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Countess Maritza

Musical · 1924

Count Tassilo works under an assumed name as a bailiff to earn money for his sister Lisa’s dowry. Countess Maritza arrives at her estate to celebrate a fictitious engagement to Baron Koloman Zsupán, but the actual Zsupán appears. Maritza and Tassilo grow attracted to one another, while Zsupán turns his attention to Lisa. After Maritza learns Tassilo’s identity and mistakenly believes Lisa is his lover, she insults him; she later writes a marriage proposal disguised as a reference. The operetta ends with both couples engaged.

Courtin' Time

Musical · 1951

Courtin' Time is a musical adapted by William Roos from Eden Phillpotts's 1916 play The Farmer's Wife, with lyrics and music by Jack Lawrence and Don Walker. Set in the state of Maine in the year 1898, the musical centers around the character of the widower Samuel Rilling who asks his long time housekeeper, Araminta, to aid him in finding a new wife. Araminta herself loves Samuel, but agrees to help him. After several potential candidates all end in failure for a variety of reasons, Rilling discovers that the ideal candidate is in fact Araminta. Courtin' Time premiered on Broadway at the National Theatre on June 13, 1951 in a production directed by Alfred Drake with choreography by George Balanchine. Ralph Alswang was the production's lighting and scenic designer, and Saul Bolasni designed the costumes. The cast was led by Joe E. Brown as Samuel Rilling and Billie Worth as Araminta. Other cast members included Carmen Mathews as Theresa Tapper, Rosemary Kuhlmann as Sadie, and Joseph Sweeney as Mr. Hearn. In mid run the production moved to the Royale Theatre where it closed on July 14, 1951 after 37 performances.

Crazy for You

Musical · 1992

Act 1 Backstage at the Zangler Theater in New York in the 1930s, the last performance of the Zangler Follies is wrapping up for the season, and Tess, the Dance Director, is dodging the advances of the married Bela Zangler. Bobby Child, the rich son of a banking family, is backstage hoping for an audition with Mr. Zangler. Bobby performs "K-ra-zy for You," but fails to impress Zangler, having landed on Zangler's foot during the final flourish of his dance routine. Dejected, Bobby heads outside. Bobby is met by Irene, the wealthy woman to whom he has been engaged for five years, and then by his mother, who demands that Bobby take over her piece of the banking business. Bobby is told to go to Deadrock, Nevada, to foreclose on a rundown theater. As the women argue over him, Bobby imagines himself dancing with the Follies Girls and joins them in a rousing rendition of "I Can't Be Bothered Now." Brought back to reality, Bobby decides to escape to Nevada. When Bobby arrives in Deadrock, it's clear that the gold mining town has seen better days. The men, who are cowboys, sing "Bidin' My Time" in a long, slow drawl. Everett Baker receives a letter from New York warning of the bank foreclosing on the Gaiety Theater. The only woman left in this forlorn town is Everett's daughter, the spunky Polly Baker, who vows to get even with Bobby Child if she ever meets him. Lank Hawkins, proprietor of the town's saloon, argues with Everett, trying to convince Everett to let him buy the theater before the bank takes it. The stubborn old man refuses to give up the theater due to his memories of Polly's mother being the star of all the theater's old shows. Bobby enters the town almost dying of thirst, and falls in love with Polly at first sight, not realizing who she is, and expresses his excitement in "Things Are Looking Up." Lank isn't pleased to see a rival for Polly's affections. Bobby finds himself in quite a bind. If he forecloses on the theater he will lose the girl of his dreams. Inspired, he comes up with the idea of putting on a show to pay off the mortgage. Polly agrees to this plan until she finds out who he is and suspects a trick. Bobby and Polly are both heartbroken, but Bobby decides to put on the show anyway... disguised as Mr. Zangler. Polly, deeply hurt, expresses her loneliness in "Someone to Watch Over Me." A few days later, ten Follies Girls on vacation from The Zangler Follies appear like a mirage in the desert. Bobby has asked them to help stage a spectacular show in Deadrock. When the men of Deadrock see the girls, the sleepy town becomes very lively. Lank Hawkins continues to express extreme dislike for the show, threatening to shoot Bobby. Rehearsals for the show aren't going well and the cowboys in particular are terrible dancers. Bobby changes all that in the course of one rehearsal with the song "Slap That Bass." Spirits are now at a high point. Meanwhile, to Bobby's dismay, Irene arrives, threatening to expose Bobby's charade, and Polly has fallen in love with Bobby's impersonation of Zangler. She expresses her love for Zangler with the song "Embraceable You." Opening night arrives, with everyone's hopes high ("Tonight's the Night!"). Sadly, everyone is disappointed to find that the only people to arrive at the show are Eugene and Patricia Fodor, British tourists writing a guidebook on the American West. What starts out as a disappointment changes into the realization that the show has galvanized the once sleepy town. They celebrate with a spirited rendition of "I Got Rhythm" while the real Zangler stumbles unnoticed into the town, almost dehydrated, and collapses just as the scene ends. Act 2 In Lank's saloon Bobby is professing his love to Polly. Unfortunately, she is still in love with the man who she thinks is Zangler. Bobby is about to convince Polly that he has been impersonating "Zangler" when the real Zangler stumbles into the saloon looking for Tess. Zangler finds Tess, but refuses her request to produce the show. Tess storms off, and Zangler, now drunk after being disgusted by the town, bemoans his fate. Bobby, dressed like Zangler, reels in to drown his sorrow over losing Polly. Drunk and depressed, the two men act as mirror images of each other, and lament their lost loves in "What Causes That." The next morning, Polly sees the two Zanglers and realizes what has happened. She slaps Bobby and leaves in a huff, while the townsfolk prepare for a meeting at the theater to discuss what to do with the show. Irene comes to Bobby in one final attempt to make him go back to New York with her, but Bobby rejects her, and states his love for Polly. Immensely frustrated with Bobby, Irene seduces Lank in "Naughty Baby." The townsfolk are all now gathered at the theater. Bobby is all for trying the show again, while Polly thinks they should abandon the venture. The Fodors counsel the dejected townspeople to keep a "Stiff Upper Lip," which includes a parody of the barricade scene from Les Misérables, but by the end of the song only Polly, Everett, Bobby, and Tess still think the show should continue. Everyone but Bobby and Polly leave the theater. Bobby prepares to leave for New York, professing that his memories of Polly will never fade in "They Can't Take That Away from Me." Polly realizes, too late, that she does love Bobby, and after he leaves, laments her loss in "But Not For Me." Meanwhile, Bela Zangler decides to put on the show as a favor to Tess; the two seem to be in love once more. Although he had been planning to cast Bobby as the lead, he makes Polly the star of the show after learning that Bobby has left for New York. Six weeks later, Bobby is still thinking of Deadrock as he works in his mother's bank. For his birthday, Mrs. Child gives him the Zangler theater (Zangler has used all his money on the show in Deadrock). While initially ecstatic, Bobby realizes that his love for Polly is worth more in "Nice Work if You Can Get It," and leaves with Mrs. Child for Deadrock to pursue Polly. Back in Deadrock, Polly has decided to leave for New York to look for Bobby. She leaves with Custus, one of the cowboys, just before Bobby arrives. After learning that Polly has left to find him, he leaves to "wash up" before driving back to New York to catch her. Bobby's mother and Irene (who is now married to Lank) notice each other and start an argument. Everett notices Mrs. Child, and falls head-over-heels in love with her, as shown in a reprise of "Things Are Looking Up." His affections are reciprocated, and immediately afterward, Polly reenters with Custus. On their way to the train station, his car ran out of gas, and Polly missed the train to New York. Seeing the situation, the townspeople concoct a plan to get Polly and Bobby together, and the two are finally reunited in the "Finale."

Crest of the Wave

Musical · 1937

Crest of the Wave is a musical with book and music by Ivor Novello and lyrics by Christopher Hassall. It premiered at the Theatre Royal, Drury Lane in London, on 1 September 1937, starring Novello as both hero and villain, Dorothy Dickson, Olive Gilbert, Walter Crisham and Edgar Elmes. Directed by Novello's frequent collaborator Leontine Sagan, it ran for 203 performances. The best-known songs from the musical are "Rose of England", "Why isn't it you?", "Haven of your heart" and "If you only knew". The story concerns an impoverished nobleman, The Duke of Cheviot, who is shot by a lover and pursued by the villainous Otto Fresch. The staging featured a spectacular train crash, one of several Novello musicals featuring a spectacular disaster: Glamorous Night has a shipwreck and Careless Rapture depicts an earthquake.

Cry-Baby

Musical · 2007

In Baltimore 1954, the first annual Anti-Polio Picnic and Vaccination Carnival is being overseen by Mrs. Vernon Williams, the president of Baltimore Women’s Club. Baldwin and the Whiffles lead a group called "The Squares" made up of well-behaved teens (“The Anti-Polio Picnic”). Their performance is interrupted by a rival group, "the Drapes", who enjoy terrorising the Squares (“Watch Your A**”). Wade “Cry-Baby” Walker arrives to receive his polio vaccine. Allison, Mrs. Williams' granddaughter is particularly taken by him which unnerves her (“I’m Infected”). Baldwin and the Whiffles perform (“Squeaky Clean”) at the Maidnenhead Country Club for Safety Awareness Day. Cry-Baby and his loyal trio interrupt and he invites Allison to the Jukebox Jamboree, though Mrs Williams forbades this. This deeply upsets Cry-Baby. (“Nobody Gets Me”). Allison questions being a Square and sets off the emergency alarm, sending the everyone into a panic. Amidst the chaos, she sneaks off with Cry-Baby (“Nobody Gets Me – Reprise”). At the Jamboree, Cry-Baby's friends are trying to deter a girl, Lenora, who's obsessed with him. They then give advice to Allison on how to be a bad girl (“A Whole Lot Worse”). Lenora then sings a ballad about her mental health and love of Cry-Baby (“Screw Loose”). Dupree, who's emceeing, introduces Cry-Baby and the Teardrops onto the stage (“Baby, Baby, Baby, Baby (Baby, Baby) Baby”). Afterwards, Allison and Cry-Baby drive to a spot in Turkey Point, where they grow closer (“Girl, Can I Kiss You with Tongue?”). He gifts Allison a gold-plated guitar-pick (“I’m Infected – Reprise”). However, their moment is interrupted by a sudden wildfire. Immediately blaming Cry-Baby, Baldwin has him and the Drapes arrested, where they are put on trial (“You Can’t Beat the System”). The Judge finds them guilty and they are sent off to jail. Lenora claims she is pregnant with Cry-Baby's child which shocks Allison and the courthouse, as he is taken away. At home, Allison longs for Cry-Baby (“Misery, Agony, Helplessness, Hopelessness, Heartache and Woe”). Baldwin informs her that the Whiffles will be performing at a newly built theme park to celebrate the Fourth of July, to which she hesitantly agrees to sing. Her grandmother finds her crying and comforts her (“Misery, Agony, Helplessness, Hopelessness, Heartache and Woe – Reprise”). At a jewellery store, Baldwin and Lenora bond over their dislike of each others respective love interests as they shop for wedding rings (“All in My Head”). Dupree, now imprisoned, works on the farm creating license plate presses (“Jailyard Jubilee”). Cry-Baby hears Baldwin and Allison get engaged over the radio and becomes enraged. Dupree attempts to calm him down but he starts a riot (“A Little Upset”). During the uproar, Cry-Baby escapes, heading straight for Allison. He turns up at her house and her Mrs. Williams helps him avoid the police. She overhears Baldwin admitting to the Whiffles that he framed Cry-Baby for the arson at Turkey Point (“I Did Something Wrong Once”). She settles on doing the right thing. At the Star-Spangled Funland, the Whiffles, with Allison, perform (“Thanks for the Nifty Country”). After exposing Baldwin's confession, the Judge, Mrs. Williams and a newly exonerated Cry-Baby arrive at the theme park. Judge Stone sentences Baldwin, the true culprit to hard time in prison. Still vying for Allison, Baldwin challenges Cry-Baby to a musical battle for her heart (“This Amazing Offer”). Cry-Baby wins (“Do That Again”). Lenora, not actually pregnant, arrives with his "baby", a teddy bear, and states that she now loves Baldwin instead. Mrs. Williams, now accepting of Cry-Baby and Allison's relationship, asks him to be a part of their family. (“Nothing Bad’s Ever Gonna Happen Again”).

Curtains

Musical · 2006

In 1959, a new musical called "Robbin' Hood!", a western version of Robin Hood, is in the midst of its preview performances at the Colonial Theatre in Boston, Massachusetts. During the closing number of one of the performances, Madame Marian, played by faded film star diva Jessica Cranshaw, looks on as Rob Hood, played by Bobby Pepper, wins a sharp-shooting contest and proposes to Miss Nancy, a schoolmarm, played by Niki Harris. The cast then sings the finale of the show, during which it is clear that Jessica can neither sing, dance, nor act ("Wide Open Spaces"). She takes her bow and, after receiving two bouquets, collapses behind the curtain. Later that night, Carmen Bernstein, the show's hard-bitten co-producer, divorced songwriting team Aaron Fox and Georgia Hendricks, and the show's financial backer, Oscar Shapiro, read the reviews, most of which are terrible, especially the Boston Globe's, which is the review they needed to make it to Broadway. The group wonders how anyone could be so heartless to become a critic ("What Kind of Man?"). The show's flamboyant English director, Christopher Belling, arrives, and says that he had an epiphany about how to fix the show after walking into a church. Just then, stage manager Johnny Harmon tells Carmen that there is a phone call for her. Carmen suspects that it's her philandering husband, Sidney Bernstein, the show's theatrical promoter. Meanwhile, Aaron argues with Georgia about the reason she joined the show, as he believes that she only wanted to rekindle a romance with the show's leading man, Bobby. Belling asks Georgia to sing Madame Marian's opening number. Everyone is pessimistic, but she does so spectacularly, and it is clear that she is thinking about her failed marriage with Aaron. Aaron begins to sing with her, but Bobby cuts him off and they finish the number together ("Thinking of Him"). Belling then announces his plan: they are going to replace Jessica. Niki, the actress who plays Miss Nancy, steps forward and says she would feel terrible taking over, but Belling goes on to say that he is actually casting Georgia as Madame Marian. Bambi Bernét, the show's featured dancer, steps forward and says that Niki should get the role, but Belling sees right through her: Bambi is Niki's understudy, meaning if Niki got the lead, she'd get to play Miss Nancy. Georgia is cast, in spite of Aaron's disapproval. Carmen then enters and tells everyone that it was the hospital that had called and confirms that Jessica has died. The cast performs a brief ceremony, and it is clear that no one is sorry to see their leading lady die ("The Woman's Dead"). Lieutenant Frank Cioffi of the Boston Police Department then arrives to announce that he is there to investigate foul play in Jessica's death, as he reveals her death was caused by cyanide poisoning. Cioffi tells Belling to finish up his cast meeting before Cioffi begins questioning. The ensemble tries to leave, saying that they want to quit the show, but Carmen tries to convince them that the show must go on, though various members of the cast stand up to her, including Bambi, who is actually named Elaine and is in fact Carmen's daughter. Cioffi, an amateur performer himself, enthusiastically convinces them to do the show, and helps them realize how lucky they are to be actors and actresses ("Show People"). Thanks to the newfound energy and commitment, Carmen decides to treat everyone to a drink at the local bar. However, since Jessica was poisoned in the last ten minutes of the show and never left the stage thereafter, Cioffi believes that she must have been murdered by a member of the company, and he enforces a lockdown on the building and will not let anyone leave. Sidney, Carmen's husband, then arrives after flying in from New York, and Cioffi begins to suspect him, although Sidney claims to have been with a certain woman whose name he refuses to give. Cioffi is left alone with the winsome Niki, who is now the understudy for Georgia. The lieutenant is struck by Niki's charm and confides in her about his investigation and his lonely life, as he feels as if he's married to his job ("Coffee Shop Nights"). She seems to return his affection, so he hopes she is not the murderer. The next day, Georgia attempts to learn a dance from the show, but is failing miserably despite Bobby's constant belief in her. Daryl Grady, the critic who wrote the terrible review for the Boston Globe, arrives at the theatre. Cioffi asks him how he got inside and Daryl points out that, as a member of the press, he's exempt from the building's quarantine. It is revealed that Carmen and Sidney called him in to request a re-review the show with Georgia as the new lead, and Daryl agrees to re-review the show, the following night, to which they reluctantly agree. In his original review, Daryl only praised the choreography and Niki's performance. Niki tries to thank Daryl for his kind words about her, however he tells her that he does not associate with the artists he reviews, and leaves after having a brief argument with Cioffi about his previous review. Bobby, Belling, and Georgia enter, enraged with the fact that they have so little time to prepare for a review. Belling works to re-stage a difficult production number, featuring Niki, Georgia and Bambi ("In the Same Boat #1"). Cioffi suggests that the song needs to be rewritten, and he is left alone with Aaron, who shows Cioffi the process for composing a song. After he lets it slip that he misses Georgia, Aaron confesses that he still loves her and would like to reconcile ("I Miss the Music"). Georgia and the cast then hold a dress rehearsal of the big saloon hall number ("Thataway!"). Georgia pulls it off spectacularly and everyone finally believes they have a shot of putting on a great show. Cioffi and tells the cast that he has figured out that Sidney has been blackmailing every member of the show into working for him. Belling then interrupts and requests to re-work the ending pose of the song. While the curtain is closing, Sidney Bernstein is simultaneously rung up, with the curtain rope tied around his neck. Sasha, the conductor, turns to the audience to reveal that Sidney's hanging was fatal ("The Man is Dead"). A makeshift dormitory has been set up on the stage of the still-sequestered Colonial Theatre. Each member of the company grows more paranoid by the hour, and often suspects the others during various periods of the night ("He Did It"). Cioffi returns from the coroner's office and tells everyone that Sidney was knocked out before being tied to the rope, so everyone is still a suspect, but his focus is more on whether the show will be ready for its re-opening. Niki then finds a death threat for Sidney, stating he will die unless he closes the show. Oscar reveals Sidney died for nothing as he was going to comply, going so far as to giving back last checks he made out. Carmen takes them back, saying she is going to keep the show open. Aaron previews his new version of "In the Same Boat", now featuring Bobby, Randy, and Harv ("In the Same Boat #2"), though Cioffi is still unsatisfied with the product. Bambi asks that a pas de deux be added for herself and Bobby during the show's square dance number. Carmen agrees, but she insist that she is no stage mother, as her duty has always been to the box office ("It's a Business"). Daryl Grady then comes in and tells everyone that he's taking interviews from the cast in the Green Room. At the rehearsal of the re-staged square dance number, Bambi and Bobby are doing incredibly well, and everyone is impressed, however, towards the end of the number, Bobby is shot, and left wounded in the arm ("Kansasland"). Through use of angles, Cioffi is quick to figure out that Carmen was actually the target of the shot, not Bobby. Niki comes forward with the gun, and the company immediately jumps to the conclusion that she is guilty ("She Did It (Reprise)"). She says that she innocently found the gun backstage and hands it over, albeit after she accidentally pulls the trigger and almost kills Cioffi. Cioffi gathers Aaron, Georgia, and Bobby and tells them that Sidney had no blackmail material on them, and yet they were still content working for such low pay. Georgia then quotes a death threat which Cioffi had not read out loud, leading Cioffi to arrest her when Aaron attempts to takes the blame for her, reviving their romance ("Thinking of Him/I Miss the Music (Reprise)"). Cioffi reveals that it was all an act, and that Bobby had only been pretending to be Georgia's boyfriend so that she could stir something back up in Aaron. She leaves, and Bobby confesses that he does love Georgia, and that he would do anything for her, even commit murder. Niki laments how love makes people feel bad, but Cioffi begins flirting with her and reminisces about the first time he saw her on stage, leading them into an elaborate fantasy sequence, in which they daydream about being a couple in a musical ("A Tough Act to Follow"). He then confronts Niki about a coded memo in Sidney's blackmail book, as there was a black zero next to her name. Johnny tells Cioffi that he knows the secret, but refuses to tell Cioffi what it is. He is then shot while alone onstage. He tears out a page from his notebook reading "Drop in Planet Earth", and then bleeds out ("In the Same Boat #3"). Cioffi takes Niki and Belling up to the theatre's catwalk high above the stage. While searching for messages on the back of the drops, he announces that he's solved the mystery. Left alone, he is hit with a sandbag and is sent tumbling down. He narrowly escapes death by clutching onto a prop, which lowers him to safety. When on the ground, he exclaims that he has solved it... he finally knows how to stage "In the Same Boat". Putting together all three versions, the cast is able to sing an incredible, show stopping number ("In The Same Boat- Complete").

Cyrano

Musical · 1992

Cyrano: The Musical is a musical with music by Ad van Dijk, an original book and lyrics (in Dutch) by Koen van Dijk. For the Broadway production, English lyrics were provided by Peter Reeves, with additional lyrics by Sheldon Harnick. Produced by Joop van den Ende, the original Dutch production Cyrano de Musical premiered in 1992 at the Stadsschouwburg (City Theatre) in Amsterdam. It is based on Edmond Rostand's classic 1897 play of the same name focusing on a love triangle involving the large-nosed poetic Cyrano de Bergerac, his beautiful cousin Roxane, and his classically handsome but inarticulate friend Christian de Neuvillette who, unaware of Cyrano's unrequited passion for Roxane, imposes upon him to provide the romantic words he can use to woo her successfully in mid-17th century Paris. After 38 previews, the Broadway production, directed by Eddy Habbema, opened on November 21, 1993, at the Neil Simon Theatre, where it ran for 137 performances. The cast included Bill van Dijk as Cyrano, Anne Runolfsson as Roxane, and Paul Anthony Stewart as Christian, with James Barbour and Jeff Gardner in supporting roles. Timothy Nolen played Comte de Guiche and later took over the role of Cyrano. Robert Guillaume also took over the title role during the run. The production garnered Tony Award nominations for Best Musical, Best Book of a Musical, Best Original Score, and Best Costume Design. In addition to the Netherlands and the United States, the musical has been produced in Belgium, Germany, and Japan. Despite the show's critical success, no Broadway recording was ever produced.

Daddy Cool

Musical · 2006

Act I Sunny lives on the islands with his Grandma Ella, who receives a letter from Sunny's mother Pearl in England, telling them that she wants him home. Young Sunny is hostile towards her at first, and begins to feel the music, bursting into song during church. Years later, Sunny is part of the Subsonics, a music crew led by Shake. At a recording session with Rasputin, they run into The Blades, another music crew, led by Benny Baker, Ma Baker's son. Later at a launch party for Asia Blue, Benny's girlfriend, Sunny and Rose meet. When Ma Baker finds out her daughter is seeing Sunny, she goes to visit him, and gives him a coat once owned by his father, Johnny Cool. Upon asking his mother about it, Pearl explains how Ma Baker was Johnny's dance partner—and took her away from her when she was pregnant with him. Act II After a music battle between the Subsonics and the Blades, Shake is shot by Benny, but when Sunny gets the opportunity to get payback, he does not take it, instantly being disowned by the Subsonics, and subsequently breaking up with Rose. Rasputin tells him to make it up with Rose, but he is arrested, accused of shooting Shake, as Benny and Ma have set him up. As the Notting Hill Carnival takes place, Shake, Rose, Asia, and Sunny appear. It is revealed that someone has given evidence against Benny over the shooting—Benny's best friend, Naz.

Daddy Long Legs

Musical · 2009

Note: While relatively retaining elements from Webster's book, some details have been changed, added, or removed (e.g.: In the book, Jerusha changes her name to Judy, whereas in the stage musical, she does not). The current synopsis reflects the current Off-Broadway production. In an orphanage called the John Grier Home, Jerusha Abbott calls the first Monday of every month a "perfectly awful day" due to orphanage's trustees' monthly visit and how she bears the load of the preparations. After the visit, Mrs. Lippett, the home's matron, calls for Jerusha in her office. On her way there, she glimpses one of the Trustee's long, spindly, and spidery shadow cast by the headlights of his awaiting car ("The Oldest Orphan in the John Grier Home"). Mrs. Lippett hands her a letter from the Trustee she just saw leaving the home. Impressed by her amusing satirical essays about life at the orphanage, he devised a nine-point plan for her further education. The Trustee will be sending her to a local college with all expenses paid, with the intention that she educate herself to become a writer. The only condition is that Jerusha must write to him reporting her progress and impressions of the college, and that he will remain anonymous, only to be addressed as "Mr. Smith". Her letters will never be answered, nor take the slightest attention to them ("Who Is This Man?"). Jerusha arrives at the college, and begins to pen her first letter. She complains regarding her benefactor's alias: "Why couldn't you have picked out a name with a little personality?" After musing over what she'll call her mysterious benefactor, she finally decides on "Daddy Long Legs" due to his tall figure and she imagining him to be old and gray ("Mr. Girl Hater"). In his study in Manhattan, young philanthropist Jervis Pendleton, Jerusha's benefactor, is amused and puzzled over her first letter ("She Thinks I'm Old"). Jerusha writes about her lessons from her freshman year classes ("Freshman Year Studies"), and describes her anxiety over trying to fit in with the other girls at her college due to her upbringing in an orphanage ("Like Other Girls"). She then writes about her embarrassment at her lack of education and her excitement about learning ("Things I Didn't Know"). During the Christmas vacation, Jerusha stays behind in the college to catch up on her reading, and sends her love to Daddy Long Legs in her loneliness. The shy and awkward Jervis finds her affection-filled letters disconcerting ("What Does She Mean By Love?"). Jerusha flunks two of her first exams and is mortified. She becomes ill and writes angrily to Daddy Long Legs, accusing him of not caring for her and simply supporting her merely out of charity. Moved by this, Jervis sends her a bouquet of flowers, and Jerusha is penitent ("I'm A Beast"). Enthralled by her letters, Jervis arranges to meet his young beneficiary, under the pretence that he is meeting his niece Julia, who happens to be Jerusha's least favorite friend ("When Shall We Meet?"). After meeting Jervis, Jerusha is immediately drawn to him: "He's a real human being, not a Pendleton after all... he looked at me as if he really knew me, almost better than I know myself." Despite this, Jerusha becomes more and more curious regarding her old and gray Daddy Long Legs ("The Color of Your Eyes"). The summer arrives, and Jerusha begs Daddy Long Legs not to send her back to the John Grier Home, as she has nowhere to go to. Jervis, adopting another guise as a "secretary" to Mr. Smith, sends her to Lock Willow Farm, where she explores her talent as a writer. Jerusha then proclaims that she finally knows what the secret of happiness is, and that is to live in the now ("The Secret of Happiness"). She also stumbles upon a connection between Jervis Pendleton and Lock Willow Farm, yet doesn't connect this information to her Daddy Long Legs. Jerusha expresses her longing to finally see her Daddy Long Legs, while Jervis becomes increasingly frustrated on whether he should reveal himself as her benefactor or not, realizing he is falling in love with her ("The Color of Your Eyes (Reprise)"). Upon returning to the college for her sophomore year, Jerusha continues her studies and her writing, as well as become socially involved with the family of her friend Sallie McBride ("Sophomore Year Studies"). Jervis, upon reading of Jerusha's attachment to Sallie's attractive brother Jimmy, realizes that he is already falling for her. He then invites Jerusha, Julia, and Sallie for a long cultural weekend ("My Manhattan"). The summer arrives again, and Jerusha asks for permission to spend her vacation at the McBrides' country home on the Adirondacks. Jervis, through his secretarial alias, insists that she spend the summer at Lock Willow Farm instead due to his fear of Jerusha falling in love with Jimmy. Feeling alone and trapped, Jerusha writes an angry letter in response to his domineering nature and finds it hard to forgive Mr. Smith ("I Couldn't Know Someone Less"). Jervis struggles to finally reveal himself to Jerusha as her Daddy Long Legs and subsequently confess his feelings. He thinks that Jerusha will never forgive him if he comes clean regarding his true identity ("The Man I'll Never Be"). Jervis visits Jerusha in Lock Willow, the farm where he grew up as a boy. The couple enjoy the countryside together and find themselves growing more and more attached to one another ("The Secret of Happiness (Reprise)"). Jerusha receives an invitation from Sallie to join her family at Camp McBride, and another from Jervis to meet him at Lock Willow. Despite Mr. Smith's warnings, Jerusha proceeds to Camp McBride due to some negative remarks she received from Jervis when he found out she turned down an invitation to Paris from Julia, to work as a teacher in French and algebra to support herself. Jervis then contemplates his controlling nature, both as Jervis and as Mr. Smith ("Humble Pie"). After four years, Jerusha completes her studies and invites Mr. Smith to her graduation ceremony to finally meet him. Jervis does attend the ceremony as Julia's guest, but does not reveal himself to the bitterly disappointed Jerusha ("Graduation Day"). Back in his Manhattan study, Jervis reflects on the concept of charity and its effects on both the benefactor and the beneficiary, and how Jerusha became a recurring character in his life ("Charity"). In Lock Willow, Jerusha writes to Mr. Smith that she will never think of him again after his no-show at her graduation ceremony ("I Have Torn You From My Heart"). After a few months, she writes that her first novel has been accepted by a publisher, and enclosed a check of $1000 as a first installment of her repayment of her college fees. She then tells him that she will continue to repay her debt to him, and all future royalties will proceed to the John Grier Home, making her a trustee and therefore, meeting him at last. Jervis is overwhelmed by this gesture and overjoyed at her success as a writer ("My Manhattan (Reprise)"). Jervis visits Jerusha in Lock Willow to ask her hand in marriage. Unable to tell him of her origins, she turns him down, thinking that he and his family might feel indifferent towards her when she does tell him. In her final letter, Jerusha declares her love for Jervis, and appeals for a personal meeting with Mr. Smith. Jervis, writing as Mr. Smith, agrees to meet her. Jerusha finally arrives at their meeting place, and is surprised to see Jervis, whom she initially and skeptically assumes to be Mr. Smith's secretary. Jervis finally reveals to her that he is Mr. Smith or Daddy Long Legs. Distressed over this revelation, as well as realising that he has read her private letters about him, Jerusha accuses him of playing with her feelings and the mere fact that he didn't even write back over the course of four years, which Jervis acquiesces to ("I'm A Beast (Reprise)"). At last, he declares his love for Jerusha, which she reciprocates. Jerusha finally understands the grand scheme of things that led her to where she is now ("All This Time").

Dames at Sea

Musical · 1966

In the early 1930s, a Broadway musical is in rehearsal. Mona Kent is its temperamental diva star, Joan a wise-cracking chorus girl, and Hennesy the producer/manager/director. The naive Ruby arrives from Utah, with "nothing but tap shoes in her suitcase and a prayer in her heart", determined to be a Broadway star. She promptly faints into the arms of Dick, a sailor and aspiring songwriter ("It's You"). Ruby gets a job in the chorus, but Hennesy informs the cast that the theater must be torn down, and they must find another place, which turns out to be a ship, for the show. Joan and Lucky, another sailor and her former boyfriend, renew their romance ("Choo-Choo Honeymoon") while Ruby admits her feelings for Dick ("The Sailor of My Dreams"). Dick and Lucky persuade their Captain to volunteer the use of their ship ("Dames at Sea"). Mona recognizes the Captain as a former boyfriend ("The Beguine"). When Mona kisses Dick, to persuade him to give her one of his songs, Ruby notices and becomes despondent ("Raining In My Heart"). Dick explains the misunderstanding and the couple make up ("There's Something About You"). While rehearsing on the actual ship, Mona becomes seasick ("The Echo Waltz"); Ruby steps in to save the show and becomes a star ("Star Tar"). The three couples decide to marry ("Let's Have A Simple Wedding"). John Wilson in The New York Times pointed out that the music is a mixture of parody, such as the torch song "That Mister Man", pastiche ("Raining in My Heart"), and the real thing. Wilson wrote that "The pastiche songs, built around phrases borrowed from or close to actual songs of the genre, usually project an appealing period flavor." The joke was that, while spoofing the large, lavish movie musicals, Dames at Sea did it with a cast of six, two pianos and percussion, and a tiny stage. In the 2015 Broadway production, director Randy Skinner noted that this was "the first time in New York that 'Dames at Sea' will be heard with an orchestra, and the show will have more dancing than ever before with all new dance and vocal arrangements by Rob Berman". This production opened with movie credits projected onto a screen, reproducing exactly the font used by Warner Bros. in the early 1930s. Skinner received a 2016 Tony Award nomination for his choreography.

Das Dreimäderlhaus

Musical · 1916

In the spring of 1826, Schubert, a poor young composer, has quarters in an old Viennese house together with two friends. The three daughters of Christian Tschöll, the court glass maker, visit the three friends. Two of the girls are in love with Schubert's roommates, and the third, Hannerl, is chaperoning her sisters. More of Schubert's friends come to visit. The father arrives in search of his daughters. Schubert's two roommates drink with Tschöll in their courtyard, underneath a Lilac tree, and he agrees to their engagements with his daughters. Schubert takes on Hannerl as his singing pupil, and although the two fall in love, they are each too shy to reveal their feelings. A couple of months later, the first two daughters are marrying their fiancés at Tschöll's house, and the three roommates are all guests at the wedding. Actress Giuditta Grisi, the mistress of Baron Franz Schober, one of Schubert's friends, arrives. She is jealous and believes that he must be cheating on her. She assumes that Hannerl is the other woman and warns her to stay away from her man. Schubert, still unable to tell Hannerl that he loves her, instead asks Schober to sing a song that he has written for her ("Ungeduld"). Hannerl misunderstands Grisi's warning, believing it to be about Schubert rather than Schober. She turns away from the composer and falls in love with Schober. In the Prater the following morning, everyone assembles. Eventually, Schubert ends up alone, disappointed, but consoled by Hannerl's happiness and by his music.

Das Spitzentuch der Königin

Musical · 1880

In 1580, Cervantes mocks Count Villalobos in a song and is arrested, but the King releases him because the Queen admires his writing. The Queen sends Cervantes a lace handkerchief confessing her love; Villalobos finds it, and the King sends his wife to a convent. Cervantes and his friends disguise themselves as thieves and bring the Queen back. Disguised as a servant, she serves the King his favorite dish, and Cervantes tells a story that reconciles the couple.

Days of Wine and Roses

Musical · 2023

The following is taken from the Days of Wine and Roses CD pamphlet Joe Clay, public relations man and Korean War Veteran, meets lovely secretary Kirsten Arnesen, daughter of Norwegian immigrant farmers, at an office party (“Magic Time”). He’s buzzed. She’s first bemused, then game. Part of what drives their click (“The Story of the Atlantic Cable”) is that Joe introduces Kirsten to alcohol. A farm girl from a chilly upbringing intrigued by her new life in the city, she takes to drink immediately (“There Go I”) and she and Joe connect exuberantly through it (“Evanesce”). They marry. And during her pregnancy and the early months with their daughter, Lila, Kirsten is happy and sober (“Sammen i Himmelin”). Kirsten only abstains briefly, though, before joining Joe in the bottle (“As the Water Loves the Stone”). Joe’s drinking gets him demoted to an account in Houston, away from his family. Both keep drinking alone, nevertheless (“Are You Blue?”), and one night Kirsten, taking care of Lila alone (“Underdeath”), passes out with a lit cigarette and nearly burns down their apartment building. Joe and Kirsten quit drinking and move in with Kirsten’s austere father on the farm where she had grown up, relieved to be healthy again (“First Breath”). But Joe has smuggled in alcohol, with a spare bottle hidden in Arneson’s greenhouse, ending up in a drunk ward (“435”). They now move back to the city, and Joe begins working with Jim Hungerford, his sponsor in Alcoholics Anonymous (“Forgiveness”). But that night on her father’s farm, Kirsten had also begun to drink again, and her morning-after take on the matter is different from Joe’s. The only happiness she has known are the early years of their marriage, which included drinking. Joe’s association with A. A. feels like a shaming (“Morton Salt Girl”). She leaves on an open-ended bender, hoping but struggling to rejoin being a mother to Lila, as Lila hopes for her mother’s return (“The Letters”). Kirsten manages to put together five days without alcohol (“Forgiveness (Reprise)”). Joe and Lila nurse a wan hope that Kirsten will eventually rejoin them (“Lila Hangs the Moon”), but the best Kirsten can do is stop by briefly to leave Lila a present (“There Go I (Reprise)”). “The world looks so dirty to me when I’m not drinking,” she pleads – and with this ends the story of Kirsten and Joe.

Dear Evan Hansen

Musical · 2015

Evan Hansen, a 17-year-old high school senior in Maryland with social anxiety and depression, is assigned by his therapist to write letters to himself detailing what will be good about each day, starting each with "Dear Evan Hansen, today is going to be a good day, and here's why". Evan's overworked mother, Heidi, suggests that Evan, having fallen out of a tree and broken his arm, ask people to sign his cast to make friends. Meanwhile, Cynthia and Larry Murphy struggle to connect with their own 17-year-old son, Connor, a sullen and equally depressed drug abuser who is abusive to his younger sister, Zoe ("Anybody Have a Map?"). At school, Evan meets compulsively-overachieving classmate Alana Beck and his reluctant "family friend" Jared Kleinman, both of whom neglect to sign his cast. Evan runs into Connor, who misinterprets his awkwardness for hostility and pushes him to the ground. Zoe, with whom Evan is infatuated, feels obliged to apologize for her brother's behavior. Evan wonders if his destiny in life is to always be ignored ("Waving Through a Window"). Evan writes the letter to himself in the school library, wondering how he could talk to Zoe and if anyone at school would notice if he disappeared ("Waving Through a Window" [Reprise #1]). Connor bumps into Evan again, this time ironically offering to sign Evan's cast. He finds Evan's letter on the printer and, thinking that Evan intentionally made the letter so Connor would find it, becomes furious and storms out, taking the letter with him. Meanwhile, Alana ponders her own inner anxieties ("Waving Through a Window" [Reprise #2]). A few days later, Evan is called to the principal's office, where Connor's parents tell him that their son has died by suicide. They found Evan's letter in Connor's pocket, and mistakenly believe it is a suicide note Connor wrote to Evan. Despite Evan's fumbling attempts to explain the truth, the Murphys believe the two boys had a close friendship and invite Evan to their house for dinner. There, Evan tells them what he thinks they want to hear to avoid discomfort, pretending that he and Connor had secretly been best friends, and recounting a fictional version of the day he broke his arm at an abandoned apple orchard the family had visited years ago ("For Forever"). Evan enlists Jared's help in creating fake, backdated email conversations between him and Connor ("Sincerely, Me"). After Evan shows the Murphys the fake emails, Cynthia is ecstatic to "learn" that her son had a friend, but Larry is hurt, believing Connor took his family and his privileged life for granted, and Zoe still refuses to mourn Connor because of how he abused her ("Requiem"). However, after reading the "suicide note", Zoe notices that she is mentioned fondly and asks Evan why Connor would say that about her, so he tells her all the reasons he likes her under the guise of Connor saying them ("If I Could Tell Her"). Evan impulsively tries to kiss Zoe, but she pulls away. Disgusted by the idea of Connor being forgotten, and motivated by Alana and a vision of Connor, Evan enlists Alana and Jared's help in founding "The Connor Project" to keep Connor's memory alive, which the Murphys eagerly encourage ("Disappear"). While making a speech at a school assembly for Connor, Evan suffers from a panic attack but composes himself, and the speech goes viral online; Zoe, overcome by the impact her brother and Evan have had, kisses him ("You Will Be Found"). Evan and Alana pitch a fundraising campaign on The Connor Project's website, to raise $50,000 to restore the abandoned apple orchard. Meanwhile, Jared continues to help Evan write fabricated emails, narrowly avoiding a fabricated incest subplot from Jared ("Sincerely Me" [Reprise]). After Heidi learns about Evan's speech about Connor online, she asks him why she never knew about this or the "friendship", and they get into a fight. Evan runs to the Murphys' house, where he bonds with Larry, who offers Evan Connor's old, unused baseball glove ("To Break In a Glove"). While on a date in his house, Evan offhandedly mentions that Heidi is struggling for funds to pay for his college ("Only Us"). Evan becomes preoccupied with Zoe and neglects Heidi, Jared, and The Connor Project. On one of his many visits to the Murphys, Evan finds Zoe invited Heidi for dinner. The Murphys reveal they want to give Connor's college fund to Evan, offending Heidi that Evan would discuss her money troubles with others. At home, Heidi and Evan fight, with Evan telling her he has found family in her absence. Heidi, Alana, and Jared converge in Evan's conscience, compounding his guilt and doubt over his decisions ("Good for You"). Evan debates with the vision of Connor about whether he should tell the truth, where it’s revealed that Evan intentionally fell from the tree in his own suicide attempt ("For Forever" [Reprise]). Alana has become suspicious about Evan's "friendship" with Connor, so Evan shows her Connor's "suicide note" to try and prove it. Realizing that the letter is the key to fulfilling the fundraising goal for The Connor Project, Alana posts it online without Evan’s consent. This also goes viral and achieves the goal, but the public begins to blame Connor's wealthy, previously dysfunctional family for his suicide ("You Will Be Found" [Reprise]), making them the targets of harassment. Evan walks in on the Murphys fighting among themselves about the blame and finally admits to them his fabrication; as the Murphys leave in disgust, Evan absorbs his perceived brokenness as inescapable ("Words Fail"). Heidi recognizes the "suicide note" online as one of Evan's therapy assignments and apologizes to him for not seeing how badly he has been hurting. She recalls the day his father moved out and promises that she will always be there for him when he needs her ("So Big/So Small"). A year later, Evan is still living with his mother, working at a store to earn enough money for college the next semester. Zoe invites him to meet her at the orchard, which has been reopened. He apologizes for the pain he caused and Zoe forgives him, saying the ordeal brought her family closer together. After they part ways, Evan mentally writes himself one last letter reflecting on the impact he has had on his community and questions what is to come next ("Finale").

Dear World

Musical · 1969

A corporation has discovered oil under the streets of Paris, directly under a bistro. The Countess Aurelia (known as The Madwoman of Chaillot) lives in the bistro's basement, driven mad because of a lost lover and reminiscing about her past. When the corporation decides to blow up the bistro to get the oil, a young executive, Julian, helps to foil the plan because he has fallen in love with Nina, the bistro's waitress. Aurelia lures the corporation executives to the underground in the sewer system.

Dearest Enemy

Musical · 1925

Dearest Enemy is a musical with a book by Herbert Fields, lyrics by Lorenz Hart, and music by Richard Rodgers. This was the first of eight book musicals written by the songwriting team of Rodgers and Hart and writer Herbert Fields, and the first of more than two dozen Rodgers and Hart Broadway musicals. The musical takes place in 1776, during the American Revolutionary War, when Mary Lindley Murray detained British troops long enough in Manhattan to give George Washington time to move his vulnerable troops.

Death Becomes Her

Musical · 2024

The show opens with Viola Van Horn and her group of immortals sharing "a secret you would die for" by offering the audience a magic potion that grants eternal beauty and perfection ("If You Want Perfection"). Vain and self-absorbed actress Madeline Ashton performs in the Broadway show Me! Me! Me! ("For the Gaze"). She is visited by her old friend and struggling writer Helen Sharp, whom she frequently belittles and insults for her own amusement. However, Helen has one-upped Madeline by revealing she is engaged to famed plastic surgeon, Ernest Menville, and relishes the opportunity to get back at her frenemy ("That Was Then, This is Now"). Madeline invites the two over to her home, where she seduces Ernest ("Tell Me, Ernest"), steals him from Helen and ends up marrying him ("Madeline Ashton's Intimate Wedding Extravaganza"), with Ernest promising during the wedding to stay "til death do us part" ("Ernest's Real Vows"). Helen has a psychotic break and is forcibly committed to a mental hospital, where she obsesses over killing Madeline ("Madeline"). Ten years later, Madeline and Ernest remain unhappily married. Madeline has begun to age visibly, costing her acting jobs ("(I See) Me!"), while Ernest copes with his regrets by drinking ("Til Death"). The couple are invited to the publication of Helen's debut novel, and upon arrival, Madeline is given Viola Van Horn’s business card by a mysterious waiter named Chagall. Helen appears, having become mysteriously young, successful, and beautiful. She further humiliates Madeline by mocking her age and her recent embarrassing film roles, and openly flirts with Ernest ("Tell Me, Ernest (Reprise)"). Madeline has a panic attack in the parking lot and vows not to let her career and image "fall apart" before she visits Viola at her home ("Falling Apart"). Viola offers Madeline the potion on the condition that she vanish from the public eye after ten years to keep its existence a secret. She takes the potion, becoming young and beautiful again. Viola leaves Madeline with a warning: "take care of your body" ("Siempre Viva"). Back at Ernest and Madeline's home, Helen breaks in and rekindles her relationship with Ernest, and the two plan to run away together by murdering Madeline ("Let's Run Away Together"). Upon Madeline's return, she and Helen get into a fight, which results in Madeline falling down the stairs and breaking her neck. As Helen devises a new plan to report the death as an accident, Madeline suddenly reanimates, accusing Helen of pushing her intentionally. As they stare at Madeline, seemingly alive but with a twisted neck, Viola appears onstage and taunts that she has "a secret you would die for" ("Confrontation"). Ernest and Helen frantically drive Madeline to the hospital, where it is confirmed that she is clinically dead, yet still alive. The sequence is intercut with Viola appearing on the stage, addressing the audience and admonishing Madeline for ignoring her warning ("Don't Say I Didn't (Warn You)"). Returning home, Madeline realizes Helen has taken the potion as well and shoots her with a shotgun, leaving a massive hole in her torso. Their bickering leads to further violence and more injuries: Helen is impaled by an umbrella, and Madeline is decapitated before Ernest stops them ("Hit Me"). The two women coerce Ernest to use his surgical skills to repair their bodies, and he agrees on the condition that he be allowed to leave afterward. Drunk and delirious, Ernest plans to fix them with glue, clay, and spray paint ("The Plan"). He also fires Stefan, Madeline's long-suffering assistant, to prevent him from discovering their immortality ("Stefan's Turn"). Madeline and Helen realize they'll need Ernest for maintenance and plot to drug him and have him drink the potion so he can become immortal too. After knocking Ernest out, they take him to Viola's, where she is hosting a ball with the other immortals ("Live to Serve"). Ernest awakens, and Viola tempts him with the potion, but he refuses and escapes ("Siempre Viva (Reprise)" / "The Chase"). Madeline and Helen chase Ernest to the roof, and when he declares that he would rather die than have to spend eternity with them, Viola pushes him off to his apparent death ("Til Death (Reprise)"). Helen despondently realizes she's doomed to outlive all of her friends and family and be alone forever. Madeline, finally apologizing for her actions, tells her that they can fix one another and can be each other's "person" ("Alive Forever"). The two drop their rivalry, embrace, and head home. Fifty years later, while visiting their own gravesites, Madeline and Helen run into an elderly Ernest, who had survived the fall, fell in love with his nurse, married her, and had children and grandchildren ("Fifty Years Later"). As Ernest and his wife leave, Helen and Madeline momentarily lament that they will never have an "ending" of their own before exiting the cemetery together, while Viola suddenly appears once more and taunts the audience to "[not] say [she] didn't warn [them]" ("The End").

Desperate Measures

Musical · 2004

Act I Johnny Blood, a hotheaded young cowboy, killed a man in a bar fight for a saloon girl Bella Rose, and is sentenced to death (“The Ballad of Johnny Blood”). Knowing that Johnny killed in self-defense, the sheriff decides to ask Johnny's sister Susanna, a novice nun – Sister Mary Jo, to plead with the governor for Johnny's life (“That’s Just How It Is”). The governor, who sees strict law and order as his political legacy (“Some Day They Will Thank Me”), ignores her pleas (“Look in Your Heart”), but suggests exchanging Susanna's chastity for Johnny's freedom. Seeing the dilemma Susanna faces, Johnny argues “It’s Good to Be Alive”. The sheriff suggests a plan to switch Susanna with a saloon girl after the dark (“It Doesn’t Hurt to Try”). They find Bella Rose, who agrees to participate for free because she is in love with Johnny (“It’s Getting Hot in Here”). The sheriff and Susanna coach Bella to walk and smile like a nun, while Bella teaches Susanna to lighten up (“The Way That You Feel”). Alone, Sheriff wonders about the feeling he has grown towards Susanna (“Stop There”). At night, Susanna goes to the governor's house, only to switch with Bella after the light is off. Everyone wonders how their lives are changed “In the Dark”. Act II The next morning, Susanna visits the governor for Johnny's pardon, but he confesses that he has fallen in love with her (“What a Night!” – “About Last Night”), and threatens to still have Johnny hanged if Susanna does not agree to marry him the next day. Bella Rose visits Johnny in the jail, who becomes jealous of her sleeping with another guy, even though it is for saving his life (“Just for You”). The sheriff comes up with a new idea. He has the governor sign a new agreement: if Sister Mary Jo agrees to marry him, Johnny will go free (“What a Day”). At the same time, he has Susanna telegram the abbey to allow Bella to become a nun, also named Sister Mary Jo, to marry the governor. As plan B, he also leaves Johnny a key and a horse to escape. Susanna realizes her feeling for this man (“What is This Feeling”). Everyone wonders what will happen (“Life Takes You by Surprise”). The governor barges into the dressing room, almost exposing the plan, which is only saved by the identical wedding dresses and some quick wit. Susanna and Bella decide they should have fun with the fake wedding (“It’s a Beautiful Day”). Instead of escaping to Mexico, Johnny stops the ceremony. The sheriff finally gets the upper hand, and the wedding becomes the happy ending for both couples (“Finale”).

Dew Drop Inn

Musical · 1923

Dew Drop Inn is a musical with music by Alfred Goodman and Rudolf Friml, lyrics by Cyrus Wood, and a book by Walter DeLeon and Edward Delaney Dunn. While Goodman was the principal composer for the work, composers Rudolf Friml, John Frederick Coots, and Jean Schwartz also contributed songs to the show in collaboration with lyricist McElbert Moore. Produced by Jacob J. Shubert and directed by Fred G. Latham, the musical premiered on Broadway at the Astor Theatre on May 17, 1923, where it ran until August 25, 1923 for a total of 88 performances. The cast included James Barton, Alice Brady, Spencer Charters, Harry Clark, Danny Dare, Evelyn Cavanaugh, and Mabel Withee. The musical is set at a seaside resort somewhere in Southern California. Barton starred in blackface as the hotel porter, Ananias Washington. Critic Burns Mantle described Dew Drop Inn as being primarily a vehicle for Barton, "an entertainment evidently intended for a summer run, being as fresh as flowers in its costuming, and as generously hued," but added that "the fun I thought pretty thin."

Dichter und Bauer

Musical · 1900

In the earlier plot, landowner Theophil controls his ward Hermine’s inheritance; she must wait three years or marry him immediately. Hermine loves poet Ferdinand, who mistakenly believes their relationship has ended and dedicates poems to peasant girl Lieschen. Their relative Barbara resolves the confusion by showing Theophil a written marriage agreement. A separate 1936 Quedenfeldt libretto relocates the action to a rural marriage market, where a lost estate heir returns from Budapest and true love prevails.

Die Bajadere

Musical · 1921

In Paris, Indian Prince Radjami falls in love with singer Odette Darimonde and asks a theater manager to arrange an introduction. Odette rejects him, but Radjami enlists Napoleon St. Cloche to help and uses roses to hypnotize her. During a party at the prince’s palace, Odette awakens from a trance and leaves him humiliated. Radjami later stages a false return to India, and Odette, believing he is gone, realizes she loves him. Meanwhile, Napoleon and Marietta marry but grow bored with each other; Marietta’s former husband is given a position in India, and Napoleon tells him he may take her back.

Die Försterchristl

Musical · 1907

Forester Hans Lange’s daughter Christine meets a stranger hunting in the forest and tells him what she thinks of the emperor. She is in love with Franz Földessy, who is revealed to be a deserter after striking an officer who seduced his sister. Christine goes to Vienna to seek a pardon and discovers the stranger is Emperor Joseph II; he pardons Franz, while Christine falls for the emperor. The emperor says he cannot follow his own heart and arranges Christine’s marriage to Franz, who has been made head forester. Christine makes peace with her disappointment and marries Franz.

Die Herzogin von Chicago

Musical · 1928

Wealthy Chicagoan Mary Lloyd bets that she can buy Europe’s most expensive object. In bankrupt Sylvaria, Prince Sándor Boris disguises himself as an aide-de-camp and meets Mary in Budapest. She falls for the aide, then discovers his identity after buying the royal palace and decides she must also have its prince. A misunderstanding over her letter to her father sends the prince back to his previous engagement. Bondy and Princess Rosemarie elope, while an American producer’s demand for a happy ending reunites Mary and the prince.

Dinorah

Musical · 1859

After a storm interrupts their wedding, Hoël disappears, and Dinorah loses her reason. A year later, Hoël returns, having found a treasure, and recruits Corentin to help recover it despite a legend that whoever first touches it will die. Dinorah wanders through the woods looking for her pet goat and dances with her shadow, believing it is Hoël. When Hoël and Corentin reach the treasure, Corentin learns the legend from Dinorah. During a storm, Dinorah falls into the river. Hoël rescues her, and she regains her sanity. The villagers gather and lead the reunited couple to the chapel to marry.

Dirty Rotten Scoundrels

Musical · 2024

Inside a lively casino near the French Riviera ("Overture"), con-artist Lawrence Jameson is tricking wealthy women out of their money with the help of his "bodyguard" Andre ("Give Them What They Want"). Muriel Eubanks and a few other women express their devotion and amorous feelings for Lawrence, who has conned them ("What Was a Woman To Do"). Andre warns Lawrence about a highly successful con-artist known as "The Jackal", who is said to be visiting the area. Later, aboard a train, Lawrence watches an American named Freddy Benson (who he figures is The Jackal) swindle a woman, but notes that Freddy makes much less money than Lawrence does. Lawrence brings Freddy to his lavish mansion, where Freddy envies Lawrence's success as a swindler and describes everything he'll have when he's rich ("Great Big Stuff"). Freddy asks Lawrence to show him his ways. Andre thinks Freddy is unworthy of Lawrence's attention and compares Freddy to a chimp in a suit ("Chimp in a Suit"). Lawrence is reluctant Freddy's request until Jolene Oakes, a woman he's conned, informs him at gunpoint that he's going to marry her and move with her to Oklahoma ("Oklahoma?"). Lawrence decides to use Freddy's help: Freddy poses as Lawrence's repulsive brother Ruprecht. Seeing that Lawrence plans to make Ruprecht a large part of their life together, Jolene calls off the wedding and leaves him behind. ("All About Ruprecht") After the pair argue over who did the most work, Lawrence begins to think that there isn't enough room in town for both him and Freddy. They make a bet: the first to swindle a woman out of $50,000 gets to stay in town, while the other has to leave. Immediately after they agree on this, the arrival of "The American Soap Queen" is announced. Her name is Christine Colgate, and she is optimistic, naive and hopelessly clumsy, constantly bumping into people ("Here I Am"). Both con men decide to target her. Freddy presents himself as a war veteran paralyzed from the waist down to win Christine's sympathy and get close to her. Christine and Freddy discuss his medical options and he explains that only one therapist, Dr. Shuffhausen, can help him, but he can't afford Dr. Shuffhausen's $50,000 fee. Christine tells him to keep his hopes up ("Nothing Is Too Wonderful To Be True") and offers to pay for the therapy just as Freddy had hoped ("The Miracle"). She reveals that Dr. Shuffhausen is at the hotel, and Freddy is shocked to discover that Lawrence is posing as Shuffhausen. After a short introduction ("Entr'acte"), Lawrence as Shuffhausen performs several torturous tests on Freddy's legs ("Ruffhousin' Mit Shuffhausen"), who has to endure them without complaint. In the side show Muriel meets Andre and the two fall in love ("Like Zis/Like Zat"). Taking Christine to a dance, Lawrence makes every effort to get close to her while Freddy helplessly watches ("The More We Dance"). When he realizes that Christine is not as rich as the men thought after she tells him she sold her possessions to afford the fee, Lawrence tells Freddy that they should call off their $50,000 bet. Freddy reluctantly agrees and they agree on new terms: whoever beds Christine gets to stay. Freddy convinces two sailors to kidnap Lawrence so that he can have Christine to himself. Freddy meets with Christine at the hotel where he tells her his condition isn't physical, but he needs emotional motivation to get out of his chair. She says she'll be his motivation ("Love Is My Legs"). She sits on the bed until he is finally able to stand up out of his chair and walk to her on the bed (where he "accidentally" falls on top of her in exhaustion). Lawrence then shows up and it turns out to be a test planned by him and Christine. Afterwards, Lawrence has the same two sailors kidnap Freddy while he takes Christine to the train station so she can leave, though feels conflicted after seeing how virtuous she was ("Love Sneaks In"). Freddy shows up, having escaped the sailors too late to get to Christine. The next day Freddy meets Christine back at the hotel, who says she couldn't leave without seeing him again. When the two agree to have sex, Freddy is excited over it and winning the bet, but realizes he has real feelings for Christine ("Son of Great Big Stuff"). The two get in bed together before the scene is switched to Lawrence's mansion where Christine arrives, telling him tearfully how she came back to see Freddy, how they had sex, and then when she woke up all her money was gone: “I’m beginning to think he was never really paralyzed.” Out of remorse and believing Freddy was responsible, Lawrence packs 50 thousand dollars in a suitcase and tells her to take it. Christine takes it, but returns and gives him back the suitcase saying, "I’ll have something so much better to remember you by" before leaving. A few minutes later Freddy shows up in his underwear. Lawrence is angry at him for taking Christine's money, but Freddy claims that they never had sex at all; they were about to when she knocked him out, and when he woke up all his belongings were gone. Lawrence then opens up the suitcase to find the money gone, replaced by Freddy's clothes and a note that reads, “Goodbye boys. It was fun! Love, 'The Jackal'”, thus revealing that she knew about their scam the entire time, and instead ended up scamming them ("The Reckoning"). The two men reflect on the events at Lawrence's chateau, agreeing that despite what happened, the entire thing was a ton of fun ("Dirty Rotten Number"). A while later Christine shows up, posing as a real-estate agent and bringing a group of tourists with her. After distracting the tourists, she reunites with Lawrence and Freddy, telling them that although she's made millions from scams in the past year, taking their money was the most fun. The men join Christine's scheme to scam the crowd of people together in the "Finale".

Disaster!

Musical · 2011

Disaster! takes place in 1979 Manhattan during opening night of the Barracuda, the first floating casino and discothèque in New York. The plot follows several characters' dynamics and interactions throughout the opening night as they deal with various plot elements reminiscent of 1970s disaster cult films such as The Poseidon Adventure and Airport 1975. It's 1979 and the opening night for "The Barracuda", New York City's first floating casino. Chad Rubik is looking for female company ("Hot Stuff") and decides to join his best friend, Scott, as a waiter aboard the casino boat. Meanwhile, on the pier, Professor Ted Scheider is collecting water samples to determine whether the new pier has been drilled directly into a dangerous fault line. Marianne, a freelance reporter, has heard that Tony Delvecchio, the owner of the Barracuda, ran out of money and had to cut corners. He asks her to join him on board for some drinks and she agrees, hoping to get a scoop. While the guests wait in line, a dour Sister Mary Downey appears, collecting money for the orphans fund and warning people that gambling is a sin ("The Lord's Prayer"). She meets Shirley and Maury Summers, who are celebrating Maury's retirement. Despite the Sister's protestations, Shirley buys her a ticket and she enters the casino. Faded disco star Levora Verona runs onto the pier with her precious dog, Baby. She successfully avoids a cab driver she can't afford to pay and gets on board, hoping she'll win back her fortune ("Theme from Mahogany (Do You Know Where You're Going To)"). Inside her casino dressing room, sexy lounge singer Jackie excitedly tells her children, 11-year-old twins Ben and Lisa, that Tony told her, "If tonight goes perfectly, he will ask me to marry him... possibly!" Tony enters just as a tremor shakes the room, causing Ben's Lite-Brite toy to fall to the ground. Ben cries as he notices that "The Lite-Brite pieces are lost in the shag carpeting!" Tony explains that the tremor was probably caused by nearby construction and tells Ben that he should never, ever cry. Jackie then goes onstage to wow the opening night crowd ("Saturday Night"). During her number, Scheider warns Tony that the vibrations from everyone dancing is going to trigger an earthquake and Tony angrily throws him off the ship. Meanwhile, Sister Mary is practically salivating over a Hawaii Five-O-themed slot machine but when noticed by Shirley, adamantly denies having a gambling addiction. Marianne tries to interview Tony but he's only interested in one thing, ("Do You Wanna Make Love"). She accuses him of having a trap door installed at the bottom of the ship to dump illegal contraband and produces proof that he skipped safety precautions. Tony panics but is able to sneak away when Marianne freezes at the sight of Chad who has offered them drinks. Shaken, she apologizes to Chad for leaving him at the altar years ago. He tells her it's "fine", and then retreats to the bathroom to express his true feelings ("Without You"). Hurt by Chad's indifference, Marianne drinks an entire bottle of wine, then runs into Lisa and tries to convince her (and herself) that being an independent woman is the most important thing in the world ("I Am Woman/That's the Way I've Always Heard It Should Be"). Jackie is in her dressing room when Scheider runs in to hide. He explains that an earthquake is coming and enlists Ben and Lisa to run and tell the captain to ready the lifeboats. Tony suddenly enters and Scheider quickly throws on a bird mask. Jackie covers by telling Tony that Scheider is a performer she hired and drags him onstage ("Mockingbird"). Shirley and Maury run into a depressed Marianne, who is surprised to find out they're married because they "seem so happy". They admit that marriage is hard but tell her that they still love each other dearly ("Still the One"). While Scheider hides out with Jackie, he reveals that his first wife, Dr. Wo-Ching Lee, died in a volcanic explosion and he feels responsible. Since then, he's become a disaster expert and tells Jackie one of the main rules is not to try to save individual lives. When Jackie leaves to perform, we see three private moments: Chad sings about Marianne, Marianne sings about Chad, and Scheider sings about Wo ("Feelings"). In the casino, Sister Mary's out-of-tune guitar upsets Baby. Levora is extremely insulted because Sister doesn't know any of her hit songs (including "Makin' Sweet Sweet Love" and "Put It Where I Want It"). Levora leaves in a huff, unknowingly dropping a quarter. Sister Mary knows she should give it to the orphans but imagines gambling it and winning them more. Nonetheless, she tries to walk away from the slot machine but is unable to ("Never Can Say Goodbye"). Sister ultimately gambles away all the fund money. She bumps into Shirley on the elevator and they ride in uncomfortable silence, interrupted only by elevator music ("Feels So Good"). Suddenly, Shirley reveals that she has a fatal disease, and explains that she'll soon show the final warning signs, like uncontrollable winking and inappropriate verbal outbursts. She hasn't told Maury because she wants whatever time they have left to "only be happy". Shirley shyly suggests she might soon end it all because she doesn't want Maury to have to watch her suffer. The Sister tells her unequivocally that taking one's life is a sin and an eternity in Hell will await her if she does it. Ben and Lisa run into Chad and tell him that an earthquake is coming and he immediately runs off to warn Marianne. In the casino, a wealthy woman approaches Levora and offers to buy Baby for an extraordinary sum. Levora can't bear to part with the only thing she's ever loved, yet she has only one quarter left to gamble and gain back her fortune. She knocks on the wood-paneled slot machine for luck and talks to Baby ("Knock on Wood"). Soon, various patrons are knocking along with her, on the machines, the floor... everything. While this is happening, Marianne confronts Tony about the safety precautions and runs away as he tries to throw her off the boat. Chad sees Marianne hiding and tells her to get off the boat, but she misunderstands, thinking Tony has sent him. Scheider has heard the knocking and runs to the casino to warn everyone they're going to trigger an earthquake. They stop and start to tiptoe off the boat, but Levora has put in her quarter and wins ("Hawaii 5-0"). All the coins pouring out of the machine hit the floor and trigger an enormous earthquake. Act Two opens ("All Right Now") to reveal massive destruction in the casino as well as the Hawaii Five-O slot machine lever impaled in Scott's stomach. Chad arrives and tries to get Scott to safety ("You're My Best Friend")†, but Scott dies. Shirley, Maury, Jackie and Lisa are all in Jackie's dressing room but Jackie soon leaves to find Ben, who's missing. In a deserted hallway, Tony explains to his right-hand man that the earthquake actually solved his problems. It will be considered a force majeure and all of his debt will be paid. And he's positive he'll end the night being seen as a hero. Chad is on the deck to give Scott a burial at sea and runs into the wealthy man, whose wife was killed by a falling ice sculpture ("Three Times a Lady"). While waiting in Jackie's dressing room, Shirley starts showing signs of her impending death (inappropriate verbal outbursts) and Lisa discovers Ben, who is passed out because of his diabetes. Lisa volunteers to carry Ben to the infirmary to get insulin and Maury and Shirley follow. On the way they meet the sister, who is praying for death because she thinks that the earthquake was her punishment. She's certain that God wants her in hell but Shirley convinces her that God actually wants her to help other people and they all set off for the insulin. Lisa spies the infirmary and they run to it ("Ben"). Ben is revived in the nick of time. Everyone in the casino is panicking because the earthquake has caused the boat to detach from the pier, but Tony is calm and directs people to the lifeboats. However, Scheider warns that a tidal wave is coming and quickly ushers them into a hallway. Upon learning this, Marianne runs out onto the deck and gets Chad off his lifeboat ("Baby Hold On to Me") and back onto the ship. The tidal wave hits and the ship turns upside down. Scheider assures everyone that the safest thing to do is stay put, but Tony boasts that he'll save everyone through an exit ladder in the kitchen. Scheider objects, but Tony assures them the kitchen has fire doors and is therefore safe, so half the survivors, including Jackie, Ben and Lisa leave with him. The others choose to wait it out with Scheider ("25 or 6 to 4"). There is an explosion from the kitchen and only Tony reappears. Scheider realizes Tony lied about the fire doors, and they all express their anger at him, as Chad also shares his anger with Marianne for not showing up to their wedding ("Sky High"). Jackie and her children survived the blast but are hanging from a wall. She hopes Tony will come and rescue them, but the kids know better ("When Will I Be Loved"). Scheider decides to buck his own rules, braves the fire, and arrives to rescue them with a daring routine on a high beam ("Nadia's Theme"). On their way back to the casino, they hear Tony, who's trapped in a flooded room with sharks ("Don't Cry Out Loud"). The explosion has separated Levora from her dog, Baby. The sister appears and helps Levora find him by strumming her guitar until he barks ("Come to Me"). Marianne admits to Chad she did love him but was scared their marriage would make them as miserable as her parents. They find themselves in a room that's flooding and filled with man-eating piranhas. The only way to escape is through a water-tight door, but it's locked. Perched together atop a pile of chairs, Chad admits he regrets not calling her for years. ("I Really Want to See You Tonight").

Divorce Me, Darling!

Musical · 1964

The action takes place over two days in the summer of 1936 on the French Riviera. The characters are older versions of the characters introduced in The Boy Friend. In Nice on the French Riviera in the foyer of the Hotel du Paradis greeted by the hotel manager Gaston singing "Here We Are In Nice Again" with an assortment of hotel guests. The three naughty wives (Dulcie, Fay, and Nancy) confess to hotel receptionist Hortense that they're on a spree after telling their French husbands that they were going to England to visit their families there. Polly, our heroine, arrives without her husband, Sir Tony, who is busy at home handling their estate. The three naughty wives reappear with giddy greetings all around. Reflecting on their dreary mates who seem more concerned with matters of business than with matters of the heart, they croon "Whatever Happened To Love?" Hortense consoles the frustrated wives and cheers them up with the news that tomorrow night an international star, the mysterious Madame K, will appear in un Grand Cabaret. The American, Bobby van Husen, enters tipsily from the bar and sings "Someone to Dance With" offering to waltz, fox-trot, tango, or rumba if only he could find a partner. Hardly recognizing each other, Bobby and Polly meet and each asks after the other's spouse. Bobby says his wife Maisie is supposedly in London seeking a husband for his older sister Hannah. Bobby and Polly plan to have dinner together. Meanwhile, Mme Dubonnet confides in Hortense that she is the mysterious entertainer Madame K; she also admits she is Polly's stepmother, married to Percy who fled to South America after losing his fortune in the stock-market crash of 1929. With the loss of their fortune and his escape to the New World, she was forced to pursue a lowly career in cabaret. She wants to keep the awful truth from Polly; she's changed her hair to blonde and her name to Mme K and expresses her hard, heart-breaking life behind the "glittering facade" of her theatrical calling in her number, "Lights! Music!" Offstage cheering heralds the arrival of the South American nation of Monomania. Pierre, Marcel and Alphonse, the errant husbands of Nancy, Fay, and Dulcie, show up in Nice feeling like bachelors again and sing of a special girl, "Maisie," they remember from their carefree single days. Lady Brockhurst (Polly's mother-in-law) arrives with a trio of young girls dressed in hiking gear. Their anthem is "Back To Nature," urging one and all to forget the city and explore the rugged life of the great outdoors. She brings her troops to a halt and Lord Brockhurst, dressed in plus-fours, is a reluctant member of her troop—far more interested in pinching the rear than bringing it up. The troop march off in search of a spot to pitch camp, and true to form, Lord Brockhurst sneaks off in the opposite direction in pursuit of a skirt. He runs into Dulcie, Fay, and Nancy, and they agree not to snitch on one another for deserting their mates for a frolic. They sing "On The Loose." The President of Monomania and Percy, in a tropical suit and dark glasses, greet each other as compatriots. Since they are of the same stature, Percy agrees to don a false beard and the President's uniform to take his place at the Café Pataplon gala, as the President must be elsewhere for a reason he cannot reveal. Then Percy spots a poster of Madame K and recognizes his wife Kiki (Mme Dubonnet) but with blonde hair. Scene 3 reveals two balconies side by side. Hortense and Gaston (both of the hotel staff) are inspecting each of the suites and simultaneously come out on the balconies to glimpse of the Riviera view. Ever dedicated to their chosen professions, their duet describes their dream resort, "Paradise Hotel" as other members of the staff join in the song. They exit before Polly enters one suite, kissing the photo of her husband Sir Tony; Bobby in the other suite follows suit, kissing the photo of his Maisie. Polly goes out on her balcony, Bobby goes out on his, and he invites her over for champagne—as old friends, of course. They drink to absent mates, sing "No Harm Done," and dance a bit. She protests, saying they must say goodnight before anything silly happens. They dance a bit more from his suite to hers. He accidentally drops his scarf in her quarters. Her telephone rings; it's Sir Tony, then Bobby gets a call on his telephone; It's Maisie. In the adjoining suite Sir Tony spots the scarf. He argues with Polly as to what it's doing there. Angrily he exits to take a bath. She rushes to the balcony to tell Bobby about his scarf. His news is that Maisie's on her way up. He welcomes Maisie to the suite and pours champagne. The glass has lipstick on it. She accuses him of having a secret lover—so that's why he came to Nice! In tears she rushes out of the room. He calls for Polly from the balcony and lets her know he has made Maisie as jealous as she has made her Tony. Isn't it delicious? Soon, from inside each suite, we can hear their mates apologize for their suspicious behavior. Polly and Bobby signal each other that they've each won this round. The next morning each couple in turn in pajamas and negligees on their respective balconies have breakfast and sing "Together Again." As the number ends the two couples spot each other. Bobby acts surprised, as does Polly. Suddenly, Bobby's older husband-hunting sister Hannah bursts in looking for her brother. Sir Tony's mum, Lady Brockhurst, still in her camping togs, looking for her son and complaining about the hotel management follows the intrusion. She seems to have set up her tent in the hotel gardens. Arguments ensue. Hannah introduces herself to Sir Freddy once she discovers he's a baronet. From the suite above, Madame K (Mme Dubonnet) complains about all the noise below. Enter valets, chambermaids, manicurists, and chefs, all squeezing into the tiny room. Hortense and the hotel staff join in for a reprise of "Paradise Hotel" as pandemonium ends the act. Outside the Cafe Pataplon, Hannah mentions the scarf as well as the lipstick stain on the glass and provokes another argument between each couple (Tony vs. Polly; Bobby vs. Maisie). They sing to their mates "Divorce Me, Darling." Others arrive at the cabaret discovering their mates' flirting. Husbands and wives are shocked at each other's capricious behavior accuse each other and pick up loose ends of the song. The President (actually Percy in a false beard, the President's military uniform, and dark glasses) is ceremoniously announced as the Monomania "Anthem" is struck up by the band. Upon seeing his daughter Polly, Percy does a double-take and enters the ballroom. Hannah laments her unattached state with "Here I Am, But Where's My Guy?" As the sibilance-challenged Sir Freddy arrives, she nabs him and sweeps him into the ballroom. Mme Dubonnet (Madame K) confides in Hortense that if she did her nightclub act, Polly would find out that her stepmother is a lowly cabaret performer. She convinces Hortense to don a mask and go on in her place. They rehearse a brief reprise of "Lights! Music!" Bobby and Maisie are still at odds and she's still determined to divorce him. He sings "Out Of Step" and urges her to dance. She joins him reluctantly. The manager of the Cafe Pataplon introduces the act, and Hortense, wearing a mask, goes on as Madame K singing "Fancy Forgetting" (reprise). Percy (disguised as the President) leaps up to expose the impostor. He tears off Hortense's mask and Mme Dubonnet steps in singing a line from the song. Percy is overwhelmed. She, in turn, exposes him. He's not the President of Monomania! He admits it tearing off the beard. Polly cries out "Daddy!" Lady Brockhurst and her uniformed girls march in and perform a military drill. A champagne bottle literally explodes! Someone has placed a bomb in the jereboam to kill the President of Monomania. The real President enters and commends Percy for his bravery in impersonating him and putting himself on the line. The President invites all to continue the party aboard his yacht. Percy, Mme Dubonnet, and Polly are reunited ("Together Again" (reprise)). The proper British Sir Freddy and the all-American Hannah also reunite ("You're Absolutely Me"). On board the President's yacht Polly and Tony are reunited, each apologizing for playing games and acting foolish. They are in each other's arms ("Back Where We Started"). Polly and Bobby run into each other on deck and she assures him everything is patched up between her and Tony. Maisie is approaching them as the yacht lurches and Polly stumbles into Bobby's arms. Maisie, in tears, runs off. Entertaining the President and his guests, Mme Dubonnet sings (a la Marlene Dietrich) "Blondes For Danger", warning sailors to beware of this breed ("You can make a household pet/Of a redhead or brunette... " but cautions them about the dangerous blonde). Commending Percy for his heroism, the President awards him a deed to the Monomanian Platinum Mine. Percy and Mme Dubonnet embrace. Hannah has Sir Freddy in tow; they're to be married. Bobby is searching for Maisie. Lady Brockhurst is shocked to see her girls have traded their scouting uniforms for scanty shorts, sailor caps and tap shoes as they break into song with a trio of sailors: "Swing Time Is Here To Stay". Maisie, in an abbreviated seafaring uniform, leads the cast in the song and dance. Bobby patches things up with Maisie, supported by Polly and Tony. Suddenly Polly faints. In turn Maisie and the other girls faint as well. Their husbands come to their rescue—all delighted to discover they're all in the family way ("Divorce Me, Darling" (reprise)). "I would like to make it plain/You'll never hear me say again/Divorce me, darling!"

Do Re Mi

Musical · 1960

Do Re Mi is a musical with music by Jule Styne, lyrics by Betty Comden and Adolph Green, and a book by Garson Kanin, who also directed the original 1960 Broadway production. The plot centers on a minor-league con man who decides to go (somewhat) straight by moving into the legitimate business of juke boxes and music promotion. The musical was headlined by the comedy couple of Phil Silvers and Nancy Walker, both of whom were Tony nominated. Popular songs introduced included "Cry Like the Wind" and "Make Someone Happy".

Doctor Jazz

Musical · 1975

Doctor Jazz is a 1975 musical with music by Luther Henderson and Buster Davis, with a book and lyrics by Davis. The musical premiered on Broadway in 1975 and was nominated for three Tony Awards for Best Choreography (Donald McKayle), Best Actress in a Musical (Lola Falana) and Best Costume Design (Raoul Pene Du Bois). The plot follows Edna Mae Sheridan and her mother, who owns a brothel in the Storyville district of New Orleans, while the show takes its name from the 1920s jazz standard "Doctor Jazz".

Doctor Zhivago – A New Musical

Musical · 2006

In 1930s Moscow, a woman and a girl stand over the grave of a Russian poet, Dr. Zhivago. The scene shifts to another gravesite, decades earlier, in 1903. A young Yurii Zhivago says goodbye to his father and meets the couple who is taking him in. He becomes friends with the couple's daughter, Tonia, who is around his age. The scene shifts to yet another gravesite, 6 months later, where young Lara and her mother, Mrs. Guishar, mourn the death of Lara's father. Komarovsky, a friend of Lara's mother, buys a dress shop for Mrs. Guishar and hits on Lara, who is still a child. Young Lara, Tonia, and Yurii wonder about what the future will bring. ("Two Worlds") Years later, in August 1914, Yurii has graduated medical school and is engaged to Tonia. A teenaged Lara has become involved with Pasha, a revolutionary with the Communist party, who asks her to hide his gun. We see Pasha and other student revolutionaries start a protest that is violently broken up by the police. Yurii rushes out to help the wounded protestors. Meanwhile, Lara, who has been coerced into becoming Komarovsky's lover, is sick of being threatened by him and resolves to kill him. She hides Pasha's gun in her coat and follows Komarovsky to Yurii and Tonia's wedding, where Komarovsky gives a toast ("Komarovsky's Toast"). Lara tries to shoot Komarovsky, interrupting the festivities, but her aim is poor and she hits another man. Yurii stitches up the wounded man and watches Lara and Komarovsky's conversation from afar. Yurii is intrigued by Lara and wonders what her relationship to Komarovsky is, and why she would shoot him. ("Who Is She?") After telling Komarovsky to stay away from her, Lara flees and Yurii confronts Komarovosky, who tells Yurii not to make an enemy of him. A few weeks later, at Pasha and Lara's wedding celebration, Pasha and his friends mock the tsar and dance. ("It's a Godsend") Later that night, Lara tells Pasha how she got involved with Komarovsky, and how she shot him because he acted like he owned her and would not stay away. She couldn't keep living like that, and thought killing him was the only way she could regain control of her life. ("When the Music Played") Lara then asks for Pasha's forgiveness, but he rushes out in a rage. Lara goes after him and runs into Yurii; he gives her his umbrella. ("Who Is She? (Reprise)") At a train station, Yurii is saying goodbye to Anna, Alex, and Tonia before heading to the front as a field medic. He tells a worried Tonia that whenever she misses him, she should watch the moon and think of him, and that he will do the same. Time passes and Yurii sends letters to his family at home, telling Tonia that he is still watching the moon and thinking of her. ("Watch The Moon") It is now 1915 and the soldiers at the front are trying to hold the front. Pasha, a soldier on the front lines, is trying to convince other soldiers to join the Communist cause. ("Forward!") The scene shifts to a field infirmary, where Lara is reporting for duty as a volunteer nurse. Yurii and Lara recognise each other, and she tells him that her husband's letters stopped when he was serving in this unit, and she came to the front looking for him. Yurii thanks her for trying to shoot Komarovsky, saying that Komarovsky drove his father to suicide. They talk about Yurii's poetry, and he reveals that his most famous poem was inspired by her. Yanko, a young soldier who is badly wounded, walks in and they attempt to treat him, pulling out the bullet. Yurii says that, by some miracle, the boy will live. Back in Moscow, Tonia reads to her parents and infant son a letter that Yurii has written her; in it, he speaks of Lara and praises her. In the field hospital, the nurses iron shirts and sheets and sing a folk song. The nurses tease Lara about her relationship with the doctor, and she says they're nothing more than friends. Yurii comes in and announces that the war is over. The nurses sing and dance in celebration. ("Somewhere, My Love") It is October 1917 and the soldiers are trying to evacuate the lines in a supply train. Yurii, Lara and the other nurses are evacuating the wounded onto the same train. Lara and Yurii say goodbye and she tells him that she is not going back to Moscow, but moving to Yuriiatin, a small village in the Ural Mountains, where she was born. She also reveals that she was trying to find Pasha not because she loved him, but because she has done terrible things and does not feel worthy of his love. Looking for him was a way of feeling worthy. Yurii tells her that whatever she did before is how she became who she is, and she is a good person. Lara says they should say goodbye before they do something they will both regret. Yanko rushes in, severely wounded, saying the Germans broke through the lines. He dies before they can do anything to help him. Yurii and Lara find a letter Yanko wrote to Katarina, the girl he liked, confessing his feelings. They read it out loud and confess their feelings for each other but, instead of kissing, hug. ("Now") Lara rushes out. Somewhere on the front lines, Pasha and the other soldiers wonder why they should die for a cause they do not believe in, and lament the deaths of the soldiers who died for a senseless war. ("Blood on the Snow") In January 1918, Yurii has made it back to his home in Moscow, but finds it derelict and full of strangers. Yurii is reunited with his family and meets his son, Sasha. He learns that their house is now the headquarters for the Worker's Agricultural Research Institute, and his family has been living in the attic. Yurii is questioned by the Writer's Committee, who want to know what his poetry means. He explains that it means different things to different people, but the committee is unimpressed. Komarovsky, who is at the meeting, implies that Yurii's poetry has to celebrate the Revolution. Four writers who have fallen out of favor walk in, and Yurii recognizes his first publisher among them. He watches in horror as the four writers are hanged. Outside the Committee building, Yurii asks Komarovsky how he can live like that, and Komarovsky says he is trying to protect his friends. Drunk, Komarovsky laments the world they lost. ("Komarovsky's Lament") Back in the attic, Yurii and his family are starving. They remember their old country estate, which is now abandoned, and decide to move there. Yurii realizes that it is close to Yuriiatin, where Lara lives, and dismisses the idea, saying it is too dangerous for them to move there. Walking the streets of Moscow, Yurii wonders why his path keeps leading him to Lara and why he still thinks of her, despite the fact he has tried to live with honor all his life. He decides that they should move to the estate near Yuriiatin, but vows to stay away from Lara. ("Yurii's Decision") Two weeks later, Anna has died. Alex, Sasha, Tonia, and Yurii say goodbye to their house and remember all the memories they have shared there. Markel, a servant, rushes in and announces that the tsar and all his children have been killed. Taking advantage of the communists' celebration, they join other families fleeing Moscow on a train. ("In This House") The act ends with communists waving red flags onstage, led by Lara's husband, Pasha, who is very much still alive. It is 1919. In the fields near Yuriiatin, some women—Lara among them—work the earth for spring planting. ("Women And Little Children") A woman called Yelenka says soldiers dragged her husband, Vasya, from their house. Lara tries to comfort Yelenka by saying that Vasya will return, and that part of him will always be there with her. Halfway through the song, she starts remembering Yurii. ("He's There") The scene changes to the train station in Yuriiatin, where Yurii and his family have arrived from Moscow. Tonia, Sasha, and Alex go off in search of information, while Yurii is approached by Captain Liberius and other soldiers, who force him to go with them. Tonia finds out that Yurii was taken by soldiers who work for Strelnikov, the ruthless Commander of the Red Army Partisans who burns down villages for pleasure. In Strelnikov's railway car, Yurii is questioned by Strelnikov. The audience finds out that Strelnikov is actually Lara's husband, Pasha. He wants to know if Yurii worked with a nurse called Larissa Antipova during the war, and Yurii says that she was a wonderful nurse. Strelnikov tells him that her husband did not survive the war. A young peasant is brought in and accused of blowing up a train and spying for the White Army. Though the peasant swears he is innocent, Strelnikov says that all privileged men have to die because they showed no mercy to others during all the years they were in power, which to him is clearly tied to what Komarovsky did to Lara. Strelnikov believes that in order to forge the way for a new world, everything old has to fall. ("No Mercy At All") Tonia comes looking for Yurii and Strelnikov releases him, but orders the peasant thrown into the ravine. Yelenka tells Lara that she is going on a date with a mystery gentleman, and asks her to lock up the library where they both work. Meanwhile, Alex, Sasha, Yurii, and Tonia open up the cottage and Alex reminisces about the estate back in its golden days. ("In This House (Reprise)") A few days or weeks later, Sasha asks to go to the library because he has read every book in the house already. Yurii reprimands him, saying that they should be content with the books they have. While Alex tucks Sasha in, Tonia asks Yurii how long he will keep finding excuses not to write. She begs him to follow his heart and go into the library in town to write, but Yurii protests that his heart is here, with his family. Tonia insists that tomorrow he will go to the library first thing in the morning. At the library, Yurii runs into Lara and tells her he tried to stay away but could not. She says it is too dangerous for them to do anything because Strelnikov is her husband and his spies are everywhere.

Dogfight

Musical · 2012

In 1967, Eddie Birdlace, a U.S. Marine just returned from Vietnam, rides a Greyhound bus heading for San Francisco. As he travels through the night, he remembers Rose Fenny ("Prelude: Take Me Back") and the night he spent in San Francisco four years earlier. Memories overwhelm him and suddenly it is November 21, 1963. The Greyhound bus becomes a military bus, carrying Private First Class Birdlace and his rowdy fellow Marines, fresh out of training and ready for action. Arriving in San Francisco, they are eager to take the town by storm on their last night in the United States ("Some Kinda Time"). Birdlace and his two best friends, Boland and Bernstein, who call themselves the Three Bees ("We Three Bees"), are participating in a dogfight, a cruel game with simple rules. Each Marine puts $50 in the pot. The one who brings the ugliest date to the party wins the money. Birdlace and his friends set off to scour the city for potential dates ("Hey Good-Lookin'"). Birdlace ends up in a diner, where he sees Rose, a shy waitress, quietly playing guitar in a corner booth. He flirts with her, eventually inviting Rose to be his date ("Come to a Party"). Not knowing the true purpose of the evening, she is excited to go on her first date. She tears items from her closet, searching for the perfect dress ("Nothing Short of Wonderful"). Meanwhile, other Marines find their dates, including Boland, who breaks the established rules of the dogfight by inviting Marcy, a wisecracking, near-toothless prostitute eager to win a share of the cash prize that comes with being deemed the ugliest date ("Come to a Party (Reprise)"). As Birdlace and Rose walk to the party, she is chatty, revealing her folk music aspirations and her burgeoning pacifism. When they reach the Nite Lite, a club rented for the party, Birdlace finds himself questioning his plan to subject her to the event. He suggests they go somewhere else and get a bite to eat. Rose believes his change of heart means he is embarrassed by her, that he does not want his friends to meet her. Conflicted, Birdlace acquiesces and they enter the party. At the table with his friends and their dates, Birdlace drinks heavily and grows sour. He tries unsuccessfully to keep Rose off the dance floor during the slow dance, when the contest is officially judged. As they dance, each Marine presents his date for judging ("That Face"). It is determined that Marcy is the ugliest, crowning Boland the big winner. Later, in the ladies room, Marcy reveals to Rose the true nature of the party ("Dogfight"). A distraught Rose returns to Birdlace. She is furious and deeply hurt and slaps him hard across the face. "I hope there's a war and you get killed," she tells him, before escaping in shame. Back home in her bedroom, surrounded by rejected dresses and dashed hopes, Rose beats herself up for having believed Birdlace's lies ("Pretty Funny"). The Marines, reckless and invincible, continue their debaucherous last night with a trip to the arcade and then by visiting a prostitute ("Hometown Hero's Ticker Tape Parade"). But Birdlace cannot bring himself to revel like his friends do. Feeling terrible about how he treated Rose, he leaves them and goes to her. He apologizes as best he can and offers to make it up to her by taking her out to a fancy dinner. At first incredulous, Rose sees Birdlace's apology, though misguided and inarticulate, is in fact genuine. She consents to the date, demanding they never again discuss the dogfight ritual and its indignities. They cautiously set out on their date ("First Date, Last Night"). At a swanky restaurant, Rose challenges Birdlace's tough exterior and cuts through his posturing, lies, and bravado. They share a meal and inch closer to understanding each other. Later, they take in the late-night view from the Golden Gate Bridge. Rose tells Birdlace that, despite its unpleasantness, what happened earlier that night has helped her to a new understanding. She can no longer allow herself to be defined by what other people think of her ("Before It's Over"). In the remaining hours before Birdlace must report and ship out, Rose nervously invites him home with her. They share an awkward and romantic first sexual experience ("Give Way"). The next morning Birdlace returns to his buddies and the world of casual cruelty that shaped him ("Some Kinda Time (Reprise)"). The Marines head overseas, where they will be pawns in the growing Vietnam War. Birdlace sees his friends, including Boland and Bernstein, killed in action. These harsh memories linger as Birdlace arrives in San Francisco in 1967, a broken, confused, lost man, unwelcome and derided ("Come Back"). Birdlace makes his way through the changed city to find an older, wiser Rose at the diner. Compassionate as ever, she welcomes him home ("Finale: Take Me Back").

Don't Play Us Cheap

Musical · 1970

Don't Play Us Cheap is a musical play with music, lyrics, and a musical book by Melvin Van Peebles. The musical is based on Van Peebles' 1967 French-language novel La fête à Harlem (1967). Set in Harlem, the musical premiered in November 1970 at San Francisco State College. The musical was staged on Broadway at the Ethel Barrymore Theatre in 1972; making its New York City debut at that theatre on May 16 of that year where it ran for a total of 164 performances; closing on September 30, 1972. The musical was adapted into a 1973 film of the same name. The film features much of the same cast as the Broadway production; and the film, although released after the Broadway run, was made prior to the Broadway production in 1971.

Donna Diana

Musical · 1894

At the court of Barcelona, Princess Diana rejects marriage and dismisses the attentions of three princes, including Don Cesar, whom she secretly loves. Advised by the jester Perrin to return her coldness, Cesar pretends indifference. Diana then stages a series of attempts to win him back, but he remains unmoved and claims to be engaged to her cousin Laura. When Diana’s father approves these matches, Diana admits that she loves Cesar and chooses him as her husband.

Doonesbury

Musical · 1983

The play takes place over the course of two days, represented by two acts. During scene transitions, a backdrop of the White House descends in front of the stage and unseen voice actors engage in brief skits parodying the Reagan administration. Act I Reporter Roland Hedley travels to the fictional Walden College to profile a group of students in the graduating class of 1983, the members of "Walden Commune," an ersatz commune started by a diverse group of students in the 1970s: everyman Mike Doonesbury, jock B.D., campus radio host Mark Slackmeyer, stoner Zonker Harris, and B.D.'s ditzy girlfriend Boopsie ("Graduation"). Having spent the duration of college living together, the group are preparing to go their separate ways for the first time in years, with varying degrees of optimism towards their futures: B.D. has been drafted by the Dallas Cowboys professional football team; Mike is preparing to propose to his girlfriend, aspiring artist J.J., to whom he also plans to lose his virginity ("Just One Night"); Mark faces unemployment, as his job at the radio station ends with graduation; and Zonker, fearful of adult responsibility, escapes into fantasy and looks for excuses not to leave Walden ("I Came to Tan"). Meanwhile, Zonker's career criminal uncle, Duke, appears before a federal court after unknowingly selling cocaine to undercover FBI agents in a sting operation. Against the counsel of his henchwoman and sidekick Honey Huan, Duke represents himself, claiming he intended to use the profits for altruistic purposes ("Guilty"). Back at Walden, Mike and J.J. argue over the phone after she learns that he invited her estranged mother, attorney Joanie, to his graduation. Later, Joanie—who once lived at the commune as den mother—arrives with her son, Jeffrey, from her second marriage, reuniting with the Walden Commune group. Boopsie reveals her plans to become a Dallas Cowboys cheerleader so she can follow B.D. on the road ("I Can Have it All"), while Mark reveals Mike's proposal plans to the rest of the group. Back at the courthouse, Duke is found guilty and sentenced to probation, with the additional requirement that he open and manage a drug rehabilitation center for the next five years. J.J. arrives at Walden, only to discover that Mike has meticulously planned out every aspect of their weekend down to the minute. Joanie returns from grocery shopping and attempts to mediate the tensions between the two, which only leads to an argument between mother and daughter ("Get Together"). At the campus radio station, Hedley and Mark campaign on-air to get Mark hired by another radio station after he graduates ("Baby Boom Boogie Boy"). That night, the members of Walden, Joanie, and J.J. come together for their final meal together, which descends into a roast as they mock Mike's cooking ("Another Memorable Meal"). Zonker proposes that the group continue living together after graduation, only to realize everyone else is looking forward to moving on with their lives. As the evening ends, Duke blasts down the front door with a grenade launcher, announcing that he's purchased the commune to turn into a rehab center. Act II The next morning, the resident of the Commune awake to Duke bulldozing the meadow surrounding the building, and they engage in a debate with him about whether it's "just a house" ("Just a House"). Joanie intervenes, telling Duke that she'll represent the residents pro bono and will seek an injunction against him for redeveloping the house without a rezoning permit. A nonplussed Duke resumes bulldozing as Mike and Joanie leave for the courthouse. Boopsie and B.D. attempt to discuss the future of their relationship when B.D. receives a call from his agent Sid Kibbitz, informing him that he's been traded to Tampa Bay in exchange for a tour bus. Crushed that he was valued so little by the team, B.D. leaves, prompting Honey and Boopsie to commiserate on their complicated relationships with men ("Complicated Man"). Outside, Zonker attempts to confront Duke, who informs his nephew that he plans to use the "drug rehab facility" as a front to turn the rest of the land around Walden into multimillion-dollar condos ("Real Estate (Mondo Condo)"). The gullible Zonker agrees to help Duke with his plan. Mike and Joanie return from the courthouse, having successfully obtained an injunction against Duke. Joanie and J.J. reconcile their differences ("Mother"). Roland arrives with his news crew to conduct a final interview of the graduates, and informs Mark of a job offer from a radio station on Long Island. Roland and B.D. discuss their mutual admiration for Ronald Reagan's domestic policies ("It's The Right Time To Be Rich"); they are shortly thereafter joined by "Muffy and the Topsiders," a band made up of preppies ("Muffy and the Topsiders"). Duke, crushed after being presented with the injunction against him, takes a massive amount of hallucinogens and crashes his bulldozer through the commune. A stunned Mike blurts out his proposal to J.J., who accepts ("Just One Night (Reprise)"). Duke collapses as Honey admits she's worried about him. As the play closes, Roland covers the graduation, and the various characters look forward to their futures ("Graduation (Reprise)").

Doña Francisquita

Musical · 1923

In 19th-century Madrid, Francisquita loves student Fernando, who is infatuated with actress Aurora, herself involved with Lorenzo. Francisquita pretends to accept the advances of Fernando’s father, Don Mathias, to make Fernando jealous. Fernando in turn woos Francisquita to provoke Aurora, but falls genuinely in love with her. A series of disguises, rumors, and a duel lead Don Mathias to recognize he is too old for Francisquita and bless the young couple’s marriage.

Dr. Syntax

Musical · 1894

Dr. Syntax is a musical in two acts with music by Woolson Morse and a libretto by J. Cheever Goodwin that was adapted from Thomas William Robertson's 1869 play School. The work was a revised version of Morse's earlier work Cinderella at School. The original 1894 production was produced by DeWolf Hopper. His wife at that time, Edna Wallace Hopper, appeared in the cast. It debuted at the Broadway Theatre on June 23, 1894. The Best Plays of 1884-1899 (1955) says it had a "comfortable run of 159 performances."

Dracula

Musical · 2004

Jonathan Harker, a young English solicitor, travels to Transylvania to finalize a real estate transaction with the reclusive and elderly Count Dracula, who intends to purchase property in London ("Prologue"). Upon his arrival, Harker is welcomed with an elaborate supper. During their conversation, Dracula speaks wistfully of his desire to abandon his isolation and begin a new existence in a foreign land (“Solitary Man”). Dracula escorts Harker to his chamber, where he notices a portrait of Harker's fiancée, Mina Murray, provoking a powerful reaction. After Dracula departs, Harker and Mina, from different locations, reflect on the circumstances of their first meeting (“Whitby Bay”). In England, Mina suddenly hears Dracula’s voice in her mind. He ominously announces his imminent journey and expresses his longing to be with her. Early one morning, Dracula startles Harker while shaving, causing him to cut himself. Drawn to the sight of blood, Dracula approaches but recoils when he notices the crucifix around Harker's neck. Harker attempts to redirect the Count’s attention to their legal business, but Dracula dismisses the matter and warns him to sleep only in his assigned chamber. As Harker’s stay continues, the castle becomes increasingly nightmarish, and he desperately searches for an escape (“Jonathan’s Bedroom”). While wandering the castle, Harker encounters Dracula’s Brides, who attempt to seduce him. He willingly removes his crucifix, and the women prepare to drink his blood (“Forever Young”). Dracula intervenes, rebuking them for disobeying his command to leave Harker to him alone. When the Brides protest, Dracula appeases them by giving them an infant to consume. Dracula then feeds on Harker to restore his own youth (“Fresh Blood”). Fully rejuvenated, Dracula ascends into the air, while Harker narrowly escapes and eventually reaches Budapest. Telepathically, Dracula contacts his devoted servant Renfield, who is confined to Dr. Jack Seward’s psychiatric asylum. Promising him eternal life, Dracula secures Renfield’s loyalty. Renfield envisions the Count’s arrival in Whitby Bay aboard the ship Demeter and witnesses Dracula’s slaughter of the vessel’s captain and crew (“The Master’s Song”). After learning of the maritime disaster, Mina discusses the news with her friend Lucy Westenra, who also confides her struggles with sleepwalking—an affliction inherited from her late father. Their conversation turns to Lucy’s predicament of having received three marriage proposals in a single day. That evening, all three suitors attend tea: Quincey Morris, a bold American adventurer; Dr. Jack Seward, the intelligent asylum director; and Arthur Holmwood, Lucy’s well-mannered childhood companion. Lucy ultimately accepts Holmwood’s proposal (“How Do You Choose?”). Later that night, Mina discovers Dracula feeding upon a sleepwalking Lucy. Speaking directly into Mina’s mind, Dracula reveals that Mina was his true desire, but Lucy had answered his call instead. Mina begs him to spare her friend. Dracula agrees, but only if Mina will come away with him, an offer she resolutely refuses. Furious and shaken by Mina’s resistance, Dracula vanishes. Lucy awakens and recounts the encounter to Mina (“The Mist”). Mina then explains that she has received word from Harker in Budapest and must leave immediately to marry him. Lucy congratulates her, thrilled that they will both soon be brides. Observing from a distance, Dracula recommits himself to the pursuit of Mina (“The Mist – Reprise”). Distressed by Mina’s preparations to depart, Dracula is compelled to follow her to the train station, where he confesses his longing from afar. Torn between her loyalty to Harker and a growing affinity towards the Count, Mina contemplates her unspoken pull towards darkness. She ultimately travels to Budapest and marries Harker (“A Perfect Life / Loving You Keeps Me Alive / Whitby Bay – Reprise”). Simultaneously, Lucy weds Holmwood in London (“The Weddings”). Believing Mina has slipped beyond his grasp, a furious Dracula appears at Lucy’s wedding reception, causing her to collapse. Concerned for Lucy’s failing health, Dr. Seward summons Abraham Van Helsing, a renowned expert on obscure diseases. Van Helsing safeguards Lucy’s room with garlic and provides her with holy water to protect her during sleep. However, enthralled by Dracula’s influence, Lucy discards the protections and invites the vampire into her chamber (“The Invitation”). Dracula drains her blood while feeding her his own in return. The following morning, Lucy attacks Holmwood, her teeth transformed into fangs. Van Helsing intervenes, saving Holmwood and driving Lucy into a frenzy with sacred prayers. Lucy soon dies, leaving Holmwood devastated and bewildered. Van Helsing consoles him while revealing the culprit is a vampire (“Nosferatu”). Lucy is buried but rises again as a vampire. Dracula returns to her and proclaims her the first of his new “dynasty.” He sends her out to claim her initial victims before taking flight into the night sky in the form of a colossal bat (“Life After Life”). Two weeks later, Van Helsing leads Holmwood, Morris, Dr. Seward, Harker, and Mina to Lucy’s tomb. In the intervening days, a disturbing epidemic has arisen: small children are being abducted in the dead of night and returned drained of blood. Van Helsing seeks to convince the still-skeptical Holmwood, Morris, and Dr. Seward that the culprit is the undead Lucy Westenra. Upon entering the tomb, they discover Lucy’s coffin is empty. She soon appears, carrying a child she intends to feed upon, and is confronted by the group. Through religious incantations, they force her back into her coffin. With great anguish, Holmwood drives a stake through Lucy’s heart, while Van Helsing decapitates her, finally releasing her soul. ("Undead One, Surrender"). Reflecting on the horrors of the previous day, Mina once again hears Dracula’s voice within her mind. When the Count asks why she makes him wait, Mina accuses him of murdering Lucy. Dracula counters that Lucy was not killed but granted eternal life—and that it was the vampire hunters who truly destroyed her. Despite herself, Mina feels a powerful and unsettling attraction to him. Torn between fear of his immense power and a growing emotional pull, she begs him not to force her love unless it is genuine (“Please Don’t Make Me Love You”). Van Helsing uncovers the extent of Renfield’s psychic bond with Dracula and visits his cell alongside Mina. Renfield explains his devotion to the Count and his belief that he has been promised eternal life. When Van Helsing questions whether they have met before, Renfield chillingly claims knowledge of Van Helsing’s wife and her fate. Deeply shaken, Van Helsing abruptly leaves. Mina attempts to reason with Renfield, asking whether eternal life is worth the damnation of his soul. Renfield warns her of Dracula’s intentions but soon realizes he has sealed his own doom. After he is left alone, Dracula appears and kills his former servant (“The Master’s Song (Reprise)”). Van Helsing then reflects privately on his past, recalling his youth and his wife, Roseanne. Her death at the hands of a vampire—implied to have been Dracula—drove him to dedicate his life to hunting the undead in her memory (“Roseanne”). Meanwhile, Holmwood, Morris, and Dr. Seward discover Dracula’s London refuge in the house Harker sold to him while imprisoned in Transylvania. Van Helsing departs with the men, leaving Mina alone with Harker. As Harker sees them out, Mina becomes increasingly consumed by a desire to save Dracula from destruction. Unable to resist her longing any longer, she invites him into the house (“If I Could Fly”). Dracula places Harker into a trance and seduces Mina. Their moment of passion culminates when Dracula cuts open his chest and allows Mina to drink his blood, intending to transform her into a vampire (“Mina's Seduction”). The hunters return and confront Dracula, forcing him to flee (“It’s Over”). Through hypnosis, Van Helsing uses Mina’s growing telepathic bond to uncover Dracula’s whereabouts. She reveals that he is retreating to Transylvania after the destruction of his London sanctuary. Fearing her own damnation, Mina extracts a solemn promise from each of the men—including Harker—that they will kill her if her soul cannot be saved (“Jonathan’s Promise”). The group prepares for the journey and the final confrontation (“Deep in the Darkest Night”). Left alone, Harker agonizes over the terrible vow he has made but resolves to honor it (“Before the Summer Ends”). Aboard a train, Van Helsing once again hypnotizes Mina, who reveals that Dracula is concealed within a coffin in the hull of a ship. The trance deepens as Dracula’s presence overwhelms her mind, forcing Van Helsing to break the connection. Mina withdraws to rest while the others plot their next move (“The Train Sequence / Life After Life (Reprise)”). Returned to his castle, Dracula broods over the solitude and emotional desolation that accompany his immortal existence. Touched by her purity, he comes to the realization that he has fallen profoundly in love with Mina (“The Longer I Live”). The hunters arrive at Dracula’s castle, where the final confrontation unfolds. Morris is killed when he attempts to stake Dracula in his coffin. Van Helsing leaves Mina protected within a sacred circle of holy water while he joins Holmwood, Harker, and Dr. Seward in battling Dracula’s Brides. Dracula soon appears before Mina, who chooses to follow the creature she loves into darkness (“At Last”). However, upon hearing the death cries of his Brides, Dracula realizes that Mina would share their fate if she becomes a vampire. Unable to condemn her to such an existence, he relinquishes his own desire. Knowing that only his death can save her, Dracula asks Mina to release him from his cursed immortality using a Bowie knife taken from Morris.

Dreamboats and Petticoats

Musical · 2009

It's 1961, where Bobby, an awkward but talented teenager, is auditioning for a band at the local Youth Club. He almost gets the part, but is edged out by a last minute arrival to the auditions: the cool and confident Norman. The teenagers that hang out at Youth Club all know each other, even if they're not necessarily friends. These teens include Bobby and his best friend Ray, Ray's younger sister Laura who has a crush on Bobby, cool girl Sue whom Bobby has a crush on, and Donna, who is Sue's friend. Bobby's father announces that the Youth Club association is holding the first National song writing competition. Bobby and Laura, who have similar tastes in music, agree to write a song together. At first they make some progress, with Bobby coming up with an idea and basic tune, which Laura takes on to expand into a full song. But Bobby then starts ignoring Laura when Sue, the girl he has a crush on, starts flirting with him. Laura warns Bobby that Sue is only pretending to be into him in order to make Norman jealous, but Bobby doesn't care. The Youth Club are taken on a road trip to a local carnival, and their emotions run high. Ray and Donna get together and become a couple. Sue's plan to make Norman jealous works, and Norman takes her away to be alone. Bobby is crushed, and Laura tells him "I told you so". However, when the whole group gathers together at the end of night, Norman boasts to the others that he went "all the way" with Sue. Sue is enraged and humiliated, insisting that they only kissed. Bobby confronts Norman, insisting that he apologize to Sue. At first Norman refuses, so Bobby challenges Norman to an "official" fight in a ring, in which Bobby wins. Norman apologizes to Sue, and Sue is ecstatically grateful to Bobby and happily becomes his girl. Laura tries to remind Bobby about their songwriting commitment but to no avail, since all his time is dedicated to Sue. Norman is also being ignored by Sue, even after apologizing and promising to become better. Norman then approaches Laura, both flirting with her with suggestions that what he really needs is a "good" girl, and that they should write a song together. Bobby is confused and upset when he hears about this from Ray, who also tells Bobby that Laura has had feelings for him for a long time. Bobby and Sue break up when Bobby accidentally causes Sue to fall out his bedroom window, but when he approaches Laura to reconcile, she claims that he only started to notice her because she's started dressing nicer and doing her hair. Laura's 16th birthday party is held at the Youth Club. She and Sue decide to put the awkwardness between them to the past, and agree to be friends. Norman and Sue reconcile. Bobby and Laura confess their feelings in the locker room, admitting that they've each liked the other for a long time and didn't know what to do about it, and finally kiss. News comes in from the songwriting competition. Bobby and Laura, who are a team again, have made it to the next round. Norman did not make the cut at all. It then jumps to the final National performance, where Bobby and Laura win with the results of the joint efforts, the pop song "Dreamboats and Petticoats".

Dreamgirls

Musical · 1981

In 1962, The Dreamettes, a hopeful teenage Black girl group from Chicago, enter the famous Amateur Night talent competition at the Apollo Theater in Harlem, New York ("I'm Looking for Something", "Goin' Downtown", "Takin' the Long Way Home"). The group is composed of full-figured lead singer Effie White and her best friends, Deena Jones and Lorrell Robinson. For the contest, the Dreamettes sing "Move (You're Steppin' on My Heart)", a song written by Effie's brother, C.C., who accompanies them to the talent show. Unfortunately, they lose the talent show, but backstage, the girls and C.C. meet Curtis Taylor Jr., a former car salesman who offers to manage them. Curtis convinces James (Jimmy) "Thunder" Early, a popular R&B star, and his manager, Marty, to hire The Dreamettes as backup singers. Though Jimmy Early and the Dreamettes' first performance together is successful ("Fake Your Way to the Top"), Jimmy is desperate for new material. Curtis convinces Jimmy and Marty that they should venture beyond traditional rhythm and blues and soul audiences and aim for the pop market. C.C. composes "Cadillac Car" for Jimmy and the Dreamettes, who tour ("Cadillac Car (Reprise)") and record the single upon their return ("Cadillac Car (Second Reprise)"). "Cadillac Car" makes its way up the pop charts, but a cover version by white pop singers Dave and the Sweethearts ("Cadillac Car" (Third Reprise)) steals the original recording's thunder. Angered by "Cadillac Car"'s usurpation, Curtis, C.C., and Jimmy's producer, Wayne, resort to payola, bribing DJs across the nation to play Jimmy Early and the Dreamettes' next single, "Steppin' to the Bad Side". As a result, the record becomes a major pop hit. Conflict arises between Marty and Curtis when Curtis moves in on Marty's turf, Jimmy Early. Curtis tries to convince Marty to change Jimmy's image and sound to appeal to the white audience and make Jimmy more successful, and suggests Jimmy play in Miami's Atlantic Hotel, a place that refuses to hire non-white performers; Marty rebuffs and tells Curtis to back off his client. Later, on Lorrell's 18th birthday party, Curtis, referring to himself as Jimmy's manager, calls the Atlantic Hotel's manager to discuss hiring Jimmy Early as a performer; at the same time, Effie and Curtis start a relationship, and Jimmy, a married man, starts an affair with Lorrell. Curtis then succeeds in getting Jimmy to perform in the Atlantic Hotel, which everyone celebrates ("Party, Party"). Strongly determined to make his Black singers household names, Curtis transforms Jimmy Early into a Perry Como-esque pop singer through his performance at the Atlantic Hotel with the Dreamettes ("I Want You Baby"), and later, concentrates on establishing the Dreamettes as their own act, renaming them The Dreams, changing their act to give them a more sophisticated and pop-friendly look and sound. The most crucial of these changes is the establishment of Deena as lead singer, instead of Effie. Effie is resentful of her change in status within the group. C.C. convinces her to go along with Curtis's plan ("Family"). After a fight between Marty and Curtis, Marty quits as Jimmy's manager and Curtis takes over. The Dreams make their club debut in the Crystal Room in Cleveland, singing their first single ("Dreamgirls"). After a triumphant show, the press is eager to meet the newly minted stars ("Press Conference"). Curtis declares to Deena, "I'm going to make you the most famous woman who's ever lived," as the slighted Effie asks "What about me?" ("Only the Beginning"). Over the next few years, the Dreams become a mainstream success with hit singles. As Deena is increasingly feted as a star and Curtis continuously fixates on her, Effie becomes temperamental and unpredictable, suspecting that Curtis and Deena may be having an affair. Effie and Deena quarrel, while Lorrell attempts to keep peace between her bandmates. As Effie continues to disrupt performances and squabble with Deena, Curtis steps in and scolds Effie, warning her to stop. ("Heavy" & "Heavy (Reprise)") In 1967, the group – now known as "Deena Jones and the Dreams" – is set to make their Las Vegas debut, with Jimmy stopping by to see the girls ("Drivin' Down the Strip"). Jimmy learns from C.C. that Effie had been missing performances; Deena is convinced that she is trying to sabotage the act, while C.C. is convinced that she missed shows because of illness. Curtis replaces Effie with a new singer, Michelle Morris, a change which Effie learns before anyone has a chance to tell her. Effie confronts Curtis, C.C., and the group and tries to tell them that she is pregnant ("It's All Over"), but despite her personal appeal to Curtis ("And I Am Telling You I'm Not Going"), the heartbroken Effie is left behind as Deena Jones and the Dreams forge ahead without her ("Love Love You Baby"). By 1972, Deena Jones and the Dreams have become the most successful girl group in the country, with Deena having reached superstardom ("'Dreams' Medley" / "Dreamgirls (Reprise)"). Deena has married Curtis, and C.C. is in love with Michelle. Jimmy has gone years without a hit. Curtis shows little interest in updating or revitalizing Jimmy's act because of Curtis's preoccupation with Deena and because of Jimmy's habit of sneaking funk numbers into his repertoire of pop-friendly songs. Effie is back in Chicago, a single mother to her daughter, Magic, struggling to get another break. Marty, who is now her manager, compels her to rebuild her confidence and give up her "diva behaviors." Once she does, Effie is able to make a show business comeback ("I Am Changing"). In contrast to Effie's struggling return to her musical career, Deena wants to stop singing and become an actress. During a Vogue photo shoot ("One More Picture Please"), Deena informs Curtis of her career plans, but Curtis refuses to let her go ("When I First Saw You"). Deena is not the only one chafing under Curtis's control; C.C. is enraged by Curtis's constant rearrangements of his songs, including an emotional ballad, entitled "One Night Only", which Curtis wants instead recorded to reflect the "new sound" he is inventing. Deena and the Dreams and Jimmy perform at a National Democratic fundraiser, on a bill featuring such groups as The Five Tuxedos ("Got to Be Good Times"). While waiting backstage to go on, Jimmy finds himself arguing with Lorrell regarding the nature of their relationship and whether Jimmy will tell his wife about their affair and marry Lorrell ("Ain't No Party"). Lorrell is in tears as Jimmy takes to the stage to perform, and turns to Deena for support. As Jimmy pleads to Lorrell through his music ("I Meant You No Harm"), Deena tries to help Lorrell resolve her situation, and Michelle convinces the artistically frustrated C.C. to go find his sister and reconcile with her ("Quintette"). Midway through "I Meant You No Harm", Jimmy falls apart and decides that he "can't sing any more sad songs." Desperate to keep his set going, Jimmy launches into a wild, improvised funk number ("The Rap"), dropping his pants during the performance. An embarrassed Curtis fires Jimmy as soon as his set concludes ("Firing of Jimmy"). Lorrell ends her affair with Jimmy as well. The heartbroken Jimmy fades into obscurity, refusing to "beg" for Curtis' help. Marty arranges for C.C. to meet and reconcile with Effie at a recording studio ("I Miss You, Old Friend"). C.C. apologizes for his role in handicapping her career, and Effie records C.C.'s "One Night Only" in its original ballad format. "One Night Only" begins climbing the charts, causing an enraged Curtis to rush-release Deena and the Dreams' cover version and use massive amounts of payola to push their version up the charts and Effie's version down. Deena and the Dreams' version of the song becomes a hit. Amidst their performance of the song in Los Angeles, Deena, Lorrell, and Michelle each think of their dreams, which diverge from their current status as musical performers, and inwardly express their desire to quit the music industry: Deena wants to become an actress, Lorrell wants to live her own life and move on from Jimmy, while Michelle wants to settle down with C.C. In the end, all three exclaim, "All of us got other things than singing on our minds." After the performance, film executives approach Deena and express their excitement for making Deena's first film; Curtis pulls her aside and refuses her to go through with the film as there is no music. Deena stays insistent, and as Curtis refuses further, Deena begs Curtis to let her star in the film, to which an angered possessive Curtis tells her that she is his wife and that she is not going anywhere without him ("One Night Only (Reprise)"). As Effie's recording of "One Night Only" descends the charts with Deena and the Dreams' version's ascent, Effie, C.C., and Marty discover Curtis's scheme and later, at a Dreams concert, confront him backstage, threatening legal action ("I'm Somebody" & "Faith in Myself"). As Curtis is forced to make arrangements with Effie's lawyer to reverse his wrongdoings, Effie and Deena reconcile, and Deena learns Effie was pregnant with Curtis's child before her firing from the group. Realizing the kind of man Curtis truly is, Deena finally finds the courage to leave him and live her own life. Effie's "One Night Only" becomes a number-one hit, as the Dreams break up so that Deena can pursue her movie career. At their farewell concert ("Hard to Say Goodbye, My Love"), Effie rejoins the group on stage for the final number, and all four Dreams sing their signature song one last time.

Dreamtime

Musical · 1992

Dreamtime is an original musical by Jean Marc Cerrone and David Niles. It was created by Niles, based on an original story by Cerrone. Niles wrote the book for the musical. The show's message is the power of love and dreams. Billed as a "New Broadway Musical Experience," the show combined giant screen images in high definition with live actors, music and laser lighting effects. The hi-tech, quick editing equipment incorporated into the theater allowed the audience members to be videotaped upon their entrance and become part of the show's finale. Dreamtime ran on Broadway at the Ed Sullivan Theater in 1992.

Early to Bed

Musical · 1943

Each of the two acts of Early to Bed is framed as a flashback being narrated by a character named O'Connor in a present-day New York bar. The action takes place in interwar Martinique. El Magnifico, an ageing Spanish bullfighter, is travelling to the "Pan-American Goodwill Games" with his son, Pablo, and his valet, Pooch, when his car breaks down. The son is hit by another car and is taken to recover at the Angry Pigeon, a bordello run by Rowena, a former schoolteacher. The woman who was driving, a nightclub dancer named Lois who was travelling to a gig, is also injured, and is taken to the Angry Pigeon as well. The pair fall in love. El Magnifico and Rowena have had a romantic affair in the past, and still feel a connection, and Pooch and Rowena's maid Lily-Ann are also attracted to each other. At the Angry Pigeon is a newly hired prostitute named Eileen of all the newcomers, she is the only one who understands that the Angry Pigeon is a brothel, with all the others assuming it is a finishing school. Rowena keeps the true nature of the establishment hidden in order to continue wooing El Magnifico. Presently, the California State University track team arrive in the area for the Goodwill Games, and El Magnifico invites them to stay at the Angry Pigeon. Together with the prostitutes they build a parade float for the Games, but the effort expended on building it, and interacting with the prostitutes, leads to the team losing. President Roosevelt congratulates them via radio regardless, assuming that they deliberately allowed the other countries to win, and the Martinique mayor acknowledges Rowena and the Angry Pigeon for their role. All the couples are united.

Eating Raoul

Musical · 1992

Eating Raoul is a musical with music by Jed Feuer, lyrics by Boyd Graham, and a book by Paul Bartel and Richard Blackburn. It is based on the 1982 movie of the same name. The story focuses on Mary and Paul Bland, a couple of "squares", in the late 1960s, who want to raise money to open a restaurant. They decide to kill swingers for profit by hitting them on the head with a frying pan. They become involved with a partner, Raoul, their swarthy, sexy janitor, who helps them to dispose of the bodies. However, they soon feel trapped by Raoul and dispatch him too; he becomes the main course. The musical opened Off-Broadway at the Union Square Theatre on May 13, 1992, starring Courtenay Collins, Eddie Korbich and Adrian Zmed. It was directed by Toni Kotite and choreographed by Lynne Taylor-Corbett. Since then it has received numerous regional productions.

Eine Nacht in Venedig

Musical · 1883

During Venice’s Carnival, Duke Urbino plans to meet Senator Delacqua’s wife Barbara, but her foster sister Annina takes her place in the gondola, while Barbara meets her lover Enrico. The Duke mistakes Annina for Barbara, and the cook Ciboletta is presented to him as a second Barbara. Through the disguises and mistaken identities, Pappacoda and Ciboletta and Caramello and Annina gain the Duke’s favor and marry. The Duke makes Caramello his steward, while Delacqua is reunited with Barbara.

Elegies For Angels, Punks and Raging Queens

Musical · 1989

Elegies For Angels, Punks and Raging Queens is a musical with music by Janet Hood and lyrics and book by Bill Russell. The work features songs and monologues inspired by the NAMES Project AIDS Memorial Quilt and Edgar Lee Masters' Spoon River Anthology. Each of the monologues is written from the perspective of characters who've died from AIDS and the songs represent the feelings of friends and family members dealing with the loss. The piece was developed in the late 1980s and was originally titled "The Quilt." It was originally produced in 1989 by the TWEED New Works Festival at the Ohio Theatre in Soho in NYC, where the new title was adopted. It was subsequently produced off-off Broadway in 1990 by TWEED's artistic director Kevin Malony and Justin Ross at RAPP Arts Center in Manhattan's East Village. In 1992, it was produced by Giacomo Capizzano at the King's Head Theatre in London, where it played for several months. In June 1993, the production was transferred by Mr Capizzano to the Criterion Theatre in London's West End, where it played until July of the same year. The London cast included Miquel Brown, Kim Criswell, Kwame Kwei-Armah, James Dreyfus, Simon Fanshawe and legendary drag queen Regina Fong. In addition to the New York and London productions of the piece, there have been professional productions in Australia, Germany and Israel, among other countries.

Elf

Musical · 2010

Santa Claus, annoyed that his football game has been recorded over, opens a large pop-up book to read a story. Buddy is the happiest and tallest elf by far ("Christmastown"). It turns out that Buddy is human. Santa explains that Buddy's mother had died, and, as an orphan, he had crawled into Santa's toy sack; arriving at the North Pole, he was raised as an elf. Santa encourages Buddy to go to New York City to find his birth father, Walter Hobbs, who is on the naughty list because he doesn't believe in Santa. Nevertheless, Buddy hopes that Walter will be the "World's Greatest Dad". Walter works long hours as a book publisher in the Empire State Building. Too busy to shop for gifts with his son, Michael, and wife, Emily, he laments that Christmas gets "In the Way". Dressed in his elf clothes, Buddy finds Walter's office, where he is mistaken for a singing telegram entertainer, but he sings that Walter is his father. Walter does not believe him and has building security take Buddy to the nearby Macy's Department Store North Pole village. The employees there love Buddy's happy Christmas spirit ("Sparklejollytwinklejingley"). Buddy quickly falls for Jovie, a practical-minded Macy's elf, and persuades her to go on a date with him. The next day, however, Buddy sees Macy's Santa and declares that he is not the real Santa, causing a fracas. The police bring him to the residence of the Hobbs family. There, Michael and Emily are struggling to build a science project. Buddy helps them to complete the project, in exchange for Michael and Emily sending a letter to Santa asking for quality time with Walter ("I'll Believe in You"). Walter gets home, and they convince him to let Buddy sleep there for the night. In the morning, they receive the results of a DNA test that Emily arranged; it proves that Buddy is Walter's son ("In the Way" (reprise)). Reluctantly, he takes Buddy to his office, because Emily has a meeting. Buddy, wearing a new suit like his dad's, hopes to be "Just Like Him". Mr. Greenway, Walter's boss, tells Walter that if he does not publish a hit children's book by Christmas Eve, he will be fired; Walter, under pressure, grows even more frustrated by Buddy's distracting exuberance. Buddy takes Jovie on a date, and the two have romantic chemistry. He plans to fulfill her Christmas wish by taking her to dinner at Tavern on the Green. Jovie enjoys Buddy's enthusiasm as he encourages her to spread Christmas Cheer by loudly singing "A Christmas Song". Buddy is eager to tell Walter that he is in love and decides to cheer up his dad by making it snow in his office, so he shreds up some paper that turns out to be the manuscript of the children's book that Walter is feverishly working on. Walter angrily tosses Buddy out of the office, asking him never to return. Buddy is despondent ("World Greatest Dad" (reprise)). Santa recounts that Buddy left a farewell message for the Hobbs family. On Christmas Eve, hungry and alone on the streets of New York, Buddy finds a Chinese restaurant, where he meets unhappy, out-of-a-job fake Santas complaining that "Nobody Cares About Santa". Buddy is two hours late for his date with Jovie, who is waiting angrily in front of Tavern on the Green. She vows: "Never Fall in Love (With an Elf)". When Buddy shows up, he gives her a snow globe that Santa had given him when he departed from the North Pole, but she is too disappointed and departs. Emily and Michael find Buddy's letter and wish to retrieve him. Out of their apartment window, they see Santa's sleigh and realize that they have been wrong: "There Is a Santa Claus". They go to the Empire State Building, where Buddy also arrives, to find Walter sweating as he works to pitch a book idea to his boss. Buddy suggests "The Story of Buddy the Elf". Mr. Greenway loves the idea but says the book should be about a horse, rather than an elf. He demands that Walter work through Christmas to produce the book. However, Mr. Greenway overplays his hand by rudely criticizing Walter's sons, and Walter quits his job. Michael relates that he and his mother saw Santa's sleigh land. This alarms Buddy, as he knows this means that the sleigh must have lost power from a lack of Christmas spirit in New York City. The Hobbs family rushes to Central Park ("Nobody Cares About Santa" (reprise)). Buddy is struck by a plan. He sees a news crew covering a purported UFO event. Grabbing the reporter's microphone, he encourages all New Yorkers to spread the Christmas spirit to repower the sleigh and speed Santa on his way. Jovie appears, and she starts to sing "A Christmas Song" (reprise). Other New Yorkers begin to sing, and their collective Christmas cheer works. Santa invites Buddy to come home with him to the North Pole, but at last, Buddy feels that he has a place in New York, where he can continue making everyone happy. On Christmas Day at his home, Santa closes the big book and hears a knock on his door. There he finds Buddy, Jovie, their new baby, Buddy Jr., and the rest of the Hobbs family arriving to celebrate Christmas with him. This becomes their annual tradition. Instead of Santa Claus, the film is narrated by Papa Elf, who does not appear in the musical. Other minor changes from the movie to the musical include Santa Claus using an iPhone instead of a list of names while delivering gifts, Buddy and Jovie's child being changed from a girl to a boy, the department store scenes taking place at Macy's instead of Gimbels, and Buddy being dropped off at the Hobbs house instead of being bailed out of jail by Walter. The musical also adds a subplot about Michael and Emily Hobbs' disbelief in Santa Claus. And instead of having an elf named Ming Ming, they changed the name to Charlie and had a girl elf named Shwanda. Several scenes from the film are absent, including Buddy's visit to the mail room of the Empire State Building, and Buddy rescuing Michael from school bullies in a Central Park snowball fight. The character of Miles Finch is cut in the musical. In the musical, Walter's staff writers happen upon the only copy of an unpublished manuscript for a Christmas story by deceased famous author Chris Smith. Buddy shreds the document, not understanding its significance. This is when Walter angrily says he wishes Buddy wasn't his son, instead of in the aftermath of the Miles Finch scene. The film and musical strongly deviate in the character of Walter. In the film, Walter is portrayed as greedy, obsessed with his work, and deliberately neglectful of his family duties. In the musical, he is shown as merely bumbling, forgetful, and overworked. Santa Claus explains in the film that Walter is on his "naughty" list because of his greed and general meanness, whereas in the musical it is because he doesn't believe in Santa. In the musical, after Buddy pitches the idea of making the book about how he came to the North Pole (leading into the song, "The Story of Buddy the Elf"), Mr. Greenway loves the story, but Walter quits after Mr. Greenway insults his sons; in the film Walter chooses to go with Michael to bring Buddy back home, instead of pitching anything to Mr. Greenway, which leads to his firing.

Emojiland

Musical · 2020

Source: Inside a smartphone, emojis of all shapes and sizes go about their daily lives, exclaiming "It's Just So Great to Be Alive". Of them, we are introduced to Information Desk Person, informing everyone of the upcoming update for version 5.0; Smiling Face with Smiling Eyes and Smiling Face with Sunglasses (respectively called Smize and Sunny), who have been a couple since version 1.0; the not-so-benevolent ruler Princess, her loyal Guardsman, and greedy Man in Business Suit Levitating; Construction Worker and Police Officer, partners in work and love; and a death-obsessed Skull, who reflects on his contrary feelings toward being alive. Smize, alone for a moment, reveals that despite her happy expression, she is secretly "Sad on the Inside". She hides this from everyone by self-medicating through smelling a pink hibiscus emoji. Meanwhile, Princess acknowledges that she enjoys being a self-described "bitch", and forces her subjects to dance for her amusement ("Princess Is a Bitch"). All of the emojis gather together at "The Progress Bar" as it counts up to 100 percent, celebrating the arrival of update 5.0 and the new emojis that will come with it. Included in the new faces are Nerd Face and Prince. Nerd Face is instantly enamoured with his surroundings and nature of his existence. His first interaction is with Smize, and to her surprise, he immediately recognises her deceptively happy guise. Ever the optimist, he tells her about how their whole world is made up of binary code, and how their and their surroundings' existence is miraculous, to which she eventually agrees ("Zeroes & Ones"). After this, Sunny comes along and, jealous, bullies Nerd Face and forces Smize to leave with him. At this moment, Skull comes across a lonely Nerd Face, and, knowing his kindness and knowledge of the phone's code, asks if he can help him delete himself, to which Nerd Face, wanting to be a good friend, reluctantly agrees ("Cross My Bones"). At the castle, Princess is horrified to discover the new Prince emoji making himself at home, claiming he has the same royalty status as her ("New Crown in Town"). The two bicker for awhile before being interrupted by Man in Business Suit Levitating, who warns them that their situation could get worse if another crown-wearing emoji—like a King or Queen—gets installed in a later update, suggesting that they combat this by building a firewall, stopping all future updates and keeping out any new emojis. The royals agree to commission the firewall and throw a ball to appease their subjects. At their home, Construction Worker and Police Officer enjoy breakfast and each other's company ("Work Together"). However, their cozy morning is interrupted by Man in Business Suit Levitating commanding Construction Worker begin building the firewall. Construction Worker opposes the order, believing that blocking out the updates isn't in the interest of a majority of emojis, including herself ("Stand For"). Princess, outraged by the refusal, demands Police Officer enforces the construction, and despite her personal feelings, Police Officer does so. Nerd Face creates a virus for Skull, intending it to only be used for his self-deletion, but when Skull gets his hands on it, he threatens to release it to all of Emojiland, believing that every emoji would be better off deleted ("Thank Me Now"). During this, Police Officer enforces Construction Worker's building of the firewall, and the act ends with the firewall built and the virus released. Act 2 begins with emojis singing and dancing at the "Firewall Ball", which has mostly succeeded in distracting everyone from the reality of future updates being blocked. At the ball, Smize catches Sunny cheating on her with Kissy Face, and she runs to a bathroom. As she cries, the Pile of Poo emoji finds Smize and offers her some words of wisdom and perspective ("Pile of Poo"). Working in the desert, Construction Worker calls Police Officer to say that she's freezing, exhibiting the first symptoms of Skull's released "Virus". Information Desk Person reports additional cases, and warns listeners that infected emojis may be deleted, panicking emojis everywhere. Princess, unaware of Skull's wrongdoings, asks Man in Business Suit Levitating how the virus got in with the firewall up, to which he insists it was spread by new emojis from the most recent update. Princess immediately calls for the arrest of Prince emoji, and Information Desk Person warns old emojis to stay away from new emojis and those infected, before crashing herself. Smize goes to Sunny's place to take her things back, but finds an infected Sunny who confesses he's been cheating on her with Kissy Face since version 3.0. Construction Worker and Police Officer reunite and share a tearful goodbye, where Construction Worker gives Police Officer a firewall encryption key before crashing and disappearing in her arms. Police Officer, devastated, sings that she doesn't want anything more than "A Thousand More Words" with her partner. Smize and Nerd Face reunite, and a defeated and hopeless Nerd Face admits to creating the virus and regrets not creating an antidote. Smize, infected and starting to crash, encourages him to be the hero and save the day ("Anyway"). Inspired by her words, Nerd Face collects the encryption key from Police Officer and breaks through the firewall to try and find the factory reset button, undoing the virus's damage. As he reaches to press it, Skull appears to stop him, saying that even with a reset, every emoji still has its flaws, history is doomed to repeat itself, and nothing matters. Nerd Face insists that love is what matters, and if they avoid deletion now, they can "Start Again". Eventually, Skull gives in, but as he does, the two begin to crash and freeze. Together, they use their combined strength to push the reset button. After the factory reset, all of the emojis go about their lives as they did at the beginning of the show, having no memory of the events that just occurred. This time, however, Sunny and Kissy Face wind up together from the start, Princess and Prince coexist as rulers, Construction Worker and Police Officer are alive and well, and Smize and Nerd Face share a moment ("It's Just So Great to Be Alive (Reprise)").

Enter the Guardsman

Musical · 1997

Enter the Guardsman is a musical based on Ferenc Molnár's play The Guardsman, with music by Craig Bohmler, lyrics by Marion Adler, and a book by Scott Wentworth. The story concerns an actor who tests his actress wife's love by sending her roses as a secret admirer and disguising himself as a guardsman to seduce her. Enter the Guardsman won the first Musical of the Year competition in Aarhus, Denmark in 1996. The musical was then presented in 1997 at London's Donmar Warehouse, under a sponsorship between Donmar and the Useful Group. It was nominated for the Olivier Award for Best New Musical in 1998. In 1999, Enter the Guardsman premiered in the U.S. at the New Jersey Shakespeare Festival. A limited engagement of fifteen performances subsequently took place at the Dimson Theater in New York City in 2000.

Escape to Margaritaville

Musical · 2017

Tully Mars works as a singer for the bar at Margaritaville, a run down hotel on a small island in the Caribbean, along with Brick, the bartender, Jamal, the busboy, Marley, the owner, and J.D., a one eyed beach bum who spends his days at the bar. He regularly has affairs with female guests with no intention of continuing the fling beyond their time at the hotel ("License to Chill"). In Cincinnati, Ohio, Rachel and Tammy prepare to go on vacation at the Margaritaville before Tammy gets married. Her fiancé, Chadd, forces Tammy to go on a diet of carrot juice and sunflower seeds, so she can lose weight for the wedding, which infuriates Rachel. Chadd has Tammy promise not to cheat on him and his friends warn the two women of the land sharks. Tammy and Rachel laugh their warning off and travel to the hotel ("Fins"). Rachel is disappointed with the condition of the hotel, even though Tammy is just happy to be on vacation. Tully flirts with Rachel, who is more concerned about work, and has Brick bring tequila shots, to which Rachel questions if it's the appropriate time to start drinking. Tully, Brick, J.D., and the patrons insist that ("It's Five O'Clock Somewhere"). Tully and Brick take the women's bags to their room, along with some margaritas. Rachel insists going up to the volcano so she can obtain a soil sample. Brick offers to drive them up in his run down convertible ("Ragtop Day"). On the way to the volcano, the car breaks down, and the four search for another form of transportation. Brick and Tammy hit it off, while Tully continues to flirt with Rachel, where she informs him of her experiment to use potatoes as an alternative energy resource and how it takes up much of her time, leaving her no time to relax ("It's My Job"). Brick and Tammy rent bikes and the four continue their journey. On the beach, J.D. tells guests stories about his life and his buried treasure, which Marley dismisses as lies. After being ordered to leave the guests alone, J.D. begins to sing a song that she disapproves of and invites the guests sing along ("Why Don't We Get Drunk"). At the volcano, Tully tries to get Rachel to relax and enjoy her time on the island. He breaks the ice between them by teaching her how to play guitar ("Three Chords"). Tammy and Brick discuss their childhoods and how their parents had very high expectations for them, finding amusement that they had become the people their parents frowned upon ("We Are The People Our Parents Warned Us About"). During the song Brick hallucinates zombie insurance salesmen. Brick and Tammy almost kiss before Tammy reveals that she is engaged. Later that night, Tully reveals to Rachel that he grew up in Maine, where his father wanted him to continue the family line of fisherman. He arrived at the island to get away from the cold weather, pollution, and irritations of society. Rachel, finding herself charmed, kisses him ("Son of a Son of a Sailor"). Back at the hotel, everyone is recovering from the previous night of drinking and partying ("My Head Hurts, My Feet Stink, and I Don't Love Jesus"). Tully and Rachel prepare to go snorkeling and Marley notices something different about Tully. He then admits to her that he thinks he's in love with Rachel. After swearing that she wouldn't tell anyone, she tells some guests, and word spreads around the hotel. Tully and Rachel spend the rest of the week in bed and on the beach, causing Tully to miss work. Brick tries to help keep Tammy from giving into her urge to sleep with him. On her last night on the island, he suggests they do something to distract her and the two decide to get tattoos, with Brick needing to be drunk due to his fear of needles. On their last night on the island, Rachel and Tammy discuss how the past week has changed their views of the future ("Medley: Coconut Telegraph/Last Mango in Paris/Changes in Latitudes, Changes in Attitudes"). Tully decides to tell Rachel how he feels, but she and Tammy leave before he can. Brick discovers that his tattoo on his stomach is of Tammy's face and admits to Tully that he has feelings for Tammy. The two lament about their failed romances, while J.D. looks for a salt shaker for his shrimp ("Margaritaville"). The guests feel tremors and realize the volcano is about to erupt. Everyone begins to panic, sending Margaritaville into chaos. Jamal wonders where he will go after evacuating the island as the patrons panic, Marley tries to keep everyone calm, Tully and Brick pack the boat with whatever they can, and J.D. grabs a shovel ("Volcano"). After everyone is onboard of the evacuation boat, Marley notices J.D. is missing, and Jamal reveals that he saw him heading into the jungle. Tully and Brick go to find J.D., despite Brick's objections. In the jungle, Tully tells Brick to think of things that make him happy in order to control his fear ("Grapefruit–Juicy Fruit"). During which Brick learns how to manage his hallucinations of zombies with a tap dance number. After which Tully and Brick find J.D., who is digging up his buried treasure. The two insist that the treasure isn't real, as they believe he just makes up his stories. The two are shocked when J.D. digs up a chest as Marley arrives, revealing she had to let the boat leave due to the guests panicking. J.D. has Marley take them to his plane, which she hid due to his pilot license being revoked. At the airport, Tammy and Rachel prepare to take off and Rachel learns that funding for her experiment has been denied, much to her dismay. Up in the air, J.D. flies Marley, Tully, and Brick to safety. Tully and Brick go through J.D.'s treasure and find pictures and journals, learning that J.D. moved to Europe, married an actress, and had a son. His wife and son were killed when a bomb went off, while J.D. survived. J.D. tells the two that even though he's been through tragedy, he's had a good life ("He Went to Paris"). Tully reveals to J.D. that he hoped the treasure would be money that he could give to Rachel to help fund her experiment. J.D. tells Tully that the real treasure is what is in the heart and the memories of all the good times. He insists that Tully tell Rachel that he loves her, to which Tully has J.D. fly them to Cincinnati. At a bar in Cincinnati, Tammy and Chadd's rehearsal dinner is underway. She prepares to go eat a cheeseburger, but Chadd has set up a vegetarian buffet for her, due to her diet. She fantasizes about eating a cheeseburger, when Brick enters and urges her to quit her diet ("Cheeseburger in Paradise"). Chadd sees them eating the burgers and tells Tammy that he can't love her if she's fat, causing Tammy to punch him and call the wedding off. J.D. and Marley discuss about the time they slept together ten years ago, and admit that they have feelings for each other. Tully enters and tells Rachel that he loves her, to which Rachel isn't sure how to respond. Tully plays a song to remind her of their time together on the island ("Tin Cup Chalice"). She admits that she has feelings for Tully, but they are too different and that a relationship probably won't last. She leaves and Tully is approached by Ted, a talent agent, who insists that Tully can become famous with his music. Over the course of three years, Brick and Tammy get married and have a daughter; after being denied by numerous banks, Rachel finally gets funding for her research; J.D. and Marley become a couple, rebuild Margaritaville, and have a daughter; and Tully becomes an international music star ("Love and Luck"). Tully returns to Margaritaville to perform for the hotel's re-opening and notices Rachel in the crowd. The two catch up and realize they are still in love with each other ("Come Monday"). A year later, Brick and Tammy receive an invitation to Tully and Rachel's wedding and first class tickets. Tully, Rachel, Tammy, Brick, J.D. and Marley reflect on how much their lives have changed in the past few years as the wedding is being prepared and the guests arrive ("A Pirate Looks at Forty"). The two are married and everyone celebrates at Margaritaville ("One Particular Harbor").

Evangeline

Musical · 1874

Young Evangeline (or Eva) is an American girl of French Acadian stock, who becomes betrothed to her beloved, Gabriel. She comes to harbor some deserting sailors, and she and her companions are arrested for this crime by Captain Dietrich of the British Army, who intends to send her to France by ship for imprisonment in the Bastille. She is separated from Gabriel. Her friend Eulalie hopes for women's rights. The ship carrying her, her companions and her beautiful, dancing heifer runs aground off the coast of a diamond-rich African country, ruled by savage King Boorioboola Gha. A series of lovesick wanderings and episodes ensue, including a meeting with a monster whale and a balloon flight to Arizona's uncharted Indian territory. Evangeline is pursued, wherever she goes by the foolhardy Le Blanc, an Acadian notary, who holds a secret will that will legally divert Evangeline's inheritance to himself if she signs a marriage contract, an event that is repeatedly, ludicrously interrupted. All ends happily.

Ever Green

Musical · 1930

Harriet Green, a music hall star of the Edwardian period, has given birth, out of wedlock, to a daughter. Harriet flees to South Africa to raise her daughter away from the spotlight. The years pass, and now her daughter, Harriet Hawkes, returns to London to try to enter showbusiness. A publicity man, Tommy, sees that young Harriet is a dead ringer for her famous mother and convinces a theatre producer to star her in a new revue as a miraculously youthful Harriet Green. The public believes the ruse, but also believes that Tommy is her son. This leads to complications, because Harriet and Tommy fall in love.

Everybody's Talking About Jamie

Musical · 2017

Miss Hedge, a careers teacher, asks her noisy year eleven class what they want to be when they get older. One student of the class (16), Jamie New, gets teased about his homosexuality and reveals to the audience all he wants to be is a drag queen ("And You Don't Even Know It"). When prompted, Jamie tells the class he wants to be a performer, but Miss Hedge tells him to get real. At Jamie's house, his mother Margaret and family friend Ray are preparing for his 16th birthday. When Jamie arrives home, Margaret gives him a card from his dad, with a picture of a race car. Margaret then gives Jamie his gift from her - a pair of red stilettos from Meadowhall. Jamie reveals hesitation about going outside his garden in the shoes ("Wall in My Head"). The next day at school, Jamie shows his best friend Pritti his new heels, and then he is interrupted by Dean, the school bully. He taunts Pritti for being Muslim, and Jamie for being gay. Jamie taunts Dean; embarrassed, Dean leaves. Pritti encourages Jamie to go to prom in a dress ("Spotlight"). Jamie then parades around the classroom in his heels ("Spotlight (Reprise) (Star of the Show)"). At his local shop for drag queen attire, Victor's Secret, Jamie befriends the owner Hugo, and learns all about Hugo's past as a drag queen ("The Legend of Loco Chanelle (and the Blood Red Dress)"). Hugo books Jamie's first drag show at the local nightclub, and helps Jamie choose his dress ("The Legend of Loco Chanelle (and the Blood Red Dress) (Reprise)"). Meanwhile, Margaret meets with Jamie's dad, where she reveals she has been lying to Jamie about his dad, including the fact she has to write a birthday card from him each birthday. Jamie's dad tells Margaret he wants nothing to do with Jamie, claiming he is not a "real boy". Margaret ponders what her life would be like if she never met Jamie's dad ("If I Met Myself Again"). At school, Jamie pulls Pritti into a disabled toilet so she can help with his make-up. They are discovered by Miss Hedge, but Pritti tells her that she is doing Jamie's make-up for an art project. Miss Hedge tells Jamie that he should be proud of being an art project, and walks him around school in the make-up. Jamie, initially embarrassed by the attention, decides to be proud of himself, telling the school that he is doing a drag show at the local nightclub, Legs Eleven, that night ("Work of Art"). Outside Legs Eleven, Jamie bumps into Dean, who calls him a minger. Inside the club, Margaret and Ray have been introduced to a group of drag queens: Laika Virgin, Tray Sophisticay, and Sandra Bollock. Hugo emerges, now dressed as Loco Chanelle, his drag alter-ego. Jamie runs in to tell them all he cannot go on because of what Dean said. Jamie finds the dress he admired at Victor's Secret in his dressing room, with a tag on saying "Love Dad" as well as a flower delivery from Jamie's dad. Loco Chanelle, with the help of the other drag queens, encourage Jamie to find his drag self, whom Jamie calls Mimi Me ("Over The Top"). As Loco announces Jamie over the sound system, Dean and his mates chant 'minger' as we see Jamie in drag. ("Out Of The Darkness"). The next day, the school is buzzing with news of Jamie's drag debut ("Everybody's Talking About Jamie"). Jamie comes into school in bright blue eyeshadow and long eyelashes. Miss Hedge once again tells Jamie to "get real", and Dean taunts Jamie, but Jamie kisses him in retaliation, leaving Dean confused. At home, Jamie shows Margaret and Ray his new prom dress, now shortened and fitted with working flashing lights. Margaret worries if this is all too much ("Limited Edition Prom Night Special"). The phone rings, and Jamie and Margaret are called to the school. Jamie, Margaret and Ray go to the school to meet with Miss Hedge, who tells Jamie that there have been rumours that he will be attending prom in drag, and she will not allow it. Jamie is disappointed, and Dean seems to know all about it. In Pritti's bedroom, Jamie rants to Pritti about how he is not allowed to go to prom in drag. Pritti tells Jamie to go in a dress - not in drag. Jamie says that without Mimi Me, he is ugly. Pritti reassures Jamie that he is far from ugly ("It Means Beautiful"). Jamie reveals that when he was eight, his dad found him in a dress and was angry. He is then confused as to why he paid for the dress and bought flowers if he is not supportive of him as a drag queen. Pritti suggests Jamie should go to his house and speak to him. Before he leaves, Jamie kisses Pritti on the cheek ("It Means Beautiful (Reprise)"). At the house of Jamie's dad, Jamie's dad reveals that he did not know about Mimi Me and calls Jamie disgusting. He tells Jamie he did not pay for the dress or flowers. Jamie figures out that it was his mother doing all of this in his dad's place ("Ugly in This Ugly World"). At home, Jamie argues with Margaret over why she has been lying over all these years. Jamie screams in Margaret's face and storms out. Margaret, left alone, sings about how she will always love Jamie no matter what ("He's My Boy"). Jamie wanders the streets drunk on cider. He is approached by three local boys, and is beaten up as they shout homophobic remarks about him. ("And You Don't Even Know It (Bus Station Reprise)"). Jamie is defended by Hugo, who urges Jamie to go home and apologise to his mum. Jamie takes Hugo's advice and Margaret and Jamie apologise to each other ("My Man, Your Boy"). At the prom, all of the kids are very excited ("Prom Song"). Pritti enters, wearing makeup and a prom dress. All the girls love it, but Dean decides to bully her. She finally stands up to Dean, and then reveals Jamie, in a white prom dress. Miss Hedge comes out of the school and refuses Jamie's admission to the prom. All the kids stand outside and chant Jamie's name until Miss Hedge gives in and lets him in. Jamie waits until everyone's gone in, and then calls Dean out from off-stage. Jamie encourages Dean to be nice just for one night, to which Dean agrees, and they walk into prom hand-in-hand ("Finale"). As an encore, the cast perform "Out of the Darkness (A Place Where We Belong)".

Everybody's Welcome

Musical · 1931

Everybody's Welcome is a musical comedy with a book by Lambert Carroll, lyrics by Irving Kahal, and music by Sammy Fain. The musical has two acts and a prologue. The musical is best known for originating the song "As Time Goes By", with music and lyrics by Herman Hupfeld. The song was part of the "additional material" provided for the musical by songwriters other than Kahal and Fain. It is the only music from this work that has not been lost. The musical ran at the Shubert Theater in New York City from October 31, 1931, to February 13, 1932, for a total of 139 performances. The musical starred Harriette Lake as Ann Cathway, Oscar Shaw as Steve Merrick, Ann Pennington as Louella Carroll, Jack Sheehan as Biny Hatfield and Frances Williams as Polly Bascom. It was directed by William Mollison and choreographed by William Holbrook.

Evil Dead: The Musical

Musical · 2003

Five college students spend the weekend in an abandoned cabin in the woods, accidentally unleashing an evil terror. In this comedic take on the 1980s horror franchise, characters and demons sing and dance to songs written specifically for the musical. And, as in the films, Ash is there to dish out his various one-liners and fight the neverending demons. The musical takes creative liberty with the plot line of the movies, mixing together the characters and concepts of all three, as well as changing sequences for the sake of the stage and comedic intent. Roughly, the first act adapts the original The Evil Dead while the second act adapts Evil Dead II.

Evita

Musical · 1978

Act I On 26 July 1952, a crowd in a Buenos Aires, Argentina theatre is watching a movie ("A Cinema in Buenos Aires, 26 July 1952") that is interrupted when news breaks of the death of First Lady Eva Perón. Both the crowd and the nation go into a period of public mourning ("Requiem for Evita") as Che, a member of the public, marvels at the spectacle and promises to show how Eva did "nothing for years" ("Oh What a Circus"). In 1934, 15-year-old Eva Duarte lives in the city of Junín, and longs to seek a better life in Buenos Aires. Eva takes up with a tango singer-songwriter, Agustín Magaldi, after she meets him at one of his shows ("On This Night of a Thousand Stars"). Eva persuades an initially resistant Magaldi to take her with him to Buenos Aires ("Eva, Beware of the City"). Upon her arrival in the city, Eva sings about her hopes and ambitions of glory ("Buenos Aires"). After her arrival, Eva is quick to leave Magaldi and pursue other romantic connections to climb up the social ladder ("Goodnight and Thank You"). Che tells of both a coup in 1943 and Eva's success, implying that Argentine politics and Eva's career may soon coincide. Che also makes a point to introduce the figure of Colonel Juan Domingo Perón, an ambitious army colonel making his way up the Argentine political ladder ("The Lady's Got Potential"). Perón and other military figures compete for power and exhibit their political strategy, with Perón rising above the pack ("The Art of the Possible"). After a massive earthquake hits the town of San Juan, Perón organizes a charity concert at Luna Park to provide aid to the earthquake's victims, which Eva attends. Perón's rousing speech is well-received by the crowd ("Charity Concert"). Eva introduces herself to Perón and they share a secret rendezvous following the charity concert, where Eva hints that she could help Perón rise to power ("I'd Be Surprisingly Good For You"). Eva dismisses Perón's unnamed mistress, who ponders the rejection and her fate ("Another Suitcase in Another Hall"). Upon moving in with Perón, Eva is introduced to high society only to be met with disdain from the upper classes and the Argentine Army ("Perón's Latest Flame"). In 1946, after launching his presidential bid, Perón discusses his chances of winning the election with Eva. After reassuring him of their chances of winning, Eva organizes rallies for the descamisados (shirtless ones) and gives them hope for a better future while Perón and his allies plot to dispose of anyone who stands in their way ("A New Argentina"). Act II Perón is elected President in a sweeping victory in 1946. He stands "On The Balcony of the Casa Rosada" addressing his descamisados. Eva speaks from the balcony of the Presidential Palace to her adoring supporters, where she proclaims that despite her elevated status, her heart remains with the people of her country ("Don't Cry for Me Argentina"). Che analyses the price of fame as Eva dances at the Inaugural Ball with Perón, now the president-elect ("High Flying, Adored"). Eva insists on a glamorous image to impress the people of Argentina and promote Peronism. She prepares to tour Europe as she is dressed for success by her fashion consultants ("Rainbow High"). Her famous 1947 tour meets with mixed results ("Rainbow Tour"); Spaniards adore her, but the Italians liken her husband to Benito Mussolini. France is impressed, and the British snub her by inviting her to a country estate, rather than Buckingham Palace. Eva affirms her disdain for the upper class, while Che asks her to start helping those in need as she made a promise ("The Actress Hasn't Learned the Lines (You'd Like to Hear)"). Eva begins the Eva Perón Foundation to direct her charity work. Che describes Eva's controversial charitable work and possible money laundering ("And the Money Kept Rolling In (And Out)"). Eva appears at a church to take the sacrament in front of her adoring supporters ("Santa Evita"), but passes out suddenly, and while unconscious, appears to have a dream that reflects upon the conflicting views of her life. In her dream, she and Che heatedly debate her actions; Che accuses Eva of using the Argentine people for her own ends, while Eva cynically replies that there is no glory in trying to solve the world's problems from the sidelines ("Waltz for Eva and Che"). At the end of the argument, Eva finally admits to herself and Che that she is dying and cannot go on for much longer. Che points out the disastrous results of Perón's policies on Argentina: its treasury is bankrupt, its once-thriving beef industry is under rationing, and the press and other critics of the regime are muzzled. Perón's generals finally get sick of Eva's meddling and demand that Perón force her to leave politics. However, Perón objects and claims that if it were not for her, they would never have achieved as much as they have ("She Is a Diamond"). But he also concedes that she will not be able to keep working for long as she will soon succumb to her cancer. Even so, Eva is determined to run for Vice President, and Perón fears that the military will stage a coup if she runs and that Eva's health is too delicate for any stressful work, but Eva insists that she can continue, despite her failing health ("Dice Are Rolling/Eva's Sonnet"). Realizing she is about to die, Eva renounces her pursuit of the vice presidency and swears her eternal love to the people of Argentina ("Eva's Final Broadcast"). Eva's numerous achievements flash before her eyes before she dies ("Montage"), and she asks for forgiveness, contemplating her choice of fame instead of long reign ("Lament"). Evita dies, and embalmers preserve her body forever. Che notes a monument was set to be built for Evita but says "only the pedestal was completed, and Evita's body disappeared for 17 years."

Eyes and No Eyes, or The Art of Seeing

Musical · 1875

Sisters Clochette and Columbine love twin brothers Pierrot and Arlequin, who flirt with both. After Columbine loses their uncle Cassandre’s wedding cloak, the sisters pretend it is magically visible only to true lovers and invisible to flirts. The lovers and older couple each fall into the trap. The sisters finally claim the cloak is visible to true lovers under thirty and invisible to those over thirty. The uncle accepts this and pairs the young people, who secretly switch partners to match their true affections.

Face the Music

Musical · 1932

Producer Hal Reisman desperately seeks backers for his Broadway show. Because of the Great Depression, once-rich investors are "Lunching at the Automat". Kit Baker, a former musical-comedy star and her boyfriend Pat Mason are now out of work and poor ("Let's Have Another Cup of Coffee"). In his search, Reisman meets crooked policemen who need to get rid of their illegal money before they are found out. The corrupt police chief Martin van Buren Meshbesher and his eccentric wife Myrtle become investors in the show, expecting it to be a failure. In the show-within-the-show, Rodney St. Clair sings "My Beautiful Rhinestone Girl". However, when risqué material is added the show is raided and the government tries to close it. The flop becomes a hit because of the publicity.

Fade Out – Fade In

Musical · 1964

Fade Out – Fade In is a musical with a book and lyrics by Betty Comden and Adolph Green and music by Jule Styne. The story involves the movie industry in the 1930s. It starred Carol Burnett, returning to the Broadway stage for the first time in four years. Comden and Green, who tackled the problems Hollywood players faced when the film industry transitioned from silent movies to sound films in Singin' in the Rain, now turn to Hollywood in the 1930s. The show spoofs some of the great film stars of the era, such as Shirley Temple and Bill "Bojangles" Robinson, and the character L.Z. Governor is based on MGM honcho Louis B. Mayer, known for his roving eye for pretty starlets and deep-seated nepotism.

Faking Bad

Musical · 2018

In the middle of the desert, awaiting his arrest, Walter White begins recording a message for his family but stops mid-way through to do a second take. ("Pilot" [Take One]) We are taken 3 weeks earlier as the ensemble explains how he came to this point. They describe his difficult life, working 2 jobs to support his pregnant wife, Skyler, and his disabled son, "Teenie Weenie" Walter Jr. On the day of his 50th birthday, he is diagnosed with lung cancer but hides it from his family. Later at his party, Walt's brother-in-law Hank Schrader, a DEA agent, invites him on a drug bust where he sees former student Jesse Pinkman escape. Walt decides then to start cooking meth to make money for his cancer. (The Ballad Of Walter White [Take Two]) Later that night Walt goes to Jesse's house and convinces him to cook meth with him. (Break Bad With Me) A few days later, a drug deal with Jesse's former dealer, Krazy-8, goes wrong and Walt is forced to kill him to save himself. (I Could Kill Him/Walter's Idea) Walt gets home late much to Skyler's annoyance so he is forced to tell her he has cancer. While initially distressed about the cost of medication, Skyler tells Walt to ask his rich friends Elliot and Gretchen Schwartz for help with the costs. Walt is initially hesitant due to their poor history but eventually comes around to the idea. (Honesty) Hank explains the importance of the DEA and their role in society. (D.E.A) A few weeks later Walt and Jesse are kidnapped by their psychotic distributor, Tuco Salamanca, and taken to a house in the desert. (Road Trip Song [Tuco, Tuco!]) At the house, Walt plans to kill Tuco using ricin but they are spotted by Tuco's disabled uncle, Hector Salamanca. Hector (who can only communicate with a bell strapped to his wheelchair) alerts Tuco forcing Jesse to shoot Tuco so they can escape. Hank also unexpectedly shows up forcing Walt and Jesse to hide. Hank shoots Tuco, killing him. (Tio and Tuco) To avoid suspicion from his family Walt feigns having a fugue state. (The Ballad of Walter White [Reprise 1]) When he is reunited with his family, he denies any knowledge of having a second cell phone. (Honesty [Reprise 1]). A few weeks later one of Walt's distributors is arrested. To help avoid any further run-ins with the police Walt and Jesse hire sleazy TV lawyer Saul Goodman. (Comedy Lawyer) Gretchen asks to speak with Walt after finding out that he has been lying about them paying for his treatment. The argument becomes heated when Walt claims the Schwartzes cut him out of Grey Matter with both parties cursing each other out. (Sorry Gretchen) While Jesse is hanging out with his girlfriend Jane Margolis he rants about Walt. He wants to smoke heroin to calm down but Jane tells him not to and about what she learned in rehab. Jesse decides to split the heroin with Jane and they both get high. (Jesse's Rap) Meanwhile, Walt asks Skyler to promise she won't have sex with her boss Ted Beneke. (Honesty [Reprise 2]) A few weeks later Saul sets up a meeting between Walt and high-end distributor Gus Fring who also runs the Los Pollos Hermanos restaurant chain. Gus decides to let Walt cook meth for him. (Don't Be a Chicken) Later at night, Walt breaks into Jesse's house and finds Jane overdosing. Walt decides not to help her as he fears his control over Jesse is loosening due to his relationship. (Should I Help Her?) Skyler discovers Walt's second cell phone and thinks he's dealing marijuana. When she confronts him over this, he is disappointed she would think so low of him, and he reveals he has instead been dealing meth. Walt and Skyler divorce. (I Think My Husband's Been Dealing...) A mariachi band explains the entirety of the third season. Walt gets a new lab partner, Gale Boetticher, whom he dislikes. He also refuses to leave his house forcing Skyler to sleep with Ted. Hank is stalked and almost killed by Tuco's cousins but he manages to kill them instead, becoming paralyzed in the process. Jesse finds out some of the people working under Gus use children to sell meth so Walt kills them, enraging Gus. Gus threatens to kill Walt and Jesse but Jesse kills Gale, ensuring their continued partnership with Gus (Season Three) Walt's family visits Hank for dinner and Hank reveals he has started a mineral collection, much to the dismay of the other characters. (Minerals #1) At the dinner, Walt implies that Heisenberg may still be alive when Hank tells him they suspect Gale. Skyler gets mad at Walt and implies he is scared and wants to get caught. Enraged, Walt egotistically tells her that he should not fear danger but that he has so much power others should fear him instead. (Danger) Gus kills all the higher-ups of the Mexican cartel and plans on visiting Hector to kill him too. (Don't Be a Chicken [Reprise 1]) As the ensemble begins singing about Walt giving up, Walt shuts them up and tells them that Walter White is dead and to refer to him as Heisenberg from now on. (The Ballad of Walter White [Reprise 2]) Walt meets with Hector and they create a plan to kill Gus. Hector will go to the DEA forcing Gus to investigate. When Gus visits Hector he will use his bell to set off a bomb strapped to the wheelchair, killing Gus and Hector in the process. (The Chicken Man) Their plan goes exactly as expected and Gus is killed. Walt and Jesse celebrate their victory over Gus. (Don't Be a Chicken [Reprise 2]) Walt and Jesse convince one of Gus' men, Mike Ehrmantraut, to help in their new operation now that Gus is dead. (Break Bad With Three) Hank is promoted to ASAC and dedicates himself to catching Heisenberg. (D.E.A. - Reprise) Walt, Jesse, and Mike make plans to take over a rival drug operation run in Phoenix by a man named Declan. Declan, insulted by Walt's proposition asks who he is. Walt tells him that he knows exactly who he is. (Plan) Walt boasts about his accomplishments since he started dealing meth, leading Declan to realize he is the now legendary Heisenberg. (Say My Name!) Later that day, Mike and Walt get into a heated argument over Mike not giving Walt the names of men who worked for Gus. When Mike calls Walt a "bad man" Walt shoots him in rage. As Mike dies Walt realizes he could get the names from another associate of Gus, Lydia Rodarte-Quayle. Lydia gladly gives the names to Walt and Walt briefly debates killing them before going ahead with it. (Should I Kill Them?) Walt is confronted by Skyler who begs him to leave the business in return for fixing their family. Walt finally decides to give up and retires from cooking meth. (Honesty [Reprise 3]) At Walt's house, Hank accidentally discovers Walt is Heisenberg when he reads a book Walt received from Gale. Hank confronts Walt over this but Walt completely denies his allegations. He says that his cancer has returned meaning Hank wouldn't even have someone to catch if he pursued him. Hank doesn't care and still chooses to pursue this lead. (Hank and Walt) Hank brings Jesse in for investigation but Jesse refuses to talk. Hank threatens to begin singing about minerals which causes Jesse to confess immediately. (Minerals #2) Hank tricks Walt into going to the desert where he can arrest him but the neo-Nazi group Walt used to kill Gus' men follow him out. Walt begs for Jack Welker, the leader of the group, to spare Hank's life in exchange for the $8 million Walt has in the desert. Hank refuses to accept so Jack allows Hank to speak his final words, his mineral song, before shooting him. (Minerals #3) Walt is forced to gain a new identity and move to New Hampshire to avoid arrest. After some months, Walt sees Elliot and Gretchen on a TV claiming Walt had very little to do with the founding of Grey Matter, enraging Walt. He also finds out Jack's gang has yet to kill Jesse and are using him to cook meth, convincing him to return to Albuquerque. Walt first visits the Schwartzes and forces them to give his son $9 million with the alternative being death. Walt next visits his family to say goodbye. Skyler begs Walt to not say he did it for his family and Walt admits he did it all for his own enjoyment. Finally, Walt goes to Jack to rescue Jesse. When Walt inquires why Jack even needs the money he says he wishes to run for president of the United States. Jack threatens to kill Walt but Walt requests that he can play his guitar one last time. (Final Sequence) While playing the guitar Walt and Jesse telepathically communicate and Walt tells Jesse to duck on his command. When he finishes playing Walt reveals the guitar is actually an activator for a mounted gun that kills the neo-Nazis, fatally injuring Walt in the process. (Walt's Guitar Solo/The Killing of the Nazis) Walt solemnly sings about chemistry before succumbing to his injuries. The ensemble return to question if he was good or bad, ending on the note that inside we are all like Walter White to some extent. (Chemistry/The Ballad of Walter White)

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