. Born into an old and wealthy mixed-race Creole family in New Orleans, the young Morton rebels against his upbringing by going into the streets and absorbing the rhythms of the vendors and poor blacks, meeting blues musician Buddy Bolden. When his Creole grandmother discovers his new lifestyle, she disowns him. Forced to go on the road, Morton becomes a prominent composer and musician, and the self-proclaimed creator of jazz. His sadness over his family's rejection causes him to stress his Creole ancestry and claim that there are 'no black notes in my song.' Eventually his pride and racism cause him to betray his best friend and the woman he loves. In his later years, as the Jazz culture continues to grow, Morton is largely forgotten and reduced to dealing with crooked music publishers and gangsters, eventually dying of a knife wound in the colored wing of a Los Angeles hospital. At the moment of his death, Morton at last admits to his heritage - "Ain't no black notes in my song/I was wrong/ I was wrong." At this moment, the shadows of the people in his life surround him to congratulate him, and Morton takes his place in history among the other Jazz legends.

Jerico-Jim Crow

Musical · 1964

Jerico-Jim Crow is a 1964 musical, with a book written by Langston Hughes and William Hairston. It was a pioneering work in the urban contemporary gospel musical style, based on the themes of the Civil Rights Movement in the United States. According to Hughes scholar and biographer Arnold Rampersad, Hughes "virtually pioneered" the black gospel musical, first with Black Nativity (1961) and then with Jericho-Jim Crow. Jerico-Jim Crow premiered on Sunday, January 5, 1964, at the Sanctuary Theatre, New York City. It was co-directed by Alvin Ailey and William Hairston and conducted by Hugh Porter, with Marion Joseph Franklin, Jr as associate musical director and musical accompanist, the musical was favorably reviewed in The New York Times by Richard F. Shepard, who said: "This rousing production is an unabashedly sentimental and tuneful history of the Negro struggle up from slavery." A cast recording was released in 1964 by Folkways Records.

Jesus Christ Superstar

Musical · 1971

Judas Iscariot, one of the Twelve Apostles, worries that the followers of Jesus are getting out of control and may be seen as a threat by the Roman Empire, who might harshly suppress them ("Heaven on Their Minds"). The other apostles anticipate entering Jerusalem alongside Jesus and ask him about his plans, but Jesus tells them not to worry about the future. Meanwhile, Mary Magdalene tries to help Jesus relax. Judas warns Jesus to avoid Mary because a relationship with a prostitute could be seen as inconsistent with his teachings and be used against him. Jesus scolds Judas, saying he should not judge others unless he is free of sin. Jesus then reproaches the apostles and complains that none of them truly care for him ("What's the Buzz/Strange Thing Mystifying"). Mary reassures Jesus while anointing him. Judas fumes that the money spent on fine oil should have been used to help the poor. Jesus reasons they do not have the resources to end poverty, and that they should treasure what comforts they possess ("Everything's Alright"). Meanwhile, Caiaphas, the High Priest of Israel, assembles the Pharisees and priests. Like Judas, they fear that Jesus's followers will be seen as a threat by the Romans, and that many innocent Jews might suffer the consequences. Thus, Caiaphas concludes that for the greater good, Jesus must be executed ("This Jesus Must Die"). As Jesus and his followers arrive exultantly in Jerusalem, they are confronted by Caiaphas, who demands that Jesus disperse the crowd. Jesus instead greets them ("Hosanna"). Simon the Zealot suggests that Jesus lead his mob in a war against Rome and gain absolute power ("Simon Zealotes"). Jesus rejects this, stating that none of his followers understand what true power is ("Poor Jerusalem"). Pontius Pilate, the governor of Judea, has a dream in which he meets a Galilean and then receives the blame for the man's violent death at the hands of a mob ("Pilate's Dream"). Jesus arrives at the Temple and finds that it is being used as a marketplace; angered by this, he drives everyone out. A group of lepers ask Jesus to heal them. Their number increases, and overwhelmed, Jesus rejects them ("The Temple"). Mary Magdalene sings Jesus to sleep ("Everything's Alright (Reprise)"). While he sleeps, Mary acknowledges that she is in love with him, and it frightens her ("I Don't Know How to Love Him"). Conflicted, Judas seeks out the Pharisees and proposes helping them arrest Jesus, believing that Jesus is out of control and that Jesus himself would approve of this action. In exchange for his help, Judas is offered thirty pieces of silver. Judas adamantly refuses, but then accepts upon Caiaphas's suggestion that he could use the money to help the poor ("Damned for All Time/Blood Money"). Judas tells the priests, on Thursday night, they will be finding him at the Garden of Gethsemane. Jesus shares a Passover meal with his disciples, where they get drunk and pay little attention to him. He remarks that "for all you care" the wine they are drinking could be his blood and the bread his body. He asks them to remember him, and then, frustrated by their lack of understanding, he predicts that Peter will deny him three times that night, and that another one of them will betray him. Judas admits that he is the one who will betray Jesus and, saying that he does not understand why Jesus had no plan, leaves ("The Last Supper"). The remaining apostles fall asleep as Jesus retreats to the Garden of Gethsemane to pray. He tells God his doubts about whether his mission has had any success and pleads to find a way to avoid the horrible death that awaits him. Receiving no answer, he realises that there is no other way to complete his mission, and resigns himself to God's will ("Gethsemane (I Only Want to Say)"). Judas arrives with Roman soldiers and identifies Jesus by kissing him on the cheek. When Jesus is brought to trial before the Sanhedrin, Caiaphas and the priests send him to Pilate ("The Arrest"). Meanwhile, Peter is confronted by three witnesses of Jesus's arrest, to each of whom he denies that he knows Jesus. Mary observes that Jesus had predicted this ("Peter's Denial"). Pilate asks Jesus if he is the King of the Jews. Jesus answers: "That's what you say." Since Jesus is from Galilee, Pilate says that he is not under his jurisdiction and sends him to King Herod ("Pilate and Christ"). The flamboyant King Herod pressures Jesus to prove his divinity by performing miracles, but Jesus ignores him. Herod angrily sends him back to Pilate ("King Herod's Song"). Mary Magdalene, Peter, and the apostles remember when they first began following Jesus, and wish that they could return to a time of hope and peace ("Could We Start Again, Please?"). Judas is horrified at Jesus's harsh treatment. He expresses regret to the Pharisees, correctly dreading that he will forever be remembered as a traitor. Caiaphas and Annas assure him that he has done the right thing. Judas throws the money he was given to the floor and storms out. He curses God for manipulating him, and commits suicide ("Judas' Death"). At Jesus's trial, Pilate attempts to interrogate Jesus, but is cut off by a bloodthirsty mob which demands that Jesus be crucified. Unnerved, he tells the mob that Jesus has committed no crime and does not deserve to die, but to satisfy the mob, he will have Jesus flogged. Pilate pleads with Jesus to defend himself, but Jesus says weakly that everything has been determined by God. The crowd still calls for Jesus's death, and finally, Pilate reluctantly agrees to crucify Jesus ("Trial Before Pilate (Including The 39 Lashes)"). As Jesus awaits crucifixion, the spirit of Judas returns and questions why Jesus chose to arrive in the manner and time that he did, and if it was all part of a divine plan after all ("Superstar"). Jesus is crucified, recites his final words, and dies ("The Crucifixion"). Jesus' body is taken down from the cross and buried ("John 19:41").

Jimmy

Musical · 1969

Jimmy is a musical with a score by Bill Jacob, lyrics by Patti Jacob, dance arrangements by John Berkman, and a book by Melville Shavelson and Morrie Ryskind. The musical describes the rise and fall of New York City Mayor Jimmy Walker, whose career was marred by corruption. It was a romanticized version of Walker's tenure as mayor, as presented in the 1957 film Beau James, starring Bob Hope. The film came from a biography of Walker, also titled Beau James, written by Gene Fowler. Jimmy had a brief Broadway run from October 1969 to January 1970, starring Frank Gorshin as Walker, Anita Gillette as Betty Compton, and Julie Wilson. Jack L. Warner and Don Saxon produced the original Broadway production under the direction of Joseph Anthony. It closed after 8 previews and 84 performances.

John & Jen

Musical · 1993

Act I (1952–1972) Six-year-old Jen Tracy welcomes her newborn brother John into the world, with a warning about the way things work and a promise to protect him from Dad. ("Welcome to the World") As they grow, Jen does her best to shield John from life's disappointments, including a painful Christmas Eve fight between their parents. Not long after John's seventh birthday, Jen discovers a bruise on his face. "It was my fault," he tells her, "I broke a glass." Jen vows that Dad will never hurt John again, and she and John make a deal to always be there for each other. ("Think Big") As the pair grows older, sibling rivalry crops up when John is forced to attend Jen's high school basketball finals. ("Dear God") But when it's time for Jen to go off to college, John begs her not to leave him alone. ("Hold Down the Fort") Jen is determined to break free, however, deal or no deal. "I can't hold your hand forever," she tells John. "Grow up". Jen embraces the world of the '60s in groovy New York City, where she blossoms into a drug-experimenting hippie while John's life goes in the opposite direction. ("Timeline") Without Jen there to protect him, John falls under his father's influence and decides to join the Navy. ("It Took Me A While") When Jen returns home from New York, she and John see how much they've changed and how far apart they've grown. ("Out of My Sight") Learning of Jen's plans to move to Canada with her draft-dodging boyfriend, John accuses her of rejecting everything he and Dad stand for, and they part in anger. ("Run and Hide") After John leaves, Jen unfurls an American flag, drapes it over a coffin, and we learn that John has been killed in Vietnam. "I'm sorry, little brother," she whispers as Act I ends. ("Epilogue") Act II (1972–1990) Now living in Canada, 26-year-old Jen is the mother of a newborn baby boy, whom she names John. ("Old Clothes") But this John is not the naïve child of the '50s his mother expects him to be. When Jen moves back to the United States, leaving her failed marriage behind, she prepares to spend Christmas alone with seven-year-old John. Her gift to her son is an old baseball glove, which she proudly tells him belonged to his uncle. But John rejects the gift, complaining, "I'll be the only kid in school with a crappy old glove!" Jen gets her son to play his uncle's favourite sport, but her obnoxious behavior at games only succeeds in mortifying him. ("Little League") Visiting her brother's grave on what would have been his 32nd birthday, Jen remarks on the similarities between the two Johns and vows that she won't fail her son. ("Just Like You") But when it's time for the 12-year-old to go off to camp, Jen finds herself barely able to say goodbye. ("Bye Room") In a montage spanning John's high school years, John and Jen take turns as mock talk show hosts covering topics that reveal Jen's growing dependence on her son and John's struggle for freedom. ("Talk Show") Later, when John discovers that his mother has hidden his acceptance packet from Columbia University, it becomes clear that Jen is terrified that she'll lose John "again," and she is no longer able to differentiate between her brother and her son. ("Smile of Your Dreams") Finally realizing how desperately his mother needs him, John decides to forgo Columbia in favour of a local community college. Disturbed to see him throwing away his future on her account, Jen ridicules his decision. John is deeply hurt by his mother's reaction, and he bitterly mocks her influence on his life. ("Graduation") As their argument escalates, Jen slaps her son. Shaken by the parallels to her abusive father, Jen retreats to her brother's grave, where she finally accepts that it's time to move on. ("The Road Ends Here") John joins his mother at the cemetery, where Jen asks his forgiveness. ("That Was My Way") Jen is finally able to let her son go, and they take their first steps into the world on their own. ("Every Goodbye is Hello")

John Henry

Musical · 1939

John Henry was a 1940 original Broadway musical based on the 1931 novel John Henry by Roark Bradford. The libretto was written by Bradford with music composed by Jacques Wolfe. Paul Robeson starred in the title role with Ruby Elzy as Julie Anne. Other prominent members of the cast included Joseph Attles, Maude Simmons, Josh White, Musa Williams, and Bayard Rustin. The show played at the 44th Street Theatre in New York City from January 10, 1940, to January 15, 1940.

Johnny Guitar

Musical · 2004

The musical is set in a small town in the New Mexico mountains circa 1885. The story centers on Vienna, a sultry saloonkeeper who built a booming business on her back. Though Vienna is the ultimate ‘bad girl gone good,’ her nemesis, the pent-up Emma, sees things differently. A domineering cattle baroness, Emma controls the town with an iron fist but loses her grip when she falls for the dangerously hot-headed Dancin’ Kid. By the time Johnny Guitar, a tall manly stranger with a secret past rides into town, the stage is set for an epic showdown, unlike anything the Old West or Off-Broadway has ever seen.

Johnny Johnson

Musical · 1936

Johnny Johnson is a musical with a book and lyrics by Paul Green and music by Kurt Weill. It premiered in 1936 on Broadway. Based on Jaroslav Hašek's 1921–1923 satiric novel The Good Soldier Švejk, the musical focuses on a naive and idealistic young man who, despite his pacifist views, leaves his sweetheart Minny Belle Tompkins to fight in Europe in World War I. He first tries to stop the war after meeting a young German sniper of the same name, who believes that the soldiers must unite. However, the commanders of the allied forces intend to use the discontent with the war among the German soldiers as a perfect time to advance in the war. Johnny then manages to bring the skirmish to a temporary halt by incapacitating a meeting of the generals with laughing gas, but once they recover they promptly reinstate the war, resulting in hundreds of thousands of fatalities. Meanwhile, Johnny finds himself committed to an asylum for ten years. He returns home to discover Minny Belle has married a capitalist, and he settles down as a toymaker who will create anything except tin soldiers, his personal gesture of peace in an increasingly warlike society. The musical was written and composed by Green and Weill during the summer of 1936 in a rented old house located in Nichols, Connecticut near the summer rehearsal headquarters of the Group Theatre at Pine Brook Country Club. Its title was inspired by the fact the name appeared on United States casualty rolls more often than any other.

Joseph and the Amazing; Technicolor Dreamcoat

Musical · 1968

Joseph and the Amazing Technicolor Dreamcoat is based on the story of Joseph from the Book of Genesis. A Narrator opens the show by introducing Joseph, the dreamer ("Prologue"). Joseph sings an inspiring song to the audience ("Any Dream Will Do"). The Narrator then draws the audience's attention to Joseph's father Jacob and his 12 sons ("Jacob and Sons"). Jacob favours Joseph over his other sons, and he gives Joseph a multicoloured coat to show his affection for him. Joseph is ecstatic about this gift ("Joseph's Coat"), while his brothers look on with jealousy. The brothers’ jealousy is compounded by Joseph's dreams, which suggest that he is destined to rule over them ("Joseph's Dreams"). To stop this from happening, they try to kill him by throwing him down a pit, before changing their minds and selling him as a slave to some passing Ishmaelites. The Narrator comments on how powerless Joseph was to stop this ("Poor, Poor Joseph"). To hide what they have done, Joseph's brothers and their wives tell Jacob that his beloved son has been killed. As proof, they show him Joseph's coat, which they have torn to pieces and covered in goat's blood ("One More Angel in Heaven"). When the devastated Jacob exits, the brothers and wives cheerfully celebrate Joseph's departure ("Hoedown"). Meanwhile, Joseph is taken to Egypt, where he is bought as a slave by the wealthy Potiphar. He works hard and is promoted, eventually running the household. Joseph catches the eye of Mrs Potiphar and, although he turns down her advances, Potiphar sees them together and jumps to the wrong conclusion ("Potiphar"). Enraged, he throws Joseph in jail. A heartbroken Joseph laments his situation ("Close Every Door"). Two prisoners, both former servants of the Pharaoh, are put in his cell. Joseph interprets their strange dreams and predicts the butler will return to Pharaoh's service, while the baker will be executed. As Joseph questions his predictions, the other prisoners encourage Joseph to follow his own dreams ("Go, Go, Go Joseph"). The Narrator opens the second act with news that the Egyptian populace has been plagued by dreams that no one can interpret ("Pharaoh Story"). The butler, now freed and again serving Pharaoh, tells him of Joseph's skill at deciphering dreams ("Poor, Poor Pharaoh"). Pharaoh has Joseph brought to him and describes his dreams, one involving seven fat cows, being devoured by seven skinny cows, and another about seven healthy ears of corn, similarly being devoured by seven withered ears of corn ("Song of the King"). Joseph declares that Egypt will see seven years of plentiful harvests, followed by an equal period of severe famine, and that Pharaoh must select a man to help Egypt prepare for the famine ("Pharaoh's Dreams Explained"). Impressed with what he hears, Pharaoh pardons and frees Joseph, makes him his second-in-command, and puts him in charge of famine preparations. As the seven plentiful years end, and the seven years of famine begins, Egypt, under Joseph's leadership, manages to persevere ("Stone the Crows"). Meanwhile, Joseph's family back home is now starving and poor, having lost their farm and living off scraps in a brothel. Joseph's brothers regret what they did to him and how they lied to their father, thinking that things might have turned out differently if Joseph was still with them ("Those Canaan Days"). Hearing that Egypt still has food, they travel there to beg for supplies ("The Brothers Come to Egypt"). In Egypt, the brothers beg for food from Joseph, not recognizing him, and Joseph realizes that as the brothers bow before him this is the dream he had years ago coming true. He initially suggests the brothers might be spies, but they sincerely insist they're struggling ("Grovel, Grovel"). Joseph gives them sacks of food, but in an act of revenge for their attempted fratricide, plants a golden cup in the one belonging to Benjamin, his youngest brother. When the brothers attempt to depart, Joseph stops them, accusing them of theft. Each brother empties his sack ("Who's the Thief?"), and when the cup is found in Benjamin's sack Joseph accuses him of stealing. The other brothers beg Joseph to take them prisoner instead and let Benjamin go free ("Benjamin Calypso"). Joseph sees that his brothers have changed and reveals who he really is ("Joseph All the Time"), then sends for Jacob ("Jacob in Egypt"). Upon meeting Jacob for the first time in years, Joseph sings "Any Dream Will Do" again, and the lyrics are revealed to be a vague overview of the story. Jacob returns Joseph's coat to him, now fully repaired ("Give Me My Coloured Coat") In some productions, the cast perform a medley of songs from the show as they take their bows ("Joseph Megamix").

Jubilee

Musical · 1935

Time: 1935 Place: In and Around London, England and Rockwell-On-Sea When the curtain rises a ball is being hosted at the Royal Palace by the Royal Family ("Our Crown"). The King (Henry) and the Queen (Katherine) are sitting in the throne room, ignoring the guests, as the Prime Minister attempts to convince them to come to the Ball. The Queen is reading a movie magazine and suggests that the picture "Mowgli and the White Goddess", which features swimmer Charles Rausmiller as the scantily-clad Mowgli, be shown at the Jubilee. The King then suggests that he could perform his string trick and Prince James and the Princess (Diana) come in with their own requests. Prince James would like to have American Dancer Karen O'Kane come to the Jubilee, and the Princess would like songwriter/actor/playwright Eric Dare to receive Jubilee honors. The Prime Minister denies their requests and the Royal Family is finally summoned to the ball after the guests begin to steal ashtrays, and the tassels off the curtains. Meanwhile, the young Prince Peter and his cousin Prince Rudolph scheme to be able to visit Radio City Music Hall so while the Cabinet is meeting, they throw a rock through the window, with a message attached to it. It reads: "If the Royal Family is not out of the Palace by midnight, we will come and take them out. This is our first and last warning". The Prime Minister alerts the Royal Family that they will be evacuated to the dreary Feathermore Castle, but they decide "to Hell with Feathermore!" and that they will do something they've always wanted to do ("We're off to Feathermore"). The Princess decides to visit Eric Dare ("Why Shouldn't I?") who is currently being greeted by a crowd of admirers ("Entrance of Eric") after returning from exotic travels ("The Kling-Kling Bird on the Top of the Divi-Divi Tree"). The Princess requests an autograph from Eric, who becomes intrigued with Diana after she proves herself more thoughtful than the rest of his crowd of admirers ("When Love Comes Your Way"). Meanwhile, in a Municipal Park ("What a Nice Municipal Park"), the King is practicing his string trick, which is seen by socialite and party planner Eva Standing, who drags him off to be an attraction at her next party. The Queen, with the help of a man dressed as an ape, finds the theater where "Mowgli and the White Goddess" is playing ("When Me Mowgli Love") and meets Charles Rausmiller at the stage door, asking him to help her with her breaststroke, to which he agrees ("Gather Ye Autographs While Ye May"). At the Cafe Martinque, ("My Loulou"), Prince James is watching Karen O'Kane perform ("Begin the Beguine"). He meets her and together they win a cash prize for the best-danced Beguine. Meanwhile, the King has been staying at Eva's place preparing his party trick, while Eva attends to her schedule of social appearances ("Good Morning Miss Standing/My Most Intimate Friend"). The prime minister has been searching with all the means at his disposal for the Royal Family, but has had no luck. He just misses the King and Queen at the pool where Mowgli and the Queen have been doing their swimming lessons. The King believes that they are now running a risk of being caught, as he was photographed outside a news office. Meanwhile, Karen and Prince James have been comfortably living with each other for the past few days ("A Picture of Me Without You"). At a grand, Greek-themed party thrown by Eva (Ev'rybod-ee Who's Anybod-ee"), the Royal Family meet again. Two classical dances are performed, one of them featuring Karen ("The Judgment of Paris" and "Aphrodite's Dance"). News breaks out that the Royal Family is missing, and to calm the crowd Eva says that the Royal Family is in this very room and there is no need to worry ("Swing that Swing"). The Prime Minister demands the Royal Family step forward; they do, and they are dragged off to Feathermore, "that very nasty castle in the North" ("Finale Act One"). It is a rainy Sunday morning at Feathermore ("Sunday Morning Breakfast Time"). The Royal Family has invited all of their friends from the past week to the Castle, as they couldn't stand the dull routine practiced at Feathermore. When their friends arrive, they decide to abdicate the throne and run off to Rockwell-on-Sea before going to America ("Mr. and Mrs. Smith"). At Rockwell-on-Sea ("Six Little Wives"), both the Queen and the Princess win "Miss Rockwell 1935." The Prime Minister comes to them, dragging along Prince Peter and Prince Rudolph, revealing that there was no threat; they will return to the Palace for the Jubilee. Everyone bids their friends goodbye ("A Picture of Me Without You" (Reprise)). The King and Queen cheer up by listening to a favorite old song of theirs ("Me and Marie") before being arrested for bathing nude. As the prison burnt down, they are put in lion cages. With James' help, they knock out the zookeeper with a version of the King's string trick and escape. Meanwhile, Eric Dare and the Princess tearfully say goodbye ("When Love Comes Your Way" (Reprise)), and Karen and Prince James share their last dance ("It Was Just One of Those Things"). At the Jubilee, Eric, Karen, Eva, and Charles are awarded Jubilee honors and the two young Princes are allowed to go to Radio City ("Our Crown" (Reprise)). The King attempts to perform his string trick, but resorts to singing "Me and Marie" instead, as the curtain falls on the joyful scene ("Finale Ultimo").

Junie B. Jones the Musical

Musical · 2004

The show follows events from three books of the Junie B Jones series: Junie B., First Grader (at Last!), Junie B., Boss of Lunch, and Junie B., One-Man Band. The show begins on the first day of first grade with a giddy Junie B. Jones, who introduces the audience to herself, her family, and her "top secret personal beeswax" journal ("Top Secret Personal Beeswax"). However, she quickly finds that her kindergarten best friend Lucille has ditched her for two new best friends ("Lucille, Camille, Chenille"). On the school bus, Junie B. finds that her other best friend has ditched her as well. She ends up sitting next to Herb, a new student at their school whom she befriends ("You Can Be My Friend"). When she arrives at school, Junie B. meets her classroom peers, including her friends Lennie and José, and May, whom she does not get along with. Their teacher, Mr. Scary, instructs the students to choose a word he has written on the chalkboard to draw ("Time to Make a Drawing"), but while Junie B.'s classmates get to work, she realizes she can't make out the words, and needs glasses ("You Need Glasses"). After getting a pair of glasses, Junie B. worries about the reactions of her class, but her mother reassures her, and Junie B. brings them to class for show and tell ("Show and Tell"). Her classmates find the glasses to be interesting ("Now I See"). Junie B. is gifted a lunch box by her parents ("Lunch Box"). She and her friends reminisce about their favorite lunch lady, Gladys Gutzman, who baked cookies for the children ("Gladys Gutzman"). Mrs. Gutzman allows Junie B. to help her serve the school lunch, but Junie B. finds the food gross and accidentally convinces the rest of the students of this as well. Junie B.'s classmates are annoyed at her for ruining their lunch until Mrs. Gutzman allows her to help pass out sugar cookies to her classmates ("Top Secret Personal Beeswax (Reprise)"). Junie B. and her classmates prepare for the school's kickball tournament ("Kickball Tournament"), but while practicing, Junie B. kicks a heavy watering can and hurts her toe, making her unable to play. Mr. Scary tries to think of another way for her to be involved, like joining Sheldon, who is performing a halftime show instead ("Sheldon Potts' Halftime Show"). Junie B. tells her parents that she is unhappy about this, and her parents encourage her to see the positive side of things ("When Life Gives You Lemons"). Her father tries to teach her how to juggle for her part in the halftime show. A week later, on the day of the tournament, Junie B. still hasn't successfully learned to juggle. The first half of the kickball tournament goes by quickly ("Kickball Tournament (Reprise)"), but when halftime arrives, Sheldon is too nervous to perform and runs off the field. Junie B. is left alone in front of the crowd, who boo and throw biscuits at her. She takes the biscuits and starts to juggle them, to the delight of the crowd, including her parents ("When Life Gives You Lemons (Reprise)"). Junie B., having recounted all of this in her top secret personal beeswax journal, finds herself at the last page. Thinking this means the end of her adventures, she is saddened until Herb rips out some pages from his own notebook and offers them to her, so they can continue their adventures together. Junie B. recounts the lessons learned from her recent adventures ("Writing Down the Story of My Life").

Juno

Musical · 1959

Juno is a musical with music and lyrics by Marc Blitzstein and book by Joseph Stein, based closely on the 1924 play Juno and the Paycock by Seán O'Casey. The story centers on the disintegration of an Irish family in Dublin in the early 1920s, during the Irish War of Independence. Juno is a hardworking matriarch who strives to hold her family together in the face of war, betrayal, and her worthless husband's drinking. The original production opened on Broadway in 1959 and closed after only 16 performances. Its somber tone did not please the critics, who were disappointed that its stars, particularly Shirley Booth, did not have an opportunity to play comedy. The score and original cast album have found some praise. Several revivals have been staged, but none has met with great success.

KPOP

Musical · 2017

Although the Broadway production of KPOP features many of the songs and characters from the off-Broadway production, the two versions follow distinctly different plots: the Broadway production has been characterized by the creative team as being more of a "reinvention" than a transfer of the off-Broadway version. The show casts audiences as American executives touring JTM Entertainment, a K-pop music factory run by Moon and his wife Ruby, who are trying to break into the North American market with the help of a Korean American agent named Jerry. Audience members toured the multilevel, multiroom facility (in actuality the A.R.T./New York Theatres building in Hell's Kitchen) where they observe rehearsals by the bands F8 and Special K, as well as JTM's flagship star MwE. Audiences also encounter the in-house plastic surgeon Dr. Park, the vocal coach Yazmeen, and a ruthless dance instructor named Jenn. Throughout the evening, the audience observes the JTM artists as they are put through the wringer of the idol industry, from demanding rehearsals, to cultivating fandom via social media, to receiving media training, and having to confront body dysmorphia through a rhinoplasty examination to find any facial imperfections. Specific plotlines include Korean-American member Epic trying to embrace the attempt to break into American pop culture against the wishes of other members of F8, and MwE facing the possibility of being replaced as JTM's star by Sonoma, one of the younger members in the group Special K. The show is framed as a camera rehearsal for South Korean music agency RBY Entertainment’s New York debut of its stars, at Circle in the Square Theatre on Broadway. RBY’s founder and chief executive, a former K-pop singer named Ruby, discusses logistics with the director Harry as she rehearses the introduction. The two groups, RTMIS and F8, perform the opening number with the song "This is My Korea 우리 이야기." RBY’s main star, MwE, starts to perform her song "엎드려 Up Du Ryuh (Bow Down)" but becomes spooked upon seeing Ruby in the audience and flees. While Ruby goes to confront MwE, Harry has F8 rehearse their introductions to the camera, but finds their simple introductions in Korean boring. New member Brad, a mixed race Korean-American who replaced another member, tries to make his mark by coming up with a hammy intro in English, but quickly comes into conflict with the rest of the group over whether to introduce themselves in Korean or English, particularly bandleader Jun Hyuk. F8 performs their song "한국놈 Han Guk Nom (Korean Man)" but intentionally change up the choreography on Brad as revenge for his outburst. Harry begins using the cameras to spy on Ruby, MwE, and MwE’s boyfriend Juny in the dressing room. MwE reveals she thought she saw her mother in the audience, and with Juny’s encouragement voices that she wishes to quit RBY. The action flashes back to MwE’s original audition for RBY, as 9-year old Mina Kim, as she performs "Still I Love You 아직도 사랑해", explaining that she wishes to become a singer to support her mother after her father left. Ruby, the original singer of the song, sees potential in MwE and immediately signs her on. In the present, Harry sees an opportunity to turn the concert film into a documentary about the K-pop industry. He tries to get RTMIS, the girl group, to spill on their careers in B-roll as they rehearse their song "Perfect 완벽한 걸." The group refuses, as all interviews need to be vetted by Ruby, and they face severe consequences if anything they say affects the image of RBY’s brand. In another flashback, a 13-year old MwE struggles to get through a dance rehearsal for her song "Wind Up Doll 태엽인형" after her mother abandoned her on her recent birthday. Ruby encourages her to push through the pain of her home life and focus on the image she shows to the rest of the world. In the present, Brad asks Harry to redo the footage for "Han Guk Nom". Harry pushes him to spill on the rest of the group bullying him. Brad is reluctant, but eventually relates his personal experiences growing up as the child of a Korean mother and being bullied in school for his identity, and how his treatment by the rest of F8 reminds him of that. Harry has Brad perform an original song he wrote inspired by his experiences, "Halfway 중간 지점". In another flashback, backstage at a performance, 18-year old MwE confronts Ruby over the slow progress in her career and the fact that Ruby has begun recruiting for a new boy band (F8), interpreting it as Ruby gearing up to replace her. Ruby reminds her that the path to stardom takes a long time, but it will be worth it in the end. As MwE performs "슈펴스타 Super Star" she sees crowds of fans cheering for her. RTMIS performs "시간 낭비 Shi Gan Nang Bee (Waste of Time)", a song about ending relationships. Harry once again asks them about filming B-roll, only for Ruby to intervene and remind Harry it is forbidden. In a flashback to three months before the rehearsal, MwE writes a song "벙어리새 Bung Uh Ree Sae (Mute Bird)" with her childhood friend and boyfriend Juny, in response to the recent death of her mother. He encourages her to record it, as it is different from the pre-written material Ruby makes her do. A talented musician himself, Juny prefers his simple life as a music teacher to MwE’s busy touring schedules, and they are only able to meet for short periods at a time and in secrecy. MwE, desperate to keep Juny in her life, proposes to him just as Ruby walks in. A scandalized Ruby reminds MwE that she has a specific brand to follow, and Juny does not fit that brand. MwE refuses to keep working for RBY if Juny can’t be present, so Ruby reluctantly allows him to join her on tour on the condition Ruby also manages every aspect of his daily life. The tensions among F8 come to a head as they prepare to rehearse "Amerika (Checkmate) 아메리카" particularly when Harry has the cameras focus on Brad. Jun Hyuk finally explodes that he feels Brad has not earned his place among the group, most of whom have had to train for years whereas Brad was hired to replace one of their friends without going through the same training. Brad retorts that he was hired for his talent, same as the rest of the group, and that they have only excluded him because of his American identity and poor grasp on the Korean language. Jae Ik admits that Brad has a point, and points out that Jun Hyuk can’t fault Brad for being American, as several members of the group are also from America (including Jae Ik himself, hailing from Queens). The other members accuse Harry of trying to push conflict for his documentary, and encourage Jun Hyuk and Brad to make-up before they rehearse the song. In a flashback to a week before the camera rehearsal, MwE tries to get Ruby to listen to the song she wrote, but Ruby refuses to market MwE as a singer-songwriter. MwE begins expressing doubts about making her debut in New York as RTMIS arrives to rehearse. Ruby tells RTMIS that if MwE refuses to perform, the whole performance will be cancelled. Several members of RTMIS start voicing frustration that the work they have put into their careers could be thrown away so easily. One of the members, Sonoma, reminds the rest of the group how important getting to perform alongside one of their idols, MwE, will be, and that they must put in the effort to fulfill their lifelong dreams. Just as Ruby and MwE’s argument backstage hits a breaking point, they finally notice the camera operator and discover Harry’s scheme. Ruby promptly fires Harry, who protests he could have helped MwE by making her human to the rest of the world, instead of the machine Ruby has made her. Faced with what her life has become, MwE declares that she wants to quit and leave with Juny. Ruby apologizes for not being encouraging or a strong replacement for her mother, but reminds her cancelling the whole performance would jeopardize the careers of everyone at RBY, including the members of F8 and RTMIS. MwE suggests Juny could come with her, but he refuses, reiterating that he can’t live the rigorous, controlled touring life, and they will have to end the relationship if she stays with RBY. Ruby, softened by the entire ordeal, offers MwE two options on the condition that she performs at least one more time: to stay with the company, or leave and try to live a normal life with Juny. MwE’s decision is left ambiguous. Rather than film the performance, Ruby turns RBY’s planned debut in New York City into a concert, featuring performances by RTMIS ("Supergoddess 슈퍼가디스" and "Gin & Tonic 진 앤 토닉"), F8 ("Meant 2 B 멘 투 비" and "흔들어 Hun Du Ruh (Shake It)"), and MwE ("Phoenix 불사조"). Finally, all of the RBY artists come together to perform "Blast Off 발사".

Kaiserin Josephine

Musical · 1936

A fortune teller predicts that Joséphine will become empress. Napoleon meets and marries her after she persuades him to release her son Eugène from prison. While Napoleon is away with his troops, Joséphine remains in Paris and flirts with other men, including Hippolyte Charles. Napoleon’s jealousy damages his reputation, but the couple reconcile when he becomes France’s first consul. They are crowned emperor and empress, fulfilling the prophecy.

Kathy & Stella Solve a Murder!

Musical · 2022

Kathy and Stella, two murder-obsessed best friends from Beverley near Hull, are the oddball hosts of Kathy & Stella's Murder Podcast, a tiny operation broadcast weekly from the Baxters' garage to the exasperation of their disapproving families. After failing to wow their idol Felicia Taylor at a book signing, their disappointment is soon forgotten when they find themselves in an interrogation room being informed that they are two of the last people to have seen a recent murder victim. Realising that they could both become "part of the story," Kathy and Stella vow to catch the killer themselves, thus beginning a ludicrous caper around Humberside as they realise they don't know what they're doing. Tensions finally come to a head at the Birmingham Convention Centre's Murder Con, a dramatic showdown that puts Kathy and Stella's friendship to the absolute test.

Katinka (operetta)

Musical · 1915

Setting: Yalta, Istanbul, and Vienna shortly before the outbreak of World War I Act 1 The play opens in Yalta at a villa on the Black Sea. Reluctantly following her mother's wishes, Katinka marries Boris Strogoff, the Russian Ambassador to Austria, although she is really in love with his attaché, Ivan Dimitri, and he with her. After the wedding, Thaddeus Hopper, a wealthy American and Ivan's friend, helps her escape to Turkey. Act 2 Ivan and Boris Strogoff's servant Petrov arrive in Istanbul hoping to find Strogoff's first wife Olga, who chose to live in a harem rather than remain married to him. If she is found, Strogoff's marriage to Katinka can be annulled on grounds of bigamy, leaving her free to marry Ivan. Katinka and Thaddeus Hopper are also in the city, where she is staying in Hopper's rooms. The arrival of Hopper's wife, Helen, causes complications when she becomes suspicious of the arrangements. Hopper has arranged for Katinka to be hidden in the harem of Izzet Pasha, but Arif Bey, Pasha's warden, mistakenly carries Mrs. Hopper off to the harem instead of Katinka. Meanwhile, Herr Knopf is planning to open the Café-Turkois-in-Vienna and has come to Istanbul looking for women to work there. Helen is amongst those he takes back to Vienna. Act 3 The main characters are all in Vienna, where they have assembled at Herr Knopf's café. Olga, who had been living in Izzet Pasha's harem under the name of "Nashan", reveals her true identity. The Hoppers are reconciled, and Katinka and Ivan are reunited.

Kelly

Musical · 1964

Kelly is a musical with a book and lyrics by Eddie Lawrence and music by Moose Charlap. It was inspired by Steve Brodie, who in 1886 claimed to have jumped off the Brooklyn Bridge and survived. The story centers around Hop Kelly, a daredevil busboy. Some Bowery gamblers try to prevent him from surviving a jump from the Brooklyn Bridge. The 1965 musical is notable for having closed after its opening night performance on Broadway, becoming one of the biggest flops in Broadway history.

Kid Victory

Musical · 2015

17 year old high school senior and sailboat enthusiast Luke returns to his small, Kansas town after an unplanned, unannounced one-year absence. Luke finds it difficult to reconnect with friends and family or to focus on school work. He experiences recurrent flashbacks of his year-long absence and the events and relationship leading up to it. Luke had been communicating on the internet with Michael; his screen name was "Kid Victory". As he tries to readjust, Luke develops a growing friendship with the town misfit, divorcee Emily. His parents, Eileen and Joseph, finally understand that to reconnect with their son, they must confront unnerving truths about his disappearance.

Kimberly Akimbo

Musical · 2021

At an ice skating rink named "Skater Planet" in Bergen County, New Jersey, six teenagers – Kimberly Levaco, Seth Weetis, Martin Doaty, Aaron Puckett, Teresa Benton, and Delia McDaniels – express their frustrations. Kim is the new girl in town, with a disease that makes her age four and a half times as fast as normal, and a dream of visiting Six Flags Great Adventure. Seth, an employee at the rink, feels like a misfit. The four others are all pining for another member of their friend group unrequitedly (Martin for Aaron, Aaron for Delia, Delia for Teresa, and Teresa for Martin). All the teens feel as if they don't fit in, and express their desire to "be seen" ("Skater Planet"). Kim’s frequently drunk father Buddy is over three hours late picking her up; Kimberly gives him a thermos filled with coffee to sober up. Seth comes back to the rink for his tuba, which he had left inside. He asks Kim to be his partner for an upcoming biology project, and says that they could do it about her disease. Buddy retorts and says that Kimberly is researching glaucoma, and insults Seth behind his back. Buddy tells Kimberly to tell her mother, Pattie, that they were late due to car troubles. At the Levacos’ home, Pattie, pregnant and with casts on both arms, creates a video for her yet-to-be-born baby ("Hello, Darling"). When Buddy and Kim arrive home, Pattie chastises Buddy for their lateness and his drunkenness, which leads to an argument in which both parents end up having to give quarters to the family "swear jar". Buddy suggests that if they save up enough in the swear jar, they could go on a road trip, which Pattie quickly shoots down. It is also established that the family is trying to keep secret the fact that they're from Lodi, New Jersey. In her room, Kimberly writes a letter to the Make A Wish Foundation, requesting a treehouse after going back and forth between an array of wishes ("Make A Wish"). At school, Martin, Aaron, Delia, and Teresa make plans for a Dreamgirls medley for their school show choir, one that will compete with their rival West Orange's Evita medley. They reaffirm their problems with unrequited love ("Skater Planet (reprise #1)"). The group then plans on purchasing classic show choir outfits (blue dresses for the girls and turquoise suits for the boys). Kimberly agrees to be Seth's partner for the biology project, and to use her disease as their topic. Delia invites Teresa to Skater Planet, but Teresa wants to invite Martin. This results in all four members of the friend group agreeing to go to Skater Planet, after Martin invites Aaron. In the library, while studying for their project, Seth creates an anagram of Kim's name, "Cleverly Akimbo". She realizes that she likes him ("Anagram"). Debra, Kim's criminal aunt, shows up and makes crude jokes. She reveals that she has been sleeping in the school library, waiting to find Kimberly. The Levaco family moved from Lodi in a manner that made it difficult for Debra to find them, which was intentional. Debra tells Kim about an exciting new opportunity to make a lot of money, and that it is only "slightly illegal". Debra also tries to convince Martin, Aaron, Delia, and Teresa to help out ("Better"). Kim agrees, but only if she gets a say in the plan, and only if Debra agrees that nobody will get hurt. Debra is ecstatic, and tells Kimberly to leave the window and door unlocked at her house. Around midnight, at the house, Kim goes to unlock the door, but is caught by Pattie, who is awake because of the baby's kicking. Kimberly distracts her, as Debra sneaks in the window. Kim tells her mother that she reminds her of Medea. However, despite Kim's distraction efforts, Pattie catches Debra. Ignoring Pattie's protests, Debra comes into the house, and drags a mailbox into the basement. Pattie reflects on and laments her situation, before singing a lullaby that she used to sing for Kim to the new baby ("Hello, Darling (reprise)/Father Time"). At this point, it is Kim's sixteenth birthday. The life expectancy of one with her disease is sixteen years old. The next morning, Buddy is driving Kim and Seth to school, but embarrasses Kim by yelling at Seth for supposedly wanting to "get in her [Kimberly's] pants". He also throws Seth's muffin out of the car window ("Happy For Her"). Kimberly yells at her father, and tells him that she hopes he crashes the car into a tree and dies. Later, at school, Seth tells Kim that if she wanted him to kiss her, he'd do it. He also invites Kim to come to Skater Planet that night, which she agrees to. Kim reflects on her feelings for Seth ("Anagram (reprise)"). That night, at Skater Planet, Seth gives Kimberly a present of a book of anagrams. Pattie, Debra, and Buddy all show up as well, having been invited by Seth, who reveals to Kim that this is a surprise birthday party. Debra gifts Kim an extremely large pinecone, while Buddy and Pattie both promise to, respectively, stop drinking and be a better mother as their presents. Martin, Aaron, Delia, and Teresa arrive, also having been invited to the party. Delia informs the group that they won't be able to get their costumes, because the show choir has run out of money. Hearing this, Debra ropes them into her plan once more. Everybody hopes for the future ("This Time"). In Kim’s basement, Debra is teaching the six teenagers how to wash a check. It proves too complex for them, with Aaron getting his arm stuck in the mailbox (from which they are retrieving the checks), and Teresa getting a glue trap stuck to her head (which they are using to fish out the checks). However, once Debra compares them unfavorably to West Orange, they complete the task without trouble (“How to Wash a Check”). After the rest of the group is gone, Seth stands alone and reflects on how all his life he was the "good kid" and now he is involved in a check fraud scheme, before deciding "maybe a little bad could do a lot of good." ("Good Kid") At the Levaco home, Buddy is trying to distract himself, since he is not drinking, through an exercise plan he and Kim came up with. When Pattie, now with a leg brace from a skating injury at Kimberly’s birthday party, leaves her camera in the room, he makes a video for the baby. He reflects on the future that he lost when Pattie got pregnant with Kim, and tells the baby to “see the world” (“Hello, Baby”). At school, the six teens are in the library, playing UNO, just before their biology class (and their biology presentations). Seth asks about what will happen if they get caught, and all of them think about what the future holds (“Skater Planet (reprise #2)”). In class, the group does their presentations. Aaron and Martin present scurvy, Delia and Teresa present fasciolosis, and Kim and Seth present her disease. During the presentation, Kimberly gets upset, thinking about how getting older is her affliction, but getting older is the rest of the class’s cure (for adolescence). She runs out of the class (“Our Disease”). When Kim arrives at home, she finds that Buddy has cooked a meal for everybody, and they sit down for a family dinner. However, resentment soon boils over, and they begin to fight. It is revealed that Buddy paid Debra to go to the Levaco’s old neighbor, Mr. Zwicky’s house to beat him up, because Pattie had sex with him to ensure that this baby wouldn’t have the same ailment as Kim. Zwicky died of a fear-induced heart attack during the assault, resulting in the family leaving Lodi. They fight, until Kimberly collapses to the floor (“The Inevitable Turn”). Three days later, at the hospital, Kim is bedridden and asleep. Debra convinces Buddy and Pattie to leave and go home, so they can sleep and take showers. Before they leave, Pattie tells Kim (who is pretending to sleep) that the Make A Wish Foundation is going to build her a treehouse. Seth shows up, while Debra takes off to find a bedpan and pills. Seth has brought all sorts of things to help Kim feel better, but she just wants to live in a better moment and they decide to leave to participate in the check fraud scheme, which was to be done without them (“Now”). Debra reminds the group of their plan (“How to Wash a Check (reprise)”). She also reveals the kids' crushes on one another. Kim emerges from the back room disguised as a grandmother, which is a part of the plan. She demands that Martin, Aaron, Delia, Teresa, and Seth not come along, but Seth insists (he is also the one driving). They go. Later, Kim comes home with a bag of the money and tells her parents that they can finally go on their road trip, and to start packing. She then goes into her room, and sees that they have replaced her bed with a crib for the new baby. They fight, and she tells her parents to give up who they wanted her to be before she dies. She writes a new letter to Make A Wish, telling them thank you for the treehouse, but that she doesn’t need it because she is going to see the world (“Before I Go”). Kimberly and Seth are in Buddy’s car, at Six Flags Great Adventure. They are on a road trip, with the camera and their portion of the money–as well as Debra’s money, which they stole. Kim makes a video for her sister and asks Seth to make sure she gets it (“Hello, Sister”). They kiss. Martin, Aaron, Delia, and Teresa (in their show choir outfits), Debra (now working at Costco), Pattie and Buddy (with the new baby), and Kim and Seth tell the audience to live life to the fullest because "no one gets a second time around" (“Great Adventure”).

King David

Musical · 1997

King David: A World Premiere Concert Event is a 1997 oratorio (sometimes described as a work-in-progress musical), co-produced by The Walt Disney Company and Andre Djaoui, and written by Alan Menken (music) and Tim Rice (libretto). Originally conceived by Djaoui as a grand musical performed in Jerusalem to celebrate the 3000th anniversary of the city's founding, it was eventually staged as a concert in the first production at Broadway's New Amsterdam Theater after Disney's restoration. Opening on May 18, 1997 (after three previews beginning May 15), the show ran for six performances closing May 23. King David is a song-cycle about David whom Alan Menken deems "one of the great heroes of Jewish history", and is based on Biblical tales from the Books of Samuel and 1 Chronicles, as well as text from David's Psalms. It retells the Old Testament story of the shepherd boy, David, who rises from his humble roots to become King of Israel, including the drama between him and Saul and David's trials and tribulations in the foundation of Jerusalem." At present, there are no plans for a fully staged Broadway production.

King Kong

Musical · 2018

In the middle of The Great Depression in New York City, film director Carl Denham is pressured to find a leading lady for his next film ("Hunting Season"). He searches the city for a woman fitting for the role but with little success ("Sweethearts on Parade/Brother Can You Spare a Dime"). Meanwhile, Ann Darrow is also struggling to cope with life in the city ("What's It Gonna Take"). She is robbed by thugs who taunt her by tossing around her belongings ("I Wanna Be Loved by You"). Denham spots her and realises she is perfect for the role. Ann is almost arrested for trying to steal an apple but Denham is able to prevent it. He offers her a job to star in his picture which she reluctantly accepts. Ann boards his ship and meets the crew including Jack Driscoll with whom she does not get along at first. The ship leaves the port as Denham thinks about how successful his new film will be ("Colossus"). The next morning Ann is nervous about her screen test but later becomes confident as she gets ready ("Special FX"). She and Jack get to know each other a little better ("Perfect') and eventually fall in love ("Foxtrot"). The ship eventually arrives at Skull Island, the crew argue about whether to turn back or explore the island but Denham insists they go ashore. They interrupt the natives' sacrificial ritual and a fight breaks out ("Ritual"). The crew head back to the ship but Ann is abducted and offered as a sacrifice to Kong ("Ascent"). The crew go to rescue her but are too late as Kong has already taken her. Jack, however is determined to get Ann back and ventures into the jungle ("In the Face of Forever"). Meanwhile, Ann wakes up to face Kong in his cave. At first she is frightened but she builds the courage to stand up to him. Kong protects her when she is almost attacked by a giant snake and they form a special bond ("Full Moon Lullaby"). While Kong falls asleep, Jack quietly approaches and Ann reluctantly goes back with him. Kong suddenly wakes and realizes Ann is gone and chases after them ("The Chase"). Denham and the crew capture Kong using gas bombs to knock him out and Ann as bait, much to her dismay. Denham decides to present Kong to the public in New York. Now back in New York, Ann contemplates her experiences on Skull Island ("What's It Gonna Take") while Denham advertises for his show in which he intends to present a now captive Kong to the audience ("The Greatest Show on Earth"). Jack proposes to Ann and she accepts ("Dance with Me"). The couple are about to enter the theatre when Ann asks for a moment alone before joining him as she is caught between starting a new life with Jack and her affection and sympathy for Kong ("A Simple Prayer"). Denham presents Kong in chains to the audience much to their astonishment. Ann and Jack rush onto the stage causing Denham to panic as he is worried they will try to turn the public against him. Ann tries to console Kong but when Denham orders the guards to remove her, despite Jack warning them not to touch her, Kong believes they are trying to hurt her and breaks free as Jack quickly escapes with Ann. Denham sends out the Avalanches to entertain and calm down the nervous crowd ("Get Happy"). Kong rampages through the city in search of Ann and kills few look-alikes, but Ann manages to find him and calm him down. He gently picks her up and takes her to the top of the Empire State Building as the public watch in awe. Denham is arrested despite his protests "It was beauty killed the beast! Not me!" ("Rise"). Atop, Ann and Kong share a moment ("Full Moon Lullaby (Reprise)") but it is cut short when airplanes begin to shoot at Kong. Ann desperately yells for them stop but they don't hear her. Kong is fatally shot in the neck and falls to his death ("Amen, Opus 35"). Below, Jack reunites with a devastated Ann while the crowd gather around to see Kong's dead body. Ann Darrow, a girl from the countryside, comes to New York City to seek out her dream of being on Broadway ("Prologue"). She auditions for a show but does not make the cut ("Dance My Way to the Light"). Undaunted by the rejection, she tries to audition for a plethora of jobs ("Queen of New York"). After taking refuge in a diner to escape the cold New York streets, Ann meets a man named Carl Denham. Due to Denham's quick thinking, Ann is saved from being kicked out of the diner, and he reveals he is a director wanting a leading lady for a new movie, the details of which are kept secret, aside from the fact that the filming location is accessible only by boat. He promises Ann that if she takes the job, he'll make her a star. Ann agrees, and the two set off to the S.S. Wander, helmed by Captain Leviticus Englehorn and his crew ("Building the Boat"). Denham quickly gives introductions as Englehorn comments on the fact that they're being trailed by another boat, Denham trying to ignore it. He tells an extremely wary Ann that the ship is loaded with gas bombs he built, which will only be used in case of an emergency. As the ship sets sail, Denham wonders about what may be on Skull Island ("Setting Sail"). The next morning, Ann gets woken up when Denham's main cameraman, Lumpy, unexpectedly goes on board and tends to her. Ann thanks him for his kindness and, after he leaves, he wonders about the consequences of his job ("Cabin Soliloquy"). Back on the main deck, Englehorn starts to distrust Denham ("Pressure Up"). After two months on the water, Denham explains to Ann about the filming location, Skull Island, and Englehorn and his crew threaten Denham, demanding Denham to explain why they're going to Skull Island. Ann suddenly appears and threatens to blow the ship up using the gas bombs if they don't let Denham go, earning Denham's awe ("The Mutiny"). As Englehorn and his crew return to work, Ann defends her actions, saying that Denham is her ticket to getting off the streets just as the ship arrives. As everyone disembarks to explore, Denham tries to take a few shots of Ann playing with some vines until a giant ape named Kong captures her. Denham tries to film the beast but Kong swipes at him, smashing the camera in the process, grabs Ann, and carries her away ("Skull Island"). Kong brings Ann to a high cliff overlooking the forest ("The Ascent"). An enraged Denham tells the crew to leave the island and let Ann fend for herself, but upon hearing Lumpy's desire to see Kong, Denham decides to make Kong a tourist attraction. As they climb through the forest, he wonders about the opportunity and profit of capturing Kong. ("The World"). Meanwhile, Ann wakes up to face Kong in his cave. At first, she is frightened by the beast, but after having a roaring contest with him, she builds the courage to see beyond his harsh exterior. Kong protects her when she is almost attacked by a giant snake ("The Cobra Fight"), and as Ann patches his wounds, the two bond ("Full Moon Lullaby"). While Kong falls asleep, Ann quickly runs off, back into the jungle. Kong quickly realizes she's gone, prompting him to chase after her ("The Descent"). Ann bumps into Denham and Lumpy, the latter of whom is overjoyed to see her, and the former telling her that a queen would scream for Kong. Ann remorsefully complies, bringing Kong to where the rest of the ship's crew is waiting, and causing Kong to get ambushed and knocked unconscious by the gas bombs ("Kong's Capture"). ("Entr'acte: The Voyager Returns") Back in New York, Denham advertises for his show in which he intends to present a now captive Kong to audiences ("It's Man"). During rehearsal ("The Wild and Perilous Sea"), a guilt-ridden Ann abandons the rehearsal and Denham chases after her, finding her outside the theater. She explains that she can't put on a show like this due to her friendship with Kong, but Denham threatens her with being deemed as insane and jobless. Ann, horrified at Denham's behavior, decides to visit a captive Kong. She explains that she never meant for any of the past events to happen and tries to comfort him ("Last of Our Kind"). At first, Kong doesn't respond to her, but after she notices that he's effectively dying, aggressively commenting on that fact, the two rekindle their friendship. On the opening night, Ann is still unsure about Denham's show ("Last of Our Kind" (Reprise)), before going onstage and starting the performance. When it comes time for her to scream for Kong, she notices his declining health. Despite Denham's repeated demands for her to scream and wake Kong up, she defiantly refuses ("Scream for the Money"). She shouts for Kong to fight back and is quickly grabbed and dragged offstage, where she lets out a true scream. In response, Kong swiftly breaks free from his shackles as the curtain falls. Denham unsuccessfully tries to keep the audience and remaining actors onstage calm ("Dance My Way to the Light" (Reprise)) while Kong roars from behind the curtain. Kong rampages through the city in an attempt to find Ann ("Broadway Nightmare"). The two finally find each other, and Kong, with Ann climbing on his back, takes off running as the army shoots him ("NYC Chase"). Kong stops at the bottom of the half-completed Empire State Building and immediately starts climbing it ("Empire Ascent"). Back at the ruined theater, Lumpy enters to tell Denham that he's quitting, explaining that what they did wasn't right and that it isn't about the money, leaving Denham alone ("The World" (Reprise)). On top of the Empire State Building, Ann marvels over the view from there, but then notices that Kong is slowly dying and tries to reassure Kong just as Army planes arrive to shoot him down ("Air War"). Kong destroys some planes, but sustains injuries from the bullets to his body before another set of planes swoop by and finish him off, causing him to fall to the ground ("Empire Soliloquy"). Ann grieves over the loss of Kong as she manages to make her way down from the Empire State Building.

King of Cadonia

Musical · 1908

King of Cadonia is an English musical in two acts with a book by Frederick Lonsdale, lyrics by Adrian Ross and Arthur Wimperis and music by Sidney Jones and Frederick Rosse. It opened at the Prince of Wales Theatre in London on 3 September 1908, produced by Frank Curzon, and ran for 333 performances. It starred Isabel Jay, Huntley Wright, and Bertram Wallis. There was a brief Broadway production in 1910 with additional music by Jerome Kern at the Fifth Avenue Theatre and directed by Joseph W. Herbert. This was Lonsdale's first success. Famous songs included "The Wind of Love", "The Portrait" and "Disguises".

Kinky Boots

Musical · 2012

Charlie Price grows up as the fourth-generation scion in the family business, Price & Son, a shoe manufacturing company with its factory in Northampton. Another young boy, growing up in London, is as fascinated by shoes as Charlie is bored by them. But in this case, it is a pair of red women's heels that have attracted his attention, aggravating his strict father. Years pass. Charlie's father is aging and hopes Charlie will take over the business. Still, Charlie is eager to move to London with his status-conscious fiancée, Nicola, and pursue a real estate career ("The Most Beautiful Thing"). Charlie has barely made it into his new flat in London when his father dies suddenly. Charlie hurries home for the funeral, where he finds the factory near bankruptcy. The factory makes good quality men's shoes, but they're neither stylish nor affordable, and the market for them is drying up. Though Charlie has no desire to run Price & Sons, he is determined to save the factory and his father's legacy. The workers, many of whom have known Charlie his entire life, do not understand why Charlie moved away in the first place, and many are hostile and skeptical of the new management. Returning to London, Charlie meets friend and fellow shoe salesman, Harry, in a pub to ask for help. Harry can only offer a temporary solution and advises Charlie not to fight the inevitable ("Take What You Got"). Leaving the pub, Charlie witnesses a woman being accosted by two drunks. He intervenes and is knocked unconscious. He comes to in a seedy nightclub, where the woman he attempted to rescue is revealed to have been the club's drag queen headliner, Lola, who performs with his backup troupe, the "angels" ("Land of Lola"). Recuperating from his ordeal in Lola's dressing room, an uncomfortable Charlie notices that the performers' high-heeled boots are not designed to hold a man's weight. Lola explains that the costly and unreliable footwear is an essential part of any drag act. Charlie returns to the factory and begins reluctantly laying off his workers. Lauren, one of the women on the assembly line, explodes at Charlie when given her notice and stubbornly tells him that other struggling shoe factories have survived by entering an "underserved niche market." This gives Charlie an idea ("Land of Lola" {Reprise}), and he invites Lola to come to the factory to help him design a women's boot that can be comfortable for a man ("Charlie's Soliloquy"/"Step One"). Lola and the angels arrive at the factory, and he is immediately dissatisfied with Charlie's first design of the boot. Quickly getting the women of the factory on his side, Lola draws a quick design of a boot, explaining that the most important factor is by far the heel ("The Sex is in the Heel"). George, the factory manager, realizes a way to make Lola's design practical. An impressed Charlie begs Lola to stay until a prestigious footwear show in Milan in three weeks, to design a new line of "kinky boots" that could save the factory. Lola is reluctant, as he is already receiving crass comments from Don, the foreman, and some of the other workers, but is flattered by Charlie's praise, and finally agrees. Charlie announces that the factory will be moving ahead with production of the boots. He thanks Lauren for giving him the idea and offers her a promotion. She accepts and is horrified but thrilled to realize that she is falling for him ("The History of Wrong Guys"). The next day, Lola shows up in men's clothes and is mocked by Don and his friends. An upset Lola takes refuge in the bathroom, and Charlie attempts to comfort him. Lola explains that his father trained him as a boxer but disowned him when he showed up for a match in drag. The two discover their similarly complex feelings toward their fathers, and Lola introduces himself by his birth name: Simon ("Not My Father's Son"). Nicola and her boss Richard Bailey arrive from London and present Charlie with a plan for the factory that Richard has drawn up: closing it and converting it into condominiums. Charlie refuses but is shocked to discover that his father had agreed to this plan before he died, presumably because Charlie was not there to run it. He refuses to sell, and soon the workers are celebrating as the first pair of "kinky boots" is finished ("Everybody Say Yeah"). Some of the factory workers are not enthusiastic about the radical change in their product line. Some of them, especially the intimidating Don, make Lola feel very unwelcome. Lola taunts him back, enlisting the female factory workers to prove that Lola is closer to a woman's ideal than is Don ("What a Woman Wants"). Lola presents Don with a unique wager to see who is the better "man": Lola will do anything that Don specifies if Don will do the same thing for him. Don's challenge is for Lola to fight him in a boxing match at the pub. Charlie, remembering Lola's background, is horrified. Lola easily scores against Don in the ring, but ultimately lets Don win ("In This Corner"). Afterward, Don asks why Lola let him win, and Lola replies that he could not be so cruel as to humiliate Don in front of his mates. Lola then gives Don his part of the challenge: "accept someone for who they are." Charlie is pouring his own money into the factory to ensure that it will be ready in time for Milan, and he is getting frantic that the product is not right, angrily making his staff redo what he considers shoddy work. Nicola arrives, fed up with Charlie's obsession over the factory, and breaks up with him. Lola has been making some decisions about production and preparations without consulting Charlie. When Charlie discovers that Lola has decided to have his angels wear the boots on the runway rather than hiring professional models, an overwhelmed Charlie lashes out at him, humiliating him in front of the other workers. Lola storms out, and the workers go home. Alone, Charlie struggles with the weight of his father's legacy and what it means to be his own man ("Soul of a Man"). Lauren finds Charlie and tells him to come back to the factory. It is revealed Don has persuaded the workers to return to work and to sacrifice a week's pay to ensure that the boots can be finished in time for Milan. The astonished and grateful Charlie asks Don if he has paid up on his wager by accepting Lola. Lauren explains that the person that Don has accepted is Charlie himself. As he heads to the airport for Milan, Charlie leaves a heartfelt apology on Lola's voicemail. Meanwhile, Lola performs his act at a nursing home in his hometown. After he leaves the stage, he speaks to his dying father, and reaches a sense of closure ("Hold Me in Your Heart"). Charlie and Lauren arrive in Milan. But without models, Charlie is compelled to walk the runway himself. Lauren is thrilled by his dedication ("The History of Wrong Guys (Reprise)"), but the show threatens to be a disaster. Just as all seems lost, Lola and his angels arrive to save the day. Lauren and Charlie share their first kiss, and the whole company celebrates the success of the "Kinky Boots" ("Raise You Up/Just Be").

Kismet

Musical · 1953

Kismet is set in a fictional Baghdad in the times of The Arabian Nights. At a mosque, an imam prays as the sun rises ("The Sands of Time"). Three beggars sit outside the temple, but the fourth, Hajj, has gone to Mecca. Crying "Rhymes! Fine Rhymes!", a poet enters to sell his verses. His beautiful daughter Marsinah joins in the sales pitch, but they have no success ("Rhymes Have I"). Marsinah is sent to steal oranges in the Bazaar for their breakfast, while her father sits down to beg. When the beggars object to the poet's taking Hajj's place, he claims to be a cousin of Hajj. The poet threatens to curse those who do not give him money and soon earns a few coins ("Fate"). Hassen-Ben, a huge man from the desert, mistakes him for Hajj and kidnaps him. The poet (who is referred to as Hajj thereafter) is taken to Jawan, a notorious brigand. Fifteen years ago, the real Hajj had placed a curse on Jawan that resulted in the disappearance of the brigand's little son. Now he wants the curse removed. The new Hajj, seeing an opportunity to make some money, promises to do so for 100 gold pieces. Jawan leaves for Baghdad to search for his son, and Hajj rejoices in his new-found riches ("Fate" (reprise)). Back in the city, the wazir of police comes through the busy bazaar ("Bazaar of the Caravans"). The evil wazir and his seductive, beautiful wife-of-wives, Lalume, discuss a loan he desperately needs. In return for the money lent from the king of Ababu, the wazir must arrange for the caliph to marry one (or all three) of the princesses of Ababu, who perform a sexy dance. Through their amah, the princesses tell Lalume that they wish to return home. Lalume convinces them that Baghdad is much more exciting than any other place on earth ("Not Since Nineveh"). Marsinah is being pursued by a fruit merchant whose wares she has stolen. Her father arrives to rescue her, giving the man money. Hajj gives his daughter half of the money and leaves. The merchants set out their finest "Baubles, Bangles and Beads" for the young lady. The young caliph and his advisor, Omar Khayyam, have been traveling incognito. He is struck by Marsinah's beauty and follows her. Elsewhere, Hajj is basking in the glow of some scantily-dressed slave girls he has just bought, when he is stopped by the police, who are checking identities because they are looking for Jawan. The Chief recognizes, on the coins, the crest of a family Jawan has robbed and arrests Hajj as a thief. Meanwhile, Marsinah has found a quaint little house with a beautiful garden to buy for her father and herself. She is admiring the garden when the Caliph slips in and, pretending to be a gardener, introduces himself to her. They fall in love on the spot ("Stranger in Paradise"). They promise to meet again in the garden at moonrise. The Caliph tells Omar that he has fallen in love, which is overheard by the princesses of Ababu; they are furious that he seems to ignore them, but the Chief Policeman reassures them that "He's in Love". At the wazir's palace, Hajj is on trial for the theft of 100 pieces of gold. The wazir has no need for evidence; he sentences Hajj to 20 lashes, and his right hand is to be cut off. The poet pleads that, as a poet and storyteller, the loss of a hand would cripple his career; it is the gesture that tells the story ("Gesticulate"). The lovely Lalume, attracted to the handsome poet, begs her husband for forgiveness, but the Wazir is not convinced and orders his guards to drag Hajj off to punishment. As Hajj curses the wazir, a guard bursts in with news that they have captured Jawan. The old brigand is brought in and asks Hajj where his son is. He sees, around the wazir's neck, a medallion that his son was wearing when he was captured. The wazir is his son! Jawan praises the power of the great magician, Hajj, a man who has the power to curse and uncurse. Jawan is thrilled to see his son, but the Wazir sentences his own father to death. "For the leading judge of Mesopotamia to have as a father the leading criminal of Mesopotamia," he says, is "a disturbing thought." As Jawan is led to his execution, the wazir realizes that the "powerful magician" has cursed him. Just when he is about to murder Hajj, the caliph enters with news that he has found a bride, a commoner, and that he will marry her tonight. The wazir is distraught: if the caliph does not marry a princess of Ababu, the wazir will be ruined. He concludes that this is a result of Hajj's curse and begs Hajj to reverse the situation, promising him a reprieve and the title of Emir. Hajj agrees. Lalume knows that the poet is no wizard, but she decides that he may be her chance out of a dull life ("Bored") and is falling in love with him; she promises to help. When the wazir returns, Hajj sings a mystic-sounding invocation to fate as the slave-girls dance wildly, distracting the wazir. Hajj jumps out of a window, leaving his coat behind him. When the wazir sees he is gone, he clutches the cloak in amazement and faints. The caliph and his wedding procession approach the house of his beloved ("Night of my Nights"). Inside, Marsinah thinks only of her gardener ("Stranger in Paradise" (reprise)). Hajj enters and tells her of his situation and says that they must flee immediately to Damascus, but Marsinah refuses to go. They argue, and he nearly strikes her before he runs off, ashamed. She departs in the opposite direction. When the caliph enters the garden, his love is not there. The wazir is informed by his spies that the caliph's bride has disappeared. He rejoices at the power he wields, by having a magician as Emir ("Was I Wazir?"). He instructs Lalume to keep his new Emir happy, and she is eager to comply ("Rahadlakum"). Hajj and Lalume are discussing a trip to a "small oasis, a week's travel by camel" when Marsinah enters the Harem. Father and daughter reconcile, and she tells him of her lover and asks him to find him. At the same time, the caliph, in the next room, orders the wazir to find his love ("And This Is My Beloved"). Hajj and Omar encounter each other and engage in a battle of wits ("The Olive Tree"). The wazir, hoping to convince the caliph that only wanting one wife is just a phase, shows him his harem through a peephole where he sees Marsinah. The caliph is horrified that his love is a member of the wazir's Harem, and the wazir, sure that Hajj has arranged the whole thing, claims that she is one of his wives. The caliph, heartbroken, agrees to choose his wife-of-wives that night during his diwan. So as not to have lied to his prince, the wazir immediately marries Marsinah, promising to visit her that night. She vows to kill herself if he does. That night, at the caliph's diwan, the candidates for his hand dance for him: Princess Zubbediya of Damascus, Princess Samaris of Bangalore, and the three Ababu princesses. The caliph is unmoved. Hajj is searching for Marsinah; the wazir thanks the "wizard" for placing the caliph's beloved in his own harem. Laughing, he tells him that he has married the pretty little Marsinah. Realizing what has happened, Hajj pulls a knife, but has a better idea. He takes a blank plaque and throws it in a pool, proclaiming that when it is retrieved, it will read the name of the caliph's fated bride. He secretly gives the wazir another tablet, this one with the name Ababu written on it, and tells him to substitute it for the tablet from the pool. When the wazir enters the pool, Hajj trips him and holds him underwater until he drowns. Hajj explains all to the caliph, who is joyfully reunited with Marsinah. The caliph is ready to pardon Hajj for his murder of a public official, but the poet requests, as his punishment, to be "banished to some dreadful oasis... at least a week's journey away by camel," and to be made to comfort the wazir's widow in her "grief". As the two couples unite, the poet reflects on the fleetingness of "The Sands of Time".

Kiss Me, Kate

Musical · 1948

Act I The cast of a musical version of William Shakespeare's The Taming of the Shrew is rehearsing for the opening of the show that evening ("Another Op'nin', Another Show"). Egotistical Fred Graham is the director and producer and is starring as Petruchio; his movie-star ex-wife, Lilli Vanessi, is playing Katherine. The two seem to be constantly arguing, and Lilli is particularly angry that Fred is pursuing the alluring young actress Lois Lane, who is playing Bianca. After the rehearsal, Lois's boyfriend Bill appears; he is playing Lucentio, but he missed the rehearsal because he was gambling. He tells her that he signed a $10,000 IOU in Fred's name, and Lois reprimands him ("Why Can't You Behave?"). Before the opening, Fred and Lilli meet backstage, and Lilli shows off her engagement ring from Washington insider General Harrison Howell, reminding Fred that it is the anniversary of their divorce. They recall the operetta in which they met, which included "Wunderbar", a Viennese waltz; they end up fondly reminiscing, singing and dancing. Two gangsters show up to collect the $10,000 IOU, and Fred replies that he never signed it; the gangsters obligingly say they will give him time to remember it and will return later. In her dressing room, Lilli receives flowers from Fred, and she declares that she is still "So In Love" with him. Fred tries to keep Lilli from reading the card that came with the flowers, which reveals that he really intended them for Lois. However, Lilli takes the card with her onstage, saying she will read it later. The show begins ("We Open in Venice"). Baptista, Katherine and Bianca's father, will not allow his younger daughter Bianca to marry until his older daughter Katherine is married. However, she is shrewish and ill-tempered, and no man desires to marry her. Three suitors – Lucentio, Hortensio, and Gremio – try to woo Bianca, and she says that she would marry any of them ("Tom, Dick, or Harry"). Petruchio, a friend of Lucentio, expresses a desire to marry into wealth ("I've Come to Wive it Wealthily in Padua"). The suitors hatch a plan for him to marry Kate, as Baptista is rich. Kate, however, has no intentions of getting married ("I Hate Men"); Petruchio attempts to woo her ("Were Thine That Special Face"). Offstage, Lilli has an opportunity to read the card. She walks on stage off-cue and begins beating Fred, who, along with the other actors, tries to remain in character as Baptista gives Petruchio permission to marry Kate. Lilli continues to strike Fred, and he ends up spanking her onstage. Offstage, Lilli furiously declares she is leaving the show. However, the gangsters reappear, and Fred tells them that if Lilli quits, he'll have to close the show and won't be able to pay them the $10,000; the gangsters force her to stay at gunpoint. Back onstage, Bianca and Lucentio dance while the chorus performs "We Sing of Love", covering a scene change. The curtain opens, revealing the exterior of a church; Petruchio and Kate have just been married, and they exit the church; the gangsters, dressed in Shakespearean costume, are onstage to make sure that Lilli stays. Petruchio implores for Kate to kiss him, and she refuses. He lifts her over his shoulder and carries her offstage while she pummels his shoulder with her fists ("Kiss Me Kate"). Act II During the show's intermission, the cast and crew relax in the alley behind the theater, lamenting that it's "Too Darn Hot" to meet their lovers that night. The play continues, as Petruchio tries to "tame" Katherine and mourns for his now-lost bachelor life ("Where Is the Life That Late I Led?"). Offstage, Lilli's fiancé Harrison Howell is looking for her. He runs into Lois, and she recognizes him as a former lover but promises not to tell Lilli. Bill is shocked to overhear this, but Lois tells him that even if she is involved with other men, she is faithful to him in her own way ("Always True to You in My Fashion"). Lilli tries to explain to Howell that she is being forced to stay at the theatre by the gangsters, but Howell doesn't believe her and wants to discuss wedding plans. Fred insidiously points out how boring Lilli's life with Howell will be compared with the theatre. Bill sings a love song he has written for Lois ("Bianca"). The gangsters discover that their boss has been killed, so the IOU is no longer valid. Lilli leaves—without Howell—as Fred unsuccessfully tries to persuade her to stay ("So in Love" (Reprise)). The gangsters get caught on stage and improvise a comedic tribute to Shakespeare in which they explain that knowing Shakespeare is the key to romance ("Brush Up Your Shakespeare"). The company prepares for the conclusion of the play, the wedding of Bianca and Lucentio, even though they are now missing one of the main characters. However, just in time for Katherine's final speech, Lilli arrives onstage ("I Am Ashamed That Women Are So Simple"). Fred and Lilli wordlessly reconcile on stage, and the play ends ("Kiss Me Kate" (Finale)) with them, as well as Bill and Lois, kissing passionately.

Kiss of the Spider Woman

Musical · 2025

Luis Alberto Molina, a gay window dresser, is in a prison in Argentina, serving his third year of an eight year sentence for corrupting a minor. He lives in a fantasy world to flee the prison life, the torture, fear and humiliation. His fantasies turn mostly around movies, particularly around a vampy diva, Aurora. He loves her in all roles, but one role scares him: the spider woman, who kills with her kiss. One day, a new man is brought into his cell: Valentin Arregui Paz, a Marxist revolutionary, already in a bad state of health after torture. Molina cares for him and tells him of Aurora. But Valentin can't stand Molina and his theatrical fantasies and draws a line on the floor to stop Molina from coming nearer to him. Molina, however, continues talking, mostly to block out the cries of the tortured prisoners, about Aurora and his mother. Valentin at last tells Molina that he (Valentin) is in love with a girl named Marta. Again, Valentin is tortured. Again, Molina has to care for him afterwards. In his fantasies, Aurora is next to him, helping him do so. The prison director announces to Molina that his mother is very ill and that Molina will be allowed to see her on one condition: he must tell them the name of Valentin's girlfriend. Molina tells Valentin about a man he loves, a waiter named Gabriel, who does not return his feelings, and the two men cautiously begin to bond. Only a short while afterwards, Molina gets hallucinations and cramps after knowingly eating poisoned food intended for Valentin. He is brought to the hospital ward, talking to his mother and to the Spider Woman. As Molina is brought back, Valentin starts suffering from the same symptoms, also from poisoned food. Molina is afraid that Valentin will be given substances that might make him talk and so protects Valentin from being taken to the hospital. As Molina nurses him, Valentin asks him to tell him about his movies. Molina is happy to do so; Valentin also shares his fantasies and hopes with Molina. Molina is allowed a short telephone conversation with his mother, and he announces to Valentin that he's going to be freed for his good behaviour the next day. Valentin begs him to make a few telephone calls for him. Molina at first refuses, but Valentin persuades him with sex. Molina is brought back the next day, heavily injured. He has been caught in the telephone call, but refuses to tell whom he has phoned. The warden draws his pistol, threatening to shoot him, if he doesn't tell. Molina confesses his love to Valentin and is shot. The scene then shifts to Molina in a heaven-like world, where all of the people in his life are watching his final "movie." The Spider Woman arrives and gives her deadly kiss as the curtain falls.

Knickerbocker Holiday

Musical · 1938

The action is narrated by 19th-century author Washington Irving, who announces his intent to write a history of the original Dutch settlement of New Amsterdam. The story opens in Manhattan in 1647, where the colony awaits the arrival of its new Governor from Holland, Peter Stuyvesant. Irving selects the young Brom Broeck as his hero. Broeck is a brave but impulsive fellow who becomes enraged if anyone tries to give him orders. The narrator and his character reflect that this independent streak is characteristic of American citizens. Brom is in love with Tina Tienhoven, whose father heads the corrupt town council. Brom knows that Tienhoven is selling brandy and firearms to the Indians—a criminal offense. Tienhoven, with the support of his cronies, arranges to have Brom convicted and hanged. Brom survives by putting the noose around his waist instead of his neck just as Stuyvesant arrives on the scene. Impressed by the young man's ingenuity, the Governor pardons him. Stuyvesant plans to marry Tina and to declare war as his first official act of governance. After many mishaps and recriminations, all ends happily when the narrator reminds Stuyvesant that history will not remember him kindly if he persists in his dictatorial actions. Brom and Tina are free to marry, and the musical ends as Stuyvesant reflects that perhaps he will make a good American, given his own independence and resistance to authority.

Kurt Vonnegut's God Bless You, Mr. Rosewater

Musical · 1979

Kurt Vonnegut's God Bless You, Mr. Rosewater is a 1979 musical that marked the first collaboration of composer Alan Menken and writer Howard Ashman. Based on Kurt Vonnegut's 1965 novel of the same name, the musical tells the story of Eliot Rosewater, a millionaire who develops a social conscience and creates a foundation to improve the lives of the citizens of an impoverished Indiana town.

La Cage aux Folles

Musical · 1983

Georges, the master of ceremonies, welcomes the audience to his St. Tropez drag nightclub, "La Cage aux Folles". The chorus line known as Les Cagelles appear and introduce themselves to the audience ("We Are What We Are"). Georges and his spouse, Albin, have lived happily together for many years in an apartment above La Cage with their "maid" Jacob. Albin is a drag queen and the star performer of La Cage aux Folles under the alias of "Zaza". As Albin prepares to perform ("[A Little More] Mascara"), Georges's 24 year-old son Jean-Michel (the offspring of a confused, youthful liaison with a woman named Sybil) arrives home with the news that he is engaged to Anne Dindon. Georges is reluctant to approve of Jean-Michel's engagement, but Jean-Michel assures his father that he is in love with Anne ("With Anne on My Arm"). Unfortunately, her father is head of the "Tradition, Family and Morality Party", whose stated goal is to close the local drag clubs. Anne's parents want to meet their daughter's future in-laws. Jean-Michel has lied to his fiancée, describing Georges as a retired diplomat. Jean-Michel pleads with Georges to tell Albin to absent himself (and his flamboyant behaviors) for the visit - and for Georges to redecorate the apartment in a more subdued fashion. Jean-Michel also asks Georges to invite Sybil, who has barely seen him since his birth, to dinner in Albin's stead. Albin returns from the show to greet his son when Georges suggests that they take a walk ("With You on My Arm"). Georges takes Albin to the Promenade Café, owned by Monsieur and Madame Renaud, where he attempts to soften Albin's emotions before telling him of Jean-Michel's request ("Song on the Sand"). Before Georges can break the news to him, Albin suggests that they hurry back to La Cage to make it in time for the next show. They arrive in time and Albin takes the stage once more as Zaza ("La Cage aux Folles"). While Albin is performing, Georges and Jean-Michel quickly redecorate the house. While Albin is changing for his next number, he notices the two carrying his gowns and demands to know what is going on. Georges finally tells Albin of Jean-Michel's plan and expects Albin to explode with fury, but he remains silent. Albin then re-joins Les Cagelles onstage, tells them to leave, and begins to sing alone in defiance of Jean-Michel, stating that he is proud of who he is and refuses to change for anyone ("I Am What I Am"). He throws his wig at Georges and departs in a huff. The next morning, Georges finds Albin at the Promenade Café after his abrupt departure and apologizes ("Song on the Sand [Reprise]"). He then suggests to Albin that he dress up for dinner as macho "Uncle Al". Albin is still upset, but reluctantly agrees to act like a heterosexual for Jean-Michel. With the help of Monsieur and Madame Renaud, Georges successfully teaches Albin to abandon his flamboyancy ("Masculinity"). Back at the chastely redesigned apartment, Georges shows "Uncle Al" to Jean-Michel. Jean-Michel doesn't like the idea and expresses his dislike for Albin's lifestyle. Georges angrily reminds Jean-Michel of how good of a "mother" Albin has been to him ("Look Over There"). They then receive a telegram that Jean-Michel's mother Sybil is not coming and Anne's parents arrive ("Dishes [Cocktail Counterpoint]"). Hoping to save the day, Albin appears as Jean-Michel's buxom, forty-year-old mother, in pearls and sensible shoes. The nervous Jacob burns the dinner, so a trip to a local restaurant, "Chez Jacqueline", belonging to an old friend of Albin and Georges, is quickly arranged. No one has told Jacqueline of the situation, and she asks Albin (as Zaza) for a song, to which he hesitantly agrees ("The Best of Times"). Everyone in the restaurant begins to take part in the song, causing Albin to yield to the frenzy of performance and tear off his wig at the song's climax, revealing his true identity. Back at the apartment, the Dindons plead with their daughter to abandon her fiancé, for they are appalled by his homosexual parents, but she is in love with Jean-Michel and refuses to leave him. Jean-Michel, deeply ashamed of the way he has treated Albin, asks his forgiveness ("Look Over There [Reprise]"), which is lovingly granted. The Dindons prepare to depart, but their way is blocked by Jacqueline, who has arrived with the press, ready to photograph the notorious anti-homosexual activists with Zaza. Georges and Albin have a proposal: If Anne and Jean-Michel may marry, Georges will help the Dindons escape through La Cage downstairs. Georges bids the audience farewell while Les Cagelles prepare the Dindons for the grand finale ("La Cage aux Folles [Reprise]"). Georges then introduces the Dindons, dressed in drag as members of the nightclub's revue, and they escape the paparazzi with Jean-Michel and Anne behind them. With everyone gone, Albin enters and he and Georges briefly sing of their love for each other before sharing a kiss ("Finale [With You On My Arm/La Cage aux Folles/Song on the Sand/The Best Of Times]").

La Fille de Madame Angot

Musical · 1872

In Paris in 1794, florist Clairette is engaged to the gentle barber Pomponnet but loves the poet and political activist Ange Pitou. To avoid the wedding, she publicly sings Pitou’s satirical song about actress Mademoiselle Lange and the politician Barras’s circle, expecting to be arrested. Lange summons Clairette and recognizes her as an old schoolfriend. When Pitou arrives, Clairette discovers that he is also courting Lange. During a conspirators’ meeting, Hussars surround Lange’s house, but she hides the conspirators’ identifying collars and wigs, turning the gathering into an innocent-looking ball. To take revenge, Clairette arranges a ball at Les Halles and tricks Lange and Pitou into attending through forged letters. After they are exposed, Clairette reconciles with Lange and chooses faithful Pomponnet over Pitou.

La Plume de Ma Tante

Musical · 1955

La Plume de Ma Tante is a 1955 musical comedy, written, devised, and directed by Robert Dhéry, with music by Gérard Calvi, and English lyrics by Ross Parker. The play consisted of a number of short sketches in English, French, and pantomime, satirizing French society. It first opened in 1955 at the Garrick Theatre, London, and closed after a run of two and a half years. It then transferred to the USA. On Broadway, it was nominated for the Tony Award for Best Musical, and in three other categories, winning the 1959 Special Tony Award. Pierre Olaf was one of the show's leading actors. It opened on Broadway at the Royale Theater on November 11, 1958 and closed on December 17, 1960 after a total of 835 performances. Subsequently, the show toured to Las Vegas, Los Angeles and San Francisco during 1961.

La Périchole

Musical · 1868

Impoverished singers La Périchole and Piquillo cannot afford a marriage licence. The Viceroy offers La Périchole a place at court, and she writes Piquillo a farewell letter. Both are plied with drink and unknowingly agree to marry each other, after which Piquillo discovers that his bride is the Viceroy’s new favourite. He is sent to prison for humiliating her publicly. La Périchole visits him, but the disguised Viceroy catches them and chains them up. They escape with help from an old prisoner, then perform their love story for the Viceroy, who forgives them and the old prisoner.

La Strada

Musical · 1969

La Strada is a musical with lyrics and music by Lionel Bart, with additional lyrics by Martin Charnin and additional music by Elliot Lawrence. It is based on the 1954 film of the same name by Federico Fellini, Tullio Pinelli and Ennio Flaiano. Bart wrote the score in 1967 and made a demonstration recording, although the musical was not produced until 1969, when it was famously cancelled after just one performance. The musical's book was written by Charles K. Peck, Jr., who also produced it on Broadway.

La mascotte

Musical · 1880

Bettina, a farm girl and keeper of turkeys, is a mascotte whose good luck benefits those around her as long as she remains a virgin. Her arrival improves the fortunes of farmer Rocco and the unlucky Prince Laurent, who takes her to court under a false claim that she is an aristocrat. Bettina’s shepherd boyfriend Pippo follows her, but is arrested; Laurent arranges for his daughter Fiametta to marry Pippo. Bettina and Pippo escape and later join Fritellini’s army. When they marry, Rocco reveals that being a mascotte is hereditary. Fiametta and Fritellini reconcile, and happiness is restored.

Ladies First

Musical · 1918

Ladies First is a musical in three acts with music by A. Baldwin Sloane and both book and lyrics by Harry B. Smith. It was based on Charles H. Hoyt's 1897 play A Contented Woman. Directed by Frank Smithson and produced by Harry Frazee, it premiered at Broadway's Broadhurst Theatre on October 24, 1918. In the middle of its New York run it transferred to the Nora Bayes Theatre where it closed on March 15, 1919, after 164 performances. Ladies First was created as a starring vehicle for Nora Bayes who played the role of Betty Burt. (This song later opened the second act of Crazy for You.) Two other songs with George's music were used in tryouts of Look Who's Here: "Some Wonderful Sort of Someone" (lyrics by Schuyler Greene) and "Something about Love" (lyrics by Lou Paley).

Lady Madcap

Musical · 1904

Setting: Framlingham Castle Lady Betty, the daughter of an Earl, Lord Framlingham, is an innocent-looking but mischievous girl. Without her father's knowledge, she has invited the officers of the East Anglian Hussars to their home, Egbert Castle, for a day and night of entertainment. She forges two telegrams that send her father into town on some urgent political pretext and later his butler to follow him. Her father wisely locks her in her room during his absence, but her friend, Gwenny, and lady's maid, Susan, secures a ladder to help her to escape from the window. Although she detests wealth, Lady Betty is interested in a rich, eccentric young trooper, who calls himself Smith, and whose prowess at cricket have caught her eye. She disguises herself as a servant, and has Gwenny impersonate her, so that she can get close to Smith. Meanwhile, two men from the village, attracted by the Earl's advertisement for a rich man to court his daughter, arrive at the castle and mistake each of Gwenny and Susan for Lady Betty; they are both impostors pretending to be wealthy. Betty flirts with Smith and persuades him to pretend to be the butler, which he does, donning the butler's uniform. Class distinctions disappear that evening at the servants' ball as the officers enjoy the entertainment and company of servants and gentry alike. Betty continues her flirtations with Smith and is well-pleased with the progress of her elaborate mischief. Lord Framlingham returns angrily but is soothed that his daughter's suitor is, at least, rich. The impostors are discovered, and all ends happily.

Lady in the Dark

Musical · 1941

Liza Elliott finds herself constantly plagued by indecision in her professional and personal life. She is courted by two men, the already-married publisher Kendall Nesbitt who is trying to divorce his wife for Liza, and the film star Randy Curtis, and cannot decide whom to choose. When she begins seeing a psychologist, she delves into her dreams and memories of her unhappy childhood, and is haunted by the melody of a song she cannot recall. In one dream, she believes she is being put on trial for her indecision in a circus setting, with her marketing manager Charley Johnson acting as prosecutor, Kendall as chief witness, and Randy as her defense attorney, in which she defends her refusal to make up her mind ("The Saga of Jenny"). She eventually comes to realize that the root of her trauma is having been repeatedly rejected in her youth due to her plain appearance; as she makes this breakthrough, she remembers the mysterious song ("My Ship"). She realizes that Kendall and Randy both relate to her only on a superficial level, and finds true partnership with Charley, who sees her as an equal.

Lady, Be Good

Musical · 1924

Setting: Beacon Hill, Rhode Island and Eastern Harbor, Connecticut Act I The brother/sister dance team of Dick and Susie Trevor are so broke that they can't pay the rent and have been evicted from their childhood home. They crash the garden party of wealthy Jo Vanderwater for a free meal. Dick loves Shirley Vernon but is ashamed to pursue her because of his financial situation. Jo is interested in Dick, and it turns out that she was behind the eviction, as a ploy to get his attention. Meanwhile, Susie tries to talk herself into liking the affluent Jeff White, but she finds herself falling for Jack, a charming "hobo"; Jack leaves town. Jack's uncle dies, and he is apparently a millionaire. Lawyer Watty Watkins is looking for Jack Robinson on behalf of his client, the flamboyant Manuel Estrada, who says that his sister married Mr. Robinson in Mexico. Watty offers Susie $50,000 to help him, by pretending to be Robinson's widow, to get the money from the Robinson estate. Meanwhile, Dick proposes to Jo, since he thinks he can never afford to court his true love Shirley. Act 2 Dick finally tells Shirley that he loves her, while Watty and Susie (in disguise) execute their plan. Jack finally hears that he has inherited the fortune and returns, still dressed as a hobo. He is amazed to find Susie claiming the money as his "widow". Susie does not know that her Jack is the now-wealthy Mr. Robinson, nor that she is being used by Estrada, whose sister never really married Jack. In the end, Dick and Shirley are reunited, Jack saves Susie from disgrace by declaring his love, and Jo and Watty pair off happily. All wed happily ever after.

Ladyship the Musical

Musical · 2019

In 1789 London, England, Irish teenage sisters Alice and Mary Reed have been accused of committing a petty crime and are standing trial for stealing a handkerchief. Facing a corrupt justice system, they find they have no say in who determines their fate (“Who Decides”). The sisters are thrown into an over-crowded jail full of poor, starving young women, and are unfairly sentenced to seven years transportation to Australia (“Seven Years”). They meet Abigail Gainsborough, a card sharper, and Mrs. Pickering, a mother in debt, and soon learn they are all victims of a government plan that tries to rid the streets of the poor by doling out punishments that severely outweigh the crimes (“The Bloody Code”). Alice and Mary see a girl hiding in the corner, Kitty MacDougal, an orphan falsely accused of theft, and they survive the night by hanging to a glimmer of hope (“A Way Out”). After the female convicts are loaded onto a ship bound for Australia, they are herded into a dark jail cell on the Orlop Deck – the foul bottom of the ship. Captain Josiah Adams, aided by his privileged nephew Lt. Brandon Adams and Deck Officer Zeke Cropper, has to make sure the women arrive alive, so they can be workers and wives to the male convicts already there. A mixed-race seaman, Marcus "Finn" Findley, catches the eye of Mary. Abigail spars with Lady Jane Sharp, a disgraced high-society woman, who joins the others in wondering how they will endure the arduous ten-month journey. Kitty imagines a better future (“So Many Stars”). Harassed by the ship's seamen, the women become increasingly emaciated (“Pour Another Rum”). Good-hearted Finn tries to help the women and begins to fall in love with Mary (“Ready to Begin”). As weeks pass and hope fades, Abigail suggests there is a way to get protection, warmth and better food by becoming “temporary wives” to the seamen, an old seafaring custom (“Only the Strong Survive”). After Sunday service on deck, the Captain orders the women to dance for exercise ("The Emerald Wye”). As night falls, some of the women consider Abigail's suggestion, while Mary waits for Finn. A drunken Lieutenant attacks Mary, and Alice and Finn contemplate revenge (“Never Burns Away”). The women comfort Mary as time passes ("Sparrow, Sparrow"). As the ship reaches its first port, Rio, Abigail suggests the women make money using every skill they have, even if it's prostitution. Lady Jane and Kitty hope to use their sewing skills instead, while Alice ponders what to do (“Everything Has a Price”). As Finn prepares to run away with Mary, she tells him she is pregnant. After a month docked in Rio ("Até Logo"), Lady Jane confronts the Captain about what the future will be for the women convicts and their unborn children (“I Need An Anchor”). Alice overhears the hard truth that Mary's baby will be taken away upon arrival to the new colony and informs Mary (“No Matter Where We’re Bound”). Undaunted, Alice encourages the women to fight back against their oppressors (“I’m Done”). As a storm approaches, an angry Lieutenant throws Mary down on the deck. The ship rocks, lightning flashes, and Finn and the Lieutenant fall overboard. Alice must choose who she helps. Alice comforts a shaken Mary (“I’ll Be Your Anchor”), but the fall causes her to go into labor. The women encircle Mary, encouraging her to summon her inner strength (“Dig Deep”). Mary almost dies in childbirth, but survives with support of the women on board. Alice vows to do whatever it takes to protect those she loves (“I’ll Find a Way”). As the ship approaches Sydney Cove, the women join and steel themselves for what lies ahead (“Finale”).

Laughing Room Only

Musical · 2003

Jackie Mason's Laughing Room Only is a 2003 Broadway musical with a book by Dennis Blair and Digby Wolfe and music and lyrics by Doug Katsaros. It began previews at the Brooks Atkinson Theatre on October 23, 2003, opened on November 19, 2003, and closed on November 30, 2003, totaling 14 performances. Other cast members were Ruth Gottschall, Cheryl Stern, Darrin Baker, Robert Creighton, and Barry Finkel. The show was directed by Robert Johanson.

Le docteur Miracle

Musical · 1857

Officer Silvio, in love with Laurette, disguises himself as a noisy Doctor Miracle and later as Pasquin, a servant, to enter the mayor’s home despite the mayor’s ban on soldiers. Silvio and Laurette are discovered after a disastrous omelette. A telegram falsely says the omelette was poisoned, and Silvio returns as Doctor Miracle, promising an antidote in exchange for Laurette’s hand. The mayor agrees; Silvio reveals there was no poison and the lovers are accepted.

Le testament de la tante Caroline

Musical · 1936

In Paris, two nieces and their husbands await the reading of Aunt Caroline’s will. Her fortune is promised to the first-born sons of the nieces, provided each couple has a son within a year; otherwise it goes to the Salvation Army. Since both husbands are infertile, the women seek other means to conceive. The family’s apparently virtuous third niece reveals that she is the mother of the chauffeur Noël, who becomes the heir.

Le voyage dans la Lune

Musical · 1875

Prince Caprice rejects the crown and marriage, choosing instead to travel to the Moon with his father, King Vlan, and the scholar Microscope in a cannon-launched shell. On the Moon, Caprice and Princess Fantasia fall in love after she tastes an apple, while lunar society treats love as an illness and sells women at a market. After schemes and disguises, the travellers are imprisoned in a volcano but escape during its eruption and return to safety.

Leave It to Me!

Musical · 1938

Leave It to Me! is a 1938 musical produced by Vinton Freedley with music and lyrics by Cole Porter. The book was a collaborative effort by Samuel and Bella Spewack, the former of whom also directed the Broadway production. The musical was based on the play Clear All Wires by the Spewacks, which was performed on Broadway for 93 performances in 1932, and which was filmed in 1933, starring Lee Tracy, Benita Hume, Una Merkel and James Gleason. It was set in Stalinist Russia in the 1930s, with Stalin himself appearing at the end. But its comic treatment of Soviets and Nazis seemed misplaced during the Cold War, and the show was not revived until the late 1980s. Mary Martin made her Broadway debut in this musical, which introduced the songs "Get Out of Town" and "My Heart Belongs to Daddy."

Leave it to Jane

Musical · 1917

Act I On the first day of the new school term, at "Good Old Atwater" College in Indiana is having difficulty assembling a first-rate football team to pit against its arch-rival school, Bingham. Matty McGowan, the team's coach, is discouraged. "Stub" Talmadge returns from vacation with news of a prospect, "Silent" Murphy, a muscular ex-piano mover who will be a great center; they just need to convince the President that Murphy is a real student. Bessie, Stub's girlfriend, is the local golf champ; the two wonder about married life ("A Peach of a Life"). Stub is trying to avoid Flora Wiggins and her mother, to whom he owes $18 in back rent for the room at their boarding house. Beautiful Jane Witherspoon is much sought after by the college boys and even by Professor Talbot, who has a crush on her, but her philosophy is to "Wait 'Til Tomorrow", but everyone knows that if there is a problem, "Leave It to Jane". Her father, the President of Atwater, gets a visit from his old friend Hiram Bolton, a chief donor to the rival Bingham College. On Bolton's way out Stub foolishly bets him that Atwater will beat Bingham in the big Thanksgiving Day game. Bessie arrives with news that the all-American halfback, Billy Bolton of Minnesota, is joining the team at Bingham; they realize that he must be Hiram Bolton's son. If he joins Bingham, Atwater's chances are zero. Bessie asks Jane to help lure Billy Bolton to Atwater with promises of academic and athletic success and possible romance. On meeting her, the handsome Billy is enchanted; Jane turns on the charm for the good of the school: it's an emergency after all! ("The Crickets Are Calling"). Jane plans for Billy to enroll at Atwater under an assumed name to fool her father. Hon. Elan Hicks is a southern politician who has secured a place at Atwater for his shy and gawky son, Bub. Nevertheless, Bub hits it off with the waitress daughter of Stub's landlady, Flora ("Cleopatterer"), and he begins to become fashionable. Meanwhile, Jane tricks Billy into giving her his fraternity pin and attending that evening's formal dance at Atwater. It pains Jane to be misleading Billy. She wryly notes that modern women are not so different from the legendary sirens. At the ball that evening, Jane uses all of her seductive powers on Billy, who eventually agrees to stay at Atwater and change his name to Elmer Staples. All are delighted with this outcome ("*Something to Say"), and all assume that Jane will dump Billy after the big game is over. Act II Outside the stadium the following Thanksgiving Day, everyone is excited about the big game ("Football Song"). The game is close, and, unfortunately, "Silent" Murphy suffers an injury. Senator Hicks is appalled to find that his son, Bub, has become quite a "sport" at college ("The Days of Chivalry", a/k/a Sir Galahad). Hiram Bolton has discovered the deception and is furious. When he accuses Jane of using her feminine wiles to ensnare his son, she pretends to swoon into Billy's arms, instructing the boys and Stub to get rid of Bolton until after the game. They manhandle him into a taxi, and Billy wins the game with an impressive run. Everyone is overjoyed at Atwater, Stub and Bessie proclaim their love ("The Sun Shines Brighter"), and all the boys describe what sort of girl they have been seeking ("I'm Going to Find a Girl (Someday)"). Billy's father tells his son that Jane has fooled him, and heartbroken Billy decides to leave Atwater. Stub then demands that Bolton pay up on their bet. Bolton is unexpectedly impressed that, after having kidnapped him, Stub would show such initiative and nerve, and so he offers Stub a job. Bub thinks that with Billy out of the picture, Jane will be on the market, and he breaks his engagement with Flora. It's not all bad news for Flora, however, as Stub pays off his debt for rent, and she gets an offer from coach McGowan. Happy about the money from his winnings, Stub and Bessie become engaged. Just as Billy prepares to leave, Jane begs his forgiveness for her deception but reveals that she has fallen in love with him. Billy must honor his agreement to take a job with his father, but he asks Jane to wait for him, and all ends happily.

Legally Blonde

Musical · 2007

The members of UCLA's sorority Delta Nu congratulate their president, Elle Woods; Elle is expecting her boyfriend, Warner Huntington III, to propose marriage to her later that night. Led by Margot, Serena, and Pilar, the girls help Elle find the perfect dress for the occasion ("Omigod You Guys"). However, when Elle goes on her dinner date with Warner, he tells her that he needs to date someone more "serious" to boost his reputation and achieve his dream of becoming a Senator, and breaks up with her ("Serious"). He also tells her that his brother is at Yale Law along with his new wife, who is a Vanderbilt. Elle is devastated and stays in her room for twelve days ("Daughter of Delta Nu"), but decides to follow Warner to Harvard Law School to prove that she can be serious. With help from her Delta Nu sister Kate, Elle studies for the LSAT. Instead of writing a personal essay, Elle bursts into the Harvard admission offices backed up by a squad of cheerleaders and frat boys. She is accepted after revealing she is motivated by love ("What You Want"). At Harvard, Elle's highly-achieved classmates disapprove of her attire and personality, and the only person who is willing to help her is teaching assistant Emmett Forrest ("The Harvard Variations"). Following a suggestion from Elle's classmate, Vivienne Kensington, the conniving Professor Callahan kicks Elle out of his class because she did not read the case he assigned, and Emmett is unable to help her ("Blood in the Water"). Afterwards, Elle finds out that Vivienne is Warner's new girlfriend. This "tragedy" summons the apparitions of the sisters of Delta Nu who, acting as a Greek chorus visible and audible only to Elle, encourage her to stay positive ("Positive"). Elle, believing that being blonde is the problem, decides to become a brunette. At the nearby Hair Affair salon, Elle meets beautician and Hair Affair owner, Paulette Buonufonte. Paulette tells Elle that all bad hair decisions are motivated by love and reveals her dreams of meeting a handsome Irishman. Paulette encourages Elle not to give up or downplay her personal qualities ("Ireland"). At the salon, Vivienne, who is discussing a party planned for next Friday, unexpectedly gives Elle an invitation, telling her it is a costume party. Paulette gives Elle a costume for the party and more words of encouragement ("Ireland (Reprise)"). Walking into the party dressed as a Playboy Bunny, Elle soon realizes that she was tricked by Vivienne, as no one else is wearing a costume. Despite this, she still seeks out Warner in an effort to win him back, but he remains unimpressed, only caring about her looks ("Serious (Reprise)"). Elle runs from the party, only to meet Emmett, who struggles to understand Elle's romantic problems. Emmett helps Elle assess her priorities, and she realizes her obsession with Warner is preventing her from gaining his respect. Freed from her need to please Warner, she defeats him in a classroom debate ("Chip On My Shoulder"). Elle helps Paulette get custody of her dog back from her ex-boyfriend, using legal jargon and demonstrating that she is beginning to understand law ("Run Rufus Run / Elle Reflects"). Warner, Vivienne, and Enid win three of Callahan's four coveted internship positions. Warner proposes to Vivienne on the spot in front of Elle, and Vivienne accepts. Elle is devastated, but Emmett shows her the internship list, revealing Elle got an internship position as well. Elle realizes that she does not need a man to feel accepted in the world, and that all she needs is to believe in herself. Overjoyed, she celebrates, and eagerly anticipates the trial ("So Much Better"). Callahan, Elle, Emmett, Vivienne, Warner, and Enid watch a workout video made by fitness queen Brooke Wyndham and her fitness team, while Callahan tells the legal team that Brooke is accused of murdering her billionaire husband ("Whipped Into Shape"). At the jail, the legal team is unable to get Brooke to tell them her alibi and she refuses to plead guilty. Upon learning that they were both Delta Nu members ("Delta Nu Nu Nu"), Brooke then privately tells Elle her alibi; Brooke was getting liposuction, and she believes revealing the truth could ruin her reputation as a fitness guru. Brooke makes Elle promise not to tell anyone. Because of Elle's loyalty to her client and refusal to state the alibi, both Elle and, consequently, Emmett, are shunned by the group. To cheer Emmett up and to increase his chances of impressing Callahan, Elle gives him a makeover ("Take It Like a Man"). Back at the salon, Elle is getting a manicure when Kyle, a sexy UPS courier, walks into the salon to deliver a package to Paulette. Paulette is in awe of Kyle, but her low self-confidence prevents her from making a move. When he leaves, Pilar, Serena, and Margot are summoned by Paulette's amazing "Bend and Snap" when picking up the package. The sorority girls tell Paulette to use the "Bend and Snap" dance move on Kyle to turn him on, but when she does, she accidentally breaks his nose ("Bend and Snap"). At the trial, Brooke's pool boy Nikos claims to have been having an affair with Brooke, giving her a motive for murdering her husband. After doing the "Bend and Snap" in front of Nikos and getting no response, Elle suspects that Nikos is gay. With the exception of Brooke, Elle's teammates and Callahan are not convinced and debate whether his perceived flamboyance is because he is homosexual or because he is European. Emmett successfully makes Nikos slip and state that his boyfriend's name is Carlos, although Nikos claims that he misunderstood "boyfriend" for "best friend". Carlos, fed up with the closeted nature of his gay boyfriend, appears from the gallery and proclaims Nikos's homosexuality. Nikos confesses that he is indeed gay and European ("There! Right There!"). Later that night in Callahan's office, the interns celebrate Elle's skill. Callahan dismisses Emmett and the other interns but requests Elle to remain for a few moments. After telling Elle she has instincts, Callahan forcibly kisses her, leading her to slap him. Warner and Vivienne both see the kiss through the door, but only Vivienne sees the slap. Elle asks Callahan if he only gave her the internship because he wanted to seduce her. Callahan fires Elle. After Callahan leaves, Warner re-enters the office and mocks Elle for allegedly sleeping with Callahan, but Vivienne tells him to shut up and they both leave. Elle becomes distraught and prepares to go home, and tells Emmett what Callahan did. Emmett asks her to stay, but before he can admit his love for her, she leaves ("Legally Blonde"). Elle heads to the Hair Affair to say goodbye to Paulette, but before she can leave, Vivienne and Enid convince Elle otherwise. Elle discards her lawyerly navy suit, dons a pink dress and leads a parade back to the courtroom. Elle's parents, as well as Delta Nu, arrive, having come to visit her. They all meet Kyle on the way, who has taken a liking to Paulette, and reveals himself to be Irish, prompting everyone present to Irish dance. Back at the trial, Brooke fires Callahan and hires Elle ("Legally Blonde Remix"). Brooke's stepdaughter Chutney goes to the witness stand and her testimony is damning, stating after she got out of the shower she saw Brooke covered in her father's blood. After Chutney states she received a perm the day of the murder, Elle realizes a flaw in Chutney's alibi and suggests that the entire court should be moved to the scene of the crime—the bathroom where the murder took place ("Scene of the Crime"). As a demonstration, Elle asks Paulette to give Enid a perm and asks Enid to step into the shower upon entering the crime scene. Relying on her knowledge of hair maintenance, Elle's demonstration is successful as Enid walks out of the shower with completely flattened hair, revealing that Chutney could not have possibly showered immediately after getting a perm because her perm was still intact. Under Elle's intense questioning, Chutney confesses that she killed her father, thinking that she was killing Brooke. Chutney is arrested and Brooke is set free. Brooke accidentally admits she had liposuction, but doesn't lose any fans ("Omigod You Guys (Reprise)"). Warner proposes to Elle, having been dumped by Vivienne. Elle gently refuses, claiming to have been changed by the experience. Three years later, Elle ends up as the valedictorian of her class. Paulette tells the audience that Elle is not one to brag about her valedictorian status, so she decided to allow Paulette to play "Where Are They Now" during her speech. Paulette says that Enid practices family law, Vivienne is training for the Peace Corps, and Warner dropped out to pursue a modeling career. Callahan ran for governor but was defeated, and his wife hired Emmett to handle their divorce. Paulette married Kyle, had two kids and is pregnant with a third. They live in Worcester, Massachusetts (Later replaced with their third child being named Seamus), and Paulette bought a new salon ("Find My Way"). At the end of the graduation, Elle proposes to Emmett, who happily accepts ("Finale").

Legs Diamond

Musical · 1988

Legs Diamond is a musical with a book by Harvey Fierstein and Charles Suppon based on the Warner Brothers film The Rise and Fall of Legs Diamond (1960), with a screenplay by Joseph Landon. The music and lyrics are by Peter Allen, who starred as the title character in the Broadway production. The "Almost Totally Fictitious Musical Hystery" [sic] of Legs Diamond follows the travails of its title character, a Depression-era mobster who wants to break into show business.

Lempicka

Musical · 2018

Lempicka opens with an older version of Tamara de Lempicka muttering to herself while painting in 1970s California. She describes her woes of loving two people at once and reminisces on her life, asking "How did I wind up here?" The screen behind Tamara opens up and she changes to become a younger version of herself (Poland, 1918) ("Unseen"). Tamara is in a wedding dress, painting, as we are introduced to her mother and then Tadeusz Lempicki, a Polish aristocrat and the man she will be marrying. Tadeusz’s father mentions his distaste for Tamara, whose late father was Jewish. After the wedding, Tadeusz is arrested for plotting with the Tsar as the Russian Revolution is underway. Tamara is able to convince two guards to let her through to her husband by paying them with expensive jewelry, but the third guard is not moved and insists that Tamara give him her body to use for the night. Tamara gives in and frees Tadeusz ("Our Time"). Now, Tamara and Tadeusz are on a train to Paris, Tamara hopes that their daughter, Kizette, will never have to experience their hardships, as Tadeusz ponders how his wife got him out ("Starting Over"). When they arrive, Tamara comments that Paris is the "ugliest beautiful city" she's ever seen. Tadeusz continues asking how she got him out, but Tamara does not tell him. Tamara encourages her husband to get a job, because they have no remaining money, jewels, or political influence to help them survive in Paris, but Tadeusz is insulted by her suggestion that he take a bank job or, worse, that she look for work herself. Eventually, Tamara sees a painter selling his work and decides that she could make a living by painting. She attempts to create a still life painting of "Three Madeleines" before eating them all and deciding she should stick to human subjects. Tamara attempts to sell art to the Baron and the Baroness, the former of who recommends she goes to see Filippo Tommaso Marinetti to teach her art. Marinetti asks Tamara to show him something he hasn't seen before. Then, the scene switches to Tamara painting in her home, with Kizette, now a child, and Tadeusz dancing, the Baron shows up and she sells two paintings. Armistice is declared and Tamara sees her chance with painting in Paris ("Paris"). Tamara is with Marinetti in his studio as he reprimands her paintings of nude women. Tamara argues that it is her job as a painter to capture life as it is, with all its imperfections, while Marinetti argues that "a painting is not a woman... a painting is a flat surface, covered with paint," and that she, as the painter, should endeavor to paint perfection to way it cannot exist in the real world - “we do not control the world, we control one flat rectangle of canvas at a time” ("Plan and Design"). Outside, a car drives in with Rafaela, the “songbird of the streets,” on top. She sings about how love is like roulette and not worth it, and Tamara wonders who she is, before Rafaela and her friend Suzy Solidor run away when the police arrive ("Don't Bet Your Heart"). Tamara is inspired, and sets out to paint Rafaela, saying that she "won't rest 'til [she has] her.. portrait" ("I Will Paint Her"). Tamara is exhibiting at her first group show, to much criticism. where Marinetti is once again annoyed of all the repetitive art that Tamara and the other artists have created. He sings about Futurism and a distaste for humanity, claiming that only machines can acquire perfection ("Perfection"). Tamara then asks if she can paint Rafaela, promising her immortality as an image. Then, Tadeusz walks in before applying for his first job, reflecting on his new life and everything he's lost. He isn't sure how to be strong enough for his wife ("Wake Up"). Tamara returns several times to the Dead Rat Cafe in search of Rafaela. Then, she is at home painting as Kizette tries to get her mother to pay attention to her instead of her easel for once ("Mama Look at Me"). Tamara asks Kizette to call her "Chérie" instead of "Mama." The scene shifts back to the Dead Rat, where Tamara has finally found Rafaela again. Tamara discusses her vision for the painting, and they discuss their pasts; Rafaela’s as a prostitute on the fringe of society and Tamara once again thinking about how she traded her body for her husband’s life. The two share a charged moment of chemistry, when Rafaela helps Tamara smoke from her opium pipe by blowing the smoke into her mouth. Suzy warns Rafaela about being seen acting this way with Tamara in public, and fantasizes about the future when she will open her own club where they can finally be themselves. Rafaela sings a song for the patrons of the club, flirting with the men but looking only at Tamara (“The Most Beautiful Bracelet”). After leaving the club, the two kiss, and spend the night in Tamara’s studio. Tamara paints Rafaela as she sleeps (“Woman Is”). Tamara shows her portrait of Rafaela to the Baron and Baroness, and signs it as “Lempicka” instead of the male version of her surname that she had previously used. Marinetti sings about Paris being immovable after World War I, that the stock market crashes will not disturb them, and that there will never be another Great War. Chilling images of World War II are projected behind him as the song becomes more frenzied and time spins forward to 1933. The Baroness worries about Adolf Hitler’s rising power and wonders if her husband, who is of Jewish origin, will be safe. Tamara, whose father was also Jewish, plans for any emergency that would require her family to need to leave the country. Meanwhile, she is said to be taking over Paris with her artwork ("Pari Will Always Be Pari"). Tadeusz returns home to see his wife painting, and they discuss not being a normal couple and the fact that they are both seeing other women. Tadeusz compares Tamara to the “New Woman,” the feminist ideal taking over Europe. He jokes that his life would be easier if he found a new woman who would act demure and do whatever he wanted, but concludes that he doesn’t need anything as long as he is with a woman who loves him, and he hopes that Tamara can still be that woman. He also mentions being offered a job in Warsaw, and asks Tamara to move back to Poland with him. ("The New Woman"). Tamara and Rafaela go to Suzy's new lesbian club, The Monocle. Suzy sings about the beauty of women, and many in the room talk to and commission Tamara due to her newfound fame ("Women"). Rafaela tells Tamara that she wants to go to one of her art shows, which Tamara forbids because she doesn't want anyone to know about them being lovers. Tamara gives Rafaela a bracelet and professes her love. Rafaela sings about her backstory and about how she might stay with a lover for once, juxtaposing her previous assertion that "love is for fools." (“Stay”). When Rafaela is alone, Kizette enters the studio and manipulates Rafaela into seeing Tamara at the International Exposition. Tamara relates herself to her painting of Adam and Eve. Rafaela walks into the exposition, and Kizette drags Tadeusz there as well. Tadeusz and Rafaela see each other and discuss Tamara's view of both of them; Tadeusz says he is sure Tamara will stay with him, saying that “she needs me on her arm to get away with painting you,” while Rafaela says she is the only one who can make her feel alive ("What She Sees"). They both confront Tamara, and the Baron and Baroness show up, along with Marinetti — he reveals that he has joined the Italian Fascists, who have adopted Futurism as their official art movement. The Baron and Baroness leave due to this news, and Marinetti cautions Tamara about being seen in public with Rafaela, telling her that her chance at greatness will shatter if news comes out about her being queer. He says that Paris will not be Paris for long. Tamara reflects on what might happen if she has to leave, and that she wants to be able to paint what is real rather than what is perfection ("Here It Comes"). Tadeusz confronts Tamara and tells her to choose between him and Rafaela. Tamara says she has always fought for everything but he hasn’t. Tadeusz says that she doesn't think about what he wants, and mentions that he met a woman named Irene. Tamara breaks down and tells him what she did to rescue him from the Russian prison. The scene changes to Rafaela, who attempts to give her bracelet back to Tamara. She says that she doesn't want to be hidden from the world, and asks Tamara to leave Tadeusz to be with her, but Tamara refuses, so Rafaela leaves. Tamara goes back to Tadeusz, but he says it's too late. Marinetti and the Blackshirts arrest Suzy and everybody in The Monocle, and the club is destroyed ("Speed"). The Baroness visits Tamara in her studio, where she finds that a devastated Tamara has injured herself by cutting her wrist. The Baroness says that she has just been diagnosed with a terminal illness, and doctors have told her she has two more months left to live. She asks that Tamara go to live with the Baron, and commissions a portrait of herself so that the Baron may always remember her ("Just This Way"). Tamara, Kizette, and the Baron move to Los Angeles, California. Tamara once again reminisces about her new life where she doesn't paint and doesn't exhibit anymore, and nobody seems to know who she is. She mentions how she has outlived everyone, mentioning both the Baron’s passing ("In The Blasted California Sun"). Tamara imagines a vision of Rafaela, who tells her she will never know what truly happened to her after their relationship ended. When she asks Rafaela what her life was for with everything and everyone she loved now gone, Rafaela says that the "sleek, powerful" women Tamara painted long ago are now "taking over the world." Some time later, her artwork is rediscovered in Paris, celebrated, and auctioned off for millions of dollars. The myriad women Tamara painted pass her by, and she realizes that by representing them as unique and diverse, she has fulfilled her vision of the future.

Lennon

Musical · 2005

Lennon is a musical with music and lyrics by John Lennon and book by Don Scardino, who also directed its premiere. The musical is about the life of Lennon and is notable for Scardino's choice to be almost exclusively based on Lennon's own words and to focus on Lennon's solo career, with no songs from the Lennon–McCartney catalogue. The "$7 million bio-musical" first opened in San Francisco, California, in April 2005. After what The Times described as "a troubled try-out in San Francisco, a cancelled run in Boston and a radical rewrite", it had 42 previews and 49 performances on Broadway at the Broadhurst Theatre from 14 August to 24 September 2005. The role of Lennon is played by performers of both sexes and different ages and skin colours, an approach Scardino said was inspired by "I Am the Walrus" where Lennon writes, "I am he, as you are he, as you are me, and we are all together." This use of multiple actors was scaled back after the San Francisco production, with the final rewrite having a single actor narrating Lennon's story. Yoko Ono was actively involved in the production, retaining final script approval and requiring the show's Broadway producers to complete the script and present it to her live (albeit in workshop format). The show's credits included the phrase "With Special Thanks to Yoko Ono Lennon". The limited use of Beatles songs, attributed to creative choices and not licensing issues, led critics to dismiss the work as "Ono-centric". Ono was unapologetic about the choice: "If we put 'Yesterday' in, it's not really fair to the Beatles because we're leaning on their power. We're talking about John now, thank you." She later said "It is definitely John's story – from Liverpool 1940 to New York 1980. I am the B-side, and that's how it should be. I think he would have loved it." The musical also conspicuously omits any mention of May Pang, Lennon's lover for a period of 18 months in 1974–75 when the singer was separated from Ono.

Leonardo the Musical: A Portrait of Love

Musical · 1992

Leonardo the Musical: A Portrait of Love is a musical with music and lyrics by Russell Dunlop, Duke Minks, Greg Moeller and Tommy Moeller and a book by John Kane. The musical enjoyed critical acclaim while at Oxford and looked set to be a hit when it transferred to the West End, but the 1993 London production, under new management, is considered one of the biggest disasters in the history of London theatre. The management changed the original music and scripts after the Oxford shows, resulting in its failure. At least one of the leading actors had to have singing lessons, and it was said the director did not like musicals.

Les cloches de Corneville

Musical · 1877

The returning Marquis Henri disguises himself as a sea captain and hires Germaine, Serpolette and Jean Grenicheux. Steward Gaspard has kept the castle and family fortune by claiming it is haunted. Henri discovers that Germaine is the girl he once rescued, while Jean falsely claimed the rescue. Gaspard is exposed and loses his reason; after a stolen birth record is recovered, Germaine is revealed as the rightful heiress and marries Henri, while Serpolette pairs with Jean.

Lestat

Musical · 2005

This synopsis reflects the final, New York version. Act I Lestat leaves his mother Gabrielle to go to Paris to live with his boyfriend Nicolas ("My Beautiful Boy"). He finds Nicolas working as an actor in a small theater, happy with his life ("In Paris"). They go to Nicolas' flat and it becomes clear they're in love with each other ("The Bugs and the Bears"). A vampire called Magnus attacks Lestat and turns him into a vampire ("The Thirst"). He struggles with this, and hides from his mother when she comes looking for him ("Right Before My Eyes"). Eventually he finds her and makes her a vampire to save her life, as she is sick ("Make Me As You Are"). They meet a vampire named Armand, who leads a group of satanist vampires. He denounces them as blasphemers, but Lestat reveals to his followers that they do not actually serve the Devil ("The Dark Laws / To Live Like This"). They decide to become a troupe of actors. Nicolas is discovered among them, and Lestat eventually transforms him too. The troupe's first play tells the story of Armand and Marius, his maker ("Morality Play"). Nicolas is in a catatonic state after his transformation, and Lestat decides to find Marius to heal him. Ten years pass. Gabrielle decides to leave Lestat and see the world ("Crimson Kiss"). Nicolas speaks for the first time, asking to be released. Lestat lights a fire to kill him, and scatters the ashes ("Right Before My Eyes" (reprise)) as Marius appears. Act II Marius claims that he could not have saved Nicolas. He encourages Lestat to go to America. Once there, he meets and falls for a young self-destructive Creole, Louis ("Welcome to The New World"). Louis agrees to let Lestat make him a vampire. They live together for a time, but Louis becomes dissatisfied with the vampiric life ("Embrace It"). Lestat transforms Claudia, an orphan girl, which horrifies Louis, who nevertheless agrees to help raise her. Time passes. Claudia has a greater craving for blood, having been transformed at a young age ("I Want More"). She mourns the fact that she will stay a child forever ("I'll Never Have That Chance"). Lestat apologizes, and she tries to kill him. Louis burns down the house. Later, on a ship, Lestat is wounded and thinks of what his life has become ("Sail Me Away"). He returns to Armand and the theater, where he discovers Louis and Claudia as members of the troupe. Armand and the others kill Claudia for trying to kill Lestat despite his protests ("To Kill Your Kind"). Louis leaves ("Embrace It" (reprise)). Armand mocks Lestat when he asks why he killed Claudia ("After All This Time"). They argue about what Marius said, and Lestat is thrown from the roof, breaking his legs. He prepares to die in the coming sunlight ("Sail Me Away" (reprise)), but Marius and Gabrielle arrive and convince him to save himself ("Crimson Kiss" (reprise)). The light goes off. Lestat appears, dressed in modern clothes, and says "I am the Vampire Lestat, and I will live forever."

Let 'Em Eat Cake

Musical · 1933

President Wintergreen is up for reelection, but due to the continuing Great Depression, loses in a landslide to John P. Tweedledee. Wintergreen makes an unsuccessful appeal to the Supreme Court to overturn the election results. It is also revealed that Diana Deveraux divorced Throttlebottom to marry the French Ambassador. After the end of his term, Wintergreen, Throttlebottom, and their associates start a business selling his wife Mary's blue shirts on "Union Square." At Union Square, Kruger, an agitator, is proclaiming his doctrine "Down with Everything That's Up." After talking with Kruger, Wintergreen decides that to increase shirt sales they should promise a revolution or their money back, citing the European Brown Shirts and Black Shirts. With business now booming ("Shirts by Millions"), Mary appeals to the women to join the New Blue D.A.R. ("Climb up the Social Ladder") to increase female shirt sales. Wintergreen now needs the support of the Union League Club, because General Snookfield is a member. Throttlebottom persuades them by saying that the British are attacking Bunker Hill ("Comes the Revolution Reprise"). Having secured the Union League Club support, The Blue Shirts meet with Snookfield to plan the overthrow of the government ("On and On and On"). At nine o'clock on July 4, when the Blue Shirts arrive, Snookfield will give the signal for his soldiers to seize Tweedledee. On the Fourth, at the White House grounds, Tweedledee is giving a speech, when Snookfield leaves with Trixie for a party. The Blue Shirts arrive only to find the general is missing and the soldiers don't know what to do. Tweedledee promises the army a "dollar a day which (he) may not pay." Wintergreen promises the army the war debts owed by the League of Nations, which the soldiers accept. Tweedledee is deposed, and Wintergreen declares that "the land of freedom is free once more" ("Let 'Em Eat Cake"). The White House is being painted "Blue, Blue, Blue." The Supreme Court, now in chains, are brought before Wintergreen. He decides to show leniency because the Court officiated his marriage ceremony. The Court is reorganized into a baseball team. When the League of Nations arrives to discuss repayment of the war debts, they "No Comprenez, No Capish, No Versteh" when the issue is raised; only Finland repays their debt. Kruger, now head of the army following Snookfield's disgrace, is also putting pressure on Wintergreen to remember his promise. Wintergreen offers a solution where the debts will be settled by a baseball game for double or nothing. If the League loses, they will have another conference to discuss it. Kruger accepts the League's offer of Finland's money as a side bet. Throttlebottom hesitatingly accepts an offer to be the game's umpire. On the date of the ballgame the Supreme Ball Players, the League, and Kruger's army try to influence Throttlebottom to bend the rules their way. The United States loses the game after a controversial call by umpire Throttlebottom. The soldiers want someone to be held to account for the loss, over Wintergreen and his associates' objections ("Oyez, Oyez, Oyez"). In the "Trial of Throttlebottom" a military tribunal is underway. Kruger, the Army, and the Ball Players call for Throttlebottom's execution claiming he conspired with the enemy. Wintergreen and his associates object, until the army levels the guns at them. Kruger and the army want to know when they are going be paid ("A Hell of a Hole"). After Wintergreen offers them a share of the shirt business, the army is going to take it all (Down With Everything That's Up—Reprise). Despite pleading he tried his best to get the money ("It Isn't What You Did"), Kruger sentences Wintergreen and his cronies to death by beheading. Mary and the condemned's wives enter and proclaim they are pregnant. Kruger says this may have worked four years ago during Wintergreen's impeachment hearings, but it doesn't work with the army. Trixie, who controls the Navy, arrives and joins forces with Kruger ("First Lady and First Gent"). Kruger proclaims "Let 'em Eat Caviar." Execution day arrives, and in their jail cell Wintergreen, Throttlebotton, and the Committee discuss how they ended up in this situation. Next, the crowds gather to watch the executions ("Hanging Throttlebottom in the Morning"). A guillotine bought from France is unveiled, and Snookfield is shown to be the executioner. Since Throttlebottom is not married, he will be executed first. After a series of mishaps with the guillotine, Mary interrupts the proceedings. She presents a "Fashion Show" with dresses that arrived on the boat that brought the guillotine. After being reminded that the color of the revolution is blue, and they cannot wear the new fashions, the women revolt. Kruger objects, but the soldiers seize him after Trixie reminds them of an upcoming party. Wintergreen tells the soldiers to shoot Kruger. When Kruger reveals he used to be in the dress making business, Wintergreen decides to go into business with him. Wintergreen decides to leave the revolution business and restores the republic and the Supreme Court. Tweedledee shows up and Wintergreen gives his vice-president, Throttlebottom, to him, since he can't remember his. Tweedledee declines the Presidency, since he is going to be President of Cuba. Throttlebottom is now the President. After Wintergreen promised the people cake and Kruger promised them caviar, Throttlebottom promises them pistachio ice cream, which he formerly detested.

Let My People Come

Musical · 1974

Let My People Come is a musical with book and music by Earl Wilson, Jr. and lyrics by Wilson and Phil Oesterman. Subtitled "A Sexual Musical", the sexually-explicit show originally ran from 1974 to 1976 at The Village Gate Theater in Greenwich Village, New York City. It began previews on Broadway on July 7, 1976, and closed on October 2, 1976, after 108 preview performances, technically never 'officially' opening for regular Broadway performances. The score includes songs such as "I'm Gay", "Come in My Mouth", "Fellatio 101" and "The Cunnilingus Champion of Company C", and features on-stage nudity. The show was nominated for a Grammy Award in 1975 for Best Original Cast Album. The title of the 1976 softcore pornographic comedy film Let My Puppets Come, written and directed by Gerard Damiano, was a parody of Let My People Come.

Lifting the Lid

Musical · 1905

Lifting the Lid is a musical in four scenes with music by Jean Schwartz, lyrics by William Jerome, and a book by John J. McNally. The musical was a spoof of New York City politics of the early 20th century, and included impersonations of both political figures and other personalities of the period. The Manhattan district attorney William Travers Jerome was particularly lampooned as the musical's central character, district attorney William T. G. Rome, was a send up of Jerome and performed in an uncanny impersonation by the actor Julius Tannen.

Little Fish

Musical · 2003

In the present time, Charlotte, in her early 30s, lives in New York and is a short-story writer. She has given up smoking cigarettes, but without them she sees herself clearly, and believes that it is not an attractive picture. She is frightened by her new-found reality, thus her friends Marco and Kathy suggest various activities, such as collecting dolls or a new drug. However, she opts for what is presumably the least silly; swimming. Charlotte thinks back to 1993, when she lived in Buffalo with her lover Robert, in his 40s, and she studied English Literature with him. She reflects on her childhood heroine, Anne Frank, who warns her about flotsam: emotional "debris" that blocks the flow of life. As Charlotte sees that she has been addicted not only to cigarettes but "fleeing", she is able to connect with her friends and her writing. Don Shewey noted that the musical "departs from any kind of traditional book musical structure. Charlotte's tale emerges in vignettes that flicker and flash, zooming back and forth in time, held together by a narrative thread as tenuous as her nonsmoking sanity." Further, the music is "eclectic" and includes "Latin, jazz, rock, there's pure urban noise."

Little Hans Andersen

Musical · 1897

Little Hans Andersen is a musical fairy pantomime in two acts and seven scenes for children with lyrics by Basil Hood and music by Walter Slaughter. It was a revised version of Hood and Slaughter's pantomime Hans Andersen's Fairytales, based on the fairy tales of Hans Christian Andersen which had opened at Terry's Theatre in December 1897. After the last performance of the Savoy Opera A Princess of Kensington, produced by William Greet, the cast of the D'Oyly Carte Opera Company dispersed and many of them moved to the Adelphi Theatre to appear in the new musical comedy The Earl and the Girl (1903), also produced by Greet; there they next appeared in Little Hans Andersen from 23 December 1903 to 16 January 1904 for 23 matinee performances. Greet followed this with other productions at the Adelphi in which many of the same cast members appeared.

Little Johnny Jones

Musical · 1904

Settings: Act I - Courtyard of Cecil Hotel, London; Act II - American Line dock at Southampton; Act III - Chinatown, San Francisco A brash, patriotic American jockey, Johnny Jones, goes to England to ride his horse, Yankee Doodle, in the English Derby. Jones falls in love with Goldie Gates, a San Francisco copper heiress, who follows him to Britain, disguising herself as a man to discover if Jones really loves her. Anthony Anstey, an American who runs a Chinese gambling establishment in San Francisco, offers Jones a bribe to lose the race deliberately, but he refuses. After Jones loses, Anstey spreads rumors that he threw the race intentionally. Jones' detective, pretending to be a drunkard, searches for evidence to clear Johnny's name and finds out that it was Anstey that framed Jones. Jones tells his friends who are returning to America, "Give My Regards to Broadway," but he stays in London to try to regain his reputation. Jones returns to America with his name cleared, eager to propose marriage to Goldie, but he finds that Anstey has kidnapped her. He and his detective search for her in San Francisco's Chinatown, eventually finding her.

Little Mary Sunshine

Musical · 1959

Time: Early in "this" century i.e., the 20th century; Place: The Colorado Inn (shades of the White Horse Inn), high in the Rocky Mountains (standing in for the Tyrol) Act I Little Mary Sunshine, foster daughter of Chief Brown Bear of the Kadota tribe, is in trouble. The government is threatening to foreclose the mortgage on her Colorado Inn, located on land that is subject to a dispute between Brown Bear and Uncle Sam. On Mary's advice Brown Bear is engaged in peaceful legal proceedings rather than warfare to establish his rights. Captain Jim and his Forest Rangers arrive. They are searching for the disruptive Indian Yellow Feather. Yellow Feather's "crimes" are actually not murder and pillage but indiscriminate hunting and irresponsible use of fire in the forest, but he is nonetheless a villain of the deepest dye, who has threatened to "have his way" with Mary. Jim woos Mary, after which the two get well-sung advice from Mary's opera star guest Mme. Ernestine Liebedich. Some young ladies from the Eastchester Finishing School (implicitly in New York or Pennsylvania, which have Westchesters) are also Inn guests. While they entertain themselves playing croquet and swinging on swings, the Rangers come upon them. The Rangers' flirting elicits an immediate enthusiastic response, and love blooms once more as they joyfully sing together. Later, the young ranger Billy and his girlfriend Nancy squabble about Nancy's appetite for other men. Jim and Mary return to the spotlight. Mary reveals her "Little Buttercup" secret: Yellow Feather is really Brown Bear's son, long believed dead. As the first act ends, Jim and his aged Indian guide Fleet Foot set off to capture Yellow Feather. Act II Mary holds a garden party featuring the Eastchester ladies and the Rangers. Retired General Oscar Fairfax shows up, bringing a box of gifts for the ladies. Taking command of the Rangers in Jim's absence, he directs the Rangers to depart, find Jim, and bring him back. Fairfax now has the ladies to himself. But his interest shifts to Mme. Ernestine when he meets her and learns they have something in common: in their youth, both spent happy days in Vienna. Mary goes to her garden. Yellow Feather sneaks in, finds her there, ties her to a tree, and threatens to debase her. Jim returns just in time and wrests a knife from the villain. The Rangers, who have surrounded the Inn, capture Yellow Feather as he tries to escape. The rest of the cast then emerges. Fairfax has good news: the courts have upheld Brown Bear's claim to the disputed land, a mere one-fourth of Colorado. The chief gives Mary the Inn's land and dedicates the rest for a national park, a place the Rangers can call home. In the finale, a miraculously reformed Yellow Feather reappears, waving a large American flag. Jim and Mary, Billy and Nancy, Oscar and Ernestine, and several Ranger-Eastchester couples seem headed for the altar.

Little Nellie Kelly

Musical · 1922

Nellie Kelly is the daughter of a New York City Irish-American police officer, Captain John Kelly. After taking a job in DeVere's Department Store, she is seen and admired by the young millionaire and man-about-town Jack Lloyd. However, she is already loved by Jerry Conroy, a laborer who like her is Irish. When she refuses Lloyd's request for a date, he invites all the store's employees to a party at a house on Fifth Avenue belonging to his aunt, the redoubtable Mrs. Chesterfield Langford, with a view to getting to know Nellie better, and Conroy attends the party uninvited. During the evening, a valuable string of pearls belonging to Mrs. Langford is stolen, and suspicion falls on Conroy, while Lloyd pursues Nellie. In the end Conroy's name is cleared and the course of true love leads Nellie to refuse Lloyd and fall into the arms of Conroy.

Little Red Riding Hood

Musical · 1900

Little Red Riding Hood is a musical in two acts with lyrics by Harrison Ward and music by composers Edward E. Rice, Fred J. Eustis, Charles Dennée, T. W. Connor, and B. Gilbert. The musical's book was authored by playwright George T. Richardson and was loosely modeled after British pantomime versions of the classic European fairy tale of the same name. It also included characters from other classic fairy tales. and then ran for further performances in Boston in January 1900 at the Hollis Street Theatre before transferring to Broadway. Little Red Riding Hood premiered on Broadway at the Casino Theatre on January 8, 1900. It closed on January 20, 1900, after 24 performances. The production starred Ethel Jackson in the title role and Madge Lessing as Little Boy Blue among others. The production was produced and directed by Edward E. Rice.

Little Shop of Horrors

Musical · 1982

A trio of 1960s street urchins named Crystal, Ronnette and Chiffon set the scene ("Little Shop of Horrors") and comment on the action throughout the show. Seymour Krelborn is a poor young man, an orphan living in an urban skid row. Audrey is a pretty blonde with a fashion sense that leans towards tackiness. They lament their stations in life and the urban blight in their neighborhood ("Skid Row (Downtown)"). They are co-workers at a run-down flower shop owned and operated by the cranky Mr. Mushnik. After a sudden eclipse of the sun, Seymour finds a mysterious plant that looks like a large Venus flytrap ("Da-Doo"). Seymour, who is secretly in love with Audrey, names the plant Audrey II in her honor. The plant does not thrive in its new environment and appears to be dying, though Seymour takes very good care of it. He accidentally pricks his finger on a rose thorn, which draws blood, and Audrey II's pod opens thirstily. Seymour realizes that Audrey II requires blood to survive and allows the plant to suckle from his finger ("Grow For Me"). As Audrey II grows, it becomes an attraction at the flower shop and starts generating brisk business for Mushnik. As the caretaker of the plant, the timid Seymour is suddenly regarded as a hero ("Ya Never Know"), while Audrey secretly longs to leave her abusive boyfriend. Her dream is to lead an ideal suburban life with Seymour, complete with a tract home, frozen dinners and plastic on the furniture ("Somewhere That's Green"). Meanwhile, the employees at Mushnik's are sprucing up the flower shop because of the popularity of the rapidly growing Audrey II and the revenue that it is bringing in ("Closed for Renovation"). Audrey's abusive boyfriend, Orin Scrivello, a sadistic dentist ("Dentist!"), encourages Seymour to take the plant and get out of Skid Row. Realizing that his store's sudden profitability is completely dependent on the plant (and therefore on Seymour), Mushnik takes advantage of Seymour's innocence by offering to adopt him and make him a full partner in the business ("Mushnik and Son"). Seymour accepts, even though Mushnik treats him poorly ("Sudden Changes"). When Seymour, running out of blood, stops feeding the plant, Audrey II demands blood and promises that, if fed, it will make sure that all of Seymour's dreams come true ("Feed Me (Git It)"). Seymour sets up a late-night appointment with Orin, intending to kill him for his cruel treatment of Audrey. However, Seymour loses his nerve and decides not to commit the crime. Unfortunately for Orin, who is getting high on nitrous oxide, the gas device is stuck in the "on" position, and he suffocates while asking Seymour to save him. Though Seymour cannot bring himself to shoot Orin, he lets him die of asphyxiation ("Now (It's Just The Gas)"). Seymour feeds Orin's body to the now huge Audrey II, and the plant consumes it with ravenous glee ("Act I Finale"). The flower shop is much busier, and Seymour and Audrey have trouble keeping up with the onslaught of orders ("Call Back in the Morning"). Audrey confides to Seymour that she feels guilty about Orin's disappearance, because secretly she wished it. The two admit their feelings for one another, and Seymour promises that he will protect and care for Audrey from now on ("Suddenly, Seymour"). Before they can go, Mushnik confronts Seymour about Orin's death. Seymour denies killing Orin, but Mushnik wants him to give a statement to the police, who have begun investigating. Audrey II tells Seymour that he has to be rid of Mushnik or he will lose everything, including Audrey. Seymour tells Mushnik that he put the days' receipts inside Audrey II for safekeeping. Mushnik climbs inside the plant's gaping maw to search for the money and screams as he is devoured ("Suppertime"). Seymour now runs the flower shop, and reporters, salesmen, lawyers and agents approach him, promising him fame and fortune. Seymour realizes that it is only a matter of time before Audrey II will kill again and that he is morally responsible, but he does nothing over fear that Audrey will no longer love him if he is not successful ("The Meek Shall Inherit"). As Seymour works on his speech for a lecture tour, Audrey II again squalls for blood. Seymour threatens to kill it just as Audrey walks in asking when Mushnik will return from "visiting his sick sister". Seymour learns that Audrey would still love him without the fame and resolves that following an upcoming LIFE magazine interview at the shop, Audrey II must die. Audrey is confused and frightened by Seymour's ramblings, but she runs home by his order. That night, unable to sleep and distressed by Seymour's strange behavior, Audrey goes to the flower shop to talk with him. He is not there, and Audrey II begs her to water it. Not sensing the danger, she approaches to water it, and a vine pulls her into the plant's gaping maw ("Sominex/Suppertime II"). Seymour arrives and pulls her out, but Audrey is mortally wounded. Her dying wish is for Seymour to feed her to the plant after she dies so that they can always be together. She dies in his arms, and he reluctantly honors her request ("Somewhere That's Green" (reprise)). The next day, Patrick Martin from the World Botanical Enterprises tells Seymour that his company wishes to sell leaf cuttings of Audrey II in florist shops across America. Seymour realizes the plant's evil plan: world conquest. He tries shooting, cutting, and poisoning the plant, but it has grown too hardy to kill. Seymour, in desperation, runs into its open jaws with a machete planning to kill it from the inside, but he is quickly eaten ("Bigger Than Hula-hoops"). Patrick, Crystal, Ronnette and Chiffon search for Seymour. Not finding him, Patrick tells the girls to take the cuttings. Crystal, Ronnette and Chiffon relate that, following these events, other plants appeared across America, tricking innocent people into feeding them blood in exchange for fame and fortune. Audrey II, bigger than ever, appears with opened new flowers revealing the faces of Seymour, Audrey, Mushnik and Orin, who beg that the plants must not be fed ("Finale Ultimo: Don't Feed the Plants"). Audrey II slithers towards the audience threateningly.

Little Women

Musical · 2007

In 1865, Josephine March (Jo) receives a notice of rejection from a publisher; it is her twenty-second rejection. Jo asks Professor Bhaer, another boarder at Mrs. Kirk's boarding house, his opinion on her story ("An Operatic Tragedy"). The professor is not impressed by her story, telling her that he thinks that she can write something better. Jo, taken aback and angry at Bhaer's reaction, asks him what he knows to give him the right to criticize her and insults him by calling him old. He reacts by saying that he is stating his opinion and leaves. Jo, left alone, wonders what could be better than the story she has written, then muses that perhaps her writing was better when she was at home in Concord, Massachusetts ("Better"). Two years earlier in her attic studio, Jo assembles her sisters, Meg, Beth, and Amy, to tell them that she will be putting on a show of her own called the "Operatic Tragedy". The sisters beg Jo to not make the show but Jo convinces them that this play will be a hit and will make for the best Christmas ever ("Our Finest Dreams"). Marmee, their mother, comes in with a letter from their father, who is away as a Union army chaplain in the American Civil War. As Marmee writes a response, she reflects on how hard it is to be the pillar of strength in the March home ("Here Alone"). Aunt March, the sisters' wealthy aunt, asks Jo to change from being a tomboy to a model lady of society. She tells Jo she is considering bringing her along to Europe. Jo begs to go with her, but Aunt March says that she will take her only if she changes. Jo, who has always dreamed of seeing Europe, agrees ("Could You?"). Meanwhile, Meg has one of her own dreams realized: she and Jo are invited to Annie Moffat's Valentine's Day Ball. On the day of the ball, while the two sisters are getting ready, Meg decides that she cannot go. She asks Marmee what she should say when one of her potential suitors asks her to dance. Marmee tells Meg to just smile and say "I'd be delighted" ("Delighted"). Amy, who cares about society life more than Jo, rushes down in Jo's old ball gown to join them in going to the ball, but Jo stops her as she is not invited. Spiteful, Amy burns Jo's manuscript in the fireplace. At the ball, Jo accidentally sits on Laurie, who is a neighbor of the Marches' along with his grumpy grandfather, Mr. Laurence. Laurie's tutor, Mr. Brooke, comes in and scolds Laurie for not meeting important people, which will make Mr. Laurence angry. Mr. Brooke accidentally takes Meg's dance card; when he returns it, he sees how beautiful she is, asks her to dance, and Meg agrees. Meg and Mr. Brooke are smitten with each other at first sight. Laurie confesses to Jo his need for friends and asks Jo to dance with him. Jo replies that she doesn't dance but Laurie keeps trying ("Take A Chance On Me"). Back at the Marches' after the ball, Jo and Amy have a confrontation after Jo discovers what Amy has done to her manuscript. Marmee sends Amy to bed and apologizes to Jo, but tells her that Amy is just a child and wants to be like Jo. Jo rushes up to the attic to rewrite her story ("Better (Reprise)"). Laurie invites Jo to a skating race, which she at first refuses but eventually agrees to. Amy wants to go with them but has already outgrown her skates. Beth, who intends to stay home, offers Amy her old skates. Beth is sitting at the family's old piano when Mr. Laurence comes in looking for Laurie. Mr. Laurence discovers Beth's talent at the piano and they sing a duet ("Off to Massachusetts"). Jo and Laurie come in from the skating race with Laurie carrying Amy because she fell through the ice while skating. Jo and Amy reconcile, and Jo makes Laurie an honorary member of the March family ("Five Forever"). Marmee receives a letter informing her that her husband has contracted pneumonia and she must go to Washington to be with him. As Marmee prepares to leave and Amy packs her things to stay with Aunt March, Jo returns with money for Marmee to travel, but confesses that she did not go to Aunt March; she tried to sell her stories in the town common, but ended up cutting and selling her hair. When Aunt March arrives to pick up Amy, she sees Jo and is furious. Jo has a confrontation with Aunt March, ending with Aunt March deciding not to take Jo to Europe after all. Aunt March then turns her focus to Amy, intending to mold her into the society life that she envisioned for Jo. Mr. Brooke tells Meg of his enlistment in the Union army. He then asks Meg for her hand in marriage, and she accepts ("More Than I Am"). Months later, Laurie returns to Concord and visits Jo, who is happy to see him. Laurie tells her that his grandfather has enrolled him in college and that he will be leaving in time for the summer session. Laurie begins to confess his feelings for Jo and kisses her ("Take A Chance On Me (Reprise)"). He put out a ring and tells Jo he loves her. Jo does not accept his marriage proposal and is upset by his words. He tells her that she will marry eventually, but Jo tells him that she will not; Laurie says she will, but not to him. Jo ponders her future, vowing to find another way to achieve her dreams ("Astonishing"). At Mrs. Kirk's boarding house in New York City, she is holding a telegram for Jo from Mrs. March. Jo runs in, looking for Professor Bhaer and finding him right in front of her. She has news of her first sale as an author ("The Weekly Volcano Press"). She tells them the story of the sale as well; following Professor Bhaer's advice, she embellished the story. When Jo reads the telegram, she is notified that Beth contracted scarlet fever and immediately packs her bags to return to Concord. Jo, after a few days, sends a letter to Professor Bhaer, asking him what's new in New York. The professor struggles to write a decent response ("How I Am"). With her new earnings, Jo takes Marmee and Beth to Cape Cod. When Marmee leaves to write to her husband, Beth and Jo put together a kite that Jo got for Beth and they fly it in the air. Beth tells Jo that she is not afraid to die, but says that the hardest part is leaving Jo ("Some Things Are Meant To Be"). Beth dies soon after. Amy and Aunt March return home from Europe. Laurie also returns home from Europe and sees Jo for the first time in a long time. Jo tells Laurie that she has missed him and that she sold a story; Laurie tells her that she was always meant to "fly on golden wings," and that he was not. Amy comes to them and Amy and Laurie struggle to tell Jo of their impending marriage because they do not wish for Jo to be upset ("The Most Amazing Thing"). Jo, grieving Beth's death, finds herself unable to write another story. Marmee tells Jo of how she copes with Beth's death, telling Jo that she must move forward for Beth's sake ("Days of Plenty"). Jo reminisces about her sisters. Her thoughts of her family and friends inspire her to write her novel, "Little Women" ("The Fire Within Me"). On the day of Laurie and Amy's wedding, Professor Bhaer comes to Concord to see Jo and she is surprised to see him. He tells Jo of his feelings for her ("Small Umbrella In The Rain"). He proposes to her and Jo accepts his proposal. He tells Jo that he sent the manuscript of her novel to Henry Dashwood, the editor of The Weekly Volcano Press. He tells Jo that the publisher agreed to publish it, and Jo proclaims her happiness. As Marmee comes outside and brings Professor Bhaer in, Jo takes a moment to reflect on her life ("Volcano (Reprise)"). Professor Bhaer then comes back out and tells Jo they're all waiting for her inside. Jo goes to Bhaer, takes his hand, and goes inside the house.

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